history war

Hardcover. NY, W. W. Norton & Company, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. Extraordinary photographs, along with extensive captions, document the transition from a barely explored paradise to a modern nation.This stunning collection of 720 photographs, many of them drawn from family archives and scrapbooks and all carefully restored, is one of the most important visual records of Africa in the late nineteenth and early twentieth centuries ever to have been published. The early photographers captured the beauty and dangerous allure of life on this spectacular frontier: the ceremonies and traditional attire of the native people, the fantastic machinery used in construction of the Uganda Railway, the gradual development of trade on the coast and in the country's interior, the hardships of the East African Campaign during World War I, and the pioneering spirit of early European settlers and farmers. Many of the most famous names and places connected with Africa appear in these pages, including Karen Blixen's farm and Ernest Hemingway and Theodore Roosevelt on safari.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small closed tear to front panel. INSCRIBED BY HUDDLESTON on the dedication page. Huddleston has paired archival images of the first modern war with his own, contemporary color shots of the same locations, at the same time of year, at the same time of day. Some sites of suicidal charges have become Kmarts, mini-malls or swamps strewn with metal and plastic trash. The juxtapositions possess surprising power. In an overexposed and damaged archival shot of the Confederate prisoner of war camp at Andersonville, Ga., a filthy crowd of anonymous men packs the frame, while on the facing page Huddleston presents his own fine-tuned image of a muted, borderless sky. Office buildings, grocery stores and fast food franchises have sprouted where Union Major General George H. Thomas and Confederate General John Bell Hood slugged it out for December days in Nashville 141 years ago. Near the site of some of the heaviest fighting between blue and gray, a KFC sign now advertises discounts on the colonel's secret recipe. Clean copy.

Hardcover. Boston/NY, Houghton Mifflin Harcourt, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Boston Globe reporter Haygood ( Two on the River ) weaves together interviews and research to create a nuanced yet vivid narrative about the crusading Harlem congressman who served in the House for 24 years and whose controversial behavior and womanizing often overshadowed his crucial contribution to the War on Poverty. Haygood astutely traces how the light-skinned Powell (1908-1972), who tried to pass as white when a Colgate student, later embraced his blackness and demanded acceptance in the white world. Mixing New York and national political history with Powell's rise as a Baptist minister and politician, Haygood adds deft cameos of characters like Hattie Dodson, Powell's devoted secretary, and Hazel Scott, the jazz star whose wedding to the divorced congressman was "the stuff of grand romance and intrigue." Expelled from Congress in 1966 for alleged misappropriations and an unpaid libel judgment, Powell, Haygood writes poignantly, was shunned by black leaders and, even after reinstatement by the Supreme Court, disparaged by many he had helped. Though less authoritative in assessing Powell's political milieu than Charles V. Hamilton's 1991 book, Adam Clayton Powell Jr.: The Political Biography of an American Dilemma , this is a richer portrait of Powell the man. Clean copy.

Hardcover. Woodstock VT, Countryman Press, 4th pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 416 pages, b&w illustrations. Now largely forgotten, the massacres of 1675 to 1676, known as King Philip's War, ended the harmonious relations that had existed between native Americans and the colonists since their arrival at Plymouth Rock in 1620. Tensions had been rising as the number of settlers grew, and the pillaging of an outlying farm by affronted young braves escalated into open hostilities. Pitched battles were fought from Rhode Island to Maine. Hundreds of English died as farmers fled and cowered behind stockades or in the few port towns. Thousands of natives were slaughtered and the rest dispersed or sold into slavery in the West Indies. The savagery resulted in the clearing of the native populations from southern New England and the unopposed expansion of the New England colonies. It also became the brutal model on which the United States came to deal with its native peoples. King Philip's War tells the story with such close attention to detail that each ambush, each burned-out farm, becomes a vivid image. The authors make abundant use of maps and photographs of old sites to enable the reader to follow the course of the war: the book forms an exhaustive guide for the armchair historian or anyone wishing to visit the monuments and battlefields today. Clean copy.

