Hardcover. Nashville TN, Vanderbilt University Press, 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth with black and gilt title block on spine. 224 pages, Introduction by Louis D. Rubin Jr. B&w frontis portrait of participants: Allen Tate, Robert Penn Warren,Merrill Moore, and others. The Fugitive was a poetry magazine published in the 1920s and this is a record of their gathering some 30 years later with their commentaries. Small name on front fly leaf, otherwise clean.
Hardcover. NY, Farrar Straus & Giroux, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 311 pages. A perceptive visitor's report of life on the Pine Ridge Indian Reservation, one of the poorest places in the United States. Profiles the Oglala Sioux living there and along the way a female basketball star. Clean copy.
Hardcover. NY, Mcdowell, Obolensky, 1st, 1957, Book: Good, Dust Jacket: None, Hardcover, brown cloth with faded gilt lettering to spine, 347 pages. Edited with an introduction by John C. Thirlwall. Clean copy.
Hardcover. NY, John Day/Reynal & Hitchcock, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, light tan cloth, 119 pages. B&w line illustrations by Bernadine Custer. Rudyard Kipling lived with his wife on a small estate in Dummerston, Vermont, in a house they built called Naulakha, from 1892 to 1896. It was while he was here that he wrote both "The Jungle Book" and "Captains Courageous". Kipling would have been content to live out his life there but in 1896, a dispute arose between the Kiplings an a neighbor led to a court case and the Kiplings left Vermont never to return. This volume, written by a Dummerston native and historian, tells the story of that dispute. Lacks dust jacket, otherwise clean, very good.
Hardcover. NY, Random House, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. The essays, speeches, and opinion pieces assembled in Step Across This Line, written over ten years, cover an astonishing range of subjects. The collection chronicles Rushdie's intellectual odyssey and is also an especially personal look into the writer's psyche. With the same fierce intelligence, uncanny social commentary, and very strong opinions that distinguish his fiction, Rushdie writes about his fascination with The Wizard of Oz, his obsession with soccer, and the state of the novel, among many other topics. Most notably, delving into his unique personal experience fighting the Iranian fatwa, he addresses the subject of militant Islam in a series of challenging and deeply felt responses to the terrorist attacks of September 11, 2001. The book ends with the eponymous "Step Across This Line," a lecture Rushdie delivered at Yale in the spring of 2002, which has never been published before and is sure to prompt discussion.
Hardcover. Milwaukie OR, M Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The third installment of Playboy interviews gives their claim some validity (although probably not enough). The first two collections were grouped under the topics of sports figures and film directors, while the latest simply has the designation "Larger Than Life," and indeed those interviewed were awfully big for their britches. The interviewees include Frank Sinatra, Marlon Brando, Bette Davis, Bob Dylan, Mae West, and Muhammad Ali, among others. The interviews--in true Playboy fashion--are revealing, but also fascinating to realize are the periods in which they occurred. Sinatra was interviewed in 1963, and the cold war was definitely on his mind. Bette Davis, in 1982, had a long career of ups and downs to sound off about. But Muhammad Ali is the perfect example of how honest these personalities could become when allowed to digress; asked why he flunked the army's preinduction test, he replied, "I have said I am the greatest. Ain't nobody ever heard me say I was the smartest." 398 pages, clean copy.
Hardcover. London, Faber and Faber, 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 355 pages plus index. The first published book by George Steiner who was a noted 20th century literary critic, novelist and philosopher. A critical analysis of the two great masters of the Russian novel. Clean copy.
Hardcover. Norfolk, Ct, New Directions, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 234 pages. Light foxing to end papers, top edge and dust jacket. Light sun-fade to spine, else a clean, tight copy.
Hardcover. Berkeley CA, University of California Press, 2nd pr., 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 671 pages. Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man. Clean copy.
