Hardcover. New York, Aperture, reprint, 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer photographers, sources, general bibliography, acknowledgments. Photographs from the archives of Arnold Arboretum - Harvard University.
Hardcover. NY, Blue Rider Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 583 pages. The definitive history, packed with untold stories, of one of America's most controversial and powerful companies: Facebook As a college sophomore, Mark Zuckerberg created a simple website to serve as a campus social network. Today, Facebook is nearly unrecognizable from its first, modest iteration. In light of recent controversies surrounding election-influencing "fake news" accounts, the handling of its users' personal data, and growing discontent with the actions of its founder and CEO--who has enormous power over what the world sees and says--never has a company been more central to the national conversation. Millions of words have been written about Facebook, but no one has told the complete story, documenting its ascendancy and missteps. There is no denying the power and omnipresence of Facebook in American daily life, or the imperative of this book to document the unchecked power and shocking techniques of the company, from growing at all costs to outmaneuvering its biggest rivals to acquire WhatsApp and Instagram, to developing a platform so addictive even some of its own are now beginning to realize its dangers. Dj crease in production, clean copy.
Hardcover. NY, Dodd Mead, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. Black & white Illustrations by author. Dust jacket with edgewear, chips, otherwise very good. A noted artist-illustrator presents a pictorial gallery of the men and women of the American frontier West in pencil drawings: the cowboy, rancher, stagecoach bandit, marshal, riverboat captain, vaquero, peddler, gunsmith, mountain man, wagon cook, missionary, etc.
Hardcover. New Haven , Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 256 pages. Examines concepts of female beauty in terms of the ideal and the real, investigating paradigms of beauty as represented in art and literature and how beauty has been enhanced by cosmetics and hairstyles. Images of some of the most beautiful women in history, both real and ideal, accompanied by illustrations from costume books, fashion plates, advertisements, caricatures, etc. Like new in publisher's shrink-wrap.
Softcover. Washington DC, National Portrait Gallery/ Smithsonian Institution Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 378 pages, illustrated with numerous b&w plates. Exhibition catalog for a show at the National Portrait Gallery in 1978. Tight, clean copy.
Hardcover. Burlington VT, Ashgate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 245 pages, in a bright. unclipped dust jacket. Fado, often described as 'urban folk music', emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. It is known for its strong emphasis on loss, memory and nostalgia within its song texts, which often refer to absent people and places. One of the main lyrical themes of fado is the city itself. Fado music has played a significant role in the interlacing of mythology, history, memory and regionalism in Portugal in the second half of the twentieth century. Richard Elliott considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local. Elliott explores the ways in which fado acts as a cultural product reaffirming local identity via recourse to social memory and an imagined community, while also providing a distinctive cultural export for the dissemination of a 'remembered Portugal' on the global stage.
Hardcover. NY, NYU Press , 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, no dust jacket issued, 272 pages. Returning Vietnam veterans had every reason to expect that the government would take care of their readjustment needs in the same way it had done for veterans of both World War II and Korea. But the Vietnam generation soon discovered that their G.I. Bills fell well short of what many of them believed they had earned. Mark Boulton's groundbreaking study provides the first analysis of the legislative debates surrounding the education benefits offered under the Vietnam-era G.I. Bills. Specifically, the book explores why legislators from both ends of the political spectrum failed to provide Vietnam veterans the same generous compensation offered to veterans of previous wars. Clean copy.
Hardcover. New York, Picador, 1st Edition, 2015, Book: Very Good, Dust Jacket: Very Good, 566 pages. Hardcover. Full page, full color and b/w illustrations throughout. Dust jacket with graphic illustration in very good condition. Clean, unmarked copy.
Softcover. Ann Arbor, MI, Published for U. New Hampshire by University Microfilms International, 1980, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. Biographical history of Paul Rosenfeld, his artistic, musical, and literary criticisms and his contemporaries. Slight bumping to corners, otherwise a tight and clean copy.
Hardcover. New York, Rizzoli International , 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 224 pages illustrated in color and b&w throughout. Foreword by John Kenneth Galbraith. Folio. Brown leatherette. Like new, in original shrinkwrap.
Hardcover. Philadelphia , John Dickins, 2nd Ed., 1795, Book: Good, Dust Jacket: None, Two volumes bound in one: 100 and 103 pages. The second volume; The Primitive Physic by John Wesley, 24th Edition, revised and corrected. Bound in contemporary calf, front top corner worn, scattered foxing. Early home remedies for all kinds of maladies. Previous owner's signature on title page otherwise clean, solid copy.
Hardcover. Boston , David R. Godine, 1st, 1973, Book: Good, Dust Jacket: Good, Hardcover. 93 pages. Black & white photographs. Foreword by Weston Naef. Dust jacket with edgewear.
Hardcover. NY, Thomas Y. Crowell, 1st, 1896, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt and black, 399 pages. Forty-one chapters, each on a different actor, with a portrait of each. Each of the mini-biographies was written by a different writer or critic. The editors include such actors as John Drew, Edwin Booth, Rose Coughlan, James O'Neill, Edward Harrigan, Joseph Jefferson. Very good copy of the first edition. The book has brighttop edge gilt. Previous owner's bookplate, inscription on front endpapers.
