england

Hardcover. NY, Norton, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn, chipped dust jacket, 271 pages.

Hardcover. London, Sampson, Low, Marston, Searle & Rivington, 1st, 1885, Book: Good, Dust Jacket: None, Hardcover, 300 pages + 32 ads in rear. Original brown endpapers, in the original binding of blue cloth decorated in red, black and gilt, spine titled in gilt. Also published under title: The Society of London. Originally attributed to Mme. Juliette Adam; more recently this and other similar works have been accredited with strong probability to Elie de Cyon." (Trove) Catherine Radziwill was the first to use the pseudonym Count Paul Vasili with a gossipy book called Berlin Society, a pen-name that was then taken up by other anonymous writers. Previous owner's name in ink on title page, otherwise clean, tight copy.

Hardcover. NY, Edward W. Sweetman, reprint, 1963, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers, 124 pages. First published in 1808, this is a facsimile reprint of the Second Edition from 1819 . The Young Sea Officer's Sheet Anchor became a standard guide throughout the 19th century in both England and the United States. Author Darcy Lever compiled the text for "a young gentleman whose inclinations at that time led him to the choice of a sea-faring life," and he later expanded its contents for the general use of young officers in the Royal Navy and East India Company. Starting with a precise explanation of the principles of rigging, the text proceeds to a well-defined account of a ship's operation through the effect of the wind on its sails. Tacking, use of a compass, the art of swinging a ship at single anchor, casting, and numerous other aspects of seamanship receive close attention and clear definitions. Detailed drawings accompany the ample directions for splicing ropes, making sails, and other practical measures; indeed, every other page of this book features clear, well-drawn illustrations of the procedure under discussion and its execution. Clean copy.

Hardcover. London, Unicorn Publishing Group, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Starting in 1966, Thea Porter designed clothes for the rich and famous for nearly two decades. Her creations were made from sumptuous fabrics that drew inspiration from the Middle East, combining richly patterned silks with antique fabrics. Her clothes were a must for music and film stars such as Pink Floyd, Crystal Gayle, Elizabeth Taylor, and Barbra Streisand. Porter soon became a key member of an innovative group of British designers that included Ossie Clark, Zandra Rhodes, and Jean Muir, and her place in the history of British fashion was ensured when she was named Designer of the Year in 1972. Thea Porter's Scrapbook is her story in her own words, an unpublished autobiography she put together before her death in 2000. Edited by her daughter Venetia and with an essay by fashion historian Amy de la Haye, it reveals Porter's further talents as a keenly observant and descriptive writer. This book, which includes working drawings, sketches, snapshots, and manuscript notes, serves as a memoir of her early life and career, charting many memorable episodes, including the dramatic surge of American interest in her clothes and the opening of her shop in Paris as she pursued her ambition to create dresses "beyond trend and tat, that thirty years from today will still be beautiful."

Hardcover. NY, George H. Doran, 2nd pr., 1924, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering and decoration, 302 pages. Early American edition ("B" on copyright and no publisher's colophon). Interconnected short stories, and basis for a 1931 film of the same name, directed by Louis Mercanton. "The author calls his book 'a tapestry of the fortunes, follies, adventures, gallantries of a certain lovely lady and her friends and companions in this tale.' ... Mischievousness, then, is the delicate and all-important ingredient in this account of some fashionables of Mayfair." A collection of interconnected short stories (a few with fantasy/horror elements), it was published in England in 1923, a year before Arlen's sensational best-seller "The Green Hat," which vaulted him to international fame and fortune. Lacks dust jacket, name on front fly leaf, otherwise clean.

Hardcover. New Haven CT, Yale University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover in a dust jacket with fading to some areas, 338 pages. Margaret Fuller - journalist, critic, radical feminist, and political activist - traveled in Europe between 1846 and 1850 as a foreign correspondent for the New York Tribune. Her letters from England, France, and Italy, which began as engaging travel sketches, soon became moving accounts of the most widespread revolutionary upheaval within modern history. These dispatches are now reproduced in their entirety for the first time. Clean copy.

Softcover. NY, Collier Books, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 126 pages, b&w photod by Englander.

