history

Hardcover. New York, Burt Franklin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, 292 pages, b&w illustrations. Maroon covers w/ gilt lettering on spine. A very clean, tight copy in great condition.

Hardcover. NY, Random House, 2nd pr., 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a pric-clipped dust jacket that has a bright red cover but fading to spine. 372 pages, clean copy. Describes the influence of Cesar Chavez, leader of the United Farm Workers. The growth of that influence among Mexican-Americans and many other concerned Americans. The years when Chavez called for boycotts, and the greatest agricultural labor strike in U.S. and the greatest agricultural labor strike in U.S. history, the struggle for justice and a means to reverse the order of the system. A book about the man. Cesar Chavez.

Hardcover. Cambridge MA, Harvard University Press, 3rd pr., 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 231 pages. Frontispiece facsimile manuscript page showing names of the accused at Salem. The stark immediacy of what happened in 1692 has obscured the complex web of human passion, individual and organized, which had been growing for more than a generation before the witch trials. Salem Possessed explores the lives of the men and women who helped spin that web and who in the end found themselves entangled in it. From rich and varied sources-many previously neglected or unknown-Paul Boyer and Stephen Nissenbaum give us a picture of the events of 1692 more intricate and more fascinating than any other in the already massive literature on Salem. Name on front fly leaf, otherwise clean.

Hardcover. Salisbury, VT, Privately Published, 1st, 1976, Book: Good, Dust Jacket: None, Hardcover, 189 pages with appendix and index. Green cloth covers with gilt lettering. Light sun fade on rear cover. Foxing on first few pages, otherwise tight, clean copy.

Hardcover. Salisbury, VT, Privately Published, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 189 pages with appendix and index, b&w illustrations. Green cloth covers with gilt lettering. Tight, clean copy.

Softcover. Montrose, Western Reflections Publishing Company, 1st, 2005, Book: Very Good, Dust Jacket: None, 259 pages. Softcover. Black & white illustrations. Light wear. Clean, tight copy.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 307 pages. In all North America you cannot get much lower than the Imperial Valley of southern California, where one town, 186 feet below sea level, calls itself the Lowest Down City in the Western Hemisphere, and where the waters of the Colorado River sustain a billion-dollar agricultural industry. The consequences of that industry drain from the valley into the accidentally man-made Salton Sea, California's largest lake and a vital stopping place for migratory waterfowl. Today the Salton Sea is in desperate environmental trouble. A second river also ends in the Salton Sea. It is a river of dreams, the remains of which may be seen in the failed real estate developments that sprawl beside the sea. As the ending point of both the real Colorado and this river of dreams, the Salton Sea has become emblematic of much of the history of the American West. Its troubling story is masterfully told here in William deBuys's narrative and Joan Myers's austerely beautiful photographs. Mild wear, ereasure to front fly leaf, otherwise clean.

Softcover. Cambridge MA, Harvard University Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 528 pages. Clean copy. Reconstructing religious motivation, conviction and behaviour in early modern Europe, this text shows the shifting perspectives of authorities willing to kill, martyrs willing to die, martyrologists eager to memorialize and controversialists keen to dispute.

Hardcover. NY, Little, Brown and Company, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 763 pages, b&w illustrations. From the author of the critically acclaimed Elvis Presley biography: Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandily steered the revolutionary path of Sun Records. The music that he shaped in his tiny Memphis studio with artists as diverse as Elvis Presley, Ike Turner, Howlin' Wolf, Jerry Lee Lewis, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices passionately proclaiming the vitality of the American vernacular tradition while at the same time declaring, once and for all, a new, integrated musical day. With extensive interviews and firsthand personal observations extending over a 25-year period with Phillips, along with wide-ranging interviews with nearly all the legendary Sun Records artists, Guralnick gives us an ardent, unrestrained portrait of an American original as compelling in his own right as Mark Twain, Walt Whitman, or Thomas Edison.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, 76 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink wrap. When Sam Taylor-Johnson climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. Germany, Steidl, 1st, 2014, Book: Very Good, Dust Jacket: None, When Sam Taylor-Johnson (born 1967) climbed the famous mirrored staircase of Chanel's headquarters at 31 rue Cambon, Paris, she did not quite know what to expect. Her destination was Coco Chanel's private apartment on the second floor; her mission, to photograph it.