Hardcover. London, Sir Isaac Pitman & Sons, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt titles, top edge gilt, 456 pages. Preface, editorial notes accompanying each speech from Cromwell, delivered September 17, 1665 to Gladstone, May 7, 1877. Some light foxing to first 12 pages, otherwise clean, no markings.
Hardcover. Cambridge MA, Harvard University Press, 2nd pr., 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with fading to spin, 530 pages. After the composition of the Decameron, and under the influence of Petrarch's humanism, Giovanni Boccaccio(1313-1375) devoted the last decades of his life to compiling encyclopedic works in Latin. Among them is Famous Women, the first collection of biographies in Western literature devoted exclusively to women. The 106 women whose life stories make up this volume range from the exemplary to the notorious, from historical and mythological figures to Renaissance contemporaries. In the hands of a master storyteller, these brief biographies afford a fascinating glimpse of a moment in history when medieval attitudes toward women were beginning to give way to more modern views of their potential. Famous Women, which Boccaccio continued to revise and expand until the end of his life, became one of the most popular works in the last age of the manuscript book, and had a signal influence on many literary works, including Chaucer's Canterbury Tales and Castiglione's Courtier. This edition presents the first English translation based on the autograph manuscript of the Latin. Clean copy.
Hardcover. North Pomfret VT, David & Charles, Inc, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 152 pages, many photographic plates in colour and b/w. A history of puppets, puppetry and puppet theatre, including glove puppets, shadow puppets, rod puppets, marionettes.
Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 86 pages, illustrated throughout in b&w. Light shelf-wear to wrappers, else a clean, tight copy. 9 1/8 X 12 inches. Three essays 1) "The Art of the Human Document: Russell Lee in New Mexico" by J.B. Colson, 2) "John Collier, Jr.: Cultural Diversity and the Camera" by Malcolm Collier, 3) "Jack Delano and the Railroad Photography Project in New Mexico" by Jay Rabinowitz. Photographs follow by Russell Lee, John Collier, Jr., and Jack Delano. All photographs B&W and beautifully reproduced.
Softcover. Philadelphia, Paul Dry Books, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 299 pages. At the crossroads of East and West, Salonica (now Thessaloniki) was an oasis in a swirl of conflicting powers and interests, a vibrant world of varied peoples, where Leon Sciaky grew up at the turn of the twentieth century. This rediscovered classic includes many photos courtesy of Leon Sciaky's son Peter, who has also written a short biographical sketch of his father's life in America. "This picture of a Jewish childhood among rich merchants in Salonica has a glow, the radiant sunshine of a protected childhood."--Chicago Sun. Clean copy.
Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 234 pages. Behind all of the statistics on downsizing, the shrinking of our industrial base, and the folly of short-sighted management is the human drama of working women and men and their unions, struggling for dignity, fairness, and security. In Farewell to the Factory, Ruth Milkman tells us the stories of workers in a New Jersey auto plant. Milkman's scholarship makes a valuable contribution to the national conversation on restoring the American Dream for working families. Clean copy.
Softcover. Chicago, University of Chicago Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 161 pages. In this overview of the origins and development of black societies in southern Africa, Martin Hall reconstructs the region's past by throughly examining both the archaeological and the historical records. Beginning with the gradual southward movement of the earliest farmers nearly two thousand years ago, Hall tracks the emergence of precolonial states such as Mapungubwe and Great Zimbabwe. Farmers, Kings, and Traders concludes with the devastating effects of colonialism. Through a close reading of the accounts of early travelers, colonialists, archaeologists, and historians, Hall places in context the often contradictory histories that have been written of this region. The result is an illuminating look at how ideas about the past have themselves changed over time. Name on front fly leaf, otherwise clean.
Softcover. New Jersey, Bergen County Board, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 104 pages. Volume six of a seven volume set on the history and heritage of Bergen County. Clean, like new..
Hardcover. NY, Dutton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 516 pages. SIGNED BY AUTHOR on front fly leaf. The enduring appeal of the music of George and Ira Gershwin has spawned several biographies of the talented brothers who created more than 700 popular songs before George's untimely death at age 39 in 1937--Ira died in 1983 at age 87. But never before has the collaboration itself been the subject of such intelligent and fruitful scrutiny as in this intriguing study. Rosenberg, chair of the musical theater program of the Tisch School of the Arts at New York University, has a gift for making scholarly points in accessible, albeit mundane language. Readers require no particular musical background in order to enjoy and respond to her original theories about the connections between George's music and Ira's lyrics. Points of comparison are frequently illustrated with side-by-side measures of music, and the striking thematic relationships between such songs as Embraceable You and The Man I Love are also compared dramatically to George's orchestral composition, including the well-known Rhapsody in Blue. This is a rich feast for music historians, musicians and connoisseurs of musical theater as well as inveterate hummers who like a Gershwin tune. Clean copy.