history war

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.

Hardcover. Boston, Little, Brown and Company, reprint, 1957, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume IX in The History of United States Naval Operations in World War II. 413 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.

Hardcover. NY, Thames & Hudson, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrink wrap. Celebrates the height of Weimar cinema through images and commentaries on more than seventy of its finest filmsBetween the First and Second World Wars, Germany under the Weimar Republic was the scene of one of the most creative periods in film history. Through the silent era to the early years of sound, the visual flair and technical innovation of its filmmakers set an international standard for the powerful possibilities of cinema as an art form, with movies such as The Cabinet of Dr. Caligari, Nosferatu, Metropolis, and M building a legacy that shaped the world of film.Here is a showcase of more than seventy films, selected to give a wide-ranging overview of Weimar cinema at its finest. Every genre is represented, from escapist comedies and musicals to gritty depictions of contemporary city life, from period dramas to fantastical visions of the future, with themes such as sexuality and social issues tackled by iconic stars like Marlene Dietrich and Louise Brooks. A wealth of film stills captures the bold vision of great directors like Fritz Lang and Ernst Lubitsch, while the text sets the historical scene and gives intriguing insights into what the films meant to the society that created them.

Hardcover. NY, Knopf, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 418 pages, b&w illustrations. From the author of the best-selling One Minute to Midnight, a riveting account of the pivotal six-month period spanning the end of World War II, the dawn of the nuclear age, and the beginning of the Cold War. When Roosevelt, Stalin, and Churchill met in Yalta in February 1945, Hitler's armies were on the run and victory was imminent. The Big Three wanted to draft a blueprint for a lasting peace--but instead set the stage for a forty-four-year division of Europe into Soviet and western spheres of influence. After fighting side by side for nearly four years, their political alliance was rapidly fracturing. By the time the leaders met again in Potsdam in July 1945, Russians and Americans were squabbling over the future of Germany and Churchill was warning about an "iron curtain" being drawn down over the Continent. These six months witnessed some of the most dramatic moments of the twentieth century: the cataclysmic battle for Berlin, the death of Franklin Roosevelt, the discovery of the Nazi concentration camps, Churchill's electoral defeat, and the dropping of atomic bombs on Japan. While their armies linked up in the heart of Europe, the political leaders maneuvered for leverage: Stalin using his nation's wartime sacrifices to claim spoils, Churchill doing his best to halt Britain's waning influence, FDR trying to charm Stalin, Truman determined to stand up to an increasingly assertive Soviet superpower.

Hardcover. Boston, New York Graphic Society, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 159 pages, large format. B&w plates throughout. Dust jacket with minor edgewear. Introduction by Hubert de Givenchy. Skrebneski is celebrated as one of the world's finest fashion and portrait photographers. His diverse body of work has won him international accolades and, for more than half a century, he has photographed the world's most famous people, from Orson Welles, Truman Capote, and Audrey Hepburn to Andy Warhol, David Bowie, and Iman. In 1962, Skrebneski became the exclusive photographer for Estee Lauder, and over the years his flawless images of models such as Paulina Porizkova and Willow Bay made history. Five Beautiful Women is an elegant portfolio published to commemorate his twenty-five year collaboration with Estee Lauder. For the project, five distinctly beautiful models were chosen--Phyllis Connor, Karen Harris, Karen Graham, Shaun Casey, and Willow Bay--and, as Hubert de Givenchy notes, "[Skrebneski] succeeded in his very personal way to convey not only the external individuality of his subjects but, what in my opinion is most important, their inner beings."

Hardcover. Boston, New York Graphic Society, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 159 pages, large format. B&w plates throughout. Introduction by Hubert de Givenchy. Skrebneski is celebrated as one of the world's finest fashion and portrait photographers. His diverse body of work has won him international accolades and, for more than half a century, he has photographed the world's most famous people, from Orson Welles, Truman Capote, and Audrey Hepburn to Andy Warhol, David Bowie, and Iman. In 1962, Skrebneski became the exclusive photographer for Estee Lauder, and over the years his flawless images of models such as Paulina Porizkova and Willow Bay made history. Five Beautiful Women is an elegant portfolio published to commemorate his twenty-five year collaboration with Estee Lauder. For the project, five distinctly beautiful models were chosen--Phyllis Connor, Karen Harris, Karen Graham, Shaun Casey, and Willow Bay--and, as Hubert de Givenchy notes, "[Skrebneski] succeeded in his very personal way to convey not only the external individuality of his subjects but, what in my opinion is most important, their inner beings."

Hardcover. NY, William Morrow , 1st, 1931, Book: Good, Dust Jacket: None, Hardcover, blue cloth stamped with black design and lettering. Illustrated with four 2-color plates and endpapers art by Richard Rogers. SIGNED BY STACKPOLE on title page. Light pencil marking to pages throughout otherwise a nice, tight copy. Uncommon title of an adventure set on Nantucket Island.

Softcover. NY, Schocken Books, reprint, 1967, Book: Very Good, Dust Jacket: None, Softcover, 520 pages. In order to understand the English Revolution and Civil War we need to understand Puritanism. Using his consummate skill as a historian, Professor Hill suggests that there might have been non-theological reasons for supporting the Puritans, or for being a Puritan. He shows Puritanism as a living faith, answering the hopes and fears of yeomen and gentlemen, merchants and artisans. He looks at oath-taking, the Sabbath, bawdy courts, and poor relief and assesses the significance of the household (rather than the Parish) and the dignity of labor. He shows Puritanism in daily life and discusses the emergence of the seemingly paradoxical Puritan revolutionaries. Light bump to top corner of about 50 pages, clean copy.

