history war

Softcover. Durham NC, Duke University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 416 pages. Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the 'Greatest Generation.' Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the 'Good War' in popular culture narratives. Clean copy in publisher's shrinkwrap.

Hardcover. NY, PublicAffairs, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 380 pages. At the heart of Africa is the Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal war in which millions have died. In Dancing in the Glory of Monsters, renowned political activist and researcher Jason K. Stearns has written a compelling and deeply-reported narrative of how Congo became a failed state that collapsed into a war of retaliatory massacres. Stearns brilliantly describes the key perpetrators, many of whom he met personally, and highlights the nature of the political system that brought these people to power, as well as the moral decisions with which the war confronted them. Clean copy.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 288 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Light scuffing to fore edge gilt. Otherwise, clean, tight copy. A History of the Andrews Railroad Raid into Georgia in 1862, Embracing a Full and Accurate Account of the Secret Journey to the Heart of the Confederacy, the Capture of a Railway Train in a Confederate Camp, the Terrible Chase that Followed, and the Subsequent Fortunes of the Leader and His Party. Reprint of the 1877 edition.

Hardcover. NY, Harper and Row, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 244 pages. The author spent 6 weeks with a courageous and devoted group of black reporters from the Johannesburg Star. This book focuses on the dilemma of these men and women caught between the militant black community, the police who harass them mercilessly, and their white editors who, fearful of the truth and wary of government disapproval, sometimes refuse to print the stories the reporters risked their lives to get. Clean copy.

Hardcover. Clark NJ, The Lawbook Exchange,, 2005, Hardcover, blue cloth stamped in green with gilt lettering, 752 pages. No dust jacket. Reprint of the standard critical Latin edition of Grotius's magnum opus of 1625, which established the framework of modern international law. Grotius describes the situations in which war is a valid tool of law enforcement and outlines the principles of armed combat. Though based on Christian natural law, Grotius advanced the novel argument that his system would still be valid if it lacked a divine basis. In this regard he pointed to the future by moving international law in a secular direction. A work of painstaking philological research, this edition is based on the final version edited by the author, which issued posthumously in 1646. Name on front fly leaf, otherwise clean.

Hardcover. London, George E. Eyre and William Spottiswoode, 1st, 1873, Book: Very Good, Dust Jacket: None, 699 pages. Hardcover. Beautifully rebound first edition. Blue cloth covers with title in gilt on black leather spine label. Features black & white illustrations and full color tipped-in plates. Clean, tight. A very nice copy.

Hardcover. NY, Reinhold, 1st US, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 104 pages, many b&w illustrations and diagrams. A handbook of scenic design written by the designer of the LAMDA Theatre, opened in London in 1963 . Part one, illustrated with 60 designs including four in color, includes a survey of five centuries of scenic art, and a history of worldwide theater practice. Part two includes line drawings and diagrams in an explanation of planning, building, painting, and setting up stage scenery: with advice on open stage and arena productions, and the use of new materials. Clean copy.

Hardcover. Philadelphia, Chilton Company, 2nd pr., 1959, Book: Very Good, Dust Jacket: Very Good, Hardcver in a bright, unclipped dust jacket with $4.95 on the flap. This is the fascinating story of a naval squadron, a study in depth and in action of DesRon-23, of Arleigh Burke's tremendously significant doctrine of faith, and of the mystique which it produced to make this the greatest destroyer squadron in the history of the U. S. Navy. Included are authentic, minute-by-minute details, the scalp-tingling stories of the slashing naval battles of Tassafaronga, Savo Island, Rmpress Augusta Bay, and Cape St. George , battles fought against the Japanese in World War II. ' ... Six pages of maps. Index. Mild wear to dj, clean copy.

Hardcover. NY, Time Life, reprint, 1983, Book: Very Good, Dust Jacket: None, 274 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. This memoir by Confederate General Richard Taylor is usually considered one of the best and least biased by a general officer. The work is full of considered analysis on both the strategy of the war and the personalities of his fellow officers. Taylor is always fair in his criticism and seems to have no real scores to settle. While he makes little mention of his own talents, his tactical brilliance and strategic insight does shine through. Many contemporaries said Richard Taylor was one of the best soldiers of the war, but he is comparatively little known due to his posting to peripheral theaters. While he was a man of his time, the work (with the exception of some of his Reconstruction writings) is much less tainted by Lost Cause polemics than most Confederate memoirs.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. This Civil War classic of soldiering in the ranks debunks all the romantic notions of war. Like his Northern counterpart, the Confederate soldier fought against bullets, starvation, miserable weather, disease, and mental strain. But the experience was perhaps even worse for Johnny Reb because of the odds against him. Never as well equipped and provisioned as the Yankee, he nevertheless performed heroically. Carlton McCarthy, a private in the Army of Northern Virginia, describes the not-always-regular rations, various improvisations in clothing and weaponry, etc.

Hardcover. New York, Walker & Company , 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 434 pages. Hardcover. Dust jacket unclipped. B/w illustrations throughout. Gilt title on spine. Dust jacket has just a touch of shelf wear to very top of spine. In excellent shape. Binding tight, seems barely read. Clean and unmarked inside and out.

Hardcover. New York, Hovendon & Co., 1st, 1899, Book: Very Good, Dust Jacket: None, 366 pages. Blue cloth covers with bright gilt and 3-color design. Illustrated with black & white engravings and color plates. Previous owners inscription on front endpaper. Light fraying at top and bottom of spine. Otherwise clean, tight copy.

Hardcover. Koln, Taschen, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 460 pages, without dust jacket, as issued. Clean, bright copy with hundreds of nudes and scantily-clad women in color and b&w photographs and illustrations.

