Literature

Softcover. NY, Harcourt Brace Jovanovich, 1st pbk, 1990, Book: Very Good, Dust Jacket: None, Softcover, 472 pages with index. The editor, Joanne Trautmann Banks, previously was co-editor of the six volume 'Letters of Virginia Woolf.' For this volume, Ms. Banks selected 'jewels' from the earlier compilation, and has provided explanatory footnotes throughout. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1965, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A collection of Updike's nonfiction prose written the previous decade, with topics including Ted Williams, J.D. Salinger, Vladimir Nabokov, Muriel Spark, Max Beerbohm, among others. Yellow cloth covers with spotting, concealed by the dj. Otherwise clean.

Hardcover. NY, Doubleday, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 270 pages. In the early eighties, Jennie Erdal was hired by a flamboyant British publisher she calls Tiger to be his specialist editor for Russian books. By degrees he co-opted her time and loyalty, to the point where she ended up becoming his ghostwriter for a huge nonfiction book on women, two glossy novels, and hundreds of newspaper columns, all published under his own name. She also wrote any number of his love letters. With often ironic directness and quiet comedy, Erdal relates how she became seduced into this peculiar job. On the way she makes fascinating excursions into her own private history, from vivid evocations of her Scottish Presbyterian childhood to moving observations on being an abandoned wife and lone parent to piercing insights into the very nature of literary creation. One of the smartest books about writing in years, Ghosting is a tour de force in which the author renders both Tiger and herself as compelling characters, connected to each other by a strange symbiosis. Their interaction is bizarre and also quite spooky; in the end this is a book about the very nature of identity, literary and otherwise. Clean copy.

Hardcover. Charlestown MA, Printed and Sold By Samuel Etheridge, Revised Ed., 1810, Book: Very Good, Hardcovers, two volumes complete, 432 and 448 pages. bound in 3/4 calf, with red leather spine labels intact, bindings tight. New corrected edition. A collection of biographical studies on the life of important poets in the cannon of English literature, including: Cowley, Milton, Blackmore, Granville, Somerville, Thomson, Mallet, and Lyttelton. Written by Samuel Johnson, an English writer who made lasting contributions as a poet, playwright, essayist, moralist, critic, biographer, editor, and lexicographer. With the original advertisement to the first edition. originally published in 1779-81. Light edgewear to covers, mild water stain to first 4 pages of Vol. 2, otherwise clean, mild foxing, very good set overall.

Hardcover. NY, Alfred A. Knopf, 1st, 1974, Book: Good, Dust Jacket: None, Hardcover, first American edition. SIGNED BY BEDFORD on the half-title page. 769 pages plus index, b&w illustrations. Light damp-wrinkling to pages in last third of book. Lacks dust jacket.

Hardcover. NY, W W Norton & Co , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In these extraordinary letters, we see May Sarton in all her complexities and are privy to her tangled relationship with Juliette Huxley, whom May considered her muse and the greatest love of her life. May Sarton's love for Juliette Huxley, ignited that first moment she saw her in 1936, transcended sixty years of friendship, passion, rejection, silence, and reconciliation. The letters chart their meeting, May's affair with Juliette's husband Julian (brother of Aldous Huxley) before the war, her intense involvement with Juliette after the war, and the rich, ardent friendship that endured until Juliette's death. While May's intimate relationship with Julian was not a secret, May's more powerful romance with Juliette was. May's fiery passion was a seductive yet sometimes destructive force. Her feelings for and demands on Juliette were often overwhelming to them both. In fact, Juliette refused all contact with May for nearly twenty-five years. Their reconciliation, after Julian's death, wasn't so much a rekindling as it was a testament to the profound affinity between them. Theirs was a relationship rife with complications and misunderstandings but the deep love and compassion they shared for one another prevailed. Included in this book are Sarton's original drafts of an introduction to these letters. 400 pages including index. Clean copy.

Hardcover. Phillips ME, John Wade, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 375 pages, b&w illustrations. 'Storyteller' is a full portrait of the writer of 'Tobacco Road' and 'God's Little Acre.' The book tells of Caldwell's unpredictability, harsh mood swings and extramarital affairs; also of his warmth, gentleness and generosity. Clean copy.