Hardcover. Jericho, Town of Jericho, 1st, 1868, Book: Very Good, Dust Jacket: None, 47 pages. Soldiers listed by name, age, unit, dates of service, capture, wounds, deaths. Interspersed throughout text are historical facts to be found in no other Civil War publication. Brown cloth. Title in gilt on front cover. Front and rear endpapers age toned. Small wrinkle in cloth on back cover. Clean, tight copy.

Hardcover. Columbia SC, University of South Carolina Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 278 pages, b&w illustrations. INSCRIBED BY AUTHOR on front fly leaf. "Drawing upon hundreds of obscure and hard-to-find sources, the author has produced a fresh, sometimes humorous, sometimes heartbreaking chronicle of what it was like to be a participant in the most intense war the world had ever seen up to that time." Clean copy.

Hardcover. NY, Basic Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 566 pages. Song of Wrath tells the story of Classical Athens' victorious Ten Years' War (431-421 BC) against grim Sparta -- the first decade of the terrible Peloponnesian War that turned the Golden Age of Greece to lead. Historian J.E. Lendon presents a sweeping tale of pitched battles by land and sea, sieges, sacks, raids, and deeds of cruelty and guile -- along with courageous acts of mercy, surprising charity, austere restraint, and arrogant resistance. Recounting the rise of democratic Athens to great-power status, and the resulting fury of authoritarian Sparta, Greece's traditional leader, Lendon portrays the causes and strategy of the war as a duel over national honor, a series of acts of revenge. A story of new pride challenging old, Song of Wrath is the first work of Ancient Greek history for the post-cold-war generation. Clean, bright copy.

Softcover. Lincoln NE, University of Nebraska Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. At a time when few Americans had visited Australia, journalist John Lardner sailed down under with the U.S. armed forces as one of the first American war correspondents in the Pacific theater. With his excellent sense of humor and gift for narrative, Lardner penned vignettes of MacArthur's arrival and his reception in Melbourne and a flight with the daring Dutch flier Capt. Hans Smits. More frequently, Lardner wrote about the ordinary day and the average person. Traveling throughout the country, in Southwest Passage Lardner offers a glimpse of Australia in the 1940s and generates warmth and admiration for World War II fighters in the Pacific, whether Australian, New Zealander, aboriginal, or American. Clean copy.

Hardcover. Baltimore, Johns Hopkins Press, 1st, 1906, Book: Good, Dust Jacket: None, Hardcover, brown cloth covers with gilt lettering on spine, 95 pages. Ex-lib with residue, stamping to endpapers. Interior clean, probably a rebound softcover published in 1906.

Hardcover. NY, Macmillan , 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Account of major league baseball during World War II when all its talent had been stripped by the armed forces. Illustrated with 101 photographs. 290 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Macmillan , 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Account of major league baseball during World War II when all its talent had been stripped by the armed forces. Illustrated with 101 photographs. 290 pages. Name on front fly leaf, otherwise clean.

Hardcover. NY, Abbeville Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 252 pages, color and b&w illustrations. From the beginning in the silents to the era of computerized effects, this book covers it beautifully. Detailed sections on King Kong, Star Wars, Alien, Jaws, E. T., Close Encounters, and of course Blade Runner. In a bright, unclipped dust jacket. Clean.

Hardcover. Harrisburg PA, National Historical Society, reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, glossy green pictorial boards. No DJ as issued. Volume 16 of the Architectural Treasures of Early America. From material originally published as the Georgian Period edited by Professor William Rotch Ware. 224 page book with historic photographs and home plans. Clean copy.

Softcover. New York, Harry N. Abrams, Inc., 1st, 1997, Book: Very Good, Dust Jacket: None, 336 pages. Softcover. Color and b/w illustrations throughout. Covers in excellent condition. Touch of foxing to top edge. Pages clean and bright. The ever-rapacious Nazis looted staggering quantities of great art and antiques from the nations they occupied. Much of it found its way back to Germany, and following the Allied victory, many thousands of rare (and some priceless) pieces were identified, and returned to the countries from which they had been taken. But not all of the paintings, statues, and archaeological treasures were recovered: Some were taken by Soviet troops and disappeared into Russia. Still others slipped into the black market in western Europe, and were snapped up by wealthy (if unprincipled) collectors. A 1995 symposium at the Bard Graduate Center for Studies in the Decorative Arts brought together European and American investigators and historians to discuss both the the Nazi thefts and the current state of knowledge of the whereabouts of the many still missing treasures. Those papers are reprinted here. While the pieces are detailed, dry, and likely to be of most interest to specialists, there are some extraordinary stories, most prominently the description of the recent rediscovery of ``Priam's treasure,'' excavated by Schliemann at Troy and hidden since WW II in a Russian museum. (123 illustrations, 25 in color).

Hardcover. New York , G. W. Carleton & Co., Publishers, reprint, 1886, Book: Fair, Dust Jacket: None, 688 pages, b&w illustrations. Brown cloth, gilt and black titles and gilt design on front and spine. Binding is very delicate. Some internal signature coming loose. Handle with care. Small tear to front gutter, ex-lib numbers at bottom spine. Previous owner's stamp on prelim-page. Light wear and rubbing to pictorial boards.

Hardcover. Yorkshire UK, Pen and Sword Military, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 320 pages. So much has been written about the Battle of Stalingrad - the Soviet victory that turned the tide of the Second World War - that we should know everything about it. But the history of the war, and the battle, is evolving and is being written anew, and Alexey Isaev's engrossing account is a striking example of this fresh approach. B&w photos, color maps. Clean copy.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool.Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.