Hardcover. NY, Reynal & Hitchcock, 1942, Book: Very Good, Dust Jacket: Fair, Hardcover, blue cloth covers with silver lettering, price-clipped dust jacket worn with large chunk gone from bottom 2" of spine and rear panel. The recollections of the author of a French photography sortie carried out a 33,000' in defiance of the German fighter planes during May 1940. Illustrated Bernard Lamotte. No indication of printing, illustrated endpapers. No date on title page, Copyright page states 1942. Clean copy.
Hardcover. Lanham MD, Rowman & Littlefield , 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards, 374 pages. This new biography of Ian Fleming presents a fresh and illuminating portrayal of the iconic creator of James Bond. Oliver Buckton provides the first in-depth exploration of the entire process of Ian Fleming's writing--from initial conception, through composition, to his involvement in the innovative publication methods of his books. He also investigates the vital impact of Fleming's work in naval intelligence during World War Two on his later writings, especially the wartime operations he planned and executed and how they drove the plots of the James Bond novels. Buckton considers the vital role of wartime deception, disinformation, and propaganda in shaping Fleming's later techniques and imaginative creations. Offering a radically new view of Fleming's relationships with women, Buckton traces the role of strong, independent, and intelligent women such as Maud Russell, Phyllis Bottome, and his wife, Ann, on Fleming's portrayal of female characters. The book concludes with a thorough analysis of the James Bond films from Eon productions, and their influence in promoting, while also distorting, the public's recognition of Fleming's writing. Clean copy.
Hardcover. NY, Charles Scribner's Sons, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 654 pages. From the more than 4000 letters that have survived, the editors have selected some 400 letters of one of the most important 20th century authors, Edith Wharton. These range from a letter written when Wharton was twelve years old to a letter penned just before her death. The collection shows Wharton at her epistolary best and most characteristic and in all the striking variety of her many voices. Clean copt.
Hardcover. NY, Henry Holt, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. The moving story of the life of the woman behind A Raisin in the Sun, the most widely anthologized, read, and performed play of the American stage. Written when she was just twenty-eight, Lorraine Hansberry's landmark A Raisin in the Sun is listed by the National Theatre as one of the hundred most significant works of the twentieth century. Hansberry was the first Black woman to have a play performed on Broadway, and the first Black and youngest American playwright to win a New York Critics' Circle Award. Charles J. Shields's authoritative biography of one of the twentieth century's most admired playwrights examines the parts of Lorraine Hansberry's life that have escaped public knowledge: the influence of her upper-class background, her fight for peace and nuclear disarmament, the reason why she embraced Communism during the Cold War, and her dependence on her white husband-her best friend, critic, and promoter. Many of the identity issues about class, sexuality, and race that she struggled with are relevant and urgent today. This dramatic telling of a passionate life-a very American life through self-reinvention-uses previously unpublished interviews with close friends in politics and theater, privately held correspondence, and deep research to reconcile old mysteries and raise new questions about a life not fully described until now.
Hardcover. London, Peter Owen , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. An acclaimed and most unusual biography of Baudelaire, showing him ensnared by his passions for poetry, prostitutes, and drugs. A crucial link between romanticism and modernism, Charles Baudelaire is a pivotal figure in European literature and thought. His influence on modern poetry is immense. In the English language, where his literary reputation is less well known, it is his link with drug culture that gives him contemporary resonance. It is commonly known that Baudelaire used opium. Many writers have described him as being addicted to the drug, but none of his biographers, Frank Hilton argues, has fully understood the effect of opiate addiction on the personality and, in the case of Baudelaire, the extent to which it damaged his life and work. In this original contribution to Baudelaire studies Hilton contends that the drug is at the root of all Baudelaire's problems and in particular--something that constantly tormented him--his chronic inability to apply himself to any prolonged creative work. Unquestionably, there is significantly more to Baudelaire than his opium addiction. But a proper awareness of what it did to the poet helps to illuminate those puzzling aspects of his life and behavior that were not previously understood. Written with the general reader in mind, Baudelaire in Chains will give those who know little or nothing about him a comprehensive picture of his life. To those who know a great deal it will present him in an unexpected light.
