Literature

Hardcover. San Francisco, Chronicle Books, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in very good dust jacket with mild fading to spine. 184 pages plus index, b&w photographs. Light edge wear, protected by mylar cover. A very clean, tight copy. Written from personal recollection and years of research by the friend and writer Steinbeck knew would one day be his biographer. Emphasizes Steinbeck's formative years: boyhood in Salinas, farmhand, seaman, road-gang flunkie, hod carrier, dam builder and pursuit of wine, women and song.

Hardcover. London, B. T. Batsford, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 264 pages, b&w illustrations. Name on front fly leaf, otherwise clean.

Softcover. NY, Cambridge University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 482 pages. In this book Professor Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. This large historical argument is developed through monographic chapters on the poets which include close readings of their major poems. Clean copy.

Hardcover. NY, Quadrangle Books, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 201 pages. Stated first edition, 1972, but actually a book club edition with the telltale little indentation at the bottom right of the rear cover, no price on dj flap. Warren served as the 14th Chief Justice of the United States from 1953 to 1969 and is generally considered to be one of the most influential Supreme Court justices and political leaders in the history of the United States. This is a great book on the foundations of our republic and on how to preserve it. Chief Justice Warren explains history and Constitutional law in common terms that are easy to digest. This book stresses the importance of civic engagement, the Bill of Rights, and the need for ethics and respect in a republic. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.

Hardcover. NY, Twayne Publishers, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 145 pages. INSCRIBED BY AUTHOR on the front fly leaf. The renown Frank Norris attained in his brief lifetime sprang from his compelling--and to many Americans startling--novels about people whose lives have escaped their control and have become grotesquely warped by the confluent forces of hereditary and environment.In "revisiting" Frank Norris, Joseph R. McElrath, Jr. takes as a starting point Warren French's 1962 volume in this series and provides a complementary portrait of the artist. McElrath assesses the spate of relatively recent "historical reconstructions" of Norris's canon and finds a writer who, though at times transcendent in the Naturalistic vein, was pragmatic in his choice of subject matter and "not always grandly serious." It is in part the delight Norris took in parody, McElrath argues, that makes him still so readable. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 259 pages, photographic frontispiece, 4 leaves of plates; original blue cloth over blue boards, gilt lettering on spine, Autobiography of the English writer and founder of the Hogarth Press with his wife Virginia Woolf. The fourth volume of the autobiography. Remainder line to edge, otherwise clean.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with light tanning to edges. 214 pages with a pictorial section in rear. Stated first printing on copyright page. The story of the building of birch-bark canoes and of a 150 mile trip through the Maine woods in those graceful survivors of a prehistoric technology.

Hardcover. Chicago, University of Chicago Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 696 pages. Name on front fly leaf, otherwise clean.

Hardcover. London, Faber & Faber, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 748 pages. A bold re-imagining of W. H. Auden's early life, The Island explores the poet's journey through love, politics, and identity in inter-war England. Nicholas Jenkins sheds new light on Auden's complex relationship with Englishness and his eventual break from the myths of nation and self. A deeply original biography that redefines how we understand one of the 20th century's greatest poets. Clean copy.

Hardcover. Knoxville, University Of Tennessee Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Shields shows how both the myth of Adam and the myth of Aeneas, in crossing over to America from Europe, dynamically intermingled in the thought of the earliest American writers. This rearticulation of the myths of Adam and Aeneas became peculiarly adapted to the demands of the American adventure in freedom. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated. The authors probing analysis sheds new light on the works of such seminal figures as Edward Taylor, Cotton Mather, Phillis Wheatley, George Washington, Nathaniel Hawthorne, and Herman Melville.

Hardcover. Carbondale IL, Southern Illinois University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 267 pages. In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet's published work. She explores the ways Bishop's lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry--the ways she translated her bodily experiences into poetic form. Clean copy.

Hardcover. Cambridge MA, M.I.T. Press, 1st thus, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 160 pages. In an essay of prophetic vision, Lukacs defines a critical realism: 'anyone who wants to become more intimately acquainted with the prehistory of the important ideologies of the [nineteen-] twenties and thirties will be helped by a critical reading of this book.'

Hardcover. Urbana IL, University of Illinois, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 237 pages. An intellectual biography and assessment of the career of Edmund Wilson. Name. address on front fly leaf, otherwise clean.