Hardcover. NY, Bloomsbury Academic, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 362 pages. The essays collected in this volume were written to mark the centenary of the birth of Sir Kenneth Dover, one of the twentieth centurys most influential classical scholars. Between them, they explore the two major sides of his career: his groundbreaking scholarship on Greek language, literature and history, and the more public-facing roles he assumed in universities and at the British Academy which brought him into the national spotlight, not without some notoriety, in his later years.The contributors consider the various facets of Dover's life and work from a range of perspectives which reflect the burgeoning field of the history of scholarship. Some contributors were students and colleagues of Dovers at different stages of his career, while others are themselves leading experts in areas of Classics to which he devoted his energies. Chapters on his academic publications and on the controversies he faced in the public realm are not bland celebrations of his legacy but offer critical assessments of his motivations and achievements, cumulatively demonstrating that there is much to be learned not just about Dover himself but also about the fields he helped to shape. Clean copy.

Softcover. London, Village Press, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 367 pages. Volume 1 only. Selected and edited by Malcolm Elwin. With his younger brother Llewelyn, to whom he had been an impressive protective figure since childhood, he spoke almost without reserve, although the tow brothers were fundamentally so different, one from the other, as brothers can be. John's imaginative ability to put himself in another's place, together with his acute awareness of human suffering, made it impossible for him to wound. Llewelyn's vivid, spontaneous and sensual response to life was sometimes not so sensitive to the feelings of others.Had their understanding not been so deeply rooted he might have wounded John by his outspoken criticism of his brother's undisciplined and torrential writing power. But in literary criticism he did not surpass John, who could and did point out flaws in Llewelyn's own work. The Mutual criticism was only one aspect of the constant exchange, when they were apart, of their thoughts and feelings in an unending flow of letters. Spine faded, a clean copy.

Hardcover. Baltimore, John Hopkins University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Biography of Edward Gibbon, who wrote arguably the most famous work of history ever, The Decline and Fall of the Roman Empire (1776-1789). Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, Facsimile reprint of 18th century edition; stapled wraps; 64 clean, umarked pages, with 10 page introduction by Simon Varey. Fictional letters by an 18th century romance writer. Clean copy.

Hardcover. NY, Knopf , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 524 pages. The finest shorter pieces of reflection and reportage by V.S. Naipaul - nearly all of them heretofore out of print - are collected in one volume spanning some forty years of travel and sustained meditations on our world. Clean copy.

Hardcover. Cleveland, World Publishing, 1st, 1959, Book: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, mild soil to rear panel. In-depth biography of the author most well known for 'The Wind In The Willows', which also includes extensive information on the societal changes of the time. 399 pages with Index, Bibliography, and Notes, 6" X 8-3/4", several black and white photos through the text. There is small discard stamp on front fly leaf, no other markings.

Softcover. Santa Rosa CA, Black Sparrow Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 340 pages. The majority of the letters in this collection pertain to Reznikoff's personal life, addressed chiefly to his wife, Marie Syrkin, and his lifelong friend and sometime employer in Hollywood, Albert Lewin.

Hardcover. Ithaca NY, Cornell University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. INSCRIBED BY TATUM on the front fly leaf. In this readable and scholarly work, Tatum looks at the enduring appeal of Apuleius' novel, the sophistication and artistry the work, and places The Golden Ass within its ancient contexts. This is the first book-length study of The Golden Ass. It is aimed at both specialists and a general audience.

Hardcover. New Haven CT, Yale University Press, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover in a chipped, tape repaired dust jacket. Maroon cloth with gilt lettering on spine. 266 pages. INSCRIBED BY SIPE on the front fly leaf to fellow professor Roger Mitchell. English majors are used to being told that Shakespeare frequently broke the rules of iambic pentameter, and that as he matured artistically, his usage became bolder and freer. Well, it isn't true. Shakespeare's iambics turn out to be extremely orthodox (which just makes all the more impressive the variations he was able to create within the rules). In 1968 Dorothy Sipe went to the remarkable labor of demonstrating this objectively through a painstaking analysis of over 13,000 lines of verse. She also supplied information I've never found anywhere else on the prosodic rules taught by poets to poets in Shakespeare's day. All this said, including a five star rating for the perfect achievement of its goal, the book is definitely not for everyone interested in Shakespeare's verse and methods. It is devoted to proving a highly specific case by means of many, many examples that non-specialists are likely to find tedious. But if you are deeply interested in some subjects -- Shakespeare's iambics, his coinages, and the history of English iambic technique -- it is well worth your time. Dust jacket tanned, otherwise a clean, tight copy.

Hardcover. Port Washington NY, Kennikat Press, 1ST, 1981, Book: Very Good, Dust Jacket: None, Hardcover, brown covers with yellow and green lettering on front and spine and green sports figures on front. 112 pages. A Critical Look at Game, Sport, and Survival in Contemporary American Fiction. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.

Hardcover. NY, Twayne Publishers, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 145 pages. INSCRIBED BY AUTHOR on the front fly leaf. The renown Frank Norris attained in his brief lifetime sprang from his compelling--and to many Americans startling--novels about people whose lives have escaped their control and have become grotesquely warped by the confluent forces of hereditary and environment.In "revisiting" Frank Norris, Joseph R. McElrath, Jr. takes as a starting point Warren French's 1962 volume in this series and provides a complementary portrait of the artist. McElrath assesses the spate of relatively recent "historical reconstructions" of Norris's canon and finds a writer who, though at times transcendent in the Naturalistic vein, was pragmatic in his choice of subject matter and "not always grandly serious." It is in part the delight Norris took in parody, McElrath argues, that makes him still so readable. Clean copy.

Hardcover. NY, Harcourt, Brace & World, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 259 pages, photographic frontispiece, 4 leaves of plates; original blue cloth over blue boards, gilt lettering on spine, Autobiography of the English writer and founder of the Hogarth Press with his wife Virginia Woolf. The fourth volume of the autobiography. Remainder line to edge, otherwise clean.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with light tanning to edges. 214 pages with a pictorial section in rear. Stated first printing on copyright page. The story of the building of birch-bark canoes and of a 150 mile trip through the Maine woods in those graceful survivors of a prehistoric technology.

Hardcover. Chicago, University of Chicago Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 696 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Simon And Schuster, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 253 pages. Thirty-two essays by the New Yorker magazine humorist. Clean copy.

Softcover. University of Toronto Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Two critical discourses central to current Canadian literary theory emerged in the late 1960s and early 1970s: post-colonialism as a political paradigm and postmodernism as a literary practice in Canadian and Quebecois fiction. Sylvia Soderlind considers the current debate about the relationship between these two discourses, and proposes a methodology that makes it possible to identify and distinguish between features pertaining to the two. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin , 1st, 1985, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket, 540 pages. A comprehensive collection of letters from Jarrell. Edited by his second wife Mary Jarrell with the assistance of Stuart Wright. Jarrell's letters span over fifty years and document his life, thoughts, and writing. The letters are insightful and often humorous, and provide a unique perspective on the author's life and work. Paper covered boards with a cloth spine, dust jacket with mild soil, stain. No markings.

Softcover. New York, Viking Press, 1st, 1962, Book: Very Good, Dust Jacket: None, 12 page booklet with light tan wrappers, reddish brown type. The text of the author's speech with a b&w photograph of him. Minor discoloration to top of wrapper, probably due to dampness at some time. Still very good.

Hardcover. Boston, Ticknor and Fields, 1st, 1863, Book: Very Good, Dust Jacket: None, Hardcover, 319 pages. Portrait of Thoreau on frontispiece with tissue guard. First edition, one of 1,558 copies printed. Original publisher's blue-green pebbled cloth with blind-stamped borders and center wreath. Spine lettered in gilt. Brown-coated end papers. Ten essays including a 33 page biographical sketch by Emerson of Thoreau and nine essays by Thoreau, among them the famous "Walking."

Hardcover. New York, Random House, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 225 pages, INSCRIBED BY AUTHOR on half-title page. Minor dust jacket edge wear and spotting on top edge, otherwise, very clean and tight copy.

Hardcover. Austin TX, University of Texas Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages. Light edgewear and sunning to dust jacket, else a clean, tight copy. Biography of the American Southern novelist which includes study of her later novels, when she was no longer content to imitate fashionable male novelists.

Hardcover. London , B. Blake, 1st Thus, 1837, Book: Good, Dust Jacket: None, 848 pages. Hardcover. Marbled edges and endpapers. Raised bands on spine. Clipping of a silhouette of Edward Gibbon pasted on to front end paper. Previous owners notes in pencil on front endpapers. Wear to covers, especially corners. Rubbing. Chipping at spine. Clean, unmarked text.

Hardcover. New York, Harcourt Brace , 1st US, 1957, Book: Good, Dust Jacket: Fair, Hardcover, 200 pages. Illustrated with black & white photographs. This copy previously owned by author Roger Shattuck and includes his underlining and editing of text in various colors of ink. Upper right corner of front cover bumped. Foxing to endpapers and edges. Dust jacket quite worn.

Hardcover. New York, Dodd, Mead and Company, 1st Edition, 1920, Book: Good, Dust Jacket: None, 370 pages. Hardcover. Green cloth covers with gilt titles to cover & spine. Fraying, scuffing to edges. Light sunfade to spine. As is, with light pencil marking throughout. Cracked rear hinge.

Hardcover. East Aurora, New York, The Roycrofters, 1st, 1906, Book: Very Good, Dust Jacket: None, Hardcover, 164 pages, portraits of the author and subjects in the book with tissue guards. Embossed Half leather binding and decorated pages. Gilt top edge. Author's signature (in plate) on frontispiece portrait. Number 18 in The Little Journeys Series. A very handsome book.

Hardcover. Boston, Houghton Mifflin, 1st US, 2012, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover with dust jacket. Black & white illustrations throughout. Clean, tight copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photographs. Light edge wear to dust jacket. Else a very clean, tight copy. This biography offers the most complete and accurate portrait to date of the writer Caroline Gordon (1895-1981). Viewing Gordon's life in the context of female literary tradition, Nancylee Novell Jonza reclaims Gordon's integrity, individuality, and artistic vision from beneath a self-effacing, sometimes detractive, public image carefully fostered by the artist herself. Gordon's nine novels and three short-story collections are a major contribution in their own right to the southern literary renaissance. Despite an enduring readership, however, she still remains in the shadow of her husband, Allen Tate, the Fugitive Poet and Agrarian critic, partially due to her contrived persona of a traditional southern lady turned artist under the tutelage of a gifted, benevolent male writer. Drawing on manuscript drafts, unpublished works, letters, and a significant body of her journalistic writing, Jonza investigates fully the causes and effects of Gordon's self-mythologizing and covers substantially more ground than the thirty years during which she was closest to Tate.

Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.

Hardcover. New York , HarperChildrens, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Clean, tight copy. As children, C.S. Lewis and his brother W.H. Lewis created the fantasy world of Boxen. This book collects stories and illustrations, history, geography etc of Boxen. Reproduced original illustrations by the authors. Introduction by Douglas Gresham. The History of Boxen by Walter Hooper.

Hardcover. Athens GA, University of Georgia Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. London, Faber & Faber, 1st, 2008, Hardcover, 524 pages, b&w illustrations. SIGNED BY BOTH HEANEY & O'DRISCOLL on title page. Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, Stepping Stones retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time.

Hardcover. Chicago, Ivan R. Dee, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. 239 pages including index. Author of The Moonstone and The Woman in White, Wilkie Collins is widely regarded as "the father of the detective story." How curious that his own life has puzzled investigators despite numerous attempts to unravel it. Collins lived a publicly Victorian existence as a contemporary of Dickens, Wordsworth, Coleridge, and Blake in mid-19th-century England. Yet upon his death he left a will dividing his estate equally -- between two mistresses.

Hardcover. London, Hutchinson & Co, 1st, 1951, Book: Very Good, Dust Jacket: None, 128 pages. Hardcover with no dust jacket. Brick cloth covered boards with gilt titles to spine. Light foxing to endpapers. Frontis illustration, Eden Phillpotts, in black & white. Toning throughout, tight binding with clean pages throughout.

Hardcover. Philadelphia, Peterson's Magazine, 1st, 1864, Book: Very Good, Dust Jacket: None, Hardcover, 12 issues bound in half leather, brown calf spine with raised bands, gilt lettering. All edges gilt. 12 monthly issues January - December 1864, 464 pages. With twelve (12) hand colored dress fashion plates, 12 color lithographed plates (some folding), numerous steel engravings and many wood engraved images throughout. Endpapers have tan spotting from aging of glue used in binding. Previous owner's name dated 1864 on blank prelim page, otherwise clean.

