Literature

Hardcover. Boston, Houghton Mifflin, 1st, 1905, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, 3 colors. Beautiful gilt and sihouette vignette of the London skyline. 80 black and white drawings by Joseph Pennell. Top edge gilt. A collection of periodical pieces written over a span of thirty years by James, all about his travels in England. Name and date on front fly leaf, otherwise a clean, bright copy.

Softcover. Durango CO, Logbridge-Rhodes, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 150 pages, b&w illustrations. Poems by Wright, with letters, interviews, memoirs, elegies, a chronology, and bibliography. Light fade to spine, otherwise clean copy.

Softcover. Baton Rouge, Louisiana State University Press, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, 777 pages. The largest collection of annotated and authenticated accounts of slaves ever published in one volume. In them, the slaves of Thomas Jefferson, Robert E. Lee, Henry Clay, and others speak for themselves about their culture, plantation life, the adequacy of their food, clothing, and shelter, the sexual exploitation of black women, and the psychological response to bondage. The views given are those of house servants and field hands, docile slaves and rebels, urban slaves and rural slaves, slaves with kind masters and those with cruel ones. These wide-ranging documents, together with annotations, notes, an index, dozens of illustrations, and an incisive introduction, form a volume of unusual scope and character. Clean copy.

Hardcover. NY, Biblioasis, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 290 pages. Bruce Jay Friedman has done it all, charming the glitziest industries of American golden-age culture for more than half a century. Lucky Bruce is his long-awaited memoir, and it's everything we'd expect and more: here is Friedman at his best, waltzing from Madison Avenue to Hollywood and back again, and reilluminating with brilliant clarity the dazzle of post-war American life. Cameos by Joseph Heller, Philip Roth, Mario Puzo, Lillian Hellman, Warren Beatty, Marlene Dietrich, Brian Grazer, Candida Donadio, Crazy Joe Gallo, Joyce Carol Oates, Jack Richardson, Isaac Bashevis Singer, Kurt Vonnegut, and the irreplaceable Elaine. Clean copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages. INSCRIBED BY AUTHOR on front end paper. In the 1960s, as the underpinnings of society weakened, the traditional novel form seemed less suited to describe American reality. Theorists groped towards non-mimetic fiction as the tools that had sustained the novel since its birth-coherent characterization, linear plot, symbolism-became tools of New Journalism. The New American Novel of Manners explores the virtual reinvention of the novel of manners in America out of the same subjectivity that charged the works of New Journalism.In place of the rigid social structures that never seemed to depict America, novelists such as Richard Yates, Dan Wakefield, and Thomas McGuane located America's modern-day manners in its semiotics, in the system of signs that envelops us-the blue jeans people wear, the fast food they eat, the decor of the bars they drink in and the rock-and-roll lyrics that play through memories. The new generation of mannerists describe lifestyles that are determined by words and images, by actions that are dictated by what has been read and seen, and patterns of behavior in which life is edited and fictionalized. Klinkowitz reveals a fiction that is once again capable of reflecting the way people live. Clean copy.

Hardcover. Lewiston NY, Edwin Mellen Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering, 424 pages plus appendix. This study provides an examination of the Spanish novelist Perez Galdos' turn to the stage in 1892 and his simultaneous shift in approach towards the roles of women in society. Faint pencil marking to about 25 pages in front of volume. Otherwise a tight, clean copy.

Hardcover. New York, Fred De Fau & Company, reprints, 1901, Book: Very Good, Dust Jacket: None, Two volumes, hardcovers. 810 pages total. B/w frontipieces with tissue guards. B/w illustrations throughout. Top edges gilt. Dark green cloth boards, gilt titles on spines, some light shelf wear. Tanning to pages and edges from age. Split at gutter of Introduction page in vol. 1, doesn't affect binding, no pages loose. Bindings good. Pages unmarked. Spines straight. The second of the three Valois romances, a continuation of Marguerite de Valois. Takes up the story three years later with Henry III seated, but not securely, on the throne.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, Introduction by Vincent Carrata plus 52 pages. Facsimile reprints. Clean copy.

