Literature

Hardcover. NY, Harper & Row, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 119 pages. A book on linguistics by Noam Chomsky, written with the purpose of deepening 'our understanding of the nature of language and the mental processes and structures that underlie its use and acquisition'. Chomsky wished to shed light on these underlying structures of the human language, and subsequently whether one can infer the nature of an organism from its language. Cartesian linguistics refers to a form of linguistics developed during the time of RenE Descartes, a prominent 17th century philosopher whose ideas continue to influence modern philosophy. In Cartesian Linguistics, Chomsky traces the development of linguistic theory from Descartes to Wilhelm von Humboldt, that is, from the period of the Enlightenment directly up to Romanticism. The central doctrine of Cartesian linguistics maintains that the general features of grammatical structure are common to all languages and reflect certain fundamental properties of the mind. Clean copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Through a series of trade-ups, the nephews turn Donald's old pencil stub into -- a steamship ticket to India! Off they go, and Donald is soon declared to be "Maharajah Donald" -- but there's a catch! Then, Donald accidentally buys a houseboat at an auction that leads to an encounter with a giant sea serpent! Next, "Santa's Stormy Visit," a Christmas story with none of the trimmings -- no man in a red suit, no snow (but a tropical hurricane!), no presents under the tree (no tree!) But still a charming holiday tale. And don't miss "Donald Duck's Atom Bomb!"As we circle back to Carl Barks's earlier stories, the Good Duck Artist delivers another superb collection of surprise, delight, comedy, adventure, and all-around cartooning brilliance. 193 pages of story and art, each meticulously restored and newly colored. Insightful story notes by an international panel of Barks experts. Clean copy.

Hardcover. NY, Lothrop, Lee & Shepard , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 244 pages. Notable collection of writings about children's books by such contributors as Susan Cooper, Lloyd Alexander, Paula Fox, Arnold Lobel, etc. Clean copy.

Softcover. NY, W. W. Norton & Company, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 447 pages, b&w illustrations. Sylvia Beach ran a bookshop in Paris in the 1920s and 30s and was at the heart of the literary world there which also included Hemingway, Pound, Flanner, Gide, and of course Joyce whose novel "Ulysses" she published. Clean, bright copy.

Hardcover. NY, Oxford University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 166 pages. Pindar (c. 518-438 B.C.), one of ancient Greece's most famous lyric poets, is perhaps best known for his victory (epinicean) odes, written to honor the winners at various sets of games, such as the Olympiad. In Crown of Song, Deborah Steiner's study of these odes, she writes "If Pindar is remote from us in genre, his style strikes the reader as vivid and immediate. And in my reading of the epinicean odes, it is the poet's use of metaphor that accounts for the dynamic quality of his verse." Steiner begins her analysis by exploring both ancient and modern theories of metaphor, and then turns to specific imagery employed by the poet--plant life, athletics, minerals and numerous others--as a way of understanding how these metaphoric complexes function in the poet's praise of the victor, his assertion of his own place as perpetuator of the victor's immortal fame, and in his vision of human achievement and glory in the context of mortal life and immortal gods. Written in a lively, readable style, Crown of Song opens up the sometimes difficult verse of this celebrated ancient poet to modern readers. Name on front fly leaf, otherwise clean.

Hardcover. New Castle DE, Oak Knoll Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine, 500 pages plus CD. This bibliography documents all phases of Vidal's ongoing remarkable work. It focuses on Gore Vidal as a writer from 1940 through June, 2009. In two volumes (second on CD containing text and images plus 120 pages), this is the definitive, comprehensive, and descriptive bibliography of his work and is a valuable reference book for libraries, collectors, scholars, booksellers. Lacks dust jacket, a clean, bright copy.

Hardcover. London, Cecil Woolf , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 80 pages, b&w illustrations by Brigid Peppin

Hardcover. NY/London, G. P. Putnum's Sons, 1st illust. thus, 1933, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt stamping, 242 pages. 24 woodcuts and some decorations by Tunnicliffe. First Illustrated Edition which has been enlarged by the author and contains several new essays. No dust jacket.

