Literature

Hardcover. New York, Oxford University Press, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Light wear. Clean, tight copy.

Hardcover. New York, Twayne Publishers, 1st , 1972, Book: Very Good, Dust Jacket: None, 246 pages. Previous owner's signature on front flyleaf. Light spotting to edges. Very minor rubbing to cover edges. A nice, clean copy.

Hardcover. Norfolk, Ct, New Directions, 1st, 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 234 pages. Light foxing to end papers, top edge and dust jacket. Light sun-fade to spine, else a clean, tight copy.

NY, Paddington Press, reprint, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket, light fading to spine. Black & white illustrations, 569 pages.

Hardcover. New York , Times Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 273 pages. Hardcover with dust jacket. SIGNED BY NOEL on title-page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Colbyville, Vt., Silver Print Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 162 pages. Hardcover with dust jacket. SIGNED BY AUTHOR on title page. B&w photography throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Colophon Press, 1st, 1930, Book: Good, Dust Jacket: None, Unpaginated. Hardcover with lightly tanned pages. Cover boards show light soil. Articles include: Colophons by Ruth S. Granniss; Firsts, Issues and Points by George H. Sargent; On Breaking Type by H.L. Mencken; Whitman and the War's Finale by Emory Holloway; Illustrating "Huckleberry Finn" by E.W. Kemble; Irving's Washington and an Episode in Courtesy by George S. Hellman; On Being Published by Sherwood Anderson; Chartreuse by A.R. Stavenitz; An Unrecorded "Pilgram's Progress" by Gilbert McCoy Troxell; The Bookplates of Bruce Rogers by William A. Kittredge; Getting Into Print by William McFee.

Hardcover. Evanston IL, Northwestern University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Oversize hardcover art book. This is the first publication of the complete body of noted Polish Author and artist Schulz's known artwork. A great engraver-draftsman, Schulz earned his living as a menial art teacher. He was one of the first Modern writers to incorporate his own drawings in his stories, one of which, "The Age of Genius", is about his artistic childhood. "His art, like his writing, is deeply infused with a sense of personal and cultural degradation, an ominous, prescient aura of the horrors in store for the fragile and rapidly disappearing world in which he lived.

Hardcover. NY, G.P. Putnam's Sons, 1st US, 1959, Book: Very Good, Dust Jacket: Good, Hardcover, 226 pages, illustrated in b&w by Edward Ardizzone. Blue cloth with an edgeworn, chipped dust jacket. The book is a very good, clean, tight copy. White's account of life on the west coast of Ireland. The author comments on the front flap: "God knows what this book is about. I suppose it's a bit of autobiography really. But it's about living on the West Coast of Ireland, in 'the parish nearest to America' -- they all are, I mean the parishes -- and it is about the people and things there, more than about me."

Hardcover. Chicago, University of Chicago Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 430 pages. James Olney, one of the most distinguished scholars of autobiography, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound changes in Jean-Jacques Rousseau's life-writing trilogy, and found a momentary conclusion in the work of Samuel Beckett.

Hardcover. NY, St. Martin's Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 352 pages. Translated by Sam Taylor. As a bilingual bestselling novelist with a mixed Franco-British bloodline and a host of eminent forebears, Tatiana de Rosnay is the perfect candidate to write a biography of Daphne du Maurier. As an eleven-year-old de Rosnay read and reread Rebecca, becoming a lifelong devotee of Du Maurier's fiction. Now de Rosnay pays homage to the writer who influenced her so deeply, following Du Maurier from a shy seven-year-old, a rebellious sixteen-year-old, a twenty-something newlywed, and finally a cantankerous old lady. With a rhythm and intimacy to its prose characteristic of all de Rosnay's works, Manderley Forever is a vividly compelling portrait and celebration of an intriguing, hugely popular and (at the time) critically underrated writer.

Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.

Softcover. NY/London, Routledge, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 198 pages. Stigmata collects some of Helene Cixous' most intriguing meditations. A unique book, it is a testimony to an extraordinary writer. B&w illustrations. Clean copy.

Hardcover. NY, Garland Publishing, 1st, 1989, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 327 pages. Clean, bright copy. No dj issued.

Hardcover. NY, Doubleday & Company, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. A thoughtful biography of the too-short life of the woman who wrote one of the most controversial American novels of the 20th century.

Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.

NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uphill with Archie is a beautifully written and deeply involving look at the life and the world of the great literary icon, poet Archibald MacLeish, by his youngest son. Partly an homage, partly an attempt to come to terms with the man (and the legend), Uphill with Archie speaks to all sons and daughters who have never completely resolved their feelings about powerful parents. Young William MacLeish grew up both captivated and cowed by the fame of a father who won Pulitzer Prizes for his poetry and comparable honors for his work as a lawyer, playwright, teacher, and government official. William's mother, Ada, began her marriage as a successful concert singer in Paris but later felt compelled to give up her art for her family. When Archie was working for Henry Luce and Fortune magazine, his younger children, watched over by a governess, stayed with their grandfather in Connecticut. But it is of the time spent with his family at Uphill Farm, a beautiful old house above a Massachusetts hilltown, that MacLeish has his fondest and most telling memories: "Archie and Ada gave me great gifts: music, the sound of the language beautifully spoken, the draw of knowledge, the arts of humor," William writes. "I learned to perform for them, and in time found myself addicted to getting a nice tan from Archie's sun. And the more I bathed in his light, the harder I found it to go looking for my own."

Hardcover. NY, Holt, Rinehart and Winston, 1st, 1977, Book: Good, Dust Jacket: Good, Hardcover in a shelfworn dust jacket. 214 pages includes index, b&w photographs and illustrations. Clean copy.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of seven essays. Clean copy.

Hardcover. NY, John Day/Reynal & Hitchcock, 1st, 1937, Hardcover, red cloth. 119 pages, drawings by Bernadine Custer. Told for the first time, 40 years after author Rudyard Kipling and his family hurriedly left their home in Vermont, this story fills some blank pages in Kipling's life story. Author Fredric Van de Water had heard the true account from Kipling's brother-in-law, Beatty Balestier, which followed smoldering tensions and a public trial. The Kiplings left in 1896, never to return. Several of Kipling's writings were put to paper in the Vermont home. First trade edition after a limited edition of 700. Clean.

Hardcover. London, Arthur Baker, 1st, 1952, Book: Very Good, Dust Jacket: Poor, Hardcover in a poor, worn dust jacket with a large chunk gone from front panel. Book is bright and clean, 180 pages. Illustrated with color and b&w plates by John Leech. A biography of the novelist who wrote of country sports like hunting in a comical way.

Hardcover. NY, The Macmillan Company, 1st Ltd. Ed., 1921, Book: Very Good, Dust Jacket: Very Good, Hardcover in a tan dust wrapper with black lettering, 111 pages. A tight, lovely first edition of Brown's first book, a study of the works of the just-deceased and little-known New England poet and essayist Guiney (1861-1920). The frontispiece, a head and shoulders wood engraving of a young woman (presumably Guiney) wearing a crown of laurels, is signed boldly in pencil just below the image by famed wood engraver TIMOTHY COLE (1852-1931). ALSO INSCRIBED BY AUTHOR BROWN on the front fly leaf. Number 11 of 100 special copies.

Hardcover. Boston, Houghton Mifflin, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, 3 colors. Beautiful gilt and sihouette vignette of the London skyline. 80 black and white drawings by Joseph Pennell. Top edge gilt. A collection of periodical pieces written over a span of thirty years by James, all about his travels in England. Name and date on front fly leaf, otherwise a clean, bright copy.

Hardcover. Stratford-on-Avon, Shakespeare Head Press, Ltd. Ed., 1908, Book: Very Good, Dust Jacket: None, Eight hardcover volumes. The complete set published in an edition of 1060 copies. This set bound in gray boards with green cloth spines. Black lettering to spines, title pages in red and black, untrimmed edges. Mild wear to boards, Vol. 6 with cracked hinges and some pencil marking, otherwise a clean set. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Lexington Books , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover in glazed boards, 299 pages. John McWilliams has written the first, much needed account of the ways the promise and threat of political revolution have informed masterpieces of the historical novel. McWilliams provides close readings of some twenty historical novels, from Scott and Cooper through Tolstoy, Zola and Hugo, to Pasternak and Lampedusa, and ultimately to Marquez and Hilary Mantel, but with continuing regard to historical contexts past and present. He traces the transformation of the literary conventions established by Scott's Waverley novels, showing both the continuities and the changes needed to meet contemporary times and perspectives. Although the progressive hopes imbedded in Scott's narrative form proved no longer adaptable to twentieth century carnage and the rise of totalitarianism, the meaning of any single novel emerges through comparison to the tradition of its predecessors. A foreword and epilogue explore the indebtedness of McWilliams's perspective to the Marxist scholarly tradition of Georg Lukacs and Frederic Jameson, while defining his differences from them. This is a scholarly work of no small ambition and achievement. Clean copy.

