Literature

Hardcover. Boston, Houghton Mifflin, reprint, 1882, Book: Very Good, Dust Jacket: None, Hardcovers, two-volume set complete. Matching dark brown cloth covers stamped in black and gilt, top edge gilt. 639; vi, 653 pages; index, bibliography, frontispiece portrait in each volume - one a quite formal portrait of Voltaire in his prime, the other a sketch of him in old age. Covers show light wear, name on title pages. This is the second printing, the first published a year earlier. A comprehensive life of the great Enlightenment writer. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, W W Norton & Co , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In these extraordinary letters, we see May Sarton in all her complexities and are privy to her tangled relationship with Juliette Huxley, whom May considered her muse and the greatest love of her life. May Sarton's love for Juliette Huxley, ignited that first moment she saw her in 1936, transcended sixty years of friendship, passion, rejection, silence, and reconciliation. The letters chart their meeting, May's affair with Juliette's husband Julian (brother of Aldous Huxley) before the war, her intense involvement with Juliette after the war, and the rich, ardent friendship that endured until Juliette's death. While May's intimate relationship with Julian was not a secret, May's more powerful romance with Juliette was. May's fiery passion was a seductive yet sometimes destructive force. Her feelings for and demands on Juliette were often overwhelming to them both. In fact, Juliette refused all contact with May for nearly twenty-five years. Their reconciliation, after Julian's death, wasn't so much a rekindling as it was a testament to the profound affinity between them. Theirs was a relationship rife with complications and misunderstandings but the deep love and compassion they shared for one another prevailed. Included in this book are Sarton's original drafts of an introduction to these letters. 400 pages including index. Clean copy.

Hardcover. NY, Harper & Row, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 119 pages. A book on linguistics by Noam Chomsky, written with the purpose of deepening 'our understanding of the nature of language and the mental processes and structures that underlie its use and acquisition'. Chomsky wished to shed light on these underlying structures of the human language, and subsequently whether one can infer the nature of an organism from its language. Cartesian linguistics refers to a form of linguistics developed during the time of RenE Descartes, a prominent 17th century philosopher whose ideas continue to influence modern philosophy. In Cartesian Linguistics, Chomsky traces the development of linguistic theory from Descartes to Wilhelm von Humboldt, that is, from the period of the Enlightenment directly up to Romanticism. The central doctrine of Cartesian linguistics maintains that the general features of grammatical structure are common to all languages and reflect certain fundamental properties of the mind. Clean copy.

Hardcover. Burbank CA, DC Comics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. These groundbreaking classic stories--which cemented Superman's place as the medium's most enduring hero--are gathered for the first time in this singular, expansive collection. Collects all the Man of Steel's tales from ACTION COMICS #48-65, SUPERMAN #16-24 and WORLD'S FINEST COMICS #6-10 and includes a foreword by legendary Superman editor Mike Carlin. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY/Oxford UK, Routledge, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 190 pages. This book examines Gore Vidal's lifelong engagement with the ancient world. Incorporating material from his novels, essays, screenplays and plays, it argues that his interaction with antiquity was central to the way in which he viewed himself, his writing, and his world. Divided between the three primary subjects of his writing - sex, politics, and religion - this book traces the lengthy dialogue between Vidal and antiquity over the course of his sixty-year career. Broughall analyses Vidal's portrayals of the ancient past in novels such as Julian (1964), Creation (1981) and Live from Golgotha (1992). He also shows how classical literature inspired Vidal's other fiction, such as The City and the Pillar (1948), Myra Breckinridge (1968), and his Narratives of Empire (1967-2000) novels. Beyond his fiction, Broughall examines the ways in which antiquity influenced Vidal's careers as a playwright, an essayist and a satirist, and evaluates the influence of classical authors and their works upon him. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition of this collection of pieces penned in the first half of the 1970s, by four-time Pulitzer nominee. Included are reflections on man and nature in rural Georgia ("Travels in Georgia"), a profile of an Arkansas horseman hoping to make it big in an important horse race ("Ruidoso"), a quest to discover the true location that inspired the "Marvin Gardens" square in the Monopoly game, ("In Search of Marvin Gardens"), and more. Very bright, clean copy.