Hardcover. NY, Thunder's Mouth Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 274 pages, with b&w photographs. Very clean and tight copy. Unauthorized biography of Hunter Thompson. Perry takes us on a journey through Thompson's booze and drug fueled rise to fame. From a young yahoo in Louisville, Kentucky-drinking heavily and playing with his rifle, to the first hand secrets of Thompson's inventive and irreverent gonzo jounralism. A look at a man who was a horror to some, a hero to others.

Softcover. NJ, Citadel Press, reprint, 1978, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. Studies the distinctive personalities, problems, and cultural contributions of such women as Margaret Fuller, Lydia Maria Child, and Elizabeth Cady Stanton, examining the extent to which romanticism encouraged intellectualism among women during the three decades prior to the Civil War. Clean copy.

Hardcover. London/Gainsbourgh, Osborne and Griffin & H. Mozley, reprint, 1788, Book: Good, Dust Jacket: None, Hardcover, marbled boards with brown calf spine. 240 pages. Spine shows no title. With a Curious and Useful Appendix. Title page states: A New Edition, Enlarged, Improved, and Corrected. Very nice condition, solid binding with normal edgewear to corners and edges of spine. Names on inside front cover, otherwise a clean copy.

Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta--traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.

Hardcover. NY, Harcourt Brace & World, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. 217 pages, b&w photos. Stated first American edition of Woolf's memoirs. includes vignettes of Virginia Woolf and the Hogarth Press. Book reviews laid in. Edges, spine of dust jacket tanning. Otherwise clean.

Softcover. Merrick NY, Cross-Cultural Communications, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Edited and translated from the Italian by Stanislao G. Pugliese. Ignazio Silone, anti-fascist and founding member of the Italian Socialist Party (PSI) offers a politically conscious and soul searching memoir which details his own PSI activities and the various factors engendering the "necessity for action on behalf of liberty and democracy among the working classes." Over the course of his political career, Silone wrote a number of fiction and non-fiction works, and was imprisoned in Italy, France, Spain, and finally in Switzerland where he composed this memoir in 1942. Often compared with Andre Malraux and Albert Camus, Silone was awarded an honorary degree by Yale University, was a recipient of the Jerusalem Prize, and was twice considered for the Nobel Prize in Literature. INSCRIBED BY PUGLIESE on the title page. Clean copy.

Hardcover. Washington DC, University Press of Washington D.C., 1st, 1953, Book: Good, Dust Jacket: Good,

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 266 pages. Ex-lib with a small stamp to title page and top edge, label on spine. Otherwise a clean, bright copy. After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the author's Jewish modes of expression and the larger literary significance of his works. No dust jacket.

Hardcover. Ohio, Kent State University Press , 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover,115 pages, cream cloth with black lettering on spine.

Hardcover. New York, Scribner's, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 428 pages. Light wear to dust jacket, else a very nice, tight copy. The author probes the complex life and work of Joseph Conrad, a Polish exile in England, his friendships with Ford, Crane, James, and Galsworthy, his varied works, and his affair with American journalist Jane Anderson.

Hardcover. Boston, Little, Brown, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 537 pages. Slight edgewear, rubbing to dust jacket, else a clean, tight copy.

Hardcover. US, University Of Chicago Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 228 pages. Hardcover with dust jacket. INSCRIBED BY AUTHOR on title page. Light edgewear to dust jacket with light soil to rear cover.

Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.

Hardcover. Berkeley, California University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, 164 pages. Hardcover. Illustrated with full color and black & white photographs. Dust jacket with light wear. Clean tight copy.

Hardcover. New York , Vanguard Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Light edgewear, tanning to dust jacket else a clean, tight copy.

Hardcover. New York , Clarkson N. Potter, Inc, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, b&w illustrations. Dust jacket with slightly faded spine and small tear to uper edge of front cover. Previous owner's bookplate on front end paper. Clean, tight copy. "This collection of fifteen original essays, written especially for this occasion by distinguished Carrollian authorities from around the world, including Morton Cohen, Roger Henkle, Donald Rackin, Jean Gattegno, and Edward Guiliano, celebrates the many aspects of Carroll's life and art."

Hardcover. New York, W. W. Norton & Company, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 676 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to dust jacket. Nice copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photographs. Light edge wear to dust jacket. Else a very clean, tight copy. This biography offers the most complete and accurate portrait to date of the writer Caroline Gordon (1895-1981). Viewing Gordon's life in the context of female literary tradition, Nancylee Novell Jonza reclaims Gordon's integrity, individuality, and artistic vision from beneath a self-effacing, sometimes detractive, public image carefully fostered by the artist herself. Gordon's nine novels and three short-story collections are a major contribution in their own right to the southern literary renaissance. Despite an enduring readership, however, she still remains in the shadow of her husband, Allen Tate, the Fugitive Poet and Agrarian critic, partially due to her contrived persona of a traditional southern lady turned artist under the tutelage of a gifted, benevolent male writer. Drawing on manuscript drafts, unpublished works, letters, and a significant body of her journalistic writing, Jonza investigates fully the causes and effects of Gordon's self-mythologizing and covers substantially more ground than the thirty years during which she was closest to Tate.

Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.

Softcover. San Francisco, Last Gasp, reprint, 2001-06-01, Book: Near Fine, Dust Jacket: None, Softcover, unpaginated. Like new in publishers shrink-wrap. A first hand account of the 60s and 70s counterculture seen through the eyes of pioneering photographer Charles Gatewood and legendary writer Williams S. Burroughs.

Hardcover. London, George Allen & Unwin LTD, 2nd, 1948, Book: Very Good, Dust Jacket: Good, 216 pages. Hardcover with dust jacket. Light soil, tape repair to dust jacket. Light soil on cover boards, tight copy.

Hardcover. Edinburgh, John Grant, 1st, 1927, Book: Good, Dust Jacket: None, 3 hardcover volumes: 351 pages, 400 pages, 600 pages. Brown boards with tan cloth spine. Leather spine labels with gilt lettering. Frontispiece in Vols 1 & 2. Previous owner's sticker front paste-down. Foxing on front paste-down. Previous owner's signature and bookplate in each book.

Softcover. UK, Oxford University Press, Revised Ed., 2008, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. An Essay on Philosophical Method contains the most sustained discussion in the twentieth century of the subject matter and method of philosophy and an unparalleled explanation of why philosophy has a distinctive domain of enquiry that differs from that of the sciences of nature. This new edition of the Essay focuses on Collingwood's contribution to metaphilosophy and locates his argument for the autonomy of philosophy against the twentieth century trend to naturalize its subject matter. Collingwood argues that the distinctions which philosophers make, for example, between the concepts of duty and utility in moral philosophy, or between the concepts of mind and body in the philosophy of mind, are not empirical taxonomies that cut nature at the joints but semantic distinctions to which there may correspond no empirical classes. This identification of philosophical distinctions with semantic distinctions provides the basis for an argument against the naturalization of the subject matter of philosophy for it entails that not all concepts are empirical concepts and not all classifications are empirical classifications. Collingwood's explanation of why philosophy has a distinctive subject matter thus constitutes a clear challenge to the project of radical empiricism. While not losing sight of its historical context, the introduction to this new edition seeks to locate Collingwood's account of philosophical method against the background of contemporary concerns about the fate of philosophy in the age of science. This volume also contains a substantial amount of previously unpublished material: "The Metaphysics of F. H. Bradley," "Method and Metaphysics," and Collingwood's fascinating correspondence with Gilbert Ryle. The latter will prove to be a mine of information for anyone interested in the origins of analytic philosophy.