Hardcover. Meadville PA, The Chautauqua-Century Press, reprint, 1892, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth with gilt lettering and gilt and white decorations on front cover, beveled edges, top edge gilt. Illustrated with a frontispiece of King George I, and other b&w drawings and decorations by George Wharton Edwards. 211 pages, clean copy.

Hardcover. London, The Cresset Press, 1st UK, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 189 pages. 3rd volume of the autobiography of this celebrated thinker and writer on philosophical and metaphysical matters. The greater part deals with the period he spent in England, in Oxford, Cambridge and elsewhere, and his circle of brilliant friends and acquaintances.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 12 page introduction by Peter Sabor plus a 56 page facsimile reprint of Sarah Fielding's (Henry"s sister) criticism of Samuel Richardson's novel. Clean copy.

Hardcover. London, UK, Frederick Warne , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 446 pages, illustrated throughout in color and b&w. Red leatherette, silver lettering to spine, top edge with red cosmetic stain. Pictorial, price clipped dust jacket. Slight wear to edges and spine, light scratching to covers, else a very nice, tight, clean copy.

Hardcover. NY, Farrar Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 530 pages. A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness. A. E. Housman's A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 145 pages. Gordimer examines the tension for a writer between life's experiences and narrative creations. She tries to unravel the mysterious process that breathes "real" life into fiction by exploring the writings of revolutionaries in South Africa and the works of Naguib Mahfouz, Chinua Achebe and Amos Oz. Ending on a personal note, Gordimer reveals her own experience of "writing her way out of" the confines of a dying colonialism.

Hardcover. London, B. T. Batsford, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 264 pages, b&w illustrations. Name on front fly leaf, otherwise clean.

Softcover. NY, Cambridge University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 482 pages. In this book Professor Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. This large historical argument is developed through monographic chapters on the poets which include close readings of their major poems. Clean copy.

Hardcover. NY, Humanities Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 276 pages. George Lukacs on Appearance and Essence, Erwin Pracht on Socialist Realism, S. Petrov on Realism, Robert Weimann on point of view in fiction, B. G. Zhantieva on Joyce's Ulysses, Werner Mittzenzwei on the Brecht-Lukacs debate, and five other major essays. Clean copy.

Hardcover. NY, Macmillan, 1st US, 1950, Book: Very Good, Dust Jacket: Good, Hardcover in a worn dust jacket, 79 pages. Talks originally delivered on the BBC Third Programme, on what goes on in the body when men and animals are thinking. A Series of Broadcast Talks by Sir Charles Sherrington, E.D. Adrian, W.E. Le Gros Clark, S. Zuckerman, E.T.O. Slater, Wilder Penfield, W. Russell Brain, Viscount Samuel, A.J. Ayer & Gilbert Ryle. Dust jacket shows wear at edges and darkening to paper. Clean, tight copy.

Hardcover. NY, The Viking Press, 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, bound in black cloth with design of a phoenix on the front cover. No dust jacket. First edition with Published in October 1936 on copyright page and no additional printings noted. Fading to the spine. 852 pages. A complete collection of D H Lawrence's unpublished essays. Discoloration to black cloth along bottom of front cover and spine, Interior is bright and clean.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2010, Book: Very Good, Hardcover in a bright, unclipped dust jacket. In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the US Army. This title tells the story of this young man's exposure to the terrors, dislocations, and horrors of armed conflict. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, Clean copy.

Hardcover. Washington DC, Shoemaker & Hoard, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with blue cloth spine, 150 pages, b&w illustrations. A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions. James Salter is considered one of America's greatest prose stylists. The Arm of Flesh (later revised and retitled Cassada ) and his first novel, The Hunters, are legendary in military circles for their descriptions of flying and aerial combat. A former Air Force pilot who flew F-86 fighters in Korea, Salter writes with matchless insight about the terror and exhilaration of the pilot's life. This book collects passages from two other books he wrote about his military flight career and entries from his personal journal kept during his tours of military flying duty through flight training in late WWII, into combat duty in Korea in 1952, and through his post war flying up into the early 1960s. Masterfully edited by Jessica and William Benton, it has been organized chronologically and simply is wonderful. You can read from the journal entry, and then it is followed by fiction he created using that experience. No dust jacket, clean, bright copy.

