Hardcover. New York, Charles Scribner's Sons, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue and red, 360 pages. 116 b&w photos throughout, color maps in rear. In 1898 America intervened in the Cuban War of Independence, leading to conflict with Spain. This is a detailed account of this campaign, together with American military sea and land operations on the island of Puerto Rico during the Spanish American War. Cloth spine darkened otherwise clean, tight copy.

Softcover. Jefferson NC, McFarland & Company, 1st, 2015, Book: Very Good, Dust Jacket: None, Softcover, 222 pages. The changes Cuba experienced following the collapse of the Soviet Union compelled Cuban filmmakers to rethink the values developed after the 1959 Castro revolution. Long-forgotten genres re-emerged, established auteurs incorporated new aesthetics into their films and an influx of foreign capital led to the repackaging of revolutionary ideology into more visually attractive narratives.Films such as Alice in Wondertown (1991), Strawberry and Chocolate (1993) and Juan of the Dead (2011) stirred controversy, criticized revolutionary discourse and helped establish new models that allowed post-Castro cinema to find global audiences on an unprecedented scale. This book offers a detailed analysis of key post-Cold War Cuban films. Recurrent sociopolitical tropes are examined to reveal how Cuban cinema reflects the turbulent changes in the island.

Softcover. Durham NC, Duke University Press, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, 312 pages plus index. Though written over fifty years ago, Cuban Counterpoint is recognized as one of the most important books of Latin American and Caribbean intellectual history. Treating tobacco and sugar both as agricultural commodities and as social characters in a historical process, he examines changes in their roles as the result of transculturation. Clean copy. Spine faded.

Hardcover. Albany NY, New York Agricultural Society, 1st, 1834, Book: Very Good, Dust Jacket: None, 192 pages, the first 12 issues of this early farming periodical, each 16 pages. Issues start with March 1834 and continue through February 1835. Bound in linen covered boards with a calf spine. Nice condition, minor foxing.

Hardcover. New York, Zone Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 565 pages. Hardcover. B/w illustrations throughout. Dust jacket unclipped, excellent, in protective brodart. Boards bound in black cloth, gilt title on spine. Binding tight. Some light pencil underlining throughout. Boards have a touch of rubbing, but in very good shape. A little light foxing to edges (shelfwear). A stunning, innovative blend of microsociology, cultural history, and philosophical reflection that will fascinate anyone concerned with problems of authenticity, identity, and originality.

Softcover. Durham NC, Duke University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 672 pages. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States.Drawing on a broad range of interpretive practices, these essays range across American history, from European representations of the New World to the mass media spectacle of the Persian Gulf War. The volume breaks down the boundary between the study of foreign relations and American culture to examine imperialism as an internal process of cultural appropriation and as an external struggle over international power. Clean copy.

Hardcover. New York, Covici-Friede, 2nd pr., 1936, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. Previous owners name and the number "10" on front endpaper. Top edge stained black. Price clipped dust jacket with light chipping along edges. Clean, tight copy.

Hardcover. Oxford, Clarendon Press, 1st, 1912, Book: Very Good, Dust Jacket: None, 319 pages, illustrated with 2 portrait plates and a diagram. Gilt ruled brick-red cloth with gilt lettering on spine. Edited by Atkinson. Bright, tight copy.

Hardcover. NY, Sol Lewis & Liveright, 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth boards and spine with silver letters over a red background on spine. 288 pages, b&w illustrations. The author has provided a new interpretation of General Custer's tenure in Texas following the Civil War where he comes to life as a wise and successful military leader during Reconstruction. This is the first work that focuses entirely on Custer's tenure in the Lone Star State the first to detail his successful stay in Austin. No dust jacket.

Hardcover. NY/London, St. Martin's Press/Academy, 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with tape repair to reverse which bleeds through on front panel. A collection of black and white photographs from this early British photographer.

Hardcover. Philadelphia, J.B. Lippincott, 2nd Ed., 1865, Book: Very Good, Dust Jacket: None, Hardcover, dark green pebbled cloth with gilt lettering on spine, 4" x 6 1/4", 303 pages including index. A detailed instructional guide for the Civil War era soldier. Copyright page states 1964, title page says 1865. Probably a second edition. Still scarce in this nice condition. A few pages with dog ears, previous owner's pencil signature on front fly leaf. Otherwise clean, tight copy.

Hardcover. NY, Bounty Books , 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A study of censorship in the cinema. Many illustrations, a few in color. 112 pages. Small ink note on half-title page, otherwise clean.

Hardcover. Vista CA, Ibis Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 315 pages. As Financial Advisor to China, Arthur N. Young had an intimate insight as an on-the-spot observer of events during the critical 18 years leading to the fall of the Nationalists and the Communist takeover. Along with Generalissimo Chiang Kai-shek, Dr. Young worked closely with the highest-ranking officials of the National Government in carrying out monetary and fiscal reforms prior to World War II, and stayed through the war to aid with problems of war finance, including procurement of American aid. As the Pacific Rim gains increasing international prominence, this book will prove to be of particular importance to students, scholars, business and political leaders with an interest in Asian affairs. Clean copy.