Softcover. Boston, David R. Godine, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 368 pages. Eagerly exchanging an existence of idle privilege and social intrigue for one of hard work and literary distinction, Origo led a life characterized by vitality and commitment. Born in 1902 into a wealthy American family, she and her British mother permanently left the U.S. after the untimely death of her father in 1910. Traveling extensively throughout Europe, they eventually settled outside of Florence, becoming prominent members of the stuffy Anglo-Florentine community of expatriates. Asserting her trademark independence, she married Antonio Origo, the illegitimate son of a cavalry officer-sculptor. Together Antonio and Iris purchased and totally revitalized an arid Tuscan valley and renovated a crumbling estate. With virtually no experience and few practical skills, they transformed themselves into agrarian pioneers and their extensive acreage into a prosperous working community supporting more than 200 people. During the war years, they quietly supported the Allies, offering refuge to countless numbers of partisans and prisoners of war. In addition to these accomplishments, Iris also buried one child and raised two more, conducted several heart-wrenching extramarital affairs, and distinguished herself as both a biographer and a literary critic. Clean copy.

Hardcover. London, Jill Norman and Hobhouse, 1st, 1981, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with a mild crease to the front panel. 144 pages. Selections from the several volumes of family albums in the archive at Charleston; portraits cover most of the Bloomsbury circle's members, relations and/or adherents over a 50-year period. Introduction by Quentin Bell. Top edge scrape to front board. Bookplate on inside front cover, small ownership stamp to front fly leaf, otherwise clean.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 12 page introduction by Peter Sabor plus a 56 page facsimile reprint of Sarah Fielding's (Henry"s sister) criticism of Samuel Richardson's novel. Clean copy.

Hardcover. NY, Doubleday, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 254 pages. The collected short stories and autobiographical writings of the last survivor of the Harlem Renaissance of the twenties and thirties describes growing up in Boston's black middle class, her relationship with Langston Hughes, and other subjects.

Hardcover. London, Hodder & Stoughton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 351 pages. Green cloth with embossed gilt lettering on spine. With an Introduction by Peter Green and chapters including: The Meaning of Influence / Mr Eliot and the French Symbolist Poets / The Perspective of History / The Perspective of Language / The Perspective of Myth / etc. Short inscription on front fly leaf, darkening to dj, otherwise clean.

Hardcover. London, Faber & Faber, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, green cloth lettered in gilt at the spine. Illustrated with eight photographic plates. 422 pages. Extended passages from Jefferies' work, with a general introduction in two parts: 'The English Genius' and 'To the Two Types of Jefferies Readers', introductions to each section, notes on the text, and the Epigraph. No dust jacket, clean copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 397 pages. This documentary history chronicles what in duration and volatile intensity was the most important love relationship in H.L. Mencken's life, one that he tried to obscure and hoped would remain buried within the copious record of his achievements as author and editor. The love between Marion Bloom and Mencken flourished during a period when he wrote frequently about women's issues. In Defense of Marion both illuminates Mencken's ambivalent attitudes toward the "New Woman" and presents a particularized social history of the intellectual and personal aspirations of many women during the early twentieth century. Bloom and Mencken met in 1914 and became lovers within a few months. Their intimacy continued, on and off, until about a year before Mencken's marriage to Sara Haardt in 1930. Edward A. Martin, who supplies a wealth of interpretive notes and commentary, tells of the Mencken-Bloom affair not only through selections from their letters and diaries but also through excerpts from the personal writings of others who were close to the two and who often complicated their relationship. Such relevant figures include Sara Haardt; Estelle Bloom, Marion's sister; Theodore Dreiser, Estelle's lover and employer as an editorial assistant; and the movie star Aileen Pringle, with whom Mencken was infatuated. Clean copy.

Softcover. Princeton NJ, Ontario Review Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 384 pages. An intimate account of the sudden rise to literary fame and long, inexorable decline of Delmore Schwartz, a complex and deeply troubled man who was keenly aware of his own inner contradictions, as revealed by his correspondence. Clean copy.

