england

Hardcover. NY, Longmans, Green & Co., 1st, 1933, Book: Good, Dust Jacket: None, Hardbound, 278 pages. Illustrated by John Gincano. Previous owner's signature front endpaper. Heavy soiling to spine and edges of covers. Fade marks. Book covers a bit warped. Corners a bit bumped. Small chunk missing from p. 117, and tears to surrounding pages, but no harm to text. The book tells of the author's family immigrating from England to New York and then to Iowa and their lives on the Iowa prairie.

Hardcover. Oxford, Oxford University Press, 1st, 1973, Book: Very Good, Dust Jacket: Good, 193 pages, 8 color and 100 b&w plates. Examines the approach of the Pre-Raphaelite Brotherhood and their associates to the natural world. It is the first serious examination of the consequences of the Pre-Raphaelite creed of 'exact truth to nature', which led to the ever increasing importance of natural detail in Pre-Raphaelite school of landscape painting. Following a discussion of the developing interest in the precise depiction of nature by the Pre-Raphaelites from 1848 to 1851, chapters on individual artists, many hitherto almost forgotten, trace the history of the Pre-Raphaelite landscape in the 1850s and 1860s and its relation to earlier and later art in England and abroad. Much new light is cast on Ruskin's central role as theorist, patron, and critic of mid Victorian art.

Hardcover. NY, Dutton, 1st, 1941, Book: Very Good, Dust Jacket: Fair, Hardcover in a frayed and chipped dust jacket. Pictorial boards with a blue cloth spine. A photo essay on the young princesses during the war year of 1940. Book is clean, very good, dust jacket is fair only.

Hardcover. London, Hodder & Stoughton, 1st, N.D., Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. White lightly soiled covers with blue and silver lettering. Light foxing on piliminary pages. Featuring stories and poems by the likes of J.M. Barrie, Algernon Blackwood, and Rudyard Kipling, & illustrations by Walt Disney Studio, Paul Bloomfield, A.P. Payne, Sylvia Salisbury, A.H. Watson, H.S. Foxwell, etc, this book was printed as part of a charitable drive for the Princess Elizabeth (now Queen Elizabeth II) of York Hospital For Children

Hardcover. NY, Holt, Rinehart & Winston, 1st US, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, library edition, NOT EX-LIB. Stated First Edition.

Hardcover. Bristol, England, J.W. Arrowsmith, 1st Edition, Book: Very Good, Dust Jacket: None, 310 pages. Hardcover. Arrowsmith's 3/6 Series, Vol. XVIII. Hand-written letter from author [dated 27th Febry. /(18)95] laid in and attached to front flyleaf. In the letter, Hope mentions another book in comparison to this volume. Date of publication not indicated within, but correspondence accompanying and mentioning volume is dated 1895. Spine slightly cocked. Deep maroon cloth, gilt title on spine(slightly faded) and front cover board (still bright), boards have some rubbing, agewear, very light fraying at corners of boards, spine has chipping to top and bottom. Pages and edges have tanning from age. Some chipping to hinges of front and back endpapers, binding not affected. In very good condition.

Hardcover. London, Thomas Nelson and Sons, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages in a bright dust jacket with minor edgewear. 267 B&W photos of artists, studios, art dealers, art educators; 101 color plates of artworks. This is a densely illustrated look at the early 1960s art scene in London, with visits to 81 painters and sculptors (including Henry Moore, Barbara Hepworth, Grahm Sutherland, Francis Bacon, R.B. Kitai, David Hockney, Bridget Riley). There are treks to art schools and places where art is sold. A large heavy volume which may require extra postage. Previous owner's inscription on front fly leaf otherwise clean.

Hardcover. Chapel Hill NC, University of North Carolina, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 363 pages. In examining the founding of New England towns during the seventeenth century, John Frederick Martin investigates an old subject with fresh insight. Whereas most historians emphasize communalism and absence of commerce in the seventeenth century, Martin demonstrates that colonists sought profits in town-founding, that town founders used business corporations to organize themselves into landholding bodies, and that multiple and absentee landholding was common.In reviewing some sixty towns and the activities of one hundred town founders, Martin finds that many town residents were excluded from owning common lands and from voting. It was not until the end of the seventeenth century, when proprietors separated from towns, that town institutions emerged as fully public entities for the first time. Name on front endpaper, otherwise clean.

Hardcover. London, The Offices of Punch, 1916, Book: Very Good, Dust Jacket: None, Two matching hardcover volumes, pebbled green cloth over leather spine and corners. The set collects all of Punch Magazine for 1916. Hundreds of b&w cartoons lampooning British culture and politics leading up to World War II. Clean, bright set. Over 800 pages total.

Softcover. London, W. Stewart & Co., 1st, 1881, Book: Fair, Dust Jacket: None, Scarce. 76 pages plus index, b&w illustrations. Covered in brown protective paper wrapper. Previous owner's signature inside original front cover. Top right corner torn from original title page; bottom right corners missing from index pages. Original rear wrapper missing. Else pages clean and tight.

Hardcover. NY, Columbia University Press, 2nd pr., 1969, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped with gilt title. 243 pages. Clean, bright copy. No dust jacket.

