Literature

Hardcover. Bloomingdale, Indiana University Press, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, 290 pages. Hardcover with dust jacket. Clean and tight copy with only light edgewear to dust jacket and very light foxing to top text block. This classic work, first published in 1956, is now available in English. Along with Luthi's The European Folktale and Propp's The Morphology of the Folktale, Rohrich's Marchen und Wirklichkeit is considered a key text in folklore scholarship.

Hardcover. New York , Frederick A. Stokes, 1st, 1938, Book: Very Good, Dust Jacket: Very Good, 197 pages illustrated in b&w by Dick Rose. INSCRIBED BY LEAF on the front fly leaf. Leaf went on to write a number of successful children's books, including Ferdinand the Bull. Two-color dust jacket with light edgewear, chipping.

Hardcover. NY, St Martins Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY SHATTUCK on the half-title page. 369 pages. An intellectual tour-de-force, Forbidden Knowledge is a study of the ethics of literary and scientific inquiry. Shattuck first approaches his subject indirectly, conducting an engaging tour of Western literature: Adam and Eve, Prometheus, Milton's Paradise Lost, Goethe's Faust, and Mary Shelley's Frankenstein. He then uses these tales to address the moral questions raised.

Softcover. Paris, Bernard Grasset, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 165 pages, French text.

Hardcover. NY, Basic Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 337 pages, in a bright, unclipped dust jacket. Essays by the New York City cultural critic; examines the work of artists, filmmakers and writers ranging from Anton Chekov to J. K. Rowling, including Stanley Kubrick, The Sopranos, Sex in the City, John Updike, Norman Mailer, and Barbara Kingsolver. Clean copy.

Hardcover. NY, Grove Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 259 pages. When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it.

Hardcover. NY, New Directions, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket that's unclipped. Previous owner's name on front fly leaf, otherwise clean.

Hardcover. London , B. Blake, 1st Thus, 1837, Book: Good, Dust Jacket: None, 848 pages. Hardcover. Marbled edges and endpapers. Raised bands on spine. Clipping of a silhouette of Edward Gibbon pasted on to front end paper. Previous owners notes in pencil on front endpapers. Wear to covers, especially corners. Rubbing. Chipping at spine. Clean, unmarked text.

Hardcover. New York, Harcourt Brace & Co., 1st US, 1950, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages, blue cloth covers with gilt lettering to spine. There are two small puncture holes in cloth spine, corresponding holes to dust jacket. Otherwise a very good copy with age-toning to edges and spine of dust jacket.

Hardcover. NY, Farrar Straus & Giroux, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of seven essays. Clean copy.

Hardcover. Lathem, New York, British American Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. Mancheser, U.K., Manchester University, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, Softcover, 221 pages. Foreword by George Melly. Highlighting on two pages. B&W photos and illustrations. Street Noises combines the diverse materials of mass culture with literary and archival sources, to produce an innovative and critical re-reading of twentieth-century Paris as the city of the people and of cultural modernity. It concentrates on popular song and opera, cultural theory and records of police surveillance (such as the unpublished archives concerning the sexual mores of sailors in Toulon), sensational weekly magazines (including the weekly Detective Magazine with its remarkable photomontage) and writers of the Academie Goncourt. The author picks out their common realisation of the experience of the city, also showing how the faits divers and the entertainment industries frame the writing of a Benjamin, a Colette or a Genet. Rifkin reworks modern critical theory through these sources, reflecting on its relation to the production of mass cultures.

Hardcover. Chicago, Ivan R. Dee, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. 239 pages including index. Author of The Moonstone and The Woman in White, Wilkie Collins is widely regarded as "the father of the detective story." How curious that his own life has puzzled investigators despite numerous attempts to unravel it. Collins lived a publicly Victorian existence as a contemporary of Dickens, Wordsworth, Coleridge, and Blake in mid-19th-century England. Yet upon his death he left a will dividing his estate equally -- between two mistresses.