Hardcover. Germany, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3-vol set in slip case. Hardcovers. Like new in publisher's shrink-wrap. Editor Dian Hanson traces the fascinating development of the genre from 1900 to 1969 in three compact, informative volumes. In Volume 1 you'll learn about the first magazines that appeared around 1900 in France, Germany, and the U.S., and follow the development of the genre through the First and Second World Wars. Covered are men's magazines masquerading as movie magazines, humor magazines, art magazines, nudist magazines, and "spicy" fiction. Volume 2 documents the proliferation of pin-up magazines following World War II, most notably a little item called Playboy that debuted in December 1953 and spawned dozens of imitators. This volume also charts the emergence of English men's magazines, fetish magazines, and the top five covergirls of the 1950s. Volume 3 begins with an explosion of new American pin-up magazines following the loosening of U.S. obscenity laws, and continues with French titles in decline, England going pervy; nudists going hippy, and Germany going pervy, hippy and political.

Hardcover. NY, Oxford University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 418 pages. The first book to show how the Civil War transformed gender roles and attitudes toward sexuality among Americans. This unique volume brings together a wide spectrum of critical viewpoints by newly emerging scholars as well as distinguished authors in the field to show how gender became a prism through which the political tensions of antebellum America were filtered and focused. Through the course of the book, many fascinating subjects are explored, from new "manly" responsibilities both black and white men had thrust upon them as soldiers, to women's roles in the guerrilla fighting, to the wartime dialogue on interracial sex. In addition, an incisive introduction by Pulitzer Prize-winning historian James McPherson helps place these various subjects within an overall historical context. Copyright page states first edition, but no price on dj says Book Club. Clean, bright copy.

Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1950-1954: Architecture of the Avant-Garde. This volume covers the first half of the 1950s, a time characterized by great optimism. The consequences of World War II had largely been overcome, the most urgent needs of the population were satisfied, and economic prospects looked bright. Architecture and design looked for new forms of expression, for new materials and their applications - and the possibilities seemed limitless. Volume III shows contemporary trends of the time through detailed reports on the ninth Triennial in Milan and about designers like Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Marco Zanuso, Harry Bertoia and George Nelson. Via features on Le Corbusier's famous Unite d'Habitation in Marseille, the groundbreaking Case Study Houses by Charles and Ray Eames, the efforts of Richard Neutra in California, the work of Oscar Niemeyer in Brazil, and the futuristic Olivetti Showroom by Studio BBPR in New York. In publisher's shrink wrap.

Hardcover. Norwalk CT, Easton Press, 1st Ltd. Ed., 1996, Book: Very Good, Dust Jacket: None, Hardcover, 189 pages. full gilt-decorated brown leather, pictorial pastedown on front board, silk endpapers, silk book ribbon, all edges gilt. SIGNED BY THE ARTIST on the half-title. Collection of Troiani's popular Civil War art in full color. No dust jacket issued.

Hardcover. NY/UK, Osprey Publishing, 2nd pr., 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 244 pages illustrated in b&w and color. The story of families enduring the whirlwind of the Civil War, told through the words of famous and ordinary citizens and ranging from the battlefield to the home front, from presidential councils to frontier revivals. The book reveals how Americans on both sides of the Mason and Dixon line withstood four years of brutal, unrelenting conflict. Of the hundreds of thousands of books published on the American Civil War, this is one of the few to approach the nation's defining conflict from this powerful perspective. Grounded in rare family letters and diaries, Don't Hurry Me Down to Hades captures Americans' wide-ranging reactions to the war and their astonishing perseverance. Some of the accounts are entirely unknown to readers, while better-known events are told from unusual perspectives. Abraham Lincoln's assassination, for example, is shared from the viewpoint of Major Henry Rathbone and his fiancee (and stepsister) Clara Harris, while Lewis Powell's attempt on Secretary of State William Seward's life is seen through the terrified eyes Fanny Seward, who was seated next to her father when Powell burst into the room. Madison and Lizzie Bowler help readers understand how the war brought a Minnesota couple together in marriage and then nearly drove them apart when Madison insisted that his first duty was to his nation while Lizzie believed it was to her and their newborn daughter. A thousand miles to the south, two Texas families also suffered through their soldiers' absence and tried to explain to their young children why father had "gone to war" with "Santaclause." And to the north in Kentucky, a runaway slave won freedom for himself and his family by joining the Union Army only to face prejudice as brutal and destructive as the life he'd left behind. Clean copy.

Hardcover. NY, Scribner, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 405 pages, b&w illustrations. The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, Carol Kino brings these two brilliant women and their remarkable accomplishments to vivid life. Frances was the only female photographer on staff in Conde Nast's photo studio, hired just after Irving Penn, and became known for streetwise, cinema verite-style work, which appeared in the pages of Glamour and Vogue. Her sister Kathryn's surrealistic portraits filled the era's new "career girl" magazines, including Charm and Mademoiselle. Both twins married Harper's Bazaar photographers and socialized with a glittering crowd that included the supermodel Lisa Fonssagrives and the photographer Richard Avedon. Kino uses their careers to illuminate the lives of young women during this time, an early 20th-century moment marked by proto-feminist thinking, excitement about photography's burgeoning creative potential, and the ferment of wartime New York.

Hardcover. NY, Farrar, Straus And Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 464 pages. A personal exploration of the American West and the work of one of America's greatest photographers. Timothy O'Sullivan is America's most famous war photographer. You know his work even if you don't know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work 'surrealistic and disturbing.' At the same time, we know very little about O'Sullivan himself. Nor do we know-really know-much more about the landscapes he captured. Robert Sullivan's Double Exposure sets off in pursuit of these two enigmas. This book documents the author's own road trip across the West in search of the places, many long forgotten or paved over, that O'Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means.