Hardcover. Port Washington NY, Kennikat Press, 1ST, 1981, Book: Very Good, Dust Jacket: None, Hardcover, brown covers with yellow and green lettering on front and spine and green sports figures on front. 112 pages. A Critical Look at Game, Sport, and Survival in Contemporary American Fiction. Clean copy.

Hardcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 306 pages, b&w photographs. Light edge wear to dust jacket. Previous price sticker on front fly leaf. In this memoir, Morris chronicles the development of his craft, allowing the reader to look inside the man as the creative process takes place. Never forgetting his Midwestern roots, Morris traveled extensively in this country and around the world photographing as he went. This volume is illustrated with many of those photographs and serves as a travelogue that takes us to places like the plains of Nebraska, sultry Mexico, and romantic Venice; Covers slightly bowed. Else a clean, tight copy.

Hardcover. Santa Rosa CA, Black Sparrow Press, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 67 pages. Printed paper over boards backed in brown cloth with matching paper spine label. Acetate dust jacket. Remainder mark to top edge.

Hardcover. Chicago, University of Chicago Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 202 pages. Natalia Ginzburg, arguably the most important woman writer of postwar Italy, always spoke of herself with irrepressible modesty. Yet the woman who claimed she "never managed to climb up mountains" in fact wrote the history of twentieth-century Italy with her sparse and captivating prose, chronicling Fascism, war, and the Nazi occupation as well as the intimacies of family life. Intensely reserved, Ginzburg said that she "crept toward autobiography stealthily like a wolf." But she did openly discuss her life and her work in an extraordinary series of interviews for Italian radio in 1990. Never before published in English, It's Hard to Talk about Yourself presents a vivid portrait of Ginzburg in her own words on the forces that shaped her remarkable life-politics, publishing, literature, and family. This fluid translation will join Ginzburg's autobiography, Family Sayings, as one of the most important records of her life and, as the editors write in their preface, "the last, unexpected, original book by Natalia Ginzburg."

Hardcover. NY, John Day/Reynal & Hitchcock, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, light tan cloth, 119 pages. B&w line illustrations by Bernadine Custer. Rudyard Kipling lived with his wife on a small estate in Dummerston, Vermont, in a house they built called Naulakha, from 1892 to 1896. It was while he was here that he wrote both "The Jungle Book" and "Captains Courageous". Kipling would have been content to live out his life there but in 1896, a dispute arose between the Kiplings an a neighbor led to a court case and the Kiplings left Vermont never to return. This volume, written by a Dummerston native and historian, tells the story of that dispute. Lacks dust jacket, otherwise clean, very good.

Hardcover. Iowa City, University Of Iowa Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, INSCRIBED BY THE AUTHOR on the half-title page. 268 pages. In this vigorous challenge to dominant literary criticism, Jerome Loving extends the traditional period of American literary rebirth to the end of the 19th century and argues for the intrinsic value of literature in the face of new historicist and deconstructionist readings. Bucking the trend for revisionist interpretations, Loving discusses the major work of the 19th century's canonized writers as restorative adventures with the self and society. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 654 pages. From the more than 4000 letters that have survived, the editors have selected some 400 letters of one of the most important 20th century authors, Edith Wharton. These range from a letter written when Wharton was twelve years old to a letter penned just before her death. The collection shows Wharton at her epistolary best and most characteristic and in all the striking variety of her many voices. Clean copt.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, bound in publisher's cloth backed boards and issued without a jacket. 260 pages. Clean, bright copy.

Hardcover. NY, Dutton, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of the letters by the influential writer of Atlas Shrugged and other acclaimed works offers a unique view of her world, in both the personal and the professional spheres. 681 pages, clean copy.

Softcover. NY, New Directions, 2nd pr., 1969, Book: Very Good, Dust Jacket: None, Softcover, second printing, 316 pages plus index, sewn paperback cover price $2.45, very good lightly used copy.

Softcover. Saranac Lake NY, Outskirts Press , 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. SIGNED AND INSCRIBED BY SHAW. like new. Shaw's memoir and account of his friendship with Jon Cody, an older one-armed dope dealer and leather craftsman in the Adirondack backcountry.

Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.

Hardcover. Livingston, MT, Clack City Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 318 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to edges.

Hardcover. NY, Pantheon, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 213 pages, clean copy.