Hardcover. NY, Barnes & Noble, reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 194 pages. Includes a bibliography of Bannerman's books and 47 reproductions of the first British and first American editions and her illustrations for them. Phyllis Yuill and Justin Schiller helped with the publishing history and supplied illustrations. Hay shows that it was the illustrations of later artists that provoked the controversy over THE STORY OF LITTLE BLACK SAMBO, not Bannerman's original text or pictures. Bound in the original gilt-stamped red boards. From the dust jacket: "This first biography of Helen Bannerman covers much new ground and is based on the vast collection of letters to the children, usually lovingly illustrated, in the possession of the Bannerman family. As well as telling the story of one of the most popular children's books of all time, Elizabeth Hay's biography offers an intimate picture of the daily life of a British memsahib in the heyday of the Raj." Clean copy.

Hardcover. Baltimore, MD, James Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 443 pages. Hardcover with dust jacket. Clean, tight copy with little to no wear to edges.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 460 pages, b&w illustrations. In Same Time, Same Station, historian James L. Baughman takes readers behind the scenes of early broadcasting, examining corporate machinations that determined the future of television. Split into two camps-those who thought TV could meet and possibly raise the expectations of wealthier, better-educated post-war consumers and those who believed success meant mimicking the products of movie houses and radio-decision makers fought a battle of ideas that peaked in the 1950s, just as TV became a central facet of daily life for most Americans.Baughman's engagingly written account of the brief but contentious debate shows how the inner workings and outward actions of the major networks, advertisers, producers, writers, and entertainers ultimately made TV the primary forum for entertainment and information. The tale of television's founding years reveals a series of decisions that favored commercial success over cultural aspiration.

Softcover. Santa Barbara CA, UCSB Art Museum, 2nd pr., 1979, Book: Very Good, Dust Jacket: None, Softcover, 105 pages illustrated with b&w photos and architectural drawings. Clean, crisp copy of this exhibition catalog.

Hardcover. New Haven CT, Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Samuel Colt first patented his Colt revolver in 1835 and thereby redefined the architecture of handguns. This book is the first to present in detail the evolution of his most famous invention and to document the unsurpassed Colt firearms collections held by the Wadsworth Atheneum. Edited by Elizabeth Mankin Kornhauser. With essays and entries by Carolyn C. Cooper and Elizabeth Mankin Kornhauser. Index.

Hardcover. NY, Exposition Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 198 pages. A family history centered on Samuel Duncan Oliphant, his Scottish, Colonial and American history with emphasis on his Civil War Record. Endpapers map, clean copy.

Softcover. Thousand Oaks CA, Dragon Books, 3rd pr., 1993, Book: Very Good, Dust Jacket: None, Softcover, 145 pages, b&w illustrations. This book, as well as being a practical training manual, is an attempt to inform the reader of the history of Aikijujutsu and it's masters. Clean copy.

Chicago, Wilcox and Follett, 1st, 1944, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers stamped in black. B&W illustrations by Milo Winter. 189 pages. Small bookstore stamp to front end papers otherwise very good. An "action-packed adventure story based on authentic history of early Illinois" set during the Black Hawk War. Clean copy.

Softcover. Highlands Ranch CO, Santa Fe Railway Historical and Modeling Society, 1st, 1994, Book: Very Good, Dust Jacket: None, Soft Cover. Spiral bound. 288 pages. Oblong 4to. B&w illustrations, photos throughout. Clean copy. Invaluable, handsome reference book on the refrigerator cars of the ATSF, from 1884 through 1971. Chapters cover 19th century cars, 20th century truss rod cars, USRA style cars, original ARA type design, USRA rebuilds (1935-50), ARA design rebuilds (1950-53), steel 40' cars (1935-53), 50' cars (1931-46), modernizing the fleet (1954-59), and ice cars (1908-71). With 9 appendices on lettering, rosters, slogan assignments by car, all-time reefer fleet totals, beer cars, diagrams, etc.

Hardcover. London, Sampson Low, Marston, Low, & Searle, 1st, 1873, Book: Good, Dust Jacket: None, 511 pages. Hardcover with gilt and black lettering on front and spine. Fraying on corners. Heavy soil on top page block. Illustrations and maps. Gutter crack on page 176.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Hardcover. Oxford, UK, Bodleian Library, University of Oxford, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. An introduction to Acland's entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal.

Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy