england

Hardcover. Surrey UK, Ashgate Publishing, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 165 pages. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. B&w, color illustrations.

Softcover. Oxford UK, Cambridge University Press, reprint, 2013, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Examines the reception of Socinian ideas in England, providing a rereading of political and ecclesiastical developments during the English Revolution. Light pencil marking to 10 pages, otherwise clean.

Hardcover. UK, Cambridge University Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 277 pages. Rivers examines the rise of Anglican moral religion during the period 1660-1780, and the reactions against it. Series Editor(s): Erskine-Hill, Howard; Richetti, John. Series: Cambridge Studies in Eighteenth-Century English Literature & Thought. Volume 1 ONLY. Name, date on front fly leaf.

Softcover. London, Omnibus Press, Revised Ed., 1979, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. Compiled by Solomon, Howard Pizzey and Martin Watson. Gives you instant answers to thousands of questions. Listed alphabetically by artists, is every top 50 entry, date of entry, number of weeks in chart, highest position reached, original label and catalogue number, plus details of any corresponding success in the U.S.charts. Clean.

Hardcover. NY, Harper and Row, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 269 pages. 'Weber's famous study of the 'affinity' between the rise of rational bourgeois capitalism in England and Calvinist-Puritanism has for almost a century stirred up a cloud of dust and misunderstanding. Toward the end of settling some of the dust no one has previously made such an acute analysis of pre-revolutionary England as has David Little. On the one hand, he has applied and extended Weber's method, especially in the sphere of the law-monopoly and corporation law-thus filling a gap in these studies. He has also delineated the sharply conflicting conceptions of social order and of legitimation. On the the other hand, Little has given an invaluable critical survey of the extensive literature of Weber's thesis. This is a landmark in the study of the complex and varying relations between religion and society.' -James Luther Adams, Harvard Divinity School. Clean copy.

Hardcover. NY, Doubleday , 1st US, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Val Leary is handsome, charming and broke. On the morning of April Fools' Day 1871, while walking through one of London's wealthiest districts, he notices a young maidservant scrubbing the steps of 53 Northbourne Park Villas. In that instant he conceives the idea for a remarkable case of burglary. The set-up seems perfect, but chance intervenes in a succession of coincidences that place the jewels further and further beyond the reach of Val and his cronies - until...Set in the Upstairs, Downstairs world of Victorian England, this is an ingenious and gripping tale by the acknowledged master of the English crime novel.

Hardcover. Boston, Museum of Fine Arts, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant-garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London's Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. Rhythms of Modern Life examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley's introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists.

Hardcover. New York, George Braziller, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Unpaginated. Color and black & white photography. British artist Long ( Walking in Circles ) takes nature treks--in England's Lake District, the Sahara, Japan, Nepal--and creates site-specific works along the way. He fashions a mud circle in the river Avon, traces a line of snow near a temple in Kyoto and erects a circle of stones on a Swiss mountainside. The spare, deeply meditative photographs that he took en route sometimes call to mind prehistoric British megalithic monuments or Native American earthworks, as if he wants to tune in on planetary patterns of energy. At other times Long simply records what he sees, providing dramatic vistas of Iceland's vast rolling hills, Bolivia's high plateau, Washington's forests and Mount Everest's calm majesty. His images, poetic captions and unobstrusive siteworks reflect an artist who is at once traveler, nature-lover and adventurer.

Hardcover. England, PS Pubishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 61 pages. Gray cloth, gilt. Very good pictorial dust jacket. Introduction by Gregory Benford. #129 in limited series of 300 signed copies. SIGNED BY AUTHOR and Benford.

Hardcover. London, England, William Pickering, 1st, 1994, Book: Very Good, Dust Jacket: None, 188 pages. Hardcover. Previous owner's name and information on front flyleaf. Some light notations throughout (pencil). Dark blue cover boards, gilt title on red on spine. Binding good. Spine straight. Pages bright. In very good condition. "Robert Boyle was the doyen of the new, experimental science in late seventeenth-century England, author of over forty books on science, religion and their mutual relationship."

Hardcover. Oxford, Basil Blackwell, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine. 191 pages, b&w frontis. of Hawker. Small name stamp on front fly leaf, otherwise clean copy.

Hardcover. New York, Harcourt, Brace, Jovanovich, Inc., 2nd Printing, 1973, Book: Very Good, Dust Jacket: Good, Hardcover, 448 pages. Illustrated with 16 pages of black & white photographs. Dust jacket with wear and darkening along top edge. Clean, tight copy.