Hardcover. Boston, Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 210 pages. Hilary Masters' memoir Last Stands exhibits uniqueness in writing with a universal appeal. Whether it be upper class zeal, lower class pride, war stories, grandparents, grandchildren, health, humor, abuse, neglect, tolerance, strength, or even food, there is something in it for everyone. Overall, Last Stands is a patchwork piece--a memoir and indirect autobiography glittered with several familial biographies. Masters constantly switches scenes and elements of focus, but he overlaps his storyline, keeping the reader grounded, despite a sequence of simultaneous events. Thus, history is tied together in a busy but logical manner. Although Masters reveals disturbing events, he adds tidbits of humor to lighten the mood. In addition, he compares and contrasts fictitious characters, such as Odysseus, to events in his own life--a technique that grants him boundless points-of-view. Furthermore, his ingenuity unfolds with his use of secondary sources: letters, poems, epitaphs, and invitations. Finally, his use of dialogue carries the story where it might otherwise seem bland.

Hardcover. NY, Doubleday, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 347 pages. In 1971 Deirdre Bair was a journalist and recently minted Ph.D. who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could be his biographer despite her never having written--or even read--a biography before. The next seven years comprised of intimate conversations, intercontinental research, and peculiar cat-and-mouse games. Battling an elusive Beckett and a string of jealous, misogynistic male writers, Bair persevered. She wrote Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other--and lived essentially on the same street. Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile and influencing Bair's own feminist beliefs.Parisian Lives draws on Bair's extensive notes from the period, including never-before-told anecdotes. This gripping memoir is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.

Hardcover. Boston, Houghton Mifflin, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 190 pages. Explores the world of the North Sea oil installations and describes the life of the men who are engaged in this business. The offshore oil rig represents one of Earth's last frontiers; the ultimate example may be found in the North Sea, 300 miles off the coast of Scotland. What's it like to live in this hostile environment, in unnatural isolation, and to work to the point of exhaustion? Curiosity prompted Alvarez (The Savage God, The Biggest Game in Town to visit the Shell installation at Brent Fields. The people best fitted for offshore work, Alvarez found, are ex-military men. He talked at length to pilots, roustabouts, managers, divers and the chief official of the Shetland Islands. It's an amazing account of humanity triumphing over the elements.

Hardcover. Lanham MD, Lyons Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 300 pages. James M. Cain was among the prominent member of the "hard-boiled" school of writing that characterized the 1930s and 1940s, one of the masters of the genre that included Dashiell Hammett and Raymond Chandler. His novels became such popular film noir classics as The Postman always Rings Twice, Double Indemnity, and Mildred Pierce, and his 1937 novel Serenade boldly portrayed its hero as a bisexual. Cain also taught journalism at various colleges in Maryland, wrote editorials for the New York World, and was for a brief time managing editor at The New Yorker. This is the first biography of James M. Cain written with the full cooperation of the late novelist's family.

Hardcover. NY, Da Capo Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs -- formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg) -- as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.

Lebanon NH, University of New Hampshire Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 294 pages, b&w illustrations. Presents a succinct, articulate examination of the work of the pioneering but controversial archaeologist Roland Wells Robbins (1908-1987) and the development of historical archaelogy in America. In 1945, the self-taught Robbins discovered the remains of Thoreau's cabin at Walden Pond. He excavated the site, documented his findings, and in 1947 published a short book, Discovery at Walden, about the experience. This project launched Robbins's career in archaeology, restoration, and reconstruction, and he went on to excavate at a number of New England iron works and other sites, including the Philipsburg Manor Upper Mills in New York, Stawbery Banke in New Hampshire, and Shadwell, Thomas Jefferson's Virginia birthplace. Although lacking academic training, Robbins quickly developed remarkably sophisticated techniques for the period. However, his "pick and shovel" methods were considered suspect and increasingly frowned upon by the emerging American historical archaeological establishment. Clean copy.

Hardcover. Peacham VT, The Perpetua Press, 1st, 2002, Hardcover in the publisher's cream-colored linen over boards with spine and upper board gilt-stamped black leather labels. No dust jacket, as issued. 88 pages, only 500 copies printed. A collection of interviews done with Shaw from 1924 - 1945. Bright and clean copy.