Hardcover. Boston, Little Brown, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 338 pages. Light edgewear to dj, remainder dot bottom edge. A novel of Henry Knox's 1776 winter raid on Fort Ticonderoga to bring cannon to beleaguered Boston. Endpapers map. Clean copy.

Hardcover. New York, Harcourt, Brace and Co, 1st, 1941, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with paper label on front and spine. 286 pages. B&w frontispiece and illustrations by Warren Chappell. Minor edgewear to cover and age staining to endpapers. Else a clean, tight copy.

Hardcover. US, Foggy Notion Books/Pasadena Museum of California Art, 1st, 2012, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Like new in publisher's shrink-wrap. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.

Hardcover. 2012, Book: Very Good, Dust Jacket: None, Hardcover, 208 pages illustrated in color and b&w. Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. L.A. Raw is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac. No dj issued, clean copy.

Softcover. NY, John Wiley & Sons, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover,452 pages, b&w illustrations. Harlow Unger's Lafayette is a remarkable and dramatic account of a life as fully lived as it is possible to imagine, that of Gilbert de Motier, marquis de Lafayette. To American readers Unger's biography will provide a stark reminder of just how near run a thing was our War of Independence and the degree to which our forefathers' victory hinged on the help of our French allies, marshaled for George Washington by his 'adopted' son, Lafayette. But even more absorbing and much less well known to the general reader will be Unger's account of Lafayette's idealistic but naive efforts to plant the fruits of the American democracy he so admired in the unreceptive soil of his homeland. Short inscription to half-title page, otherwise a clean, bright copy.

Hardcover. Boston, Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 210 pages. Hilary Masters' memoir Last Stands exhibits uniqueness in writing with a universal appeal. Whether it be upper class zeal, lower class pride, war stories, grandparents, grandchildren, health, humor, abuse, neglect, tolerance, strength, or even food, there is something in it for everyone. Overall, Last Stands is a patchwork piece--a memoir and indirect autobiography glittered with several familial biographies. Masters constantly switches scenes and elements of focus, but he overlaps his storyline, keeping the reader grounded, despite a sequence of simultaneous events. Thus, history is tied together in a busy but logical manner. Although Masters reveals disturbing events, he adds tidbits of humor to lighten the mood. In addition, he compares and contrasts fictitious characters, such as Odysseus, to events in his own life--a technique that grants him boundless points-of-view. Furthermore, his ingenuity unfolds with his use of secondary sources: letters, poems, epitaphs, and invitations. Finally, his use of dialogue carries the story where it might otherwise seem bland.

Hardcover. London, England, Oxford at the Clarendon Press, 2nd Edition, 1955, Book: Very Good, Dust Jacket: None, 479 pages plus maps and fold-out family tree/timeline. Hardcover. Paste down presentation label on front flyleaf. Previous owner's signature on front flyleaf. Blue cloth cover boards, gilt title on spine (slightly faded). A touch of tanning to pages. In very good condition.

Hardcover. Chicago, Museum of Contemporary Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Artist Lee Bontecou (b. 1931) became widely known in the 1960s and 1970s for her welded steel sculptures and plastic and epoxy molded assemblages, powerful constructions that evoked natural phenomena and organic biological life as well as machines and instruments of war. This critically acclaimed book re-evaluates the career of this highly influential artist and focuses not only upon the impact of her early work but also on the import she has exerted on a generation of younger artists. Featuring some 50 sculptures and more than 100 drawings from the late 1950s to 2003, the book presents four essays that reposition Bontecou's work within the history of recent art, examine its shifting critical reception, discuss the artistic context in which her work was made, and analyze how science underpinned some of her earliest explorations. Related ephemera laid in. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. New York, Naval History Society, 1st, 1915, Book: Near Fine, Dust Jacket: None, 240 pages, b&w illustration. White vellum spine and corners with blue-gray boards, gilt lettering on spine, top edge gilt. Limited to 600 copies, this is #582. Beautiful bright copy.

Hardcover. New York, Naval History Society, 1st, 1915, Book: Near Fine, Dust Jacket: None, 240 pages, b&w illustration. White vellum spine and corners with blue-gray boards, gilt lettering on spine, top edge gilt. Limited to 600 copies, this is #590. Beautiful bright copy.

