Hardcover. Chicago, Follett Publishing, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 305 pages, b&w illustrations. In this edition, Honig interviews player-managers Ossie Bluege, Roger Peckinpaugh, and Hall of Famers Burleigh Grimes and Al Lopez, among others. This time, you read the stories of a manager's point of view as well, which is very interesting. This book is about a rookie third baseman coming up the line to tag out a lumbering Ty Cobb. About Early Wynn just walking into a tryout camp and announcing himself. About how the Chicago White Sox didn't always play to win in 1919-20. One of the more memorable parts is Roger Peckinpaugh reflecting on how the illiterate Shoeless Joe Jackson had to listen to what his teammates ordered for dinner first because he could not read the menu. Clean copy.
Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.
Hardcover. Louisville KY, Touchstone Publishing , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, unclipped. Griffith's autobiography was never finished (Griffith died in 1948), here edited and annotated by James Hart, who was a friend of the filmmaker late in his life. Griffith was the leading exponent in the 'blockbuster' genre of popular film, but with style. Chronologic listing of his innovative works, all profusely illustrated. Forward by Frank Capra. Clean copy.
Hardcover. Boston, Bradbury Soden & Co., 1st thus, 1844, Book: Good, Dust Jacket: None, Hardcover, 336 pages, frontispiece engraving with tissue guard, extra engraved title page, many b&w text illustrations. Brown cloth with black leather spine stamped in gilt. Pages with tanning to edges, light water stain to bottom corners of most pages, affecting text and images, but not horrible. Covers show mottling, discoloration to foredges, front and rear. Interior clean, binding tight.
Hardcover. NY, The Century Co., 1st, 1925, Book: Good, Dust Jacket: None, Hardcover, 355 pages, frontis, 64 plates from photos, two colored folding maps each showing author's route, index. . The author, a popular travel writer and explorer, traveled from the Indian Ocean, across Tanganyika and the Congo to the Atlantic, and described the peoples, tribes and nature in some detail. The photographs are by Rexford W Barton and by the author. Corners bumped, fading to gilt on spine, rear hinge cracked.
NY, Harper & Row, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 485 pages, b/w plates, maps, notes, bibliog., index, Describes how under Marcos, Manila became an international hub for money-laundering, narcotics trafficking, gambling, white slavery & child prostitution.Clean copy.
Hardcover. NY, Oxford University Press, Book Club, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 502 pages. Bookplate on front fly leaf, otherwise clean.
Hardcover. Hoboken NJ, John Wiley, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 367 pages, with illustrations. Like Morgan, Rockefeller, Carnegie, Marshall Field was one of the overlords of capitalism in the Gilded Age of the late 19th C. His wealth and philanthropy masked a disastrous personal life. Alienated from his children, deserted by his wife, he left a legacy of immense wealth and misery. This multigenerational saga of money, madness, and mystery tells a Jekyll-and-Hyde story of American capitalism--a tale of drive and nerve and moral stumbles. Clean copy.
Softcover. Prospect Heights IL, Waveland Press, Revised Ed., 1992, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. An account of a massive earthquake in the small city of Yungay, Peru in 1970. The author lived in the area and documents the survivors efforts to rebuild. Clean copy.
Hardcover. New York, Farrar, Straus and Giroux, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, photos in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. A sparkling life of the monumental fashion designer Cristobal Balenciaga. One of the most innovative and admired figures in the history of haute couture, Cristobal Balenciaga was, said Christian Dior, "the master of us all."Despite his extraordinary impact, Balenciaga was a man hidden from view. He saw to it that little was known about him, to the point that some French journalists wondered if he existed at all. Even his most devoted clients-Marlene Dietrich, Barbara Hutton, a clutch of Rothschilds-never met him.But one woman knew Balenciaga very well indeed. The first person he hired when he opened his Paris house was Florette Chelot, who became his top vendeuse. She witnessed the spectacular success of his first collection, and they worked closely for more than thirty years, until 1968, when Balenciaga abruptly closed his house without telling any of his staff. Youth-oriented fashion was taking over, Paris was in upheaval, and the elder statesman wanted no part of it.In The Master of Us All, Mary Blume tells the remarkable story of the man and his world. Intimate and revealing, this is an unprecedented portrait of a designer whose vision transformed an industry but whose story has never been told until now.
Hardcover. NY, AMS Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, light brown cloth with black lettering on spine. A quality reprint of the edition published by Cambridge University in 1910. Pictorial frontis; 79 plates from photographs, figures in text. Fold-out map in rear, fold-out chart. Extensive study of the indigenous Melanesians of Papua New Guinea. Distinctly different from the Papuans of the archipelago, the Melanesians posed an extremely interesting problem to early 20th century ethnographers. There is some light pencil marking to about 20 pages. Also an inked biographical note about a Captain Barton (one of the contributors) on the copyright page. No dust jacket issued.
Dallas, Taylor Publishing, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, b&w illustrations. Includes appendix of player statistics. Recalls the record-breaking New York Yankees, the only team in baseball history to win five consecutive World Series, offering the remembrances of the greatest Bronx Bombers.
Hardcover. London, Humanities Press, Revised Ed., 1951, Book: Very Good, Dust Jacket: None, A Historical and Critical Essay. Analyzes the works of Copernicus, Kepler, Galileo, Descartes, Hobbes, Gilbert, Boyle, and Newton to establish the reasons for the triumph of the modern scientific perspective. Hardcover, blue cloth with bright gilt lettering on spine, 343 pages. Clean, bright copy.