Hardcover. London, Rupert Hart-Davis, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover, 201 pages, b&w illustrations. Dark red cloth with edgeworn dust jacket, some light pencil notes in preface and rear endpapers. Publisher's review slip laid in.
Hardcover. Cambridge, Cambridge University Press, 1st, 1974-1981, Book: Very Good, Dust Jacket: Very Good, All six volumes. Hardcover with dust jackets. Release dates range from 1974-1981. All first editions. Volume six has clipped dust jacket. Light fraying to dust jackets otherwise, clean, tight copies. Decorative staining on top text block. Black and white dust jacket.
Hardcover. London, John Murray, 1st definitive ed., 1832-33, Book: Near Fine, Dust Jacket: None, Pub. orig. as 14 vols. then 3 more were added. Uniform complete 17 volume set in stunning condition: 3/4 black leather with elaborate design on spines with raised bands, marbled boards and end papers, top edge gilt . Black & white engraved frontis in each volume. Previous owner's bookplate (one on each front end paper), The slightest bumping to a few corners.
Hardcover. Edinburgh, John Grant, 1st, 1927, Book: Good, Dust Jacket: None, 3 hardcover volumes: 351 pages, 400 pages, 600 pages. Brown boards with tan cloth spine. Leather spine labels with gilt lettering. Frontispiece in Vols 1 & 2. Previous owner's sticker front paste-down. Foxing on front paste-down. Previous owner's signature and bookplate in each book.
Hardcover. NY, Prentice Hall, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 258 pages, b&w photographs. The story of Edgar Rice Burroughs and Tarzan in the movies.
Hardcover. New York, Borzoi/Alfred A. Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages. Remainder-mark to bottom edge. Very nice in brodart cover.
Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.
Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 663 pages. Clean copy. Edited and with an introduction by Leon Edel. This is the highly acclaimed fourth volume in the series that began with The Twenties and it is complimented with photographs and journal excerpts of some of the most interesting characters of the decade.
Softcover. New York, Farrar Straus Giroux, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 137 pages, light blue wrappers. An uncorrected proof. The subtle portrait of a great but difficult man and a legendary island. When friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him-not wisely, perhaps, but fairly well-on an island that was "not his kind of place," but where he came season after season, year after year; and where he, too, will be subsumed into the capacious story.
Hardcover. San Francisco, Chronicle Books, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in very good dust jacket with mild fading to spine. 184 pages plus index, b&w photographs. Light edge wear, protected by mylar cover. A very clean, tight copy. Written from personal recollection and years of research by the friend and writer Steinbeck knew would one day be his biographer. Emphasizes Steinbeck's formative years: boyhood in Salinas, farmhand, seaman, road-gang flunkie, hod carrier, dam builder and pursuit of wine, women and song.
Hardcover. Garden City, NY, Doubleday, Doran & Co., 1st, 1935, Book: Very Good, Dust Jacket: Fair, Hardcover, 277 pages. Dust jacket with extensive ripping and wear. Covered in mylar for protection. Dark red boards with gilt title to spine. Red staining to top edge. Soiling to ell edges. Overall, a tight copy.
Hardcover. NY, E.P. Dutton & Co., 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, illustrated frontispiece etching of Blenheim. Burgundy cloth with gilt titles and decoration, top edge gilt. The memoirs of the author of "Land of Hope and Glory." Clean, bright copy.
Hardcover. New York, Doubleday, 1t, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout.