Hardcover. Rhode Island Library, Brown University, 1st, 1927, Book: Very Good, Dust Jacket: None, 72 pages. B/w illustrations throughout. Pages untrimmed. Covered in navy blue fabric with gilt title on spine. Some very light fraying at top and bottom of spine, as well as corners of front and back boards. Pages lightly yellowed with age. Original correspondence of Abraham Lincoln, includes copied samples of actual letters.

Hardcover. Boston, Charles E. Goodspeed, 1st, 1902, Book: Very Good, Dust Jacket: None, 88 pages, hardcover. Edited by Charles Knowles Bolton. Correspondence during the American revolutionary war. Mild fading to spine and top edge. Mild rubbing and edgewear to boards as well. Rough cut top edge. Minor bumping to corners. Frontispiece intact. Unmarked. A bright and tight copy.

Hardcover. Boston, Little, Brown and Company, 1st, 1958, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume XII in The History of United States Naval Operations in World War II. 445 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, light paper residue to front covers, lacks dust jacket, dj flaps pasted onto front endpapers, otherwise clean, tight copy.

Hardcover. Cincinnati OH, George Conclin, 6th Ed., 1841, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages, 9 b&w woodcut illustrations. Sixth edition, first published in 1838. Tan cloth, paper label on spine, label is chipped, worn in areas. Covers with light soil. Still, internally a tight, clean copy with light foxing.

Hardcover. NY, Time Life, reprint, 1983, Book: Very Good, Dust Jacket: None, 456 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. In 1861 William Watson, a native Scot who had established himself as a Louisiana businessman, enlisted in the Confederate forces although still a British subject. In 1887 he penned his memoirs "to give", he said, "a simple narrative of my experience in a war campaign". Far from simple, Watson's work clearly and forcefully describes his experiences with the 3rd Louisiana infantry in battles at Wilson's Creek and Pea Ridge while depicting the mundane aspects of camp life and providing delightful and colorful character sketches of fellow soldiers and officers, including the legendary General Ben McCulloch. But Watson offers much more than the story of a soldier's life. He also provides an excellent depiction of southern society undergoing the crisis of secession and the tumultuous early years of the Civil War.

Hardcover. Chicago, The Lakeside Press, 1st, 1916, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth stamped in gilt, top edge gilt, 137 pages. Tight, attractive copy of this early "Lakeside Classic," the annual keepsake presented by this printer/publisher to friends and clients starting in 1903. Illustrated with tissue-protected frontispiece portrait of Black Hawk from a portrait painted by Robert M. Sully at Fort Monroe in 1833. This book was originally published in 1833 (dictated by Chief Black Hawk to his translator, Antoine Leclair) and was an immediate best seller. A no holds barred and unflinching narrative of the great Sauk leader. It includes an account of the cause and general history of the Black Hawk War. Clean, bright copy.

Hardcover. Hartford CT, F.A. Brown, 1st, 1856, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth, covers embossed with floral designs in blind-stamp. Gilt medallion front cover, gilt lettering and Hale Monument on spine, 230 pages, errata page at conclusion. Gutter crack at page 60, but not bad, binding solid. Eight b&w plates with tissue guards. Previous owner's signature (dated 1856) on blank pelim page. A biography of the soldier in the Continental Army and member of Knowlton's Rangers, the first organized intelligence service organization of the United States of America. Hale spied on the British, and was captured and executed during a mission in New York City. His service earned him the title of state hero of Connecticut.

Softcover. NY, Ballantine Books, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 242 pages, b&w illustrations. Describes the causes and background of the Zulu War, recounts the experiences of British and Zulu survivors, and looks at the strategies and tactics of the war. Clean copy.

Hardcover. London, Jonathan Cape, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 773 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Athens, Ga., Hill Street Press, LLC, 1st, January 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 155 pages. B&w illustrations throughout. Light spotting to top edge. Rubbing and light soiling to dust jacket. Else a nice, clean copy.