history

Hardcover. Cambridge MA, MIT Press , 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages, color and b&w illustrations. An extraordinary look at how the style of Piet Mondrian's abstract paintings was posthumously appropriated by 1960s fashion, Pop art, and consumer culture. Yves Saint Laurent's 1965 Mondrian dresses are among the twentieth century's most celebrated and recognizable fashions, but the context of their creation involves much more than meets the eye. In Mondrian's Dress, Nancy J. Troy and Ann Marguerite Tartsinis offer a fresh approach to the coupling of Piet Mondrian's interwar paintings with Saint Laurent's couture designs by exposing the rampant merchandising and commodification that these works experienced in the 1960s. The authors situate the consolidation of Saint Laurent's fashion brand alongside the work of such Pop artists as Roy Lichtenstein, Andy Warhol, and Tom Wesselmann, and show how conventional understandings of Mondrian's avant-garde abstractions were transformed by the mass circulation of his signature style. Beyond its attention to 1960s fashion, Pop art, and consumer culture, Mondrian's Dress offers critical assessments of Saint Laurent's so-called dialogue with art, the remarkable art collection that he built with his partner Pierre Berge, and the crucial role that photography plays in the marketing of couture.

Softcover. London, Hard Case Crime, 1st thus, 2008, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Glen Orbik. It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way.First publication anywhere!First female author in the history of Hard Case CrimeRolling Stone on MONEY SHOT: "An instant pulp classic."Bloomberg News on MONEY SHOT: "Christa Faust's MONEY SHOT has to be an early contender for mystery debut of the year...MONEY SHOT has no peer in hardboiled writing about the sex industry." Like new.

Softcover. Helena MT, FarCountry Press, 2nd pr., 2009, Book: Very Good, Dust Jacket: None, Softcover, 295 pages, b&w illustrations. In this remarkable and important book, Sarah Carter introduces us to some of Montana's first women homesteaders through their journals and other writings. By shedding light on these determined nineteenth- and early twentieth-century pioneers, Carter reveals inspiring stories filled with joy, tragedy, and redemption.

Hardcover. Boston, Little, Brown, and Company, reprints, 1899, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes, blue cloth covers with bright gilt decoration on spines. and front covers. Top edge gilt. Both volumes with original blue CLOTH dust jackets. Illustrated Holiday Edition with 45 photogravure plates. Vol. 1. Chapters I-XV (xix, 529 pages) - Vol. 2. Chapters XVI-XXXII (xv, 562 pages). Clean bright set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. London, Dennis Dobson, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 76 pages, hardcover. Illustrated in color by Ronald Searle. PREVIOUSLY OWNED BY SEARLE'S AGENT (John Locke) with his stamp on front fly leaf. Very good condition. Dust jacket has age tanning to spine, one chip at bottom of spine.

Hardcover. Thomas Jefferson Foundation, reprint, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, 80 pages. Each year approximately 500,000 people journey up the winding, narrow road from Charlottesville, Virginia, to visit Monticello, the home of Thomas Jefferson. In 1990 a team of architects from the Historic American Buildings Survey (HABS) made this same journey to record Jefferson's residence inside and out. Monticello in Measured Drawings presents HABS' unique set of plan, elevations, sections, and details of the house as it was actually built. They expose many of Monticello's behind-the-scenes mysteries. Seeral reveal the house's complex facade, while others details the relationship of individual floors and the fascinating array of architectural elements found throughout the house.

Softcover. Greensburg PA, privately printed, 1st, 1913, Book: Very Good, Dust Jacket: None, Softcover, octavo, 25 pages, sparsely illustrated in b&w. Book near fine with mild general shelfwear to wrap, stapled binding tight, text clean and unmarked. Includes a b/w sketch by John Trumbull.

Hardcover. NY/Munich, Hirmer Publishers, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 208 pages, color illustrations. Monuments and Myths is the first publication to trace the intersecting work of Augustus Saint-Gaudens (1848-1907) and Daniel Chester French (1850-1931), the leading American sculptors of the Gilded Age. Featuring provocative essays, stunning photographs, and an in-depth illustrated chronology, the catalog brings a contemporary perspective to sculptures that have defined and defied notions of American identity. This critical look at the artists' public and private works considers evolving ideas about race and representation, Indigeneity, civic space, memory, and American history. Clean copy.

NY, St. Martins, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, black & white illustrations. 442 pages. The story of the popular Rocky and Bullwinkle show. The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound. Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind. With exclusive interviews, original scripts, artwork, story notes, letters and memos, Keith Scott has written the definitive history of Jay Ward Productions.

Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages. This is the sequel to caricaturist Drew Friedman's collection of portraits of famous comics creators.Spanning the birth of the industry to its first few decades, this book has approximately 100 full-color portraits of the legends of American comic books-publishers, editors, and artists. Its subjects are popular and obscure, men and women, and it includes several pioneering artists of color. Full-color illustrations throughout.

Hardcover. NY, C.M. Saxton & Company, 1st, 1857, Book: Good, Dust Jacket: None, Hardcover, 340 pages+ 2 pages of ads at rear. Worn and soiled brown leather boards with "Presented by the Vermont State Agricultural Society" stamped in gilt on front board. Marbled endpapers. Black spine label with gilt lettering. Many illustrations. Traces the pedigree of the Morgan horse from the original Justin Morgan with hints for breeding, breaking and general use and management. Front hinge cracked, interior clean, binding tight.