Hardcover. Ithaca NY, Cornell University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 835 pages. Sergey Prokofiev, a compulsive diarist and gifted and idiosyncratic writer, possessed an incorrigibly sardonic curiosity about individuals and events. When he left Russia after the 1917 Revolution, his diaries were recovered from the family flat in Petrograd and later hidden at considerable personal risk by the composer Nikolai Myaskovsky. Prokofiev himself smuggled them out of the country after his first return to the Soviet Union in 1927. The later diaries, written in the West, were brought back by legal decree after the composer's death in 1953, to be kept in an inaccessible section of the Soviet State Archive. Eventually Prokofiev's son Sviatoslav was allowed to transcribe the voluminous contents. When he and his son Sergei eventually emigrated to Paris, they undertook the gigantic task of reproducing the partially encoded manuscript in an intelligible form.Diaries, 1907-1914, the first of three volumes that extend to 1933, covers Prokofiev's years at the St. Petersburg Conservatoire. Simultaneously attached to and exasperated by the tradition exemplified by composers such as Rimsky-Korsakov, Glazunov, and Tcherepnin, the brash young genius relishes the power of his talent to irritate, challenge, and finally overcome the establishment. Clean copy.
Hardcover. Berkeley CA, Frog Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Amy Wallace's first meeting with Carlos Castaneda, the infamous anthropologist-turned-shaman, whose books described meetings with Yaqui Indian spiritual teacher Don Juan. Castaneda's rise was meteoric in the late 1960s as he wrote massive bestsellers, inspired many to experiment with psychedelics, and was dubbed "The Godfather of the New Age". The possibility that Castaneda's experiences may have been fabricated did little to compromise his legend. As the daughter of best-selling novelist Irving Wallace, Amy was rarely shy around famous people. When her father insisted she meet Castaneda, she at first demurred. Little did she know that a delightful first meeting would begin a 20-year friendship, followed by her descent into the dramatic and deeply troubled affair chronicled in this book. Wallace reveals the inner workings of the "Cult of Carlos", run by a charismatic authoritarian in his sixties who controlled his young female followers through emotional abuse, mind games, bizarre rituals, dubious teachings, and sexual excess. Bright, clean copy.
Hardcover. Franklin Center PA, Franklin Library, Ltd. Ed., 1985, Book: Very Good, Dust Jacket: None, Hardcover, full red leather binding with 3 raised bands on the spine. Gilt stamped boards and page edges. Includes the Franklin Library supplement sheet.
Hardcover. Berkeley , University of California Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 163 pages, b&w photos. Light pencil marking to 10 pages, otherwise clean. A unique look into the subject area, and the contributory factors of people who engage in early esoteric based practice, in remote rural Philippines. The author is concise, and the book is informative and provides quite a balanced view of development with a view particularly to cultural and socio-economic influences.
Hardcover. NY, Harcourt, Brace & World, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 259 pages, photographic frontispiece, 4 leaves of plates; original blue cloth over blue boards, gilt lettering on spine, Autobiography of the English writer and founder of the Hogarth Press with his wife Virginia Woolf. The fourth volume of the autobiography. Remainder line to edge, otherwise clean.
Softcover. Oakville Ontario , Mosaic Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 276 pages. B&W illustrations. Here is an affectionate look back at the outsized heroes who once occupied the imagination of millions of loyal readers. The Shadow. Tarzan. Doc Savage. Captain Future. The Spider. Zero. They were the original super guys - godfathers and inpsiration to the likes of Superman, Batman, and James Bond. Fascinating and informative, The Great Pulp Heroes is a lively and entertaining history of those fabulous characters, of them gaudy, glorious magazines that spawned them, and of the amazing wordsmiths who churned out their monthly adventures. Bright, clean copy.
Hardcover. Paris, Tchou, 1st, 1966, Book: Very Good, Dust Jacket: None, 253 pages, b&w cartoon drawings by Copi. White cloth covers with black design. A collection of quotes from writers of the Surrealist movement in France. Long preface by Corvin. INSCRIBED BY BOTH AUTHOR AND ILLUSTRATOR (HIS WITH A SKETCH OF A BIRD) to Roger Shattuck, author and chronicler of the period. Publishers complimentary card laid in. Small tan stain to cloth at top of front cover, otherwise very good.