Hardcover. NY, Random House, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 305 pages. In an age when much American writing was either glacially noncommittal or heremetically personal, William Styron persisted in addressing great moral issues with incendiary passion. Seriousness and ardor characterize all the essays in This Quiet Dust, the first book of nonfiction by the Pulitzer Prize-winning author of Lie Down in Darkness and Sophie's Choice. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 589 pages. Hardcover with dust jacket. Remainder mark on bottom text block. Tight copy. Light rubbing to dust jacket.

Hardcover. London, Jonathan Cape, 1st, 1930, Book: Very Good, Dust Jacket: None, Hardcover. Limited to 504 signed copies, this being no 265. Bound in original publishers quarter vellum, with green cloth boards, vellum dusty, cloth faded. An anthology of the author's writings from 1921 to 1930. The work concerns the history of an unnamed fictional village, and is divided into alternating chapters with different headings. Vellum-backed cloth, lettered in gold at the spine and with Williamson's familiar owl logo gold-stamped to the upper board. With a portrait frontispiece and two brief sketches by the author. Top edge gilt, others untrimmed. Some uneven fading to the cloth and a little darkening to the vellum backstrip, as is common with this production.

Hardcover. Berkeley CA, Bern Porter, 1st, 1945, Book: Fair, Dust Jacket: None, Hardcover. No. 260 out of 750 copies bound for distribution. 157 pages. Tan boards with wear and soiling, gray cloth spine. Shelving information on spine. Front hinge cracked. Ex-library. Printed on various colored paper, with contributions by a lot of well known authors, including Williams, Patchen, Durrell, Lamantia, many others. Edges soiled. Interior very good.

Softcover. NY, Cambridge University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 482 pages. In this book Professor Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. This large historical argument is developed through monographic chapters on the poets which include close readings of their major poems. Clean copy.

Hardcover. NY, Humanities Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 276 pages. George Lukacs on Appearance and Essence, Erwin Pracht on Socialist Realism, S. Petrov on Realism, Robert Weimann on point of view in fiction, B. G. Zhantieva on Joyce's Ulysses, Werner Mittzenzwei on the Brecht-Lukacs debate, and five other major essays. Clean copy.

Softcover. Bowling Green OH, Journal of Popular Culture, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, pages 1-258. Articles include: The tragedy of Bert Williams, mystery writer John D. MacDonald, Edward R. Murrow's WW2 radio broadcasts, the dance marathon craze, Spider-Man - Superhero in the Liberal Tradition, others. Clean.

Hardcover. NY, Simon & Schuster, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket with mild tanning, 254 pages. Bound in bright blue cloth in white dust jacket printed in red and black. First Printing stated. A collection of Isherwood's writings from nearly four decades. Clean copy.

Softcover. Merrick NY, Cross-Cultural Communications, 1st pbk, 2006, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. Edited and translated from the Italian by Stanislao G. Pugliese. Ignazio Silone, anti-fascist and founding member of the Italian Socialist Party (PSI) offers a politically conscious and soul searching memoir which details his own PSI activities and the various factors engendering the "necessity for action on behalf of liberty and democracy among the working classes." Over the course of his political career, Silone wrote a number of fiction and non-fiction works, and was imprisoned in Italy, France, Spain, and finally in Switzerland where he composed this memoir in 1942. Often compared with Andre Malraux and Albert Camus, Silone was awarded an honorary degree by Yale University, was a recipient of the Jerusalem Prize, and was twice considered for the Nobel Prize in Literature. INSCRIBED BY PUGLIESE on the title page. Clean copy.