Hardcover. New York, Rizzoli, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket,160 pages. Folio. gray cloth, spine stamped in gilt. Richly illustrated with 172 illustrations, 50 in full color. First monograph of this American-born artist who has lived most of his life in England. Includes a catalogue of all his work up until 1985.R.B. Kitaj (1932-2007) is one of the most intriguing 20th century artists. Born into a Russo-Jewish family near Cleveland, Ohio, 17-year old Kitaj spent 5 years at sea aboard a Norwegian freighter. He went on to study art in New York and Vienna. A Royal College of Art stipend made him move to London where he became a celebrated artist. Curating The Human Clay, a 1976 show of figurative contemporary British artists, he coined the term "School of London" for the artistic circle around Francis Bacon, Frank Auerbach, Lucian Freud, and Leon Kossoff. In 1991 he was elected a member of the Royal Academy, one of only three American painters to be thus honored in the history of the institution. A major 1994 retrospective at London's Tate Gallery failed to produce Kitaj's international breakthrough, but was unanimously panned by British critics instead. This, and the unexpected death of his wife Sandra, induced his increasingly paranoid perspective. Embittered he returned to the USA and settled in Los Angeles, where he finally took his own life in 2007. Kitaj left behind a manuscript unmatched among 20th-century artist autobiographies -- Confessions of an Old Jewish Painter. Eloquently describing his vices and sufferings, it stands in the traditions of both St. Augustine and Thomas de Quincey. Now published for the first time, it is a sensation, from both a literary and art historical point of view.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

hardcover. London, Turnberry Consulting , reprint, 2013, Book: Very Good, Dust Jacket: Very Good, 271 pages. Hardcover. Extensive color and b&w photographs throughout. Silver gilt titles on spine. Includes extensive glossary. Like new in publisher's shrink-wrap.

Hardcover. Shelburne, Vermont, New England Press, 1st, 1993, Book: Near Fine, Dust Jacket: Very Good, 349 pages. Volume I covers Addison Railroad to the Hardwick & Woodbury Railroad, 27 railroads in all. Red cloth covers, gilt titles to spine, dust jacket illustrate with color watercolor by Laura Brown, textured decorated endpapers, profusely illustrated with b&w plates. Stapled notes on Addison Railroad included. Very slight rubbing to dust jacket, clean covers, crisp, unmarked pages; a beautiful neat, tight copy in great condition.

Hardcover. New York, State University of New York, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 96 pages, illustrated throughout. Dust jacket edge wear and fade, minor rub, otherwise, very clean and tight copy.Here at long last is the study of the life and paintings of Ralph Earl, the colorful eighteenth-century American artist whose pictures hang in the great galleries but about whom relatively little has appeared in print. A pioneer landscapist in a day when portraiture was the vogue, a Tory in Revolutionary New England, he nevertheless captured the stance and spirit of the new nation in the first decades after the Revolution. He portrayed the merchants and civic leaders of the time, often with their families, in their homes, orchards, business establishments--and the result is a record of post-Revolutionary American dress, design, and decoration as well as face and figure. Professor Goodrich has tracked down and assembled forty-one of Earl's paintings for this book, providing the first opportunity of viewing the artist's work as a body. The pictures range from a youthful re-creation of the Battle of Concord, through portraits done in England (whence he fled during the Revolution and which enabled him to absorb the techniques of the great eighteenth-century English portraitists), to his invaluable paintings of General von Steuben, Mrs. Alexander Hamilton, and other figures in the young United States.

Hardcover. London, Charles Knight, 1st, 1844-45, Book: Very Good, Dust Jacket: None, Hardcover, marbled boards with red leather spine and corners. Two volumes bound in one, 244 pages & 254 pages. Gilt designs and lettering on spine. Profusely illustrated with woodcuts from the author's drawings. Mild wear to spine, tight, clean copy.

Hardcover. Philadelphia, PA, George W. Jacobs & Company, 1st Edition, 1924, Book: Very Good, Dust Jacket: Fair, 334 pages. Hardcover. Color frontispiece and b/w illustrations throughout. Previous owner's bookplate, stamp, and pencil markings on front endpapers. Some pages untrimmed. Blue leather cover boards, gilt title on spine and front cover boards with two color decoration. Boards are excellent. Dust jacket has agewear, but present. binding very good. Pages and edges have some tanning. Top edge dyed. Dr. Gordon brings an artist's eye as well as the knowledge of a historian to the beautiful city of London and her historic landmarks.

Hardcover. London, Andersen Press, 1st, 1987, Book: Very Good, Dust Jacket: None, 30 pages, hardcover, pictorial glazed boards. Illustrated in color by the author. While living in the underground stations during the war, Sammy helps the Raries rescue one of their children from the Rat Patrol. Clean copy.

Hardcover. Edinburch and London, William Blackwood and Sons, 2nd revised edition, 1874, Book: Very Good, Dust Jacket: None, Vol. 1: 463 pages. Vol. 2: 500 pages. Scarce. Hardcovers. Colored endpapers (black). Light pencil notes/marks in margins. Red cloth cover boards, gilt title on spine, light age wear to covers. Front endpapers' gutters are split, binding is good. Spines straight. Edges untrimmed, pages and edges have some tanning from age. Some foxing to preliminary pages. DOMESTIC SHIPPING ONLY.