Hardcover. Chicago, University of Chicago Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacker with minor edgewear, 352 pages. Bloom provides both an advanced guide to English and American Romanticism with its Victorian and Modern continuators, and an introduction to a new development in literary criticism that should increase the reader's grasp of the problematic but crucial relationship between the working poet and his poetic tradition. Mr. Bloom's judgment finds most significant cases of poetic influence to be examples of what he calls "a saving misprision, in which later poets overcome the anxieties induced by the glory of their precursors by creatively misinterpreting those great originals." Consequently, poets and poems are read against one another to locate the personal misinterpretations, the swerves that both separate and inescapably connect them. Among the poets studied are Blake, Shelley, Wordsworth, Keats, Tennyson, Browning, Emerson, Whitman, Yeats, Lawrence, Stevens, and others. Clean copy.

Softcover. Madison WI, Coda Press, 1st, 1979, Book: Very Good, Dust Jacket: None, Square softcover. Two titles bound in one volume, texts in English and French. The Voice in the Closet by Raymond Federman has text in English. Bound upside down at other end of book is La Voix Dans le Cabinet de Debarras by Federman, now in French, plus Echoes by Maurice Roche, also in French. English cover is white; French cover is black. INSCRIBED BY AUTHOR on the title page.

Hardcover. Prague, Twisted Spoon Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly soiled dust jacket, 150 pages. B&w frontis. The works of the Czech Symbolist Otokar Brezina (1868-1929), a writer twice nominated for the Nobel Prize in Literature, influenced an entire generation of artists in Bohemia and Moravia. Hidden History (published posthumously in 1935) is one of the most important works of 20th century Czech prose and represents the apotheosis of Brezina's endeavors in the essay form. In this finely crafted collection, he discusses the role of art as a vanguard of developments in science and as a force for social change. These essays also contribute to an understanding of Brezina's poetry, for which he is better known. They comprise the most systematic exposition of his aesthetic creed, which served to inspire the Czech writers and literary critics who followed in his footsteps. This edition is the first complete English translation of any complete volume of Brezina's work. Afterword by Petr Holman. Light foxing, no markings.

Softcover. New York, Farrar Straus Giroux, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 137 pages, light blue wrappers. An uncorrected proof. The subtle portrait of a great but difficult man and a legendary island. When friends die, one's own credentials change: one becomes a survivor. Graham Greene has already had biographers, one of whom has served him mightily. Yet I hope that there is room for the remembrance of a friend who knew him-not wisely, perhaps, but fairly well-on an island that was "not his kind of place," but where he came season after season, year after year; and where he, too, will be subsumed into the capacious story.

Hardcover. Philadelphia, University of Pennsylvania Press , 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages, Preface by Farrell. Green cloth binding with gilt on spine. Some light pencil marks in margins, on rear end papers.

Hardcover. New York, Scribner's, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 428 pages. Light wear to dust jacket, else a very nice, tight copy. The author probes the complex life and work of Joseph Conrad, a Polish exile in England, his friendships with Ford, Crane, James, and Galsworthy, his varied works, and his affair with American journalist Jane Anderson.

Hardcover. New York, Random House, 1st, April 30, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. Clean, unmarked copy with only minor wear to dust jacket. In The Shadow Man, the bestselling author of Final Payments and The Company of Women elevates the memoir into an uncompromising and unforgettable art form as she seeks to learn the truth about her lost father. 20 photos.

Hardcover. NY, Spiegel & Grau, 1st, 2009-10-20, Book: Very Good, Dust Jacket: Very Good, 198 pages. Hardcover with dust jacket. Photos in color and b&w. SIGNED BY MORGAN on title page. Light edgewear to dust jacket, else a clean, tight copy.

Hardcover. Edinburgh, John Grant, Revised/Reprint, 1896, Book: Very Good, Dust Jacket: None, 301 pages. Cloth boards. Previous owners bookplate on front inside cover. No dust jacket.

Hardcover. New York, Viking Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, 368 pages. Hardcover. Features: Louis-Ferdinand Celine, Norman Mailer, William S. Burroughs, Allen Ginsberg, Jean Cocteau, Harold Pinter, and more. Price clipped dust jacket with short closed tears along edges - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. Cincinnati, Poe & Hitchcock, 1st, 1860, Book: Very Good, Dust Jacket: None, Hardcover, 762 pages, b&w illustrations. Cloth and leather covers. Some foxing to pages, edgewear to covers, some pages dog-eared, else a very nice, tight copy.

