england

Hardcover. New York, Harper Brothers, 1st Edition, 1869, Book: Very Good, Dust Jacket: None, 2326 total pages. 4 volume set. Hardcovers. DOMESTIC SHIPPING ONLY. B/w illustrated fold-out map in volume 1. Decorated marbled edges. Decorated endpapers. Decorated cover boards with leather corners and quarter cloths. Leather spines with raised bands, gilt title and decorations. Spines straight. Light tanning from age to pages.

Softcover. Detroit, Wayne State University, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover, 280 pages. Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's 'mature' period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects.Yacowar's readings remain compelling more than thirty years after they were written,

Hardcover. University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 279 pages, b&w photos. With a career that spanned from the silent era to the 1990s, British screenwriter Charles Bennett (1899-1995) lived an extraordinary life. His experiences as an actor, director, playwright, film and television writer, and novelist in both England and Hollywood left him with many amusing anecdotes, opinions about his craft, and impressions of the many famous people he knew. Among other things, Bennett was a decorated WWI hero, an eminent Shakespearean actor, and an Allied spy and propagandist during WWII, but he is best remembered for his commercially and critically acclaimed collaborations with directors Sir Alfred Hitchcock and Cecil B. DeMille. The fruitful partnership began after Hitchcock adapted Bennett's play Blackmail (1929) as the first British sound film. Their partnership produced six thrillers: The Man Who Knew Too Much (1934), The 39 Steps (1935), Sabotage (1936), Secret Agent (1936), Young and Innocent (1937), and Foreign Correspondent (1940). In this witty and intriguing book, Bennett discusses how their collaboration created such famous motifs as the "wrong man accused" device and the MacGuffin. He also takes readers behind the scenes with the Master of Suspense, offering his thoughts on the director's work, sense of humor, and personal life.

Hardcover. NY, Walker and Company, 1st US, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages, illustrated throughout in b&w and with 17 full color plates. Previous owner's signature on front fly leaf, dust jacket edge wear and minor foxing on top and fore edge. Otherwise, very clean and tight copy.

Hardcover. NY, Viking Press, 1st, 1955, Book: Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket, 319 pages, b&w illustrations. Biography of one of England's greatest painters and engravers. Shelfworn, a nice reading copy.

Hardcover. New Haven, Yale University Press, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover set. Volume I: 558 pages. Cloth boards. Illustrated with black & white reproductions of works by Hogarth. Dust jacket quite worn along edges with some tape repair to small tears. Clean, tight copy. Volume II: 557 pages. Cloth boards. Illustrated with black & white reproductions of works by Hogarth. Fore-edge shows slightest foxing. Dust jacket worn along edges with small tears and creases. Clean, tight copy. NOTE: DUE TO WEIGHT AND SIZE, DOMESTIC SHIPPING ONLY.

Softcover. New Brunswick, Rutgers University Press, Revised Ed., 1991, Book: Very Good, Dust Jacket: None, Three softcover volumes, complete set. Clean, tight trade paperbacks with unmarked interior and text. Straight uncreased spines; like new. b&w illustrations. Indexed. xxiv, 411; xviii, 477; xvi, 567 pages. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Grove Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 1st published in England in 1987.

Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.

Hardcover. London, Seeley And Co., reprint, 1895, Book: Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering and decoration, 296 pages. B&w frontis portrait with tissue guard. Ex-lib with stamping, bookplate to endpapers, interior clean.

Hardcover. London, B. T. Batsford, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 264 pages, b&w illustrations. Name on front fly leaf, otherwise clean.

Hardcover. Annapolis MD, Naval Institute Press, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 313 pages. Red cloth covers, gilt titles, red dust jacket with color illustration, b&w maps and illustrations. Slight wear to dust jacket, pages crisp and unmarked, tight binding; overall, a clean, tight copy. In 1949, as the Chinese Civil War was about to enter its final, explosive stage, the small British frigate HMS Amethyst was sent on a dangerous mission up the Yangtze River to protect British citizens in Nanking. En route it was attacked by the Chinese Communists and held hostage on the river for several months before the crew managed to make a daring escape. The Amethyst captured news headlines around the world and became an unlikely symbol of the cold war in Asia. This dramatic episode, hailed in the West as a triumph of the human spirit but bitterly condemned by the Chinese Communists, was to prejudice Anglo-Chinese relations for years to come.

Hardcover. NY, Farrar Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 530 pages. A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness. A. E. Housman's A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. Clean copy.

Hardcover. NY, The Viking Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly soiled dust jacket, 276 pages with index. INSCRIBED BY BODGER on the front fly leaf. Over fifty years ago, Joan Bodger, her husband, and two children went to Britain on a special literary quest. They were seeking the world that they knew and loved through children's books. In Winnie-the-Pooh Country, Mrs. Milne showed them the way to that enchanted place on the top of the Forest [where] a little boy and his Bear will always be playing. In Edinburgh they stood outside Robert Louis Stevenson's childhood home, tilting their heads to talk to a lamplighter who was doing his job. In the Lake District they visited Jemima Puddle-Duck's farm, and Joan sought out crusty Arthur Ransome to talk to him about Swallows and Amazons. They spent several days messing about in boats on the River Thames, looking for Toad Hall and other places described by Kenneth Grahame in The Wind in the Willows. Mud and flood kept them from attaining the slopes of Pooks Hill (on Rudyard Kiplings farm), but they scaled the heights of Tintagel.