Hardcover. Washington DC, University Press of Washington D.C., 1st, 1953, Book: Good, Dust Jacket: Good,

Hardcover. New York, Viking, 1st thus, 1931, Book: Very Good, Dust Jacket: Good, Hardcover, 135 pages. Previous owners name at top right edge of front endpaper. Minor foxing to preliminary pages. Maroon cloth covers with narrow section of fade at top edge of front cover. Dust jacket with edgewear, light chipping and tiny holes along folds - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. NY, Random House, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. The essays, speeches, and opinion pieces assembled in Step Across This Line, written over ten years, cover an astonishing range of subjects. The collection chronicles Rushdie's intellectual odyssey and is also an especially personal look into the writer's psyche. With the same fierce intelligence, uncanny social commentary, and very strong opinions that distinguish his fiction, Rushdie writes about his fascination with The Wizard of Oz, his obsession with soccer, and the state of the novel, among many other topics. Most notably, delving into his unique personal experience fighting the Iranian fatwa, he addresses the subject of militant Islam in a series of challenging and deeply felt responses to the terrorist attacks of September 11, 2001. The book ends with the eponymous "Step Across This Line," a lecture Rushdie delivered at Yale in the spring of 2002, which has never been published before and is sure to prompt discussion.

Softcover. San Francisco, Last Gasp, reprint, 2001-06-01, Book: Near Fine, Dust Jacket: None, Softcover, unpaginated. Like new in publishers shrink-wrap. A first hand account of the 60s and 70s counterculture seen through the eyes of pioneering photographer Charles Gatewood and legendary writer Williams S. Burroughs.

Hardcover. NY, Grosset and Dunlap, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A collection of essays, most previously appearing in Pageant, The New York Time, The New Republic and other publications in the 1960s. Subjects include Madison Avenue Foreign Policy, The Strange Case of Negro Superiority, Margaret Mead for President, A Solution for Leisure, among many others.

Hardcover. Chicago, Swallow Press, 1st, 1976, Book: Very Good, Dust Jacket: Fair, Hardcover, green pebbled cloth with gilt lettering on spine. 463 pages. Dust jacket worn, fading to spine with chunk gone from spine.Name and date on front fly leaf, otherwise clean.

NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Uphill with Archie is a beautifully written and deeply involving look at the life and the world of the great literary icon, poet Archibald MacLeish, by his youngest son. Partly an homage, partly an attempt to come to terms with the man (and the legend), Uphill with Archie speaks to all sons and daughters who have never completely resolved their feelings about powerful parents. Young William MacLeish grew up both captivated and cowed by the fame of a father who won Pulitzer Prizes for his poetry and comparable honors for his work as a lawyer, playwright, teacher, and government official. William's mother, Ada, began her marriage as a successful concert singer in Paris but later felt compelled to give up her art for her family. When Archie was working for Henry Luce and Fortune magazine, his younger children, watched over by a governess, stayed with their grandfather in Connecticut. But it is of the time spent with his family at Uphill Farm, a beautiful old house above a Massachusetts hilltown, that MacLeish has his fondest and most telling memories: "Archie and Ada gave me great gifts: music, the sound of the language beautifully spoken, the draw of knowledge, the arts of humor," William writes. "I learned to perform for them, and in time found myself addicted to getting a nice tan from Archie's sun. And the more I bathed in his light, the harder I found it to go looking for my own."

Hardcover. Austin TX, University of Texas Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with a touch of fading to edges, 177 pages. Essays, literary and philosophical, on the state of the humanities and the implications of conceiving dialogue as the root condition of human being. Translated from the Russian by Vern W. McGee. Clean copy of the hardcover edition. Book review laid-in.

Hardcover. NY, Alfred A. Knopf, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of his writings on his home country. Clean copy.

Hardcover. NY, Abbeville Press, 1st thus, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with drawings. Index. Bibliography. 487 pages. Remington, a prolific letter writer, was also an inveterate doodler. Many of these previously unpublished drawings are a part of this collection. Correspondence includes notes to his family and correspondence with President Theodore Roosevelt, Owen Wister, Poultney Bigelow, Francis Parkman, Elizabeth Custer and others. Clean copy.

Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.