Hardcover. Philadelphia, PA, Carey, Lea & Carey, Second series, 1829, Book: Very Good, Dust Jacket: None, Vol 1: 296 pages. Vol 2: 286 pages Hardcovers. Brown boards, paste down title on spine in black. Original owner inscription on front flyleaf of both books, original owner's signature on back pages. Pages untrimmed, rough edged, tanning and foxing to pages. Binding very good, spine straight. Agewear throughout, in very good condition for its age. Good solid volumes of Sir Walter Scott's tales as told to his grandson.
Hardcover. NY, St. Martin's Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a violet dust jacket with light fading to spine, 232 pages. A collection of essays exploring all aspects on a controversial English poet, the 17th century libertine, The Earl of Rochester. Different sections focus on sexual politics, on the poetry of intellect, and on Rochester and his contemporaries. Name, date and light pencil notations on front fly leaf, otherwise clean.
Hardcover. NY, Frederick A. Stokes, 1st thus, 1890, Hardcover, 3/4 decorated white cloth with gilt stamped decorative pattern. Vignette edition with engraved frontispiece and 100 illustrations by Thos. McIlvaine. An Oriental romance, originally published in 1817, consisting of four narrative poems connected by a prose section. Small blank label on inside front cover, otherwise a tight, clean copy.
Hardcover. Oxford, Basil Blackwell, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine. 191 pages, b&w frontis. of Hawker. Small name stamp on front fly leaf, otherwise clean copy.
Hardcover. NY, Farrar Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 530 pages. A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness. A. E. Housman's A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. Clean copy.
Hardcover. NY, Charles Scribner's Sons, 1st, 1963, Book: Very Good, Dust Jacket: Fair, Hardcover in a rubbed and edgeworn dust jacket. 433 pages, b&w illustrations. McClure was the father of the muckraking movement and brought about a revolution in American journalism in the days of Theodore Roosevelt and Woodrow Wilson. His journalistic contributors included Lincoln Steffens and Ida Tarbell, and he introduced authors such as O. Henry, Booth Tarkington, Willa Cather, Stephen Crane and Jack London to the American public. Name on front fly leaf, otherwise clean.
Hardcover. NY, Scribner , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Novelist and critic Colm Toibin provides "a fascinating exploration of writers and their families" (Entertainment Weekly) and "an excellent guide through the dark terrain of unconscious desires" (The Evening Standard) in this brilliant collection of essays that explore the relationships of writers to their families and their work. Colm Toibin--celebrated both for his award-winning fiction and his provocative book reviews and essays--traces the intriguing, often twisted family ties of writers in the books they leave behind. Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, Jane Austen and her aunts, and Tennessee Williams and his sister, Toibin examines a world of relations, richly comic or savage in their implications. Clean copy.
Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta--traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.
Softcover. NY, The Feminist Press, 1ST, 1999, Book: Very Good, Dust Jacket: None, Softcover, 400 pages, b&w illustrations. The memoir of a young Catholic women's affair with a pastor in Italy. INSCRIBED BY AUTHOR on the half-title page. A few pages with light pencil underlining., otherwise clean.
Hardcover. Berkeley CA, University of California Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages, b&w illustrations. When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immortality--for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. INSCRIBED BY LOVING ("Jerry") on the half-title page. Clean copy.
Hardcover. Washington DC, Shoemaker & Hoard, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with blue cloth spine, 150 pages, b&w illustrations. A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions. James Salter is considered one of America's greatest prose stylists. The Arm of Flesh (later revised and retitled Cassada ) and his first novel, The Hunters, are legendary in military circles for their descriptions of flying and aerial combat. A former Air Force pilot who flew F-86 fighters in Korea, Salter writes with matchless insight about the terror and exhilaration of the pilot's life. This book collects passages from two other books he wrote about his military flight career and entries from his personal journal kept during his tours of military flying duty through flight training in late WWII, into combat duty in Korea in 1952, and through his post war flying up into the early 1960s. Masterfully edited by Jessica and William Benton, it has been organized chronologically and simply is wonderful. You can read from the journal entry, and then it is followed by fiction he created using that experience. No dust jacket, clean, bright copy.
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