Hardcover. London, Allen Lane, 2008, Hardcover in a bright dust jacket. The writings of Lewis Carroll have inspired and entertained generations of readers and have influenced the work of everyone from James Joyce to John Lennon. But the extraordinary imagination that created Alice's Adventures in Wonderland and its sequel, Through the Looking Glass, was not limited simply to fantasy, logic and word play. Charles Lutwidge Dodgson, who wrote under the pseudonym Lewis Carroll, was for many years lecturer in mathematics at Christ Church, Oxford, and published works in the fields of geometry, logic and algebra. He also made significant contributions to subjects as varied as voting patterns and the design of tennis tournaments, and he created large numbers of imaginative recreational puzzles based on mathematical ideas. For the first time, Lewis Carroll in Numberland explores both his serious and his recreational work and places it in the context of his many other activities, mathematical and otherwise. Clean copy.

Hardcover. London, Hutchinson, 1st, 1986, Book: Very Good, Dust Jacket: Good, Hardcover in a lughtly worn dust jacket. 589 pages. Light shelf wear, chipping and closed tear to dust jacket. Review slip laid in.

Hardcover. Watertown, MA, Charlesbridge, reprint , 2010, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated. Extensive b&w woodcut illustrations throughout. Gilt titles on spine and cover. Color illustration on front cover. Clean, unmarked copy.

Softcover. Evanston, IL, Northwestern University Press, reprint, 2001, Book: Very Good, Dust Jacket: None, 355 pages. Softcover with light edgewear to paper wrappers. In this groundbreaking volume, Krzysztof Ziarek rethinks modern experience by bringing together philosophical critiques of modernity and avant-garde poetry. Ziarek explores, through selective readings of avant-garde poetry, the key aspects of the radical critique of experience: technology, everydayness, event, and sexual difference. To that extent, The Historicity of Experience is less a book about the avant-garde than a critique of experience through the avant-garde. Ziarek reads the avant-garde in dialogue with the work of some of the major critics of modernity (Martin Heidegger, Walter Benjamin, Jean-Francois Lyotard, and Luce Irigaray) to show how avant-garde experiments bear critically on the issue of modern experience and its technological organization. The four poets Ziarek considers--Gertrude Stein, Velimir Khlebnikov, Miron Biaoszewski, and Susan Howe--demonstrate the broad reach of and variety of forms taken by the avant-garde revision of experience and aesthetics.

Hardcover. Berkeley CA, University of California Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 248 pages. Errata slip laid in. Name on blank prelim pages. Otherwise clea.

Hardcover. Boston, Little, Brown, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 537 pages. Slight edgewear, rubbing to dust jacket, else a clean, tight copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 1974-1981, Book: Very Good, Dust Jacket: Very Good, All six volumes. Hardcover with dust jackets. Release dates range from 1974-1981. All first editions. Volume six has clipped dust jacket. Light fraying to dust jackets otherwise, clean, tight copies. Decorative staining on top text block. Black and white dust jacket.

Hardcover. London, John Murray, 1st definitive ed., 1832-33, Book: Near Fine, Dust Jacket: None, Pub. orig. as 14 vols. then 3 more were added. Uniform complete 17 volume set in stunning condition: 3/4 black leather with elaborate design on spines with raised bands, marbled boards and end papers, top edge gilt . Black & white engraved frontis in each volume. Previous owner's bookplate (one on each front end paper), The slightest bumping to a few corners.

Hardcover. Edinburgh, John Grant, 1st, 1927, Book: Good, Dust Jacket: None, 3 hardcover volumes: 351 pages, 400 pages, 600 pages. Brown boards with tan cloth spine. Leather spine labels with gilt lettering. Frontispiece in Vols 1 & 2. Previous owner's sticker front paste-down. Foxing on front paste-down. Previous owner's signature and bookplate in each book.

Hardcover. NY, Prentice Hall, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 258 pages, b&w photographs. The story of Edgar Rice Burroughs and Tarzan in the movies.

Hardcover. New York, Borzoi/Alfred A. Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover, 221 pages. Remainder-mark to bottom edge. Very nice in brodart cover.