Hardcover. Francestown NH, Marshall Jones Company, 3rd pr., 1967, Book: Very Good, Dust Jacket: Good, Hardcover, blue cloth stamped in gilt. Dust jacket edgeworn, chipped. 295 pages. Revised Edition. Third Printing. INSCRIBED by Rosamond Thaxter ("Rosie") on half title page.

Hardcover. NY, ZE Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering. No dust jacket issued. With Stay, acclaimed poet, artist, and bestselling memoirist Nick Flynn presents a self-portrait via a constellation of topics that have circled his work. Ranging from the impact of suicide and homelessness to addiction, political engagement, and the vital power of artistic friendships, Stay is a mixed-media retrospective that shows nothing is created in isolation. Mirroring Flynn's life, this work of visual and literary memoir is populated by examples of his collaborations since the 1980s with such luminaries as the photographers Amy Arbus and Catherine Opie, composer Guy Barash, actor Robert De Niro, cartoonist Josh Neufeld, author Sarah Sentilles, filmmaker Paul Weitz, and artists John Baldessari, Marilyn Minter, and Bill Shuck. In Flynn's refusal to conform to narrative or the safety of his own perspective, Stay grasps for an essential truth, an answer to what art, in the end, can and cannot reflect. Illustrated in color, b&w.

Softcover. Paris, Sotheby's, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 336 pages, color plates throughout. FRENCH TEXT. Sotheby's catalog for Sale No. PF7014 held in Paris on November 29, 2007. 298 lots. Illustrated in color. Text in French.. The volume is in perfect, pristine condition; unmarked, tight, square, and clean.

Hardcover. NY, Norton, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 530 pages. An affectionate portrait of the prolific twentieth-century comic writer discusses his creation of such characters as Jeeves, Psmith, and the Empress of Blandings; describes his contributions to Broadway and the London stage; details his internment in Berlin during World War II; and reveals a following of literary figures who are among his top fans.

Hardcover. New York, Atlantic Monthly Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, INSCRIBED BY AUTHOR on title page. Spotless and clean copy.

Hardcover. New York , Vanguard Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Light edgewear, tanning to dust jacket else a clean, tight copy.

Softcover. Oakland CA, PM Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, '60s, and '70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in-depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analyzed are books by street-level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman, and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and a myriad of lesser-known novelists ripe for rediscovery.

Hardcover. NY, Crown, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 246 pages. Several months before novelist Howard Frank Mosher turned sixty-five, he learned that he had prostate cancer. Following forty-six intensive radiation treatments, Mosher set out alone in his twenty-year-old Chevy Celebrity on a monumental road trip and book tour across twenty-first-century America. From a chance meeting with an angry moose in northern New England to late-night walks on the wildest sides of America's largest cities, The Great Northern Express chronicles Mosher's escapades with an astonishing array of erudite bibliophiles, homeless hitchhikers, country crooners and strippers, and aspiring writers of all circumstances. Full of high and low comedy and rollicking adventures, this is part travel memoir, part autobiography, and pure, anarchic fun. From coast to coast and border to border, this unforgettable adventure of a top-notch American writer demonstrates that, sometimes, in order to know who we truly are, we must turn the wheel towards home.

Hardcover. New York , Bollingen Foundation/Pantheon, 1st thus, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcovers, four volumes in a slipcase. Blue cloth covers with red spine labels, gilt lettering. Unclipped dust jackets. 345,547,540, and volume 4 index 109 pages and photo reproduction of the original 1837 edition in Russian. Bollingen Series LXXII. Slipcase is sound. Clean, bright set with only minoe shelf wear.

Hardcover. New York, Colophon Press, 1st, 1930, Book: Good, Dust Jacket: None, Unpaginated. Hardcover with lightly tanned pages. Cover boards show light soil. Articles include: Colophons by Ruth S. Granniss; Firsts, Issues and Points by George H. Sargent; On Breaking Type by H.L. Mencken; Whitman and the War's Finale by Emory Holloway; Illustrating "Huckleberry Finn" by E.W. Kemble; Irving's Washington and an Episode in Courtesy by George S. Hellman; On Being Published by Sherwood Anderson; Chartreuse by A.R. Stavenitz; An Unrecorded "Pilgram's Progress" by Gilbert McCoy Troxell; The Bookplates of Bruce Rogers by William A. Kittredge; Getting Into Print by William McFee.

Hardcover. Jackson MS, University of Mississippi, 1st, 1987, Hardcover in a bright dust jacket, 178 pages. Gathers interviews with the Tennessee short story writer in which he discusses his career, writing, character development themes, settings, and growing older. Clean copy.

Hardcover. NY, Spiegel & Grau, 1st, 2009-10-20, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Photos in color and b&w. SIGNED BY MORGAN on title page. Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. NY, Charles Scribner's Sons, 1st BC Ed., 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles, 687 pages, b&w photos. Has the A_3.69 (C), small embossed circle at bottom of rear cover indicating a book club printing. Bright, clean copy, missing the dust jacket.

Hardcover. New York, Random House, 1st US, 1998, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover. Illustrated with black & white photographs. Minor rubbing to surface of dust jacket. Clean, tight copy.

Hardcover. NY, Bobbs-Merrill, 1st, 1949, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped in gilt. 192 pages, illustrated endpapers. Tarkington's letters written and illustrated with pen-and-ink sketches in 1903 and 1904 from Europe addressed to his three nephews. Clean copy, no dust jacket.

Hardcover. New York, Farrar, Straus and Giroux, 1st, 2008, Dust Jacket: Very Good, Hardcover, 873 pages. Light shelf-wear to dust jacket. Clean, tight copy. Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters-they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing-and often very funny-interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

Hardcover. NY, Farrar Straus Giroux, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 530 pages, b&w illustrations. The dramatic story of W. E. B. Du Bois's reckoning with the betrayal of Black soldiers during World War I-and a new understanding of one of the great twentieth-century writers. When W. E. B. Du Bois, believing in the possibility of full citizenship and democratic change, encouraged African Americans to "close ranks" and support the Allied cause in World War I, he made a decision that would haunt him for the rest of his life. Seeking both intellectual clarity and personal atonement, for more than two decades Du Bois attempted to write the definitive history of Black participation in World War I. His book, however, remained unfinished. In The Wounded World, Chad Williams offers the dramatic account of Du Bois's failed efforts to complete what would have been one of his most significant works. The surprising story of this unpublished book offers new insight into Du Bois's struggles to reckon with both the history and the troubling memory of the war, along with the broader meanings of race and democracy for Black people in the twentieth century. Drawing on a broad range of sources, most notably Du Bois's unpublished manuscript and research materials, Williams tells a sweeping story of hope, betrayal, disillusionment, and transformation, setting into motion a fresh understanding of the life and mind of arguably the most significant scholar-activist in African American history. In uncovering what happened to Du Bois's largely forgotten book, Williams offers a captivating reminder of the importance of World War I, why it mattered to Du Bois, and why it continues to matter today. Remainder mark on top edhge, otherwise clean.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1882, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red, black, and gilt embossed spine title, cover title, and bright cover illustration and decoration. Boards have beveled edges. All edges gilt. 70 pages, tissue-guarded frontispiece, 30 full-page illustrations; artists include A.B. Frost. Howard Pyle. Fredericks, J. S. Davis and others. A ballad written in Paris in 1841 at the time of the second funeral of Napoleon and is a narrative of French military history. Slender piece of cloth chipped away on rear cover, otherwise clean, very good.

Hardcover. NY, Criterion, 1st, 1960, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 603 pages. Classic study of American Fiction from 1789 till 1960. Tight and square. Unmarked, clean copy.

Hardcover. Atlanta, Peachtree Publishers, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 281 pages. Clean copy.

Hardcover. London, UK, Frederick Warne , 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 446 pages, illustrated throughout in color and b&w. Red leatherette, silver lettering to spine, top edge with red cosmetic stain. Pictorial, price clipped dust jacket. Slight wear to edges and spine, light scratching to covers, else a very nice, tight, clean copy.

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.