Hardcover. London, Jonathan Cape, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. An English clergyman who was also Naval Chaplain, aircraftman, schoolmaster, barman, and hotel manager recounts a eventful life writing from a remote part of Ireland. Clean copy.

Hardcover. Paris, Zodiaque, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 334 pages plus index. Color, b&w gravure photographs, plans of churches, cathedrals, abbeys and monasteries in France. Text in French. Ribbon marker. Clean, tight copy in a bright dust jacket.

Hardcover. London, Raphael Tuck & Sons, 1st, Book: Very Good, Dust Jacket: None, Hardcover. 94 pages. Brown cloth covers, beveled edges, gilt titles to spine and front cover, lovely gilt pictorial to front, patterned endpapers, all edges gilt, 10 full-page color plates (1 plate torn in half) and numerous b&w illustrated figures, by Frances Brundage and M. Bowley. Previous owner's bookplate to front endpaper, light edgewear to covers, endpapers lightly discolored with age, chipping and tear to first plate, half of 9th color plate torn off, a few pages separate from page block.

Hardcover. London, St. Bartholomew's Hospital, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 423 pages, b&w illustrations. Published to commemorate the 850th anniversary of the founding of St Barts with two chapters devoted specifically to the development of the Medical College. A comprehensive history of London's oldest Hospital now a centre of excellence for cancer and cardiac care part of the NHS in Central London. Notation and small stamp to front endpapers, otherwise clean.

Hardcover. Brattleboro, VT, Stephen Daye Press, 2nd Printing, 1937, Book: Very Good, Dust Jacket: Fair, Hardcover, 39 pages, dust jacket edge fade and small chunks missing, otherwise, internally very clean and tight.

Hardcover. London, England, j.W. Arrowsmith, 1st Edition, 1898 , Book: Very Good, Dust Jacket: None, 385 pages. Hardcover. B/w frontispiece, illustrations throughout by illustrator, Charles Dana Gibson. Tanning from age throughout, pages untrimmed, deckled. Letter from the author dated "17th Sept: 03" laid in (see image), possibly to William Heinemann. Green cover boards, gilt title on spine, front cover. Some agewear to spine top and bottom. Binding very good, spine straight. Very good condition.

Hardcover. Philadelphia, Carey and Hart, 1st, 1843-46, Book: Good, Dust Jacket: None, Five volumes bound into one, 537 total pages. Half leather with marbled boards, edgeworn. All first American editions. The final book's full title: The Military Operations at Cabul, Which Ended in the Retreat and Destruction of the British Army, January 1842. With a Journal of Imprisonment in Afghanistan. Condition good with some browning and foxing to paper. Front inner hinge repaired with tape.

Hardcover. NY, Arcade, 1st , 1996, Book: Very Good, Dust Jacket: Very Good, 221 pages. Hardcover. B&w photographs throughout. Red gilt titles on spine. Clean, unmarked copy with only minor wear to dust jacket. Follows the rise and fall of Iraqi-born Jewish brothers from London, Charles and Maurice Saatchi, who created some of the most memorable ad campaigns of the 1970s and 1980s, and then in 1994 were ousted from their firm by an American shareholder revolt.

Hardcover. Hanover, NH, New England University Press, 1st Revised , 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover. Revised and enlarged from the 1st Edition of 1993 with 13 new illustrations. SIGNED BY SABRA FIELD on the half-title page.

Hardcover. Petersham MA, Tatlock Publications, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Poetry by the New England author. 93 pages including notes plus the author's biographic sketch. Clean copy.

Hardcover. New York, Burt Franklin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages, b&w illustrations. Maroon covers w/ gilt lettering on spine. A very clean, tight copy in great condition.

Hardcover. NY, David McKay, 1st, 1967, Book: Good, Dust Jacket: Good, Hardcover in a worn and chipped dust jacket, 150 pages. SIGNED BY PIERCE on the front fly leaf. Samantha longs for a part on the stage but in Elizabethan England that is forbidden for girls. She sells oranges instead, hoping to make a living for herself and her invalid mother. However, when her mother dies and Samantha is desperate for a place to stay she realizes the only possibility is to seek refuge with her friend Hugh, an apprentice to John Heminges' theatrical troupe. This requires a reckless masquerade. Rear endpapers with transparent tape.