history war

Hardcover. NY, Dragonfly Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, hardcover, 32 pages. The inspiring story of an Iraqi librarian's courageous fight to save books from the Basra Central Library before it was destroyed in the war.It is 2003 and Alia Muhammad Baker, the chief librarian of the Central Library in Basra, Iraq, has grown worried given the increased likelihood of war in her country. Determined to preserve the irreplacable records of the culture and history of the land on which she lives from the destruction of the war, Alia undertakes a courageous and extremely dangerous task of spiriting away 30,000 books from the library to a safe place.Told in dramatic graphic-novel panels by acclaimed cartoonist Mark Alan Stamaty, Alia's Mission celebrates the importance of books and the freedom to read, while examining the impact of war on a country and its people.

Hardcover. NY, Dragonfly Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. The inspiring story of an Iraqi librarian's courageous fight to save books from the Basra Central Library before it was destroyed in the war.It is 2003 and Alia Muhammad Baker, the chief librarian of the Central Library in Basra, Iraq, has grown worried given the increased likelihood of war in her country. Determined to preserve the irreplacable records of the culture and history of the land on which she lives from the destruction of the war, Alia undertakes a courageous and extremely dangerous task of spiriting away 30,000 books from the library to a safe place.Told in dramatic graphic-novel panels by acclaimed cartoonist Mark Alan Stamaty, Alia's Mission celebrates the importance of books and the freedom to read, while examining the impact of war on a country and its people.

Hardcover. NY, St Martins Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 707 pages, b&w illustrations. Born in poverty, and self-educated while working in a print shop, William Lloyd Garrison was one of the United States' greatest crusading editors, putting out a weekly anti-slavery newspaper, The Liberator, for 35 years, beginning in 1831. A product of the rough and tumble political journalism of the day, Garrison wrote with extreme passion and from an uncompromising point of view. Yet the man who emerges from the pages of All on Fire is a deeply thoughtful person who, despite barely escaping lynch mobs himself, had a great sense of humor and a very polite demeanor. Historians have tended to minimize Garrison's impact on America, and some consider him a fringe character. But Henry Meyer, in this hefty biography, places Garrison at the center of his century, noting that Garrison's thought and tactics influenced not only the country's changing view of slavery, but also inspired the incipient feminist movement. The Lincoln administration noted Garrison's influence by inviting him to help raise the flag over the recaptured Fort Sumter. All on Fire goes into great detail on Garrison's life and work, providing the close and copious examination this activist's life fully deserves. Clean copy.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages. Roger Fenton (1819-1869) was England's most celebrated and influential photographer during the 1850s, the "golden age" of this radically new medium. Fenton's majestic pictures of cathedrals, country houses, and varied countryside were without peer in England--as were his views of the royal castles and Houses of Parliament that embodied Britain's power. But Fenton's choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes. Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members' works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight. This exquisitely produced book--the first comprehensive publication on Fenton in almost twenty years--presents eighty-five of the artist's finest photographs and discusses every aspect of his work and his remarkable career.

Softcover. Acoustic Learning, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 287 pages in b&w and color, 13 X 10". Julius Caesar has been beaten by the Britons and only Alley can come to the rescue, as he dons armor and becomes a warrior! Back in the modern day, Doc Wonmug is targeted by international gangsters! These stories and more are in this big oversized book, presenting two full years of daily strips and 78 color Sundays. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. University of North Carolina Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 380 pages. INSCRIBED BY AUTHOR on title page. During World War II the uniformed heads of the U.S. armed services assumed a pivotal and unprecedented role in the formulation of the nation's foreign policies. Organized soon after Pearl Harbor as the Joint Chiefs of Staff, these individuals were officially responsible only for the nation's military forces. During the war their functions came to encompass a host of foreign policy concerns, however, and so powerful did the military voice become on those issues that only the president exercised a more decisive role in their outcome. Drawing on sources that include the unpublished records of the Joint Chiefs as well as the War, Navy, and State Departments, Mark Stoler analyzes the wartime rise of military influence in U.S. foreign policy. He focuses on the evolution of and debates over U.S. and Allied global strategy. In the process, he examines military fears regarding America's major allies--Great Britain and the Soviet Union--and how those fears affected President Franklin D. Roosevelt's policies, interservice and civil-military relations, military-academic relations, and postwar national security policy as well as wartime strategy. Clean copy.

Hardcover. Lebanon NJ, Vanguard, 2nd Pr., 2001, Book: Very Good, Dust Jacket: None, Hardcover in a bright dust jacket, 192 pages, illustrated in b&w and color. In his 60-year career, Carmine Infantino practised nearly every job in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect a dying comics industry in 1956 as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of Adam Strange was Star Wars, to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look Batman." Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. This is Infantino's own history of comics with co-author J. David Spurlock, through Infantino's experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip. Foreword by Joe Kubert. Afterword by Jim Steranko. Clean copy.

