history war

Hardcover. London, Dewi Lewis, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. These photographs--rejects found at a commercial photolab in the States--were taken at the time of the Vietnam War--a pivotal period in American history. Here is the intimacy that danced in the eyes of family photographers as they framed everyday life--as it was in the fall of 1968.The images, predominantly prints from early 126mm point-and-shoot cameras, are an uninterpreted presentation of everyday life. Reflecting both private and public spheres of consciousness, they convey unmediated perspectives of mores, values and icons through what was intended to be personal visual documentation in its most direct form. No dj issued.

Hardcover. London, Dewi Lewis, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. These photographs--rejects found at a commercial photolab in the States--were taken at the time of the Vietnam War--a pivotal period in American history. Here is the intimacy that danced in the eyes of family photographers as they framed everyday life--as it was in the fall of 1968.The images, predominantly prints from early 126mm point-and-shoot cameras, are an uninterpreted presentation of everyday life. Reflecting both private and public spheres of consciousness, they convey unmediated perspectives of mores, values and icons through what was intended to be personal visual documentation in its most direct form. No dj issued.

Hardcover. Central Point OR, Hellgate Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages, b&w illustrations. Lost Black Sheep tells two amazing stories. The first chronicles the wartime exploits of Marine Corps Ace Chris Magee, former member of the famous Black Sheep Squadron, his improbable postwar odyssey, and the surprising developments of his later years. The second describes the author's personal quest to find a man who seemed to have dropped off the face of the earth and the startling revelations that follow when he finds him. Clean copy.

Hardcover. NY, Warner Books, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with mild fading to spine.

Softcover. Zenith Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 574 pages, b&w illustrations. Originally published in Germany in 1955, and in England and the United States in 1958, this classic memoir of WWII by a man who was an acknowledged military genius and probably Germany's top WWII general, is now made available again. Field Marshal Erich von Manstein described his book as a personal narrative of a soldier, discussing only those matters that had direct bearing on events in the military field. The essential thing, as he wrote, is to "know how the main personalities thought and reacted to events." This is what he tells us in this book. His account is detailed, yet dispassionate and objective. Clean copy.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. Boston, Museum of Fine Arts, 1st, 1962, Book: Very Good, Dust Jacket: None, Two hardcover volumes, quarto, 337 + 352 pages., indices, well illustrated in color and b&w. Organized by academic artists, folk artists, visiting foreign artists and artists of the Civil War, with detail biographical information on the artists, this has become an indispensable reference work. near fine copies in gilt decorated gray boards with terra-cotta cloth spines. Clean copies.

Softcover. Southbury CT, privately printed, 1st, 1977, Book: Very Good, Dust Jacket: None, Including letters written to her in 1862 from Professor Benjamin Silliman of Yale College. Softcover, 129 pages, b&w illustrations. Published by Muriel Davies McKenzie in Southbury, Connecticut. Clean copy.

Hardcover. Laurence King Publishing, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. 272 pages in coloe and b&w. Matisse and Picasso by Robert Capa, Takashi Murakami by Olivia Arthur, Warhol and de Kooning by Thomas Hoepker, Bonnard by Henri Cartier-Bresson, Sonia Delaunay by Herbert List, Kiki Smith by Susan Meiselas, and many more. For the first time, Magnum Artists brings together a collection of over 200 photographs that define the unique relationship between the world's greatest photography collective and the world's greatest artists. Still in publisher's shrinkwrap.