Hardcover. NY, Firefly Books, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 528 pages, b&w illustrations. Martha Gellhorn was a strong-willed, self-made, modern woman whose journalism, and life, were widely influential at the time and cleared a path for women who came after her. An ardent anti-fascist, she abhorred "objectivity shit" and wrote about real people doing real things with intelligence and passion. She is most famous, to her enduring exasperation, as Ernest Hemingway's third wife. Long after their divorce, her short tenure as "Mrs. Hemingway" from 1940 to 1945 invariably eclipsed her writing and, consequently, she never received her full due. Gellhorn's work and personal life attracted a disparate cadre of political and celebrity friends, among them, Sylvia Beach, Ingrid Bergman, Leonard Bernstein, Norman Bethune, Robert Capa, Charlie Chaplin, Chiang Kai-shek, Madame Chiang, Colette, Gary Cooper, John Dos Passos, Dorothy Parker, Maxwell Perkins, Eleanor and Franklin D. Roosevelt, Antoine de Saint-Exupery, Orson Welles, H.G. Wells -- the people who made history in her time and beyond. Yours, for Probably Always is a curated collection of letters between Gellhorn and the extraordinary personalities that were her correspondents in the most interesting time of her life. Through these letters and the author's contextual narrative, the book covers Gellhorn's life and work, including her time reporting for Harry Hopkins and America's Federal Emergency Relief Administration in the 1930s, her newspaper and magazine reportage during the Spanish Civil War, World War II and the Vietnam War, and her relationships with Hemingway and General James M. Gavin late in the war, and her many lovers and affairs.

Softcover. Bennington VT, Bennington College, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover in green stapled wrappers. No. 628 of 1,000 numbered copies. Published in the Bennington Chapbooks in Literature series & in memory of William Trot. A speech delivered by Malamud at Bennington College as Lecture Seven in the Belitt Lectureship Series, October 30th, 1984. Introduction by Nicholas Delbanco. Illustrated with 3 full-page black & white photos of Malamud. Clean copy.

Softcover. NY, Oxford University Press, reprint, 1999, Book: Good, Dust Jacket: None, Softcover, 292 pages. In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways that were hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table, and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Enda St. Vincent Millay and Dorothy Parker are now best remembered for their colorful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest in these women's love poetry. Light shelf wear. Clean copy.

Softcover. Minneapolis, Milkweed Editions, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY AUTHOR. 107 pages, b&w engravings by Steven Sorman. Light edge wear to wrappers. Else a very clean, tight copy.

Softcover. Paris, Jose Corti, 1st, 1996, Book: Very Good, Dust Jacket: None, 215 pages, b&w illustrations. INSCRIBED BY AUTHOR on half title page. French text. Wraparound red band with light wrinkle, wear. Otherwise very good.

Hardcover. New York, Holt, Rinehart and Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 464 pages, b&w photographs. Light foxing to top edge. Else a clean, tight copy.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 2008, Dust Jacket: Very Good, Hardcover, 873 pages. Light shelf-wear to dust jacket. Clean, tight copy. Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters-they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing-and often very funny-interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

Hardcover. Boston, Houghton Mifflin, 1st, 1998-10-26, Book: Very Good, Dust Jacket: Very Good, Hardcover, 181 pages, illustrated throughout with photos in b&w. Light edgewear to dust jacket, else a clean, tight copy. In this moving autobiography, Lois Lowry explores her rich history through personal photographs, memories, and recollections of childhood friends. Lowry's writing often transports readers into other worlds. Now, we have the opportunity to travel into the real world that is her life.

Hardcover. London, UK, Frederick Warne , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 446 pages, illustrated throughout in color and b&w. Red leatherette, silver lettering to spine, top edge with red cosmetic stain. Pictorial, price clipped dust jacket. Slight wear to edges and spine, light scratching to covers, else a very nice, tight, clean copy.

Hardcover. New York, W. W. Norton & Company, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Illustrated with full color photographs. Price clipped dust jacket with light wear to edges. Clean, tight copy.

Hardcover. Garden City, NY, Doubleday, Doran & Co., 1st, 1935, Book: Very Good, Dust Jacket: Fair, Hardcover, 277 pages. Dust jacket with extensive ripping and wear. Covered in mylar for protection. Dark red boards with gilt title to spine. Red staining to top edge. Soiling to ell edges. Overall, a tight copy.

Hardcover. Chapel Hill, NC, University of North Carolina Press , 1st, 1950, Book: Very Good, Dust Jacket: Good, Hardcover, 292 pages. Light edgewear, rubbing to dust jacket, else a clean, tight copy.