Hardcover. New York , Clarkson N. Potter, Inc, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages, b&w illustrations. Dust jacket with slightly faded spine and small tear to uper edge of front cover. Previous owner's bookplate on front end paper. Clean, tight copy. "This collection of fifteen original essays, written especially for this occasion by distinguished Carrollian authorities from around the world, including Morton Cohen, Roger Henkle, Donald Rackin, Jean Gattegno, and Edward Guiliano, celebrates the many aspects of Carroll's life and art."

Hardcover. New York, W. W. Norton & Company, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 676 pages. Hardcover with dust jacket. Clean, tight copy with only minor wear to dust jacket. Nice copy.

NY, Paddington Press, reprint, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a nice dust jacket, light fading to spine. Black & white illustrations, 569 pages.

Hardcover. New York , Times Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 273 pages. Hardcover with dust jacket. SIGNED BY NOEL on title-page. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Colbyville, Vt., Silver Print Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 162 pages. Hardcover with dust jacket. SIGNED BY AUTHOR on title page. B&w photography throughout. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York, Colophon Press, 1st, 1930, Book: Good, Dust Jacket: None, Unpaginated. Hardcover with lightly tanned pages. Cover boards show light soil. Articles include: Colophons by Ruth S. Granniss; Firsts, Issues and Points by George H. Sargent; On Breaking Type by H.L. Mencken; Whitman and the War's Finale by Emory Holloway; Illustrating "Huckleberry Finn" by E.W. Kemble; Irving's Washington and an Episode in Courtesy by George S. Hellman; On Being Published by Sherwood Anderson; Chartreuse by A.R. Stavenitz; An Unrecorded "Pilgram's Progress" by Gilbert McCoy Troxell; The Bookplates of Bruce Rogers by William A. Kittredge; Getting Into Print by William McFee.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Hardcover. NY, G.P. Putnam's Sons, 1st US, 1959, Book: Very Good, Dust Jacket: Good, Hardcover, 226 pages, illustrated in b&w by Edward Ardizzone. Blue cloth with an edgeworn, chipped dust jacket. The book is a very good, clean, tight copy. White's account of life on the west coast of Ireland. The author comments on the front flap: "God knows what this book is about. I suppose it's a bit of autobiography really. But it's about living on the West Coast of Ireland, in 'the parish nearest to America' -- they all are, I mean the parishes -- and it is about the people and things there, more than about me."

Hardcover. Chicago, University of Chicago Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 430 pages. James Olney, one of the most distinguished scholars of autobiography, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound changes in Jean-Jacques Rousseau's life-writing trilogy, and found a momentary conclusion in the work of Samuel Beckett.

Hardcover. NY, St. Martin's Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 352 pages. Translated by Sam Taylor. As a bilingual bestselling novelist with a mixed Franco-British bloodline and a host of eminent forebears, Tatiana de Rosnay is the perfect candidate to write a biography of Daphne du Maurier. As an eleven-year-old de Rosnay read and reread Rebecca, becoming a lifelong devotee of Du Maurier's fiction. Now de Rosnay pays homage to the writer who influenced her so deeply, following Du Maurier from a shy seven-year-old, a rebellious sixteen-year-old, a twenty-something newlywed, and finally a cantankerous old lady. With a rhythm and intimacy to its prose characteristic of all de Rosnay's works, Manderley Forever is a vividly compelling portrait and celebration of an intriguing, hugely popular and (at the time) critically underrated writer.

Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.

Hardcover. NY, Thomas Y. Crowell, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 310 pages, 250 b&w illustrations. The life of one of America's major literary artists, Henry David Thoreau: , born on July 12, 1817, in Concord, Massachusetts: a schoolmaster, tutor, surveyor, mason, gardener, farmer, house painter, carpenter, day-laborer, abolitionist, pencil-maker. lecturer, naturtalist, writer. Small name on front fly leaf otherwise clean.

Hardcover. Berkeley CA, Counterpoint, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II. Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.