Hardcover. London, Chris Boot, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 252 pages. In this volume, ten Magnum photographers turn their lenses on contemporary Georgia. Situated on the cusp of Russia and Asia, but with a European culture dating back to the 7th century BC, Georgia was forcibly incorporated into the Soviet Union in 1922. Its independence was restored in 1991, but it then suffered from civil war and a breakdown of its economic infrastructure. In the last decade, however, despite ongoing tensions in its relations with Russia, Georgia has mounted a spirited comeback. Magnum photographers Antoine d'Agata, Jonas Bendiksen, Thomas Dworzak, Martine Franck, Alex Majoli, Gueorgui Pinkhassov, Martin Parr, Paolo Pellegrin, Mark Power and Alec Soth visited the country during spring 2009, each pursuing their own theme (Alec Soth goes in search of the 'most beautiful woman in Georgia', for example). All found themselves enchanted by the Georgian people, something strongly conveyed in their photographs as well as in personal text journals which accompany the images. This well-designed volume also includes a fold-out map, marked with each photographer's journey; a chapter showing the best of Magnum photographers' work over 60 years (including by Magnum's founders Robert Capa from his visit to Georgia with John Steinbeck in 1948 and Henri Cartier-Bresson); and an illuminating introduction by the Paris-based New Yorker writer, and Georgia expert, Wendell Steavenson.

Softcover. Chapel Hill, University of North Carolina Press, 1st pbk, 2002, Book: Very Good, Dust Jacket: None, Softcover, 411 pages, b&w illustrations. Tracing the erosion of white elite paternalism in Jim Crow Virginia, Douglas Smith reveals a surprising fluidity in southern racial politics in the decades between World War I and the Supreme Court's 1954 Brown v. Board of Education decision. Smith draws on official records, private correspondence, and letters to newspapers from otherwise anonymous Virginians to capture a wide and varied range of black and white voices. African Americans emerge as central characters in the narrative, as Smith chronicles their efforts to obtain access to public schools and libraries, protection under the law, and the equitable distribution of municipal resources. This acceleration of black resistance to white supremacy in the years before World War II precipitated a crisis of confidence among white Virginians, who, despite their overwhelming electoral dominance, felt increasingly insecure about their ability to manage the color line on their own terms. Exploring the everyday power struggles that accompanied the erosion of white authority in the political, economic, and educational arenas, Smith uncovers the seeds of white Virginians' resistance to civil rights activism in the second half of the twentieth century. Light marking to 10 pages, otherwise clean, very good.

Hardcover. New York, Macmillan Co., 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 311 pages, 2 b&w fold-out maps in rear. Maroon cloth covers w/ gilt lettering. Spine faded. Previous owner's signature on front fly leaf. Else a very clean, tight copy.

Hardcover. Watkins, reprint, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. Marco Polo (c.1254-1324) was a Christian merchant from the Venetian Republic who learned about trading while his father and uncle were absent on an extended journey through Asia, which culminated in a visit with the great khan Kublai. In 1269 the brothers returned to Venice and met Marco for the first time. The three of them then embarked on a new journey to Asia and the court of the khan, returning after more than two decades to find Venice at war. Marco was imprisoned in Genoa, whereupon he dictated his romantic-sounding stories to a cellmate. The popularity of his account is a rare example of a success in publishing before the age of printing. Introduction by John Masefield.

Hardcover. New York, D.A.P.//La Fabrica , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. America's first female war correspondent, Margaret Bourke-White was also something of a media star, with the portrait of her decked out in flying gear, camera in hand, about to set off on a bombing raid, being a favorite pin-up among U.S. forces. Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals. Bourke-White traveled to the USSR when the first Five-Year Plan was being implemented; she documented the German invasion of the Soviet Union in 1941, and the Allied bombing of Germany. In the summer of 1945 she was commissioned by Life to make a photographic record of the destroyed German cities. She was present at the liberation of the Buchenwald concentration camp and the Leipzig-Thekla forced labor camp. She recorded the partition of India and the Korean War, and one of her most famous pictures of this period is "Gandhi," which shows the subject at his spinning wheel. Also included in the catalogue are some of the word-picture sequences Bourke-White did for Fortune and Life, as well as extracts from her correspondence with personalities from the worlds of politics and culture, such as Winston Churchill and Georgia O'Keeffe. Bourke-White wanted to be the "eyes of the age," and her pictures testify to (as she put it) her "unquenchable desire to be present when history is being made."