Softcover. Indiana Historical Society, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 358 pages, 2 maps, b/w photos, appendices, notes, important dates, bibliography, index. Explores the history and culture of the Miami Indians, who have fought for many years to gain tribal status from the U.S. government. Clean copy.
Hardcover. Brooklyn NY, Handprint, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover with illustrated boards, 40 pages. n his magnificent interpretation of Henry Wadsworth Longfellow s poem, Christopher Bing seamlessly weaves history and imagination into a rich portrait of an American hero. A meticulous researcher, Bing includes material that provides texture to history, maps that follow the British campaign to quell the rebellious citizenry, as well as the patriot s ride into the Massachusetts night of April, 1775. Documents firmly affixed into the book, including the British general s orders to his troops and Revere s own deposition relating the events, give the reader not only a visual experience but a tactile one as well. Far more than a brilliantly presented history lesson, this book represents a tour de force of coherent artistic vision. In an extraordinary series of rich and moody engravings, from the mysteriously shimmering rigging of the British sloop, The Somerset, looming in a moonlit Boston harbor to the taut urgency of a man and his horse galloping at a combustible moment in the American experience, this book illuminates our country s past unlike any other. Small inscription on inside front cover, otherwise clean.
Softcover. NY, Thames & Hudson, 1st pbk., 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 304 pages. Profusely illustrated in b&w. Piranesi has a powerful appeal for our time. His brilliance as a graphic artist, his transformation of the European vision of Classical antiquity, and his themes of fantasy have been the focus of considerable study in recent years. But though these aspects are important for an appreciation of Piranesi's visual significance, they have tended to obscure other factors essential for a complete understanding of his unique achievement. In this copiously illustrated study, John Wilton-Ely - one of the world's foremost authorities on Piranesi - offers a full reappraisal of the complex personality of an astonishingly versatile artist. His book covers every aspect of Piranesi's life and work, emphasizing especially his importance as a pioneer of Roman archaeology, the high quality of his technical illustrations, and his role in the great Graeco-Roman debate of the 1760s. The author brings to life the Enlightenment world of the artist's ideas - fundamentally bound up with the birth of Neo-Classicism - and the search for an appropriately modern form of expression; and he shows the practical and influential form taken by these ideas in Piranesi's architectural projects, his designs for furniture and decorative schemes and his imaginative restoration of antiquities. Clean copy.
Hardcover. London, Macgibbon & Kee, 1st, 1966, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 204 pages. "A valuable well-researched study of brinkmanship and of people under pressure presented fully for the first time." Name on front fly leaf, otherwise clean.
Hardcover. London, Macgibbon & Kee, 1st, 1966, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 204 pages. "A valuable well-researched study of brinkmanship and of people under pressure presented fully for the first time." Name on front fly leaf, otherwise clean.
Hardcover. Center for American Places, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 232 pages. The Mississippi River flows through American history and culture as a mythic waterway brimming with tragedy and hope, and awash in passionate ambitions and harsh realities. In 1953, a young Charles Dee Sharp traveled twice down the Mississippi (first by towboat and then by car along the renowned river road Highway 61) to make a documentary film of it, taking black-and-white photographs of the river, its communities, and its people.While Sharp's documentary never came to fruition, the striking images he captured survived as moving and evocative historical testaments to a lost era, now collected in his new book The Mississippi in 1953. These images create a vivid portrait of America's heartland a half century ago, and they are enriched with excerpts from Sharp's original trip journal, intriguing anecdotes from the people he encountered along his journey, and an engaging environmental history of the river by historian John O. Anfinson. The Mississippi in 1953 offers an original and poignant look at the living artery of the American landscape and how it molded the United States into the nation it is today.
Softcover. Los Angeles, Getty Research Institute, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 199 pages illustrated in color. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters' workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of "mobile images": motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and Francois Boucher, situating them against a much broader cast of actors--such as printmakers, publishers, anonymous studio assistants, and architects, among others--to place eighteenth-century painting within a wider context of media and making. clean, bright copy.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1956, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 408 pages, index. Black and white frontis photo portrait of author. "Moffat served for a protracted period and with notable distinction in the key position of what was then termed Chief of the Division of European affairs; he accompanied me as my chief assistant when FDR sent me to Europe as his personal representative in the spring of 1940; and I was in the closest touch with him during the time he served as American Minister to Canada, a service so tragically terminated by his untimely death in 1943. I know of no man who came up through the ranks of the Foreign Service with whose work I am personally familiar who impressed me as having in his latter years greater knowledge, a wiser and more balanced judgement, or a greater devotion to the highest interests of this country." - Sumner Welles.
Hardcover. NY, Doubleday, 3rd pr., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 527 pages, b&w illustrations. No one predicted success for Henry Ward Beecher at his birth in 1813. The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings--especially his sister, Harriet Beecher Stowe, who penned the century's bestselling book Uncle Tom's Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father Lyman's Old Testament-style fire-and-brimstone theology and instead preaching a New Testament-based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York's number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed "Beecher Boats." SIGNED BY APPLEGATE on the half-title page. Clean copy.
Hardcover. NY, W. W. Norton , 2nd Ed., 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 291 pages, b&w illustrations. Records the findings and methodology of archaeologists concerned with the civilizations of ancient Italy. Clean copy.