Hardcover. London, Longman, Hurst, Rees, Orme, and Brown, 1st, 1817, Book: Very Good, Dust Jacket: None, Hardcover, 3/4 brown calf over marbled boards, black leather spine label with gilt lettering. 303 pages. Containing, among others, many letters from Alexander Pope, and three from Dr. Johnson, being addressed to Francis Fowke, Joseph Fowke and Samuel Richardson. Mild wear to spine, otherwise a clean, tight copy.

Hardcover. Boston, Houghton Mifflin, reprint, 1882, Book: Very Good, Dust Jacket: None, Hardcovers, two-volume set complete. Matching dark brown cloth covers stamped in black and gilt, top edge gilt. 639; vi, 653 pages; index, bibliography, frontispiece portrait in each volume - one a quite formal portrait of Voltaire in his prime, the other a sketch of him in old age. Covers show light wear, name on title pages. This is the second printing, the first published a year earlier. A comprehensive life of the great Enlightenment writer. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, W W Norton & Co , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In these extraordinary letters, we see May Sarton in all her complexities and are privy to her tangled relationship with Juliette Huxley, whom May considered her muse and the greatest love of her life. May Sarton's love for Juliette Huxley, ignited that first moment she saw her in 1936, transcended sixty years of friendship, passion, rejection, silence, and reconciliation. The letters chart their meeting, May's affair with Juliette's husband Julian (brother of Aldous Huxley) before the war, her intense involvement with Juliette after the war, and the rich, ardent friendship that endured until Juliette's death. While May's intimate relationship with Julian was not a secret, May's more powerful romance with Juliette was. May's fiery passion was a seductive yet sometimes destructive force. Her feelings for and demands on Juliette were often overwhelming to them both. In fact, Juliette refused all contact with May for nearly twenty-five years. Their reconciliation, after Julian's death, wasn't so much a rekindling as it was a testament to the profound affinity between them. Theirs was a relationship rife with complications and misunderstandings but the deep love and compassion they shared for one another prevailed. Included in this book are Sarton's original drafts of an introduction to these letters. 400 pages including index. Clean copy.

Hardcover. NY, Harper & Row, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 119 pages. A book on linguistics by Noam Chomsky, written with the purpose of deepening 'our understanding of the nature of language and the mental processes and structures that underlie its use and acquisition'. Chomsky wished to shed light on these underlying structures of the human language, and subsequently whether one can infer the nature of an organism from its language. Cartesian linguistics refers to a form of linguistics developed during the time of RenE Descartes, a prominent 17th century philosopher whose ideas continue to influence modern philosophy. In Cartesian Linguistics, Chomsky traces the development of linguistic theory from Descartes to Wilhelm von Humboldt, that is, from the period of the Enlightenment directly up to Romanticism. The central doctrine of Cartesian linguistics maintains that the general features of grammatical structure are common to all languages and reflect certain fundamental properties of the mind. Clean copy.

Hardcover. Burbank CA, DC Comics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. These groundbreaking classic stories--which cemented Superman's place as the medium's most enduring hero--are gathered for the first time in this singular, expansive collection. Collects all the Man of Steel's tales from ACTION COMICS #48-65, SUPERMAN #16-24 and WORLD'S FINEST COMICS #6-10 and includes a foreword by legendary Superman editor Mike Carlin. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY/Oxford UK, Routledge, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 190 pages. This book examines Gore Vidal's lifelong engagement with the ancient world. Incorporating material from his novels, essays, screenplays and plays, it argues that his interaction with antiquity was central to the way in which he viewed himself, his writing, and his world. Divided between the three primary subjects of his writing - sex, politics, and religion - this book traces the lengthy dialogue between Vidal and antiquity over the course of his sixty-year career. Broughall analyses Vidal's portrayals of the ancient past in novels such as Julian (1964), Creation (1981) and Live from Golgotha (1992). He also shows how classical literature inspired Vidal's other fiction, such as The City and the Pillar (1948), Myra Breckinridge (1968), and his Narratives of Empire (1967-2000) novels. Beyond his fiction, Broughall examines the ways in which antiquity influenced Vidal's careers as a playwright, an essayist and a satirist, and evaluates the influence of classical authors and their works upon him. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition of this collection of pieces penned in the first half of the 1970s, by four-time Pulitzer nominee. Included are reflections on man and nature in rural Georgia ("Travels in Georgia"), a profile of an Arkansas horseman hoping to make it big in an important horse race ("Ruidoso"), a quest to discover the true location that inspired the "Marvin Gardens" square in the Monopoly game, ("In Search of Marvin Gardens"), and more. Very bright, clean copy.

Hardcover. NY, Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Tragic, comic, and utterly honest, this extraordinary memoir is at once a great family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was twelve and a half years old, his mother committed suicide, a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen and joins a kibbutz, changes his name, marries, has children, and finally becomes a writer as well as an active participant in the political life of Israel. Clean copy.

Hardcover. New York, Fred De Fau & Company, reprints, 1901, Book: Very Good, Dust Jacket: None, Two volumes, hardcovers. 810 pages total. B/w frontipieces with tissue guards. B/w illustrations throughout. Top edges gilt. Dark green cloth boards, gilt titles on spines, some light shelf wear. Tanning to pages and edges from age. Split at gutter of Introduction page in vol. 1, doesn't affect binding, no pages loose. Bindings good. Pages unmarked. Spines straight. The second of the three Valois romances, a continuation of Marguerite de Valois. Takes up the story three years later with Henry III seated, but not securely, on the throne.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, Introduction by Vincent Carrata plus 52 pages. Facsimile reprints. Clean copy.

Hardcover. NY, HarperCollins, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 572 pages. The author as written an admirable book that pulls no punches in recounting Hellman and Hammett's flaboyant lives and compulsions. like new in a protective brodart.

Hardcover. NY, Doubleday, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 305 pages. The Rebecca Notebook provides an unparalleled insight into the mastery of a writer''s craft and the inner vision that made du Maurier a household name. One of the great international bestsellers, Rebecca also inspired a film, a play and television dramas. This perfect companion volume, The Rebecca Notebook, outlines just how Rebecca came to be written, tracing its origins, developments and the directions it might have taken. The author reveals how she first came upon the secret house, hidden deep in the Cornish woodland, that was to become the romantic setting for her most famous novel: a house which stood derelict, and which she lovingly restored to create her own home. The accompanying Memories introduce other members of her family: her father Gerald, the famous actor; her grandfather George, whose Punch drawings made him world famous; and her cousins, for whom J. M. Barrie wrote Peter Pan. Small ownership sticker on front fly leaf, otherwise clean.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. America has had a love affair with the hard-boiled detective since the 1920s, when Prohibition called into question who really stood on the right and wrong side of the law. And nowhere did this hero shine more than in crime fiction. In Detectives in the Shadows, literary and cultural critic Susanna Lee tracks the evolution of this truly American character type from Race Williams to Philip Marlowe and from Mike Hammer to Jessica Jones. Lee explores how this character type morphs to fit an increasingly troubled world, offering compelling interpretations of The Wire, True Detective, and Jessica Jones. 216 pages, clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. In this highly original reexamination of North American poetry in English from Ezra Pound to the present day, Christopher Nealon demonstrates that the most vital writing of the period is deeply concerned with capitalism. This focus is not exclusive to the work of left-wing poets: the problem of capitalism's effect on individuals, communities, and cultures is central to a wide variety of poetry, across a range of political and aesthetic orientations. Indeed, Nealon asserts, capitalism is the material out of which poetry in English has been created over the last century. Much as poets of previous ages continually examined topics such as the deeds of King Arthur or the history of Troy, poets as diverse as Jack Spicer, John Ashbery, and Claudia Rankine have taken as their "matter" the dynamics and impact of capitalism-not least its tendency to generate economic and political turmoil. Nealon argues persuasively that poets' attention to the matter of capital has created a corresponding notion of poetry as a kind of textual matter, capable of dispersal, retrieval, and disguise in times of crisis. Offering fresh readings of canonical poets from W. H. Auden to Adrienne Rich, as well as interpretations of younger writers like Kevin Davies, The Matter of Capital reorients our understanding of the central poetic project of the last century.Clean copy.