Hardcover. US, Zenith Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 168 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. "This spectacular book is the first of its kind - an illustrated history of the fierce fight on the streets of Hue which contains over 200 amazing images! Marines in Hue City covers all phases of the battle, from the opening shots and the Marines' arrival to the 'six-block war' and the seizure of the Citadel. The detailed city maps of downtown Hue and the Citadel provide overall context of the battle, and allows you to connect the book's images with the battle zone. And in addition to describing all the tactics and weaponry used by the Marines, author Eric Hammel provides an extraordinarily detailed caption for every picture.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Dutch documentary photographer Martin Roemers decided to track down the remains of deserted atom bomb shelters of the Cold War period. For over ten years he traveled through formerly hostile countries on both sides of the line: through eastern and western Germany, England, Belgium, the Netherlands, Poland, Ukraine, and other former East Bloc nations. Hardcover, 144 pages, 73 color plates, essays by Roemers, H.J.A. Hofland, and Nadine Barth.

Hardcover. NY, Archer House, reprint, 1958, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 110 b/w illustrations. 669 pages. This is a facsimile reprint of edition first published in 1886. Covering 60 years of merciless bloody conflict, it documents in detail every major Indian battle between 1815 and 1876. Dust jacket spine faded, otherwise a clean, very good copy.

Hardcover. New York, Simon & Schuster, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 416 pages. Hardcover. Dust jacket unclipped. B/w illustrations throughout. Gilt title on spine. Binding tight, in excellent shape. Clean inside and out.

Hardcover. New York, Harper, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. Dynamite Entertainment, 1st, 2017, Hardcover, glossy pictorial boards, 272 pages. A celebration of the great artists who revolutionized horror comics in the 1970s with their work on Warren's Vampirella, Creepy, and Eerie horror comics. This first-ever comprehensive history of Spanish comic books and Spanish comic artists reveals their extraordinary success -- not just in Spain and America, but around the world. Containing artwork from over 80 artists, this in-depth retrospective includes profiles of such legends as Esteban Maroto, Sanjulian, Jose Gonzalez, Jordi Bernet, Enrich, Victor De La Fuente, Jose Ortiz and Luis Garcia Mozos. With 500 illustrations, over half scanned directly from the original artwork, Masters Of Spanish Comic Book Art honors the "Golden Generation" whose artwork inspired the imagination of comic book lovers everywhere. Clean copy.

Softcover. NY, Seven Stories Press, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 431 pages. A fascinating document of an extraordinary life, Memoirs of A Breton Peasant reads with the liveliness of a novel and bristles with the vigor of an opinionated autodidact from the very lowest level of peasant society. Brittany during the nineteenth century was a place seemingly frozen in the Middle Ages, backwards by most French standards; formal education among rural society was either unavailable or dismissed as unnecessary, while the church and local myth defined most people's reasoning and motivation. Jean-Marie Deguignet is unique not only as a literate Breton peasant, but in his skepticism for the church, his interest in science, astronomy and languages, and for his keen--often caustic--observations of the world and people around him. Born into rural poverty in 1834, Deguignet escapes Brittany by joining the French Army in 1854, and over the next fourteen years he fights in the Crimean war, attends Napoleon III's coronation ceremonies, supports Italy's liberation struggle, and defends the hapless French puppet emperor Maximilian in Mexico. He teaches himself Latin, French, Italian and Spanish and reads extensively on history, philosophy, politics, and literature. He returns home to live as a farmer and tobacco-seller, eventually falling back into dire poverty. Throughout the tale, Deguignet's freethinking, almost anarchic views put him ahead of his time and often (sadly, for him) out of step with his contemporaries. Deguignet's voluminous journals (nearly 4,000 pages in total) were discovered in a farmhouse in Brittany a century after they were written. This narrative was drawn from them and became a surprise bestseller when published in France in 1998. Clean copy.

Hardcover. Boston, City of Boston, 1st, 1889, Book: Fair, Dust Jacket: None, Hardcover, 274 pages, b&w plates and illustrations. Brown end papers. Brown cloth coverings w/ gilt seal and lettering on spine. Wear and rubbing to covers, corners. Binding weak, several pages loose. Else pages clean and crisp.