Hardcover. NY, Columbia University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 328 pages. William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the "most hated man in American poetry," his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a devastating polemic against the wish to have critics announce their aesthetics every time they begin a review. "The Unbearable Rightness of Criticism" is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books were-they saw the poems plain yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank O'Hara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Gluck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert Frost's notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is "Elizabeth Bishop at Summer Camp," which prints for the first time her early adolescent verse along with the intimate letters written to the first girl she loved. Clean, like new.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 663 pages. Clean copy. Edited and with an introduction by Leon Edel. This is the highly acclaimed fourth volume in the series that began with The Twenties and it is complimented with photographs and journal excerpts of some of the most interesting characters of the decade.

Softcover. New York, Farrar Straus Giroux, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 137 pages, light blue wrappers. An uncorrected proof. The subtle portrait of a great but difficult man and a legendary island. When friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him-not wisely, perhaps, but fairly well-on an island that was "not his kind of place," but where he came season after season, year after year; and where he, too, will be subsumed into the capacious story.

Hardcover. San Francisco, Chronicle Books, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in very good dust jacket with mild fading to spine. 184 pages plus index, b&w photographs. Light edge wear, protected by mylar cover. A very clean, tight copy. Written from personal recollection and years of research by the friend and writer Steinbeck knew would one day be his biographer. Emphasizes Steinbeck's formative years: boyhood in Salinas, farmhand, seaman, road-gang flunkie, hod carrier, dam builder and pursuit of wine, women and song.

Hardcover. Garden City, NY, Doubleday, Doran & Co., 1st, 1935, Book: Very Good, Dust Jacket: Fair, Hardcover, 277 pages. Dust jacket with extensive ripping and wear. Covered in mylar for protection. Dark red boards with gilt title to spine. Red staining to top edge. Soiling to ell edges. Overall, a tight copy.

Hardcover. NY, E.P. Dutton & Co., 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, illustrated frontispiece etching of Blenheim. Burgundy cloth with gilt titles and decoration, top edge gilt. The memoirs of the author of "Land of Hope and Glory." Clean, bright copy.

Hardcover. Boston, Houghton Mifflin, 2nd pr., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 414 pages, b&w illustrations. Very good, clean, in a lightly worn, unclipped dust jacket. World famous at twenty-four, brilliant and reckless, hard-living and scandalous, Stephen Crane wrote The Red Badge of Courage before he ever experienced war first-hand. So true was his portrait of a young man who runs from his first confrontation with battle that Civil War veterans argued about whose regiment Crane had been in. Considered by H.G. Wells as "beyond dispute, the best writer of our generation," Crane was also famous in his time as an unforgettable personality, an Adonis with tawny hair and gray-blue eyes that Willa Cather described as "full of luster and changing lights." A lover of women and truth at any cost, Crane, in his short life, paid dearly for both. He alienated the New York police when he testified against a policeman on behalf of a prostitute falsely accused of soliciting, forcing him to live the rest of his short life as an expatriate in England. Reporting on the Spanish American War, Crane described the Rough Riders blundering into a trap after arriving in Cuba, infuriating Roosevelt. He died tragically young, leaving behind a handful of fine short stories, including The Open Boat and The Blue Hotel, along with war reporting, novels, and poetry.

NY, Coward-McCann, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt title on spine, 383 pages. INSCRIBED BY ROREM on front fly leaf. Clean copy, lacks dust jacket.

Softcover. NY, Grove Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 239 pages. Hettie Jones presents an intimate memoir of her life--from her middle-class Jewish family in Queens to her marriage to the controversial black poet LeRoi Jones and her search for her own artistic voice. Clean copy.

Hardcover. NY, Harcourt Brace Jovanovich, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 384 pages. Bookplate on inside front cover, small name stamp on front fly leaf, otherwise clean.

Hardcover. London, Routledge & Kegan Paul , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages. This book concerns itself with the different ways in which money is used, the relationships which then arise, and the institutions concerned in maintaining its various functions. Thomas Crump examines the emergence of institutions with familiar and distinctive monetary roles: the state, the market and the banking system. However, other uses of money - such as for gambling or the payment of fines - are also taken into account, in an exhaustive, encyclopedic treatment of the subject, which extends far beyond the range of conventional treatises on money. Clean copy.