england

Hardcover. Kent UK, Winterdown Books, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 107 pages. Limited to 375 copies. Clean copy.

Hardcover. Middletown, Connecticut, Wesleyan University Press, reprint, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. Biography and critical analysis of American painter and portraitist Mather Brown. 297 pages illustrated with 9 full-color plates and 160 other black/white reproductions of paintings. Book is in near fine condition, very slight bumping at the ends of the spine. Dust jacket shows some rubbing and edge wear.

Hardcover. NY, Bobbs-Merrill, reprint, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 450 pages, b&w illustrations. Biography of William Lamb, 2nd Viscount Melbourne, who served twice as Prime Minister of England during the reign of Queen Victoria. Clean copy.

Hardcover. NY, Stein and Day , 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, blue dust jacket, 311 pages with index. Color frontis, b&w illustrations. "In Grimaldi's lifetime (1779-1837) he won fame and affection for his pantomines;" Dickens reordered the memoirs into a straight narrative of Grimaldi's life." Clean copy.

Hardcover. Edinburgh, Sterling and Slade, 1st Revised, 1819, Book: Good, Dust Jacket: None, Five volumes complete. Bound in half leather with marbled boards. Spines with raised bands and gilt lettering., Marbled design to all edges. Each volume with an engraved frontispiece portrait. Covers rubbed , worn, moderate foxing (mostly to early pages) otherwise clean, solid copies. Gilt lettering on spine faded, rubbing and wear to ribs and edges. Gutter crack in Vol. 1 at rear in middle of appendix, This is the first revised and corrected edition with a new appendix.

Hardcover. London, Folio Society, 1st thus, 1978, Book: Very Good, Dust Jacket: None, 362 pages, with illustrations throughout, edited and introduced by Christopher Hibbert. Gilt decorations and title on orange cloth boards with slipcase, spotless and bright copy.

Softcover. Shelburne VT, New England Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 323 pages, b&w illustrations. A selection of 52 interviews (from over 120) conducted 1938-1940 around Barre, Vermont. All of whom had a connection to the granite industry. Edited by Alfred Rosa and Mark Wanner. Name and address on front fly leaf, otherwise clean.

Hardcover. Carlton Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, illustrated throughout with numerous plates in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Greenwillow Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 192 pages.Remainder mark bottom edge. Fourth book in the series about the life-sized rag dolls. Seventy-year-old Sir Magnus, grandfather of a family of life-size rag dolls living in a house in England and pretending to be human, has a premonition that all of them will soon die and that they will return to being lifeless and useless". Clean copy.

Hardcover. NY, Harry N. Abrams/Hood Museum of Art, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A beautiful and intimate treatment of the architecture of the early industrialization of New England. 108 pages of color plates. Essays by Noel Perrin & Kenneth Breisch. Clean copy.

Hardcover. NY, Kensington Publishing , 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The options for the penniless daughter of a deceased earl are few indeed in Regency England. So, following the suspicious death of her father, the Earl of Morton, and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady's companion to the wealthy widow Frogerton. Mysterious intrigue ensues in this series debut. Clean copy.

Hardcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Hardcover no dust jacket. Clean, unmarked copy with only minor wear to boards.

Softcover. NY, Dodd, Mead & Co., 11th pr., 1975, Book: Very Good, Dust Jacket: None, Softcover, 652 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.

Hardcover. NY, Rae D. Henkle, 1st , 1928, Book: Very Good, Dust Jacket: None, 318 pages. Hardcover with no dust jacket. Black cloth stamped in red on the front and the spine. Previous owner's bookplate front end paper. A New England mystery, beginning with a strike at a tannery. Another challenge for Detective Peter Creighton.

Hardcover. NY, E.P. Dutton/Seymour Lawrence, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A large and awkward New England family salvages life the best it can in the aftermath of the sudden death of the mother, Rosie Vincent. The author's first novel. Clean copy.

Hardcover. NY, Stein & Day, Book Club Ed., 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. Frontispiece, photographs, maps, appendix, bibliography, index. Name on front fly leaf, otherwise clean.

Hardcover. London, Arco Publishers Limited, 1st, 1953, Book: Good, Hardcover, red cloth, 232 pages. Gilt title on spine faded, Tanning to endpapers, book is tight and clean throughout.

Hardcover. Bath, England, Parragon Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Movie Stars uses stunning pictures from the Daily Mail archives, many reproduced here for the first time, Movie Stars Unseen Archives features a stellar cast of acting greats, from the stars of the silent era to those taking the honors at the 2005 Oscars.

Hardcover. New York , Henry Z. Walck, 2nd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover, 39 pages illustrated in color and b&w by Jane Paton. Bright dust jacket with light wear.

Hardcover. London, Methuen & Co., 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, gray boards with a white label on front cover, blue cloth spine, 92 pages, b&w illustrations by Ernest Shepard. . The verses and pictures in this book first appeared in 'Punch' magazine. Edge wear, rubbing, light soiling to boards. Previous owner's inscription on front fly leaf and bookplate inside front cover. Else a clean, tight copy.

Hardcover. London, Oxford University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 157 pages. A study of the popular English children's writer, Mrs Sherwood, 1775-1851 considering her style, writings, relations with publishers, etc. Includes reprints of The little woodman and his dog Caesar originally published: London, Houlston, 1850 and Soffrona and her cat Muff originally published: Wellington, Salop, Houlston, 1828. Includes a 38 page bibliography. "No study of nineteenth - century children's books in England can afford to ignore Mrs. Sherwood. She produced over four hundred different titles - books, tales, tracts, texts, magazines, articles in periodicals, cbapbooks, and Sunday School rewards. There is evidence that the writings of her Evangelical period, in particular, had a remarkable influence upon Victorian literature for the young.

Hardcover. Boston, Gambit, 1st, 1972, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth with blue and gilt stamping, 461 pages. This biography disclosed for the first time one of the strangest love stories of the Victorian age, as recorded one of the most remarkable private diaries of the 19th century. During his lifetime Munby was known as a versifier of small but distinctive talents, a barrister concerned primarily with ecclesiastical affairs, and a fashionable bachelor about town. At his death in 1910, Munby bequeathed to Trinity College, Cambridge three deed boxes full of diaries and personal documents. It is largely on the contents of these boxes that this biography is based. For Munby had a lifelong obsession with the whole sub world of female manual workers - colliery women, fishergirls, milkwomen, acrobats- women whose company he furtively pursued, whose photographs he avidly collected, and one of whom, a char woman called Hannah, he secretly married & kept as his unacknowledged wife for a quarter of a century. Clean copy.

Hardcover. Cambridge England, Cambridge University Press, 1st UK, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glazed boards. Watercolor illustrations by Balzola. Light soiling to covers. When Munia wakes up in a bad mood and sees her well-behaved sister, she decides to spend the day being wicked. When she begins to worry that her family will not forgive her, she dons a hat and a new name. Mrs. Blincoand drops in on them to test the waters. Her discovery? They still love Munia but fear she no longer loves them. In a second story, Munia's teeth are falling out, and she is afraid that they won't grow in. That night, crocodiles snap at her in her bedroom and she feels defenseless until a little orange crocodile, also toothless, joins her.