Hardcover. NY, Simon and Schuster, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with faded gilt title on spine, 426 pages. A collection of profiles on great thinkers and writers through the ages. B&w frontis of Walt Whitman, 9 other b&w portraits. Clean copy.

Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta -- traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.

Softcover. NY, Bellevue Literary Press, 1st, 2007, Softcover, 236 pages. Without awkwardness we would not know grace, stability, or balance. Yet no one before Mary Cappello has turned such a penetrating gaze on this misunderstood condition. Fearlessly exploring the ambiguous borders of identity, she mines her own life journeys from Russia to Italy to the far corners of her heart and the depths of a literary or cinematic text to decipher the powerful messages that awkwardness can transmit. Clean copy.

Hardcover. NY, Charles Scribner's Sons, 1st US, 1985, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes with dust jackets in a cardboard slip case. Volume 1: 1847-1894, 396 pages. Vol. 2: 1895-1910, 397-755 pages. All bright and clean except for fading to dj spines. DOMESTIC SHIPPING ONLY.

Hardcover. Washington DC, Shoemaker & Hoard, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, gray boards with blue cloth spine, 150 pages, b&w illustrations. A singular life often circles around a singular moment, an occasion when one's life in the world is defined forever and the emotional vocabulary set. For the extraordinary writer James Salter, this moment was contained in the fighter planes over Korea where, during his young manhood, he flew more than one hundred missions. James Salter is considered one of America's greatest prose stylists. The Arm of Flesh (later revised and retitled Cassada ) and his first novel, The Hunters, are legendary in military circles for their descriptions of flying and aerial combat. A former Air Force pilot who flew F-86 fighters in Korea, Salter writes with matchless insight about the terror and exhilaration of the pilot's life. This book collects passages from two other books he wrote about his military flight career and entries from his personal journal kept during his tours of military flying duty through flight training in late WWII, into combat duty in Korea in 1952, and through his post war flying up into the early 1960s. Masterfully edited by Jessica and William Benton, it has been organized chronologically and simply is wonderful. You can read from the journal entry, and then it is followed by fiction he created using that experience. No dust jacket, clean, bright copy.

Hardcover. New York, Oxford University Press, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Light wear. Clean, tight copy.

Hardcover. Cambridge MA, Belknap Press of Harvard University Press, 1st, 1975, Book: Very Good, Dust Jacket: Good, Hardcover, Volume 2. 438 pages. Light sunning to dust jacket spine, previous owner's signature on front end paper, faint foxing to edges, else a clean, tight copy.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Softcover. University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 320 pages. Here is a collection of interviews that cover the period from 1967 through 1993. Many are translations of interviews that originally appeared in French, German, Italian, Polish, Spanish, or Swedish periodicals. Several are published here for the first time in any language. Giving attention to Sontag's education and the development of her aesthetic and moral temperament, they cover Sontag's rich career as a distinguished writer, filmmaker, dramatist, and cultural critic. Clean, bright copy.

Hardcover. Cambridge, Cambridge University Press, 1st ed., 1982, Book: Good, Dust Jacket: Good, 220 pages. Purple cloth boards with gilt lettering along spine. Few pages of light pencil underlining. Dust jacket has some foxing, mainly on flaps, and discoloring. Tight copy. The idea of man as an essentially irrational being has preoccupied some of the most influential of Russian thinkers, including the three important Soviet writers considered by Dr Edwards in this book. Since the 1917 Revolution the polemic between rationalists and irrationalists has become directly relevant to the way life is lived in the Soviet Union, and a knowledge of the irrationalist point of view is essential for an understanding of much of Soviet literature and of the foundations of Soviet dissidence. As with other titles in this series, this book is not intended simply for the specialist. The broad speculations arising from the subject will fascinate all those who take a serious interest in the Russian literary tradition; a tradition whose principal figures have been concerned to reject philosophical and political creeds that, in seeking to produce a perfect human being in a perfect society, point in fact towards a vision of hell.