Softcover. London, Alan Sutton, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, 192 pages, b&w illustrations. A colorful portrait of London's urban underworld where crime and vice of every kind flourished during the years 1800-1830. Clean copy.

Hardcover. Chevy Chase MD, Posterity Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 261 pages, hardcover with dust jacket. Meticulously researched account of the life of the prominent New England physician and churchman. Foreword by the Most Reverend Frank T. Griswold, with a preface by the Reverend Charles H. Clark. Slight cocking to front panel. Minor rubbing and edgewear to dust jacket. Unmarked. A bright and clean copy.

Hardcover. NY, Ives Washburn, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 278 pages. A gossipy, humorous story of middle-class angst in a New England town in the 1950s. Clean copy.

Hardcover. London, Dewi Lewis, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. A photo essay depicting the British Army struggling to come to terms with contemporary life. No dj issued.

Hardcover. London, Dewi Lewis, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages. A photo essay depicting the British Army struggling to come to terms with contemporary life. No dj issued.

Hardcover. NY, Viking, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 728 pages. The long-awaited biography of the genius who masterminded Henry VIII's bloody revolution in the English government, which reveals at last Cromwell's role in the downfall of Anne Boleyn. Since the sixteenth century we have been fascinated by Henry VIII and the man who stood beside him, guiding him, enriching him, and enduring the king's insatiable appetites and violent outbursts until Henry ordered his beheading in July 1540. After a decade of sleuthing in the royal archives, Diarmaid MacCulloch has emerged with a tantalizing new understanding of Henry's mercurial chief minister, the inscrutable and utterly compelling Thomas Cromwell. History has not been kind to the son of a Putney brewer who became the architect of England's split with Rome. Where past biographies portrayed him as a scheming operator with blood on his hands, Hilary Mantel reimagined him as a far more sympathetic figure buffered by the whims of his master. So which was he--the villain of history or the victim of her creation? MacCulloch sifted through letters and court records for answers and found Cromwell's fingerprints on some of the most transformative decisions of Henry's turbulent reign. But he also found Cromwell the man, an administrative genius, rescuing him from myth and slander. Clean copy.

Hardcover. Boston, D. Lothrop Co., 1st, 1889, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with a bright gilt, black and red design. Illustrated with 31 b&w drawings by F. O. Small. Small, previous owner's inscription to front fly leaf (dated 1891). Rosalind, Marjory, and Ida are the three eldest children of Col. And Mrs. Peel, who are off in India with their younger children. The Three Little Maids live with a governess back in England and this is their tale.

Hardcover. NY, Macmillan, 1st, 1935, Book: Good, Dust Jacket: None, Hardcover, orange cloth stamped in black. 211 pages, black & white illustrations, endpapers art by Le Roy Appleton. Clean, bright copy.

Hardcover. NY, Macmillan, 1st, 1935, Book: Good, Dust Jacket: None, Hardcover, orange cloth stamped in black. 211 pages, black & white illustrations, endpapers art by Le Roy Appleton. Mild soil to covers. Name on front fly leaf, otherwise clean.

Oxford UK, Bodleian Library, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 136 pages. The wife of the distinguished engraver Reynolds Stone, Janet Stone established a kind of literary salon in the idyllic setting of the old Rectory at Litton Cheney in West Dorset, where their wide circle of friends could visit, work, and flourish. Janet's photographs of these occasions feature informal portraits from the mid-twentieth century of many of the leading cultural figures and personalities of the day. Included between these pages are portraits of the composers, actors, novelists, poets, and philosophers in the Stones' milieu--from Benjamin Britten to Siegfried Sassoon and Frances Partridge--as well as members of the Stone family. Although not a trained photographer, Janet instinctively knew to click the shutter when her subjects were off-guard and at their most informal, capturing an array of candid shots--like one of John Bayley trying on a headscarf and a young Daniel Day-Lewis dressed up as a knight. These unique portraits offer beguiling insight into a special set of circumstances: an idyllic place and time and a group of people drawn together by two contrasting but complimentary personalities, the shy genius of Reynolds met by the outgoing style and glamour of Janet Stone. Clean copy.