Hardcover. Boston, Houghton Mifflin, 1s, 1901, Book: Very Good, Dust Jacket: None, Hardcover, Light green cloth, lettered and bordered in gilt, top text block edge in gilt. Illustrated with black and white photographic plates by Clifton Johnson. Light shelf wear, bookplate on inside front cover with black marking. Otherwise clean.

Hardcover. NY, W.W. Norton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated by Al Hirschfeld. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st BC Ed., 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles, 687 pages, b&w photos. Has the A_3.69 (C), small embossed circle at bottom of rear cover indicating a book club printing. Bright, clean copy, missing the dust jacket.

Hardcover. Chicago, Swallow Press, 1st, 1976, Book: Very Good, Dust Jacket: Fair, Hardcover, green pebbled cloth with gilt lettering on spine. 463 pages. Dust jacket worn, fading to spine with chunk gone from spine.Name and date on front fly leaf, otherwise clean.

Hardcover. Oxford UK, Cambridge University Press, 1st, 1928, Hardcover, 190 pages, text clean and sound, marbled boards and green quarter-cloth. Contains a collection of letters by the playwright and author Oliver Goldmith, author of She Stoops to Conquer and The Vicar of Wakefield, written between 1752 and 1774. Balderston includes letters which only exist in a fragmentary form, as well as doubtful and forged letters.

Hardcover. Boston, Houghton Mifflin, reprint, 1882, Book: Very Good, Dust Jacket: None, Hardcovers, two-volume set complete. Matching dark brown cloth covers stamped in black and gilt, top edge gilt. 639; vi, 653 pages; index, bibliography, frontispiece portrait in each volume - one a quite formal portrait of Voltaire in his prime, the other a sketch of him in old age. Covers show light wear, name on title pages. This is the second printing, the first published a year earlier. A comprehensive life of the great Enlightenment writer. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Berkeley, University of California Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. Name on front fly leaf whited out, otherwise clean.

Softcover. Prospect Heights IL, Waveland Press, Revised Ed., 1992, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. An account of a massive earthquake in the small city of Yungay, Peru in 1970. The author lived in the area and documents the survivors efforts to rebuild. Clean copy.

Softcover. Baltimore, Johns Hopkins University Press, reprint, 1978, Book: Very Good, Dust Jacket: None, Softcover, 414 pages. A work of literary criticism in which Said differentiates between the concept of "origin" and "beginning", also reflecting reflexively on the role of criticism and of the intellectual within a larger culture. Clean copy.

Hardcover. Princeton University Press, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with gilt and black title on spine, 353 pages. WITH THE AUTHOR'S INSCRIPTION pasted to front fly leaf. Clean copy.

Hardcover. UK, Oxford University Press, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets, 408 and 388 pages. The secular Latin poetry of the Middle Ages is at once great in bulk and interesting in kind, embracing as it does lyrical, epical, satirical, philosophical, grammatical, and historical verse. The rhetorical tradition of the ancient world can be traced throughout its development, from the fifth to the thirteenth century, when the tradition passes over into the new literary vernaculars. No adequate English survey of this delightful and historically important literature has hitherto been made. These volumes form a sequel to the same author's 'History of Christian-Latin Poetry', and the two works together offer a complete introduction to the whole field of medieval Latin poetry. First published in 1934. Clean copies.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with minor wear. 532 pages. An essential guide to the life and work of one of America's most controversial writers, Advertisements for Myself is a comprehensive collection of the best of Norman Mailer's essays, stories, interviews and journalism from the Forties and Fifties, linked by anarchic and riotous autobiographical commentary. Laying bare the heart of a witty, belligerent and vigorous writer, this manifesto of Mailer's key beliefs contains pieces on his war experiences in the Philippines (the basis for his famous first novel The Naked and the Dead), tributes to fellow novelists William Styron, Saul Bellow, Truman Capote and Gore Vidal and magnificent polemics against pornography, advertising, drugs and politics.