Hardcover. Canada, Bond Street Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 378 pages. Published to mark the 150th anniversary of his birth, The Several Lives of Joseph Conrad is a brilliant and highly readable biography of a literary figure of world-wide reputation. Conrad's impact has been so profound and far-reaching that, eighty years after his death, he remains an essential cultural reference point. Such phrases as "heart of darkness" and "The horror! The horror!" have entered the language, often cited without an awareness of their original contexts. His popular legacy extends to Latin American fiction, to the spy novel, to the terrorist and anarchist character, and to film. The writers he has influenced range from T. S. Eliot to William Faulkner to V. S. Naipaul and John Le Carre. For a writer of "difficult" fiction he has enjoyed a remarkably wide impact, yet as Marlow proclaims in Lord Jim of the figure whose story he tells,"he was one of us," and so Conrad remains in fascinating ways.

Hardcover. NY, New Directions Books, 1st, 1941, Book: Good, Dust Jacket: None, Hardcover, red cloth with black title on spine. Collected stories and essays "not for readers who hate to think," Mild shelf wear, clean.

Hardcover. NY, Farrar, Straus and Cudahy, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. The author, a German prisoner during WW2, using his prison camp diary tells of his experiences. Clean copy.

Hardcover. NY, Abbeville Press, 1st thus, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with drawings. Index. Bibliography. 487 pages. Remington, a prolific letter writer, was also an inveterate doodler. Many of these previously unpublished drawings are a part of this collection. Correspondence includes notes to his family and correspondence with President Theodore Roosevelt, Owen Wister, Poultney Bigelow, Francis Parkman, Elizabeth Custer and others. Clean copy.

Hardcover. Boston, New York Graphic Society, BC Ed,, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, black cloth covers, red title and author lettering to the spine. 239 pages, 100 b&w illustrations. With Contributions by Alan Barbour & Matei Cazacu. Book club edition in very nice condition.

Hardcover. NY, Oxford University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This book examines the far-reaching legacy of one of the great myths of classical antiquity. According to Greek legend, Antigone, daughter of Oedipus, secretly buried her brother in defiance of the orders of Creon, king of Thebes. Creon sentenced Antigone to death, but, before the order could be executed, she committed suicide. The theme of the conflict between Antigone and Creon - between the state and the individual, between young and old, between men and women - has captured the Western imagination for more than 2,000 years. Antigone and Creon are as alive in the politics and poetics of our own day as they were in ancient Athens. Here, Steiner examines the treatment of the Antigone theme in Western art, literature and thought, leading us to look again at the unique influence Greek myths exercise on twentieth-century culture.

Hardcover. Oxford UK, Cambridge University Press, 1st, 1928, Hardcover, 190 pages, text clean and sound, marbled boards and green quarter-cloth. Contains a collection of letters by the playwright and author Oliver Goldmith, author of She Stoops to Conquer and The Vicar of Wakefield, written between 1752 and 1774. Balderston includes letters which only exist in a fragmentary form, as well as doubtful and forged letters.

Hardcover. Boston, Houghton Mifflin, reprint, 1882, Book: Very Good, Dust Jacket: None, Hardcovers, two-volume set complete. Matching dark brown cloth covers stamped in black and gilt, top edge gilt. 639; vi, 653 pages; index, bibliography, frontispiece portrait in each volume - one a quite formal portrait of Voltaire in his prime, the other a sketch of him in old age. Covers show light wear, name on title pages. This is the second printing, the first published a year earlier. A comprehensive life of the great Enlightenment writer. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Berkeley, University of California Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. Name on front fly leaf whited out, otherwise clean.

Softcover. NY, Morrow, reprint, 1974, Book: Very Good, Dust Jacket: None, Softcover, 331 pages. A remarkable pre-Freudian account of schizophrenia written by the son of a prime minister of England. Certifiably insane from 1830 to 1831, he wrote the autobiography of his illness and recovery with vigor and insight. Clean copy.

Softcover. Amherst, University of Massachusetts Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 287 pages. Because Naipaul's work occupies such an important place in English literature today, it is necessary to understand the forces that shape his work and the issues with which he is concerned. If this study raises some of the more important questions about Naipaul's work and demonstrates that is cannot be seen as an unproblematic guide to post colonial "reality," then it would have gone a long way toward opening up the terrain in which the most meaningful discussion of his work can take place. Like it or not, Naipaul's work represents an important postcolonial impulse/response that begs to be understood and interpreted. Clean, bright copy.

Hardcover. London, Faber and Faber Limited, 1st, 1959, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket, 334 pages. The editor has chosen excerpts from de Tocquville's 14 notebooks he kept on his visit to America 1831-32. The detailed notes were the raw material that became his classic Democracy In America. Many of these observations never made into the final work. Clean copy.