history war

Hardcover. NY, Dorling Kindersley, 1st US, 1993, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Look inside an 18th-century warship as it sails into battle on the high seas.Packed with extraordinary illustrations, this history book for children covers everything from warship design to navigation. Biesty's incredible drawings slice through a man-of-war to explore every corner, from the crow's nest to the stinking hold. Packed with fascinating facts and gory details, the pages teem with sailors going about their duties. Find out how gun crews fired a cannon, examine a surgeon's toolkit, and learn the best way to wriggle the maggots out of the ship's biscuits. Light wear to cover edges, clean copy.

Hardcover. New York , The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 375 pages, many b&w, some color illustrations. A stunning catalog from the world-renowned film archives of The Museum of Modern Art, New York. From Charlie Chaplin to Andy Warhol to Martin Scorsese, Still Moving contains over 500 stills from silent, documentary, animated, avant-garde, independent and Hollywood movies, representing the complete art and history of the moving image. Color printed boards.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. Fayetteville, AK, University of Arkansas press, Reprint, 2005, Book: Very Good, Dust Jacket: Very Good, 77 pages. Hardcover. INSCRIBED BY AUTHORS. Color and b/w illustrations throughout. Decorated endpapers. Gilt title on spine and front cover board. Cover boards bound in brown cloth. Binding tight, clean inside and out. In beautiful shape. Like new.

Hardcover. Fayetteville, AK, University of Arkansas Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 77 pages. Hardcover. Color and b/w illustrations throughout. Decorated endpapers. Gilt title on spine and front cover board. Cover boards bound in brown cloth. Binding tight, clean inside and out. In beautiful shape. Like new.

Hardcover. San Rafael, CA, Presidio Press, 1st, 1978, Book: Very Good, Dust Jacket: None, 202 pages. Hardcover. B/w illustrations throughout. Gilt title on spine. Deckled edges. A touch of foxing to top edge, otherwise clean inside and out. In great shape.

Softcover. Albany NY, 1838, Book: Good, Dust Jacket: None, Softcover, 32 pages. Lacking original wrappers, title page and folding frontispiece, pages 3-32 all present, moderate foxing. Howe - P-600, Sabin 65493.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 476 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. Leander Stillwell (1843-1934) was an American lawyer, judge and a pioneer attorney who co-created the first bar of Erie. From 1861 to 1865 he was with the Union army joining as a private of Company D, Sixty-first Regiment, Illinois Infantry Volunteers. He was appointed Corporal, then Sergeant and later First Sergeant in 1863, and re-enlisted in 1864, at Little Rock, Arkansas. He participated in the battle of Shiloh, the siege of Vicksburg, and several minor engagements. His experiences were published as The Story of a Common Soldier of Army Life in the Civil War, 1861-1865 (1917/20). In 1876 he was elected a member of the lower house of the Kansas Legislature. He was a republican and held various township offices, both in Illinois and Kansas, and was quite active in civic affairs. In 1883 he was elected judge of the Seventh Judicial District. He was re-elected judge of the same district in 1887, 1891, 1895 and 1899, and resigned in 1907.

Hardcover. London, England, Adam and Charls Black, 1st Edition, 1969, Book: Good, Dust Jacket: Very Good, 328 pages. Hardcover. Color and b/w illustrations by Victor Ambrus throughout. Decorated cover boards, cover boards slightly warped, but no moisture damage present. Back endpaper has an horizontal air-bubble. pages clean and unmarked with exception of half title page with has a small brown smudge. Dust jacket unclipped, slightly tanned from age. Light tanning to edges. Binding tight. Spine straight. Here is the story of the British people, written by an author renowned as 'the young reader's historian' and illustrated by an artist who is amongst the most talented book illustrators of our time.

Hardcover. Mechanicsburg, PA, Stackpole Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. SIGNED BY AUTHOR ON TITLE PAGE.

Hardcover. Harrisburg, Stackpole Company, 1st, 1961, Book: Good, Dust Jacket: None, 322 pages. Hardcover. Features 16 pages of black & white photographs. Notations in red pencil on 2 maps - pages 92 and 97. Light wear to yellow cloth covers. No dust jacket.

Hardcover. NY, Doubleday, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Detective Dave Robicheaux re-turns to center stage in an incendiary new novel by James Lee Burke. A gripping tale of racial violence, class warfare, and the sometimes cruel legacy of Southern history, Sunset Limited is a stunning achievement, confirming Burke's place as one of America's premier stylists as well as master storytellers. "Not since Raymond Chandler has anyone so thoroughly reinvented the crime and mystery genre," said novelist Jim Harrison, and in Sunset Limited Burke continues to carve out new territory.

Hardcover. New York, Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. This intellectual tour de force draws on interviews with such key artists as Jean-Jacques Lebel, Mimi Parent, and Jean Benoit, and uses primary sources to advance our knowledge of the work of the better-known Surrealists, from Hans Bellmer to Meret Oppenheim. The Second World War, the Algerian War, and May 1968 are related in new ways to surrealism as a major countercultural force throughout this critical period in French history. By documenting the ways in which the Surrealists used sound, lighting, special effects, and performance art to create a living, theatrical environment, Dr. Mahon sheds new light on topics central to understanding art in our time.

Softcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. 224 pages, b&w illustrations. Provides new Latin American-centric scholarship, not only about surrealism's impact on the region but also about the region's impact on surrealism. It reconsiders the relation between art and anthropology, casts new light on the aesthetics of 'primitivism,' and makes a strong case for Latin American artists and writers as the inheritors of a movement that effectively went underground after World War II.

Hardcover. NY, Dial Books, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY PINKNEY on title page. In the 1940s, as the world was at war, a remarkable jazz band performed on the American home front. This all-female band, originating from a boarding school in the heart of Mississippi, found its way to the most famous ballrooms in the country, offering solace during the hard years of the war. They dared to be an interracial group despite the cruelties of Jim Crow laws, and they dared to assert their talents though they were women in a ?man?s? profession. Told in thought-provoking poems and arresting images, this unusual look at our nation?s history is deep and inspiring.

Hardcover. London, Transaction Publishers, 2nd Ed., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The late twentieth century witnessed rapid changes not only in Taiwan's economy, but also in its identity. Both economic as well as ideological restructuring have been basic elements in the transformation of postwar Taiwan, as rapid democratization opened a Pandora's Box, and stirred a whirlwind of social discord. This volume considers such important questions as whether the old Taiwanese work ethic is a relic of the past, and whether Taiwan is likely to become a battleground of ideological wars.The book addresses Taiwanese nostalgia for Chinese culture; the rise and fall of postwar Taiwanese agrarian culture; the transformation of farmers' social consciousness in the period 1950-1970; the place of Confucianism in postwar Taiwan; and the awakening of the "self" and the development of a Taiwanese national identity in the post-World War II period. Finally, it considers whether "mutual historical understanding" may be the basis for Taiwan-Mainland relations in the twenty-first century. This second edition includes a new chapter on the history of Taiwan after World War II, incorporating additional developments in Taiwan in the past decade.

Softcover. NY, Aperture Books, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 106 pages. "A testament o the regenerative power of the human spirit, Taking Refuge in L.A. explores the experiences of the Vietnamese Buddhist refugees in America. In the tradition of great documentary photographers, Don Farber shares an intimate view of the Vietnamese people and their spiritual way of life. Author Rick Fields illuminates the tragic and moving history of Vietnamese Buddhists, both before, during, and after the Vietnam War, focusing on their courageous attempt to sustain their rich cultural and spiritual heritage in America." Clean copy.

Hardcover. NY, Free Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 219 pages. B&W photos. The twentieth-century rise of the automobile collided head on with Victorian prescriptions for the proper role and place of women in society. Gender conventions cast women as too weak, dependent, and flighty to manage the fiery motored beast. Overcoming that stereotype was as difficult for women as gaining access to the vote, the professions, and education, yet their personal feats of driving in both war and peace demolished the gender barriers against their taking the road. After women proved once and for all that they could drive under the worst conditions in World War I, they adapted the automobile to their domestic roles in urban society during the 1920s. Written with flair and verve, this volume displays Scharff's erudition in social, cultural, gender, and technological history.

Hardcover. NY, Century Co., 1st, 1918, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering and decoration on spine and front board. The author's reminiscences of time in the trenches during World War I. An American serving at the time with British 'Tommies', he also wrote 'Over the Top' and other books about his experiences. Front fly leaf missing, book opens to half title page, otherwise a clean, tight copy.

London, Independent Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, b&w illustrations. Like new in a bright dust jacket. Target Dresden chronicles the development of bombing from the earliest days through the Zeppelin and Gotha raids of the First World War to the development of strategic bombing of WWII and examines how it affected post war thinking. Packed with facts Target Dresden gives the story behind the raids which were the most controversial conventional bombing attacks of World War Two.

Softcover. NY, International Publishers, 1st, 1944, Book: Good, Dust Jacket: None, Softcover, 128 pages. Author was leader of the American communist party, and the Teheran he refers to, is the meeting between Stalin, Churchill and Roosevelt in Teheran in 1943, and Brewstewr's wish to maintain the colalition post war. Clean, light shelf wear.

Softcover. Chapel Hill NC, The University of North Carolina Press., 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 363 pages, b&w illustrations. Laura Wexler presents an incisive analysis of how the first American female photojournalists contributed to a "domestic vision" that reinforced the imperialism and racism of turn-of-the-century America. These women photographers, white and middle class, constructed images of war disguised as peace through a mechanism Wexler calls the "averted eye," which had its origins in the private domain of family photography.Wexler examines the work of Frances Benjamin Johnston, Gertrude Kasebier, Alice Austen, the Gerhard sisters, and Jessie Tarbox Beals. The book includes more than 150 photographs taken between 1898 and 1904, such as photos Johnston took aboard Admiral Dewey's flagship as it returned home from conquering Manila, Austen's photos of immigrants at Ellis Island, and Beals's images of the St. Louis World's Fair of 1904. In a groundbreaking approach to the study of photography, Wexler raises up these images as "texts" to be analyzed alongside other texts of the period for what they say about the discourses of power. Tender Violence is an important contribution not only to the fields of history of photography and gender studies but also to our growing understanding of U.S. imperialism during this period.

Hardcover. New York, Rand McNally , 1st, 1937, Book: Good, Dust Jacket: None, Hardbound, 127 pages. Foreword by William Beebe. Illustrated by Keith Ward. Cloth covers with orange lettering and illustration. Light soiling to covers. Edgewear. Corners bumped. Natural history of termites in a story about a fictional termite colony.