Softcover. Stanford CA, Stanford University Press, 1st transl., 1944, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. Philosophical aesthetics has seen an amazing revival over the past decade, as a radical questioning of the very grounds of Western epistemology has revealed that some antinomies of aesthetic experience-and in particular of the limits of the aesthetical-can be viewed as a general, yet necessarily open model for human understanding. In this revival, no text in the classical corpus of Western philosophy has been more frequently discussed than the complex paragraphs modestly inserted into Kant's Critique of Judgment as sections 23-29: the Analytic of the Sublime.This book is a rigorous explication de texte, a close reading of these sections. First, Lyotard reconstitutes, following the letter of Kant's analysis, the philosophical context of his critical writings and of the European Enlightenment. Second, because the analytic of the sublime reveals the inability of aesthetic experience to bridge the separate realms of theoretical and practical reason, Lyotard can connect his reconstitution of Kant's critical project with today's debates about the very conditions-and limits-of presentation in general.

Hardcover. NY, Random House, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 305 pages. In an age when much American writing was either glacially noncommittal or heremetically personal, William Styron persisted in addressing great moral issues with incendiary passion. Seriousness and ardor characterize all the essays in This Quiet Dust, the first book of nonfiction by the Pulitzer Prize-winning author of Lie Down in Darkness and Sophie's Choice. Clean copy.

Hardcover. NY, Norton, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 192 pages. Through the distillation of a lifetime of experiences, John Hay describes in The Undiscovered Country his quiet, profound search for our place in the natural world. In considering snails, alewives, terns, woodland moths, and other forms of natural life, Hay shares with his readers a discovery that few have experienced and no one has written about so eloquently. Clean copy.

Hardcover. NY, Crown, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 644 pages, b&w illustrations. After a protracted squabble over private papers with the playwright's estate, Leverich delivers this hefty first volume of a projected two-volume life of Tennessee Williams (1911-1983). In it, Leverich, who produced several of Williams's plays and calls himself Williams's "chosen biographer", covers the years through 1945, when The Glass Menagerie opened on Broadway. Treated are Williams's youth in Mississippi and St. Louis; the college years at the universities of Missouri and Iowa; bumming around (but always writing) in New Orleans and Greenwich Village; the disaster of his first Broadway play (it closed in Boston); script writing, or avoiding it, at MGM's Hollywood mill; and, finally, the evolution of Menagerie, a wonderfully detailed and dramatic case history in itself. Leverich's overworked conceit, which he restates at intervals, is that this is the life of Tom Williams, a "repressed puritan" poet, who in time created a more flamboyant public persona called Tennessee. A few matters are set straight. Leverich maintains his subject's active homosexual life started in his late 20s, later than Williams stated in his memoirs, and that his sister's infamous lobotomy came later than his mother claimed. Although the accumulation of information is impressive, the lower Leverich keeps his own profile and editorial commentary the better his book is, which means it is at its best when it simply reproduces Williams's sporadically kept journal. If you believe that all the details of a life are but preparation for a single event, in this case, the opening of a remarkable play, this is an impressively argued biography.

Hardcover. Watertown, MA, Charlesbridge, reprint , 2010, Book: Very Good, Dust Jacket: None, Hardcover, non-paginated. Extensive b&w woodcut illustrations throughout. Gilt titles on spine and cover. Color illustration on front cover. Clean, unmarked copy.

Hardcover. NY, Grove Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Jim Harrison was one of America's most beloved writers, a muscular, brilliantly economic stylist with a salty wisdom. He also wrote some of the best essays on food around, earning praise as 'the poet laureate of appetite' (Dallas Morning News). A Really Big Lunch collects many of his food pieces for the first time - and taps into his larger-than-life appetite with wit and verve. Clean copy.

Hardcover. Baltimore, Johns Hopkins University Press , 1st, 1977, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers, silver lettering, 152 pages. Light pencil marking in text.

Hardcover. NY, Knopf, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 551 pages, illustrated, notes and sources, Anthony Trollope's works, index. Name on front fly leaf, otherwise clean.