england

Softcover. New Britain, CT, New Britain Museum of American Art ; London : University Press of New England, 1st, 2009, Book: Very Good, Dust Jacket: None, 84 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. This catalogue explores the often uneasy relationship between the art of painting and the art of illustration, featuring American artists who practiced both styles of painting between 1850 and 1950. The catalogue charts the development of both types of art through the eyes of a select group of artists of who engaged in both fine art and illustration.

Hardcover. New York , Henry Holt and Company, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover, 151 pages. 81 black-and-white wood engravings by Agnes Miller Parker. Dust jacket with light wear, chipping.on dust jacket. clean, tight copy.

Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.

Hardcover. New York, Williams Collins , 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 95 pages. Generously illustrated in color and black and white. Yellow endpapers and chronological list of Tudor's books. Good tight copy. Loving portrait of her mother by the beloved children's book illustrator's daughter offered in words, intimate family photographs, paintings, illustrations, & drawings from across their lives together in the New England countryside.

Hardcover. Cleveland, Collins, 1st, 1979, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages. Illustrated with full color photographs and art by Tasha Tudor. Dust jacket worn with Short closed tears along edges - dust jacket now protected with clear plastic cover. Clean, tight copy.

Softcover. Manchester, England, Manchester University Press, 1st Paperback Edition, 1994, Book: Very Good, Dust Jacket: None, 300 pages. Softcover. Color and b/w illustrations throughout. Wrapper very good, has a crease at the top right corner of front cover. Pages clean and unmarked, edges have some light foxing/tanning. Binding tight. In great shape. This superbly-illustrated new book explores English society and its relationship to the landscape, as seen through photography and tourism over the last hundred years.

Softcover. London, Pimlico , reprint, 1998, Book: Very Good, Dust Jacket: None, Softcover, 570 pages. The life of the painter and designer Duncan Grant spanned great changes in society and art from Edwardian Britain to the 1970s from Alma-Tadema to Gilbert and George. This authoritative biography combines an engrossing narrative with an invaluable assessment of Grant's individual achievement and his place within Bloomsbury and in the wider development of British art.

Hardcover. Somerset UK, Hamish Hamilton Ltd., 1st, 1989, Book: Good, Dust Jacket: Very Good, 186 pages. Hardcover. Dust jacket with light wear to edges. Black & white photographs throughout. Light pen marking couple pages. Otherwise clean tight copy.

NY, St. Martin's Press, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 227 pages. This second volume of the author's autobiography covers World War II and his stay at a Children's Home. Clean copy.

Hardcover. London, George Allen, 1st, 1938, Book: Very Good, Dust Jacket: None, 250 pages. Hardcover with blue cloth coverings. SIGNED and INSCRIBED by author on front fly leaf. Light foxing on end papers. Gilt lettering on spine. Light soil.

Hardcover. Athens, Georgia, The University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, 246 pages, b&w illustrations throughout. AN important study of early gravestone carvers in Georgia and South Carolina and the influences of their likes from New England. Black cloth with silver lettering to spine. Gray pictorial dust jacket with minor wear to edges of spine, else like new.

Hardcover. London, Bradbury & Evans, 1st, Book: Good, Dust Jacket: None, 252 full page engravings of Leech's 19th century political cartoons. 3/4 leather front cover (detached) deletes "Early" from title. Back cover mostly detached, but good internally. Shipping extra for this volume.

Softcover. NY, Da Capo Press, 1st pbk, 1976, Book: Very Good, Dust Jacket: None, Softcover, 50 pages of text, followed by hundreds of b&w illustrations. The original edition of Early Victorian Architecture in Britain was published in two volumes, one containing an extensive discussion and appreciation of early Victorian architecture by Mr Hitchcock, and the other containing a list of the illustrations the author had collected and the plates themselves. This single-volume paperback edition includes the original Preface, Acknowledgements, and first chapter of the original, as well as the illustrations. Clean, bright copy, small ownership stamp to front fly leaf.

Softcover. London, Random House UK, 1st, 1995, Book: Very Good, Dust Jacket: None, 160 pages, illustrated throughout with b&w photos of England's coastline. Light wear to wrappers, else a very neat, tight copy.

Hardcover. NY, Macmillan, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 215 pages plus index. Illustrated by Don Pottinger plus b&w photos. Clean copy.