Hardcover. London, Thames And Hudson, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 239 pages, 91 b&w illustrations, 5 maps. Name on front fly leaf, otherwise clean.

Softcover. Charleston WV, Morrison Department Store, 1928, Book: Very Good, Dust Jacket: None, Softcover, stapled tan wrappers, 72 pages. A brochure featuring the history of a line of department stores in West Virginia. The founder's philosophy laid out in boring detail. Interesting, great photos of his storefronts, store managers. Unusual.

Hardcover. Boston, Thomas and Andrews, Abridged, 1798, Book: Fair, Dust Jacket: None, 388 pages. Hardcover. Printing date: June, 1798. "An Abridgment of the American Gazetteer..." Previous owners name on rear endpaper. All pages darkened with varied amounts of foxing. Fold-out map at front separated at fold. Leather covers with heavy wear, chipped at top and bottom of spine. Corners rubbed, bumped.

Hardcover. NY, Time Life, reprint, 1982, Book: Very Good, Dust Jacket: None, 389 pages. Hardcover with no dust jacket. Dark blue leather bound with gilt titles to front cover and spine. Embossed decoration on front cover. Gilt text block edges, red ribbon marker. Clean, tight copy. The commander of a Georgia regiment through much of the Civil War mused later in his memoirs that the heaviest burden fell not upon the man at the front, but upon the woman who waited and prayed for victory: "While the men were carried away with the drunkenness of the war, she dwelt in the stillness of her desolate home." Sallie Brock Putnam spoke for Southern womanhood. She was a native of Madison County, Virginia, and seems to have come from a family of good social standing. The book contains an unexpectedly full history of the Civil War; the author exhibits a strong grasp of strategy and tactics. But at its heart is an incisive eyewitness account of life in a capital that was swollen to four times its normal population by the exigencies of war. Brock's descriptions of Jefferson Davis' inauguration and the Richmond Bread Riot of 1863 are dramatic, but no more so than her accounts of nameless refugees, race relations, opportunistic merchants and blockade runners. Confederate prisons and family matters. In contrast to other female Southern writers of the period, she was more sober and factual, less gossipy and speculative. She wrote with shrewdness and maturity, and with a remarkable lack of self-pity and exaggeration. Yet the reader cannot miss her courage, sacrifice and suffering. Sallie Brock Putnam died in 1911.

Hardcover. New York, Ralph Kenyan, 1st Edition, 1896, 511 pages. Hardcover. Over 200 b/w illustrations throughout. Cover boards bound in gray cloth, beveled at edges, gilt title/decoration on spine, gilt title and decoration on front cover board, designed engraved on back cover board. cover boards have some rubbing and light soil, a touch of fraying to top and bottom of spine. Previous owner's inscription on front preliminary page. Binding tight. Spine slightly cocked. "...From the Diary of a Private, Supplemented and Verified with Official Reports of Federal Officers and Also of Mosby; With Personal Reminiscences, Sketches of Skirmishes, Battles and Bivouacs, Dashing Raids and Daring Adventures, Scenes and Incidents in the History of Mosby's Command."

Hardcover. Stanford CA, Stanford University Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 308 pages, map endpapers. Light edge wear to dust jacket, small sticker on front cover. Else a very clean, tight copy.

Hardcover. New York, Baker and Taylor, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth with gilt lettering, b&w illustration on cover pastedown, 220 pages. Black & white illustrated. Previous owners stamp on inside front cover.

Hardcover. Albany NY, State University of New York Press, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 208 pages with index. This book attempts to throw new light on that early labor movement, mainly by answering the questions that modern critics have raised concerning its authenticity, but the major concern of the volume is with the labor leaders' views regarding American society. If these were uncommon labor leaders, they were also uncommon Jacksonians. At a time when the mass of Americans seemed to be engaged in a frenzied contest for material gain, and increasingly optimistic about their chances, the labor leaders stood apart both from the pursuit of the main chance and from its moralistic critics. Name on front fly leaf otherwise clean.

Hardcover. NY, Ticknor & Fields, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 501 pages, b&w illustrations. The Morgenthaus were one of those German-Jewish families who broke through the snobbish anti-Semitism of the wasp mainstream in the nineteenth and early twentieth centuries to be a force in American public life. This is a charming, intimate portrayal of three fascinating generations in American history. In a bright, unclipped dust jacket.

Hardcover. NY, David McKay Company, 1st US, 1959, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. Autobiography of Britain's noted forensic examiner, highlighting his work in Egypt before & after WWI, work as professor of forensic medicine at Edinburgh University, & court battles with the renowned Sir Bernard Spilsbury. Foreword by Erle Stanley Gardner (Perry Mason author). In 318 pgs + Index, with lots of black & white crime scene photos. Orig. published in Britain, this is the FIRST AMERICAN EDITION, same year (1959). Clean copy.

Hardcover. New York, William Morrow and Company, 1st, 1978, Book: Good, Dust Jacket: Good, 225 pages. Hardcover with dust jacket. Gutter cracked in three places. Dust jacket shows edgewear and small tears at corners. Fading to top cover boards.

Hardcover. NY, Guggenheim Museum, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 228 pages. During the late 1960s and 70s, a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices. In particular, these mediums were used to record ephemeral or performative events and to render visible conceptual systems or to question the supposed objectivity of representation itself. This volume focuses primarily on artworks from the last decade and proposes