Hardcover. GR, Steidl, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. One of the most intriguing and little studied forms of nineteenth-century photography is the tintype. Introduced in 1856 as a low-cost alternative to the daguerreotype and the albumen print, the tintype was widely marketed from the 1860s through the first decades of the twentieth century as the most popular photographic medium. The picture-making preference of the people, it was almost never used for celebrity portraiture: It was affordable, portable, unique and available almost everywhere. Because of its ubiquity, the tintype provides a startlingly candid record of the political upheavals that rocked the four decades following the American Civil War-and the personal anxieties they induced. As this book's author, Steven Kasher, argues, the tintype studio became a kind of performance space in which sitters could act out their personal identities. Sitters brought to the tintype studio not just their family and friends but also the tools of their trade, costumes, toys, stuffed animals and other such props. Often they would enact stereotypes and fantasies that reflected or challenged conventional gender, race and class roles. Surprisingly, the tintype was almost exclusively an American phenomenon, rarely used in other countries, and this book demonstrates how this modest form of photography provides extraordinary insight into the development of national attitudes and characteristics in the formative years of the early Modern era. Featured in this book are more than 200 remarkable examples of tintypes, mostly drawn from the Permanent Collection of the International Center of Photography in New York.

Hardcover. Raleigh NC, TwoMorrows Publishing, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 263 pages illustrated in color. This 1945-49 volume covers the comic book industry during the aftermath of World War II, when scores of writers and artists returned from foreign battlefields to resume their careers. It was a period when readers began turning away from the escapist entertainment offered by super-heroes in favor of other genres, like the grittier, more brutal crime comics. It was a time when Joe Simon and Jack Kirby created Young Romance, inaugurating a golden age of romance comics. And it was during this five-year period that Timely and National Comics capitalized on the popularity of Westerns, that Bill Gaines plotted a new course for EC Comics in the wake of his father's death, and that Jerry Siegel and Joe Shuster first sued for the rights to Superman. These are just a few of the events chronicled in this exhaustive, full-color hardcover, further documenting the ACBC series' cohesive, linear overview of the entire landscape of comics history! Like new.

Hardcover. NY, W. W. Norton & Company, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 570 pages. An in-depth history of the American comic strip. From the Civil War era art of Thomas Nast, to the moral panic of the 1950's, the 'Super Hero Boom' of the 60's and 70's, to the rise of complex story telling in graphic novel format. 570 pages with Index, 6-1/2" X 9-1/2". Remainder dot on top of text block, otherwise clean.

Hardcover. NY, William Morrow , BC Ed., 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages with b&w photos. Winnie Smith's story of being a 21-year-old student nurse joining the Army "to see the world" and being sent to Vietnam.American Daughter Gone to War is the extraordinary story of how she was transformed from a romantic young nurse into a thoughtful, battle-scarred adult. It is a mirror for how our country dealt with the shattering experience and aftermath of the war. Copyright page states First Edition but no price on dj flap, so assumed book club. Clean, tight copy.

Softcover. Philadelphia, Casemate Publishers, reprint, 2012, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, b&w illustrations. With his parting words "I shall return", General Douglas MacArthur sealed the fate of the last American forces on Bataan. Yet one young Army Captain named Russell Volckmann refused to surrender. He disappeared into the jungles of north Luzon where he raised a Filipino army of over 22,000 men. For the next three years he led a guerrilla war against the Japanese, killing over 50,000 enemy soldiers. At the same time he established radio contact with MacArthur?s HQ in Australia and directed Allied forces to key enemy positions. When General Yamashita finally surrendered, he made his initial overtures not to MacArthur, but to Volckmann. This book establishes how Volckmann's leadership was critical to the outcome of the war in the Philippines. Clean, bright copy.

Hardcover. Washington DC, Office of the Chief of Military History, 1st, 1969, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt eagle seal at top front, gilt lettering on spine. Illustrated with selections from the Department Of Defense files . Forty-seven maps by B. C. Mossman . This is a team effort by a number of the nation's leading scholars including Matloff , Kent Greenfield , Richard Leighton , and other leaders of the Army Historical Series. The volume covers through the Vietnam war. Small name blacked out on front fly leaf, otherwise clean.

Hardcover. Boston, Houghton Mifflin , reprint, Book: Very Good, Dust Jacket: None, Two volumes, bound in matching 3/4 black leather and marbled boards. Spines with raised bands, gilt decorations and lettering, top edge gilt, ribbon markers. Marbled end papers, previous owner's bookplate on inside front covers. Illustrated with b&w portraits and maps. A handsome production in bright, clean condition.