Hardcover. NY, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 192 pages. This volume surveys the work of Viennese photographer Edith Tudor-Hart (1908-1973), who was among the foremost social documentarians of the 1930s. In 1933 she fled to the U.K., where she documented social divisions in London, Wales and Scotland, posthumously gaining notoriety for her involvement with the "Cambridge Five" spies.

Hardcover. NY, Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards, 192 pages. This volume surveys the work of Viennese photographer Edith Tudor-Hart (1908-1973), who was among the foremost social documentarians of the 1930s. In 1933 she fled to the U.K., where she documented social divisions in London, Wales and Scotland, posthumously gaining notoriety for her involvement with the "Cambridge Five" spies.

Hardcover. Hanover NH, University Press of New England, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 214 pages, color and b&w illustrations. Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. Clean copy.

Hardcover. Cambridge, Belknap/Harvard University Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 109 pages. INSCRIBED BY AUTHOR on front endpaper. Illustrated with black & white reproductions of drawings and paintings by Edward Lear. Dust jacket has small closed tear on front bottom edge. Dust jacket protected with clear plastic cover. Clean, tight copy.

Hardcover. East Sussex UK, Book Guild, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, b&w period photos from the turn of the last century. Like new in shrink-wrap. From a box brimming with fantastic photographs come this collection of the works of photojournalist Andrew Pitcairn-Knowles assembled by his grandson. 38 pages of text. 110 plates.

Softcover. UK, Cambridge University Press, 1st pbk., 1984, Book: Very Good, Dust Jacket: None, Softcover, 300 pages. This account of Egyptian society in the reign of Muhammad Ali traces the beginnings of the nation state in Egypt. It considers Muhammad Ali as part of a social group whose economic interests led them in the direction of trade with Europe as a means of raising money for further investments. They attempted to increase agricultural exports and to use the profits to create industry; then, following the logic of imperialists, their next step was to seek to conquer the surrounding areas to find markets for their industries and sources of raw materials. These policies brought them into conflict with their suzerain, the Ottoman sultan, and with England, since England needed markets in the Middle East. England sought to destroy the new regime in Egypt as a means of exerting influence on the region. In carrying out these economic changes, the country underwent a series of internal developments that were to revolutionize the structure and shape of Egyptian society. The rules of landownership were altered and large estates were formed, Egyptian fallahin were drafted into the army, and the administration was Egyptianized, establishing the groundwork for a nation state. Small embossed stamp on title page, otherwise clean.

Hardcover. Netherlands, Kluwer Academic Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 223 pages. In Elements, Principles and Particles, Antonio Clericuzio explores the relationships between chemistry and corpuscular philosophy in the age of the Scientific Revolution. Science historians have regarded chemistry and corpuscular philosophy as two distinct traditions. Clericuzio's view is that since the beginning of the 17th century atomism and chemistry were strictly connected. This is attested by Daniel Sennert and by many hitherto little-known French and English natural philosophers. They often combined a corpuscular theory of matter with Paracelsian chemical (and medical) doctrines. Boyle plays a central part in the present book: Clericuzio redefines Boyle's chemical views, by showing that Boyle did not subordinate chemistry to the principles of mechanical philosophy. When Boyle explained chemical phenomena, he had recourse to corpuscles endowed with chemical, not mechanical, properties. The combination of chemistry and corpuscular philosophy was adopted by a number of chemists active in the last decades of the 17th century, both in England and on the Continent. Using a large number of primary sources, the author challenges the standard view of the corpuscular theory of matter as identical with the mechanical philosophy. He points out that different versions of the corpuscular philosophy flourished in the 17th century. Most of them were not based on the mechanical theory, i.e. on the view that matter is inert and has only mechanical properties. Throughout the 17th century, active principles, as well as chemical properties, are attributed to corpuscles. Given its broad coverage, the book is a significant contribution to both history of science and history of philosophy.

Softcover. Philadelphia, J.B. Lippincott, reprint, 1970, Book: Very Good, Dust Jacket: None, Softcover, 186 pages. A detailed study of the politics underlying British policies of mercantilism in the American colonies. Focusing on the political activity of interest groups in the British Empire of the eighteenth century, Professor Kammen relates political influence in Georgian England to American colonial history, to the early history of the industrial revolution, to the incredible flood of writings in the later eighteenth century on political economy, and to the dynamics of Anglo-American political society, public life, and the empire. Name on front fly leaf otherwise clean.

Hardcover. Berkeley CA, University of California Press, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 205 pages. Name on front fly leaf otherwise clean. Small hole on dj front.