Softcover. London, Whitechapel Art Gallery, London, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Published on the occasion of the exhibition held from December 11, 1992-February 28, 1993.

Softcover. London, Whitechapel Art Gallery, London, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 80 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Published on the occasion of the exhibition held from December 11, 1992-February 28, 1993..

Hardcover. New York, Oxford University Press, 1st, 1950, Book: Very Good, Dust Jacket: Good, 248 pages. Hardcover with dust jacket. Wear to dust jacket edges. Clipping to dust jacket folds. Previous owners inscription and minor soiling to front flyleaf. Some rubbing to dust jacket front and rear covers. Light foxing to fore edge of text block. Inside clean and unmarked. A tight copy.

Hardcover. NY, E.P. Dutton , 1st, 1932, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped in red, 235 pages. A masterpiece of humanism, Time Stood Still recounts Paul Cohen-Portheim's years of internment in England as an enemy alien during World War One. An artist and theatre designer, he at first viewed internment as a sort of holiday: 'Should I bring my bathing things and evening dress?' he asked the policeman taking him prisoner. Though confined in a 'gentleman's camp' near Wakefield, as Cohen-Portheim shows with grace, humor, and deep compassion, even under the best conditions, the simple act of being confined and placed in a sort of limbo is a form of torture: 'Where there is no aim, no object, no sense, there is no time.' Time Stood Still is a passionate but balanced argument against internment and its inherently dehumanizing effects. Paul Cohen-Portheim (1880-1932) was an Austrian artist, travel writer and linquist. When WWI broke out, he was painting in Devonshire, England and found himself interned for the length of the war. Flap copy pasted to front fly leaf, stamp to endpapers (Harvard Club of Boston), some light notations as well to endpapers.

Hardcover. NY, Oxford University Press, 4th pr., 2000, Hardcover in a bright dust jacket. 670 pages, b&w illustrations. Written by the most prominent of the new generation of historians, this superb volume offers the most up-to-date and authoritative account available of African-American history, ranging from the first Africans brought as slaves into the Americas, to today's black filmmakers and politicians. Here is a panoramic view of African American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans experienced it. We begin in Africa, with the growth of the slave trade, and follow the forced migration of what is estimated to be between ten and twenty million people, witnessing the terrible human cost of slavery in the colonies of England and Spain. We read of the Haitian Revolution, which ended victoriously in 1804 with the birth of the first independent black nation in the New World, and of slave rebellions and resistance in the United States in the years leading up to the Civil War. There are vivid accounts of the Civil War and Reconstruction years, the backlash of notorious "Jim Crow" laws and mob lynchings, and the founding of key black educational institutions. The contributors also trace the migration of blacks to the major cities, the birth of the Harlem Renaissance, the hardships of the Great Depression and the service of African Americans in World War II, the struggle for Civil Rights in the 1950s and '60s, and the emergence of today's black middle class. From Harriet Tubman and Frederick Douglass to Martin Luther King, Jr., and Louis Farrakhan, To Make Our World Anew is an unforgettable portrait of a people. Clean copy.

Hardcover. Boston, LeRoy Phillips, reprint, 1920, Book: Very Good, Dust Jacket: Fair, Hardcover, 412 pages. Color frontis and b&w plates by Hugh Thomson. Black cloth with colorful pasted-on paper label to cover, With a heavily worn dust jacket with a split along spine edge. First published in 1857. Illustrated to fine effect by the master-draftsman Thomson, a classic take on life and problems in a boys' school in early Victorian England. Clean copy.

Hardcover. Woodstock VT, Foul Play Press, 1st, 1999, Hardcover in a bright dust jacket, 284 pages. Previous owner's light marking on front fly leaf. "Possibly she even realized, or half-realized, that there was something wrong with her life.... She wondered whether what had happened to the park had happened to her: a dark, rushed change that would never change back." This is England's mystery writer Bill James describing a 13-year-old girl known as Noon, soon to be shot dead while working as a drug courier near a rundown park. Her death sets off a series of explosions in James's latest book in his wonderfully dark and exquisitely written Harpur & Iles series.