Hardcover. Boston, David R Godine, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 389 pages. Clean, unmarked copy in excellent condition.

Hardcover. Princeton, NJ, Princeton University Press, 2nd, 1968, Book: Good, Dust Jacket: None, 338 pages. Hardcover with NO dust jacket. Fading overall to red cover boards, spine heavily faded. Light pencil markings throughout, otherwise, tight copy.

Hardcover. New York, Leavitt & Allen, 1st, 1853, Book: Good, Dust Jacket: None, 557 pages. Hardcover with blind stamped decoration on front and rear covers. Light rubbing and wear to edges. Internal pages clean and bright with light tanning.

Hardcover. NY, Crown, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 644 pages, b&w illustrations. After a protracted squabble over private papers with the playwright's estate, Leverich delivers this hefty first volume of a projected two-volume life of Tennessee Williams (1911-1983). In it, Leverich, who produced several of Williams's plays and calls himself Williams's "chosen biographer", covers the years through 1945, when The Glass Menagerie opened on Broadway. Treated are Williams's youth in Mississippi and St. Louis; the college years at the universities of Missouri and Iowa; bumming around (but always writing) in New Orleans and Greenwich Village; the disaster of his first Broadway play (it closed in Boston); script writing, or avoiding it, at MGM's Hollywood mill; and, finally, the evolution of Menagerie, a wonderfully detailed and dramatic case history in itself. Leverich's overworked conceit, which he restates at intervals, is that this is the life of Tom Williams, a "repressed puritan" poet, who in time created a more flamboyant public persona called Tennessee. A few matters are set straight. Leverich maintains his subject's active homosexual life started in his late 20s, later than Williams stated in his memoirs, and that his sister's infamous lobotomy came later than his mother claimed. Although the accumulation of information is impressive, the lower Leverich keeps his own profile and editorial commentary the better his book is, which means it is at its best when it simply reproduces Williams's sporadically kept journal. If you believe that all the details of a life are but preparation for a single event, in this case, the opening of a remarkable play, this is an impressively argued biography.

Hardcover. NY, Philosophical Library, 1st US, 1948, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, 265 pages. B&w frontis. portrait. Previous owner's long inscription on front fly-leaf, otherwise clean.

Hardcover. London, J. And P. Knapton, S. Birt, T. Longman, et al., 1st thus, 1747, Book: Very Good, Dust Jacket: None, Eight volumes, in uniform red calf with ornate gilt decorations to covers, spines. All edges gilt. Prefaces by William Warburton and Alexander Pope. Mild foxing to pages. Vol. 1 with a frontispiece engraving of Shakespeare. An attractive set with light shelf wear, minor soiling. Bindings firm.

Hardcover. NY, George H. Doran Co., 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, Small octavo, tan boards with paper labels on top cover and spine. 93 pages. Doyle's account of visiting the military fronts during World War I. Clean, some scraping to paper covered board on rear otherwise very good.

Hardcover. Boston, Houghton Mifflin, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover with dust jacket. Black & white illustrations throughout. Clean, tight copy.

Hardcover. University AL, University of Alabama Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, red cloth covers in a lightly worn dust jacket. Here are the passionate memoirs of the French Communard leader, a hero, saint and martyr to the socialists and anarchists battling the injustices of the Third Republic. 202 pages with a bibliography. Clean copy.

Indianapolis , Indiana Historical Society, 1st, 1949, Book: Good, Dust Jacket: None, 303 pages, blue cloth spine, beige cloth covers. Library stamp on front fly leaf and title page, bottom edge. Internally clean.

Hardcover. NY, Harcourt Brace & World, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. 217 pages, b&w photos. Stated first American edition of Woolf's memoirs. includes vignettes of Virginia Woolf and the Hogarth Press. Book reviews laid in. Edges, spine of dust jacket tanning. Otherwise clean.