Hardcover. Boston, Houghton Mifflin, 1st, 1949, Book: Good, Dust Jacket: Fair, 96 pages. Hardcover with dust jacket, b&w illustrations by Lynd Ward, price clipped and has heavy chipping. Internally clean, tight.

Softcover. Berkeley, University of California Press, 1st pbk., 2006, Book: Very Good, Dust Jacket: None, Softcover, 373 pages, b&w illustrations. Clean, unmarked copy with only minor wear to wrappers. This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema-both movies and movie-going-in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures-all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns-the latter of which highlight the importance of the emerging star system-Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.

Hardcover. New York, E.P. Dutton, 1st, 1940, Book: Very Good, Dust Jacket: Good, Hardcover, 383 pages, red cloth covers with black lettering. Dust jacket with edgewear, chipping. Scarce novel about the War of 1812.

Softcover. New York, I. Riley & Co./Hopkins and Seymour, 1st, 1806, Book: Good, Dust Jacket: None, 76 pages, original marbled paper wrappers with blue title label on cover. Second signature is bound upside-down (pages 9-16), but all there. Marbled pattern on outer wraps faded in spots. Mild foxing to pages, edgewear with light loss of paper to bottom corner.

Hardcover. NY, Henry Holt and Company, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Stated First Edition. Illustrations. 18 maps. The liberation of Europe and the destruction of the Third Reich is a story of miscalculation and incomparable courage, of calamity and enduring triumph. In this first volume of the Liberation Trilogy, Rick Atkinson focuses on 1942 and 1943, showing how central the great drama that unfolded in North Africa was to the ultimate victory of the Allied powers and to America's understanding of itself.Opening with the daring amphibious invasion in November 1942, An Army at Dawn follows the American and British armies as they fight the French in Morocco and Algiers, and then take on the Germans and Italians in Tunisia.

Hardcover. London, Verso Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 425 pages. The Israeli army, officially named the Israel Defence Forces (IDF), was established in 1948 by David Ben-Gurion, Israel's first prime minister, who believed that 'the whole nation is the army'. In his mind, the IDF was to be an army like no other. It was the instrument that might transform a diverse population into a new people. Since the foundation of Israel, therefore, the IDF has been the largest, richest and most influential institution in Israel's Jewish society and is the nursery of its social, economic and political ruling class. In this fascinating history, Bresheeth charts the evolution of the IDF from the Nakba to wars in Egypt, Lebanon, Iraq and the continued assaults upon Gaza, and shows that the state of Israel has been formed out of its wars. He also gives an account of his own experiences as a young conscript during the 1967 war. Clean copy.

Softcover. London, Illustrated London News , 1954, Original printed red card wrappers. Light rubbing of the covers, some thumbing of the leading edge; overall, this book is in good to very good condition. 68 pages. Gilt decorated red cover, color frontispiece portrait, gravure and color plates, photographs, illustrations, genealogical table. Contributors include Cyril Falls (Sir Winston Churchill in War), E.D. O'Brien (Sir Winston Churchill- the Man), Charles Petrie (Sir Winston Churchill's Place in History), Edward Winterton (Sir Winston Churchill in Parliament). Frontispiece by Yousuf Karsh.

Softcover. London, Illustrated London News , 1954, Original printed red card wrappers. Light rubbing of the covers, some thumbing of the leading edge; top spine worn, overall, this book is in good to very good condition. 68 pages. Gilt decorated red cover, color frontispiece portrait, gravure and color plates, photographs, illustrations, genealogical table. Contributors include Cyril Falls (Sir Winston Churchill in War), E.D. O'Brien (Sir Winston Churchill- the Man), Charles Petrie (Sir Winston Churchill's Place in History), Edward Winterton (Sir Winston Churchill in Parliament). Frontispiece by Yousuf Karsh.

Softcover. Hanover NH, University Press of New England, 1st, 2004, Softcover, 222 pages. From 1942 to 1945, Lieutenant Colonel Betty Bandel (retired) served in the Women's Army Auxiliary Corps (WAAC, later WAC, the Women's Army Corps), eventually heading the WAC Division of the Army Air Force. During these years she wrote hundreds of letters to family and friends tracing her growth from an enthusiastic recruit, agog in the presence of public figures such as Eleanor Roosevelt (code named Rover), to a seasoned officer and leader.Bandel was one of the Corps' most influential senior officers. Her letters are rich with detail about the WAC's contribution to the war effort and the inner workings of the first large, non-nurse contingent of American military women. In addition, her letters offer a revealing look at the wartime emergence of professional women. Perhaps for the first time, women oversaw and directed hundreds of thousands of personnel, acquired professional and personal experiences, and built networks that would guide and influence them well past their war years.

Hardcover. Bemis Heights NY, privately printed, reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers, gilt lettering on spine. 290 pages. Folded battle map laid in at rear. A reprint of the 1844 account published in Albany. Clean copy.