Softcover. Ausyin TX, University of Texas Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 282 pages, b&w illustrations. The simple question "How did the Maya come up with a calendar that had only 260 days?" led Vincent Malmstrom to discover an unexpected "hearth" of Mesoamerican culture. In this boldly revisionist book, he sets forth his challenging, new view of the origin and diffusion of Mesoamerican calendrical systems--the intellectual achievement that gave rise to Mesoamerican civilization and culture. Malmstrom posits that the 260-day calendar marked the interval between passages of the sun at its zenith over Izapa, an ancient ceremonial center in the Soconusco region of Mexico's Pacific coastal plain. He goes on to show how the calendar developed by the Zoque people of the region in the fourteenth century B.C. gradually diffused through Mesoamerica into the so-called "Olmec metropolitan area" of the Gulf coast and beyond to the Maya in the east and to the plateau of Mexico in the west. Clean copy.

Hardcover. Vilnius, Baltos Lankos, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 69 duotone plates, images taken by the Lithuanian photographer Jozef Chechowicz (1819-1888). Mostly landscapes of the city and it's buildings, some with people. Beautifully produced volume, limited to 2000 copies. Light edgewear to dust jacket.

Hardcover. Heidelberg, Universitatsverlag Winter , 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 505 pages, GERMAN TEXT. Correspondence from the author and family laid in. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 365 pages. A fascinating and poignant exploration of wartime America and of one generation's odyssey from childhood to middle age. The author views the experiences of ordinary children through the lens of developmental psychology and argues that WW II left an indelible imprint on the dreams and nightmares of an American generation, not only in childhood, but in adulthood as well. Clean copy.

Hardcover. Seattle, University of Washington Press, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth stamped in gilt, 204 pages. Dust jacket with partial fading, edgewear. Clean copy. The author's last work, a study of the Dahomean Kingdom, it's history and the part gold, colonialism and the slave trade played in it's fortunes. Scarce title.

Hardcover. New York, Harry Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, tight copy. Illustrated heavily by author. To create this latest gem, Poortvliet found inspiration in the rich legacy of Dutch landscape and genre painting traditions and in his own Dutch heritage as well. He became intrigued by a document dating from the year 1566 that revealed the existence of an armoire owned by his distant ancestor, Jacob Jansz Poortvliet. That armoire led Rien Poortvliet to come upon something valuable indeed - a treasure trove of insights into the world of his ancestor. Characteristically evocative, the words and images in Daily Life in Holland are rich in detail and delicate in coloration, and perhaps the most beautiful of any of Poortvliet's works to date. In this fascinating saga, he recreates the lives of his forebears as they toiled and celebrated their way through daily existence. He does not conjure up a romantic vision of the past - the Dutch countryside was not all tulips and windmills! There were adversity and hard work, and we learn that 1566 was an extraordinary year in Holland, marked by famine and plague, great freezes, floods and droughts, comets and earthquakes, and an invasion by the Spanish as well.

Softcover. London, Phoenix Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 500 pages. The youngest member ever of the esteemed Academie Francaise--and winner of the Legion of Honor--produces a towering, erudite study of the humble men and women who were Christ's very first followers. Historically rich, it captures everything from the occupations, families, and homes to the flowers and birds native to the land. ".wealth of information.about customs, language, habits, clothes, food and all the other features.will make the reading of the New Testament far more real and vivid."--The Times. Clean copy.

Softcover. Brownington VT, Orleans County Historical Society, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 122 pages. Previous owner's name, embossed stamp on title pg. A charming, nostalgic portrait of Vermont through the eyes of Daisy Dopp, a beloved figure in the state's history, this book is a collection of anecdotes, illustrations, and historical details that capture the essence of Vermont's rural life and traditions. B&w drawings by Peter Schumann.

Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.

Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.

Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. An illustrated history of the fabulous pulp magazines from 1896 to 1953. After tracing the birth of the pulps back to the 1882 launching of Golden Argosy magazine, printed on pulpwood pages, Server organizes his unwieldy subject into categories of pulps: adventure, romance and sex, horror and fantasy, private eye, weird menace, science fiction. Each receives a lively capsule history that covers trends, reader (and sometimes, as in the case of the ``Spicys,'' government) response, and writers' bios--which, though sketchy (Hammett's Hollywood experience gets one sentence), resurrect a number of relatively obscure but seminal and fascinating figures, like Conan- creator Robert E. Howard, who shot himself dead at age 30 on the day his mother died, and Frederick Faust (a.k.a. Max Brand), who sometimes wrote around the clock, piling up two or three million words a year. Server attributes the pulps' demise to, among other factors, the advent of TV, paperbacks, and comic books, and he winds up with a note on pulp-collecting. For all of the author's savvy, though, it's above all the eye- popping illustrations (100 color, 57 b&w) that will have readers beaming. Magazine covers (some lurid, some of eerie beauty), sample pages of text and ads (``Raise Giant Frogs'')--the pulps come alive once again here, in all their eccentric glory.