Softcover. London, Tate Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 240 pages illustrated in color and b&w. One page(128) creased in production. This is the first book to tell the story of British photography as a coherent whole, from the pioneers of the early 19th century to photographers today who display their images on websites, on computer screens?even iPods. The authors have traveled the length and breadth of the UK, researching both well-known and forgotten bodies of work. Many famous names are here: Henry Fox Talbot, Lewis Carroll, Julia Margaret Cameron, Bill Brandt, Madame Yeronde, Angus McBean, Susan Lipper, and Tom Hunter are just a few. Among the works shown are postcards, family albums, photographic illustrations in books, medical photographs, wartime propaganda, and social documents. Through their exhaustive research the authors demonstrate the extraordinary range and diversity of roles that photography has played in British cultural life over the past 150 years.

Hardcover. Oxford UK, Clarendon Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket with light fading to dj spine. 139 pages of text, 124 b&w plates in rear section. This is the second volume of Edgar Wind's selected papers, a companion to The Elegance of Symbols. Of all the scholars associated with the early development of the Warbur Institute Edgar Wind was the first to apply different theoretical principles to the study of English Art, above all in his early study of English portraiture, now a classic art history text. As the seminal essay, it gives title to the present volume, and is here translated into English for the first time. In this essay, which marked a change of direction in Wind's own development, he argues that two opposing styles of portraiture, exemplified in the art of Gainsborough and Reynolds, can be related to the different notions of humanity subscribed to by the philosophers David Hume and James Beattie. Other important studies, also reprinted here, make this volume an excellent resource to Wind's tremendous contributions to art history. Clean copy.

Hardcover. London, Michael Joseph, 1st, 1977, Book: Good, Dust Jacket: Good, Hardcover, 320 pages, b&w illustrations. Edgewear, rubbing and sunning to dust jacket. Internally very good

Hardcover. Chiselbury, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 356 pages. An amazing real-life story of espionage, of courage and resistance, and of friendship and love. It pulls back the veil on the hidden history of the struggle for the identity of the Resistance in France. The life of 'André' Joseph Scheinmann is more intriguing and compelling than any work of fiction. His true-life story of derring-do starts as a Jewish youth in Munich, whose family moves to France in 1933 to escape the Nazi tide. He joins the French army at the outbreak of WW2 and escapes from a prisoner-of war camp after the bitterly brief fight for France in the summer of 1940. André becomes a spy and saboteur for the British and Free French whilst working undercover as translator and liaison with the German high command at the Brittany headquarters of the French National Railroads. Summoned by the British, he clandestinely crosses the Channel for initiation and training as an MI6 agent in England. His network betrayed during his absence, he is arrested on his return to France. André then begins an even more perilous journey with interrogation in Gestapo prisons and the little-known Natzweiler concentration camp in Alsace, before being transferred to Dachau and Allach, ahead of the advancing Allies. Illustrated with over 120 vintage and color photographs and letters. Clean copy.

Hardcover. London, Harvill Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a translucent dust jacket, 165 pages. Illustrated with Steve Pyke's b&w photographs. SIGNED BY BOTH O'GRADY AND PYKE on the title page. Stranded in a dismal flat in England, the protagonist remembers his happy childhood in Ireland, the rough living and working conditions in England, and his only love. The language is quite simple and often Hiberno Irish, but deeply imaginative and so lyrical, that the line between prose and poetry gets blurred. The beautiful black/white pictures added to this book, and the author's ability to portray Irish music help to give an insight into Irish culture. Clean copy.

Hardcover. US, The Book Service / MacDonald & Co. / Webb & Bower, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages, illustrated throughout in color and b&w. Faint foxing to edges, else a clean, tight copy.

Softcover. Charleston SC, Arcadia, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w illustrations. As the twentieth century dawned, the Boston & Maine Railroad Company controlled virtually all of the rail lines in New Hampshire, as well as much of the service in Maine and Massachusetts. Ultimately, the company operated more than 2,000 stations in northern New England. The train was the most important mode of travel, and the stations were the center of the community. Boston & Maine in the 20th Century continues the first pictorial history of the railroad company, entitled Boston & Maine in the 19th Century. With more than 200 rare images and historical narrative, the book details the trains and their destinations: the terminals, stations, depots, and whistle stops to which they sped. Times changed, and the railroad was passed by; however, its legacy lives on. Clean copy.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with silver lettering, 384 pages, b&w illustrations. Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape. Clean copy. No dust jacket.

Hardcover. Hanover NH, University Press of New England, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 362 pages. This is the first full-scale biography of Nathan Smith -- medical pioneer, founder of Dartmouth Medical School and cofounder of three other medical schools (Yale, Vermont, and Bowdoin), and progenitor of a long line of physicians. Smith was a central figure in early American medical education, from 1787 when he began practicing in New Hampshire, to his death in New Haven in 1829. In his day, Smith was probably the nation's leading physician, surgeon, and medical educator, and well ahead of his time in insisting that doctors practice "watchful waiting" and emphasizing patient-centered care. In the process of telling Smith's life and story, authors Hayward and Putnam fill out in new ways the picture of medical treatment and medical education in post-Colonial America.

Hardcover. London, Williams & Norgate, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, green cloth wit gilt stamping, 338 pages with index. 12 tipped-in illustrations. Autobiography of the Right Hon. Robert Farquharson, Member of Parliament. Previous owner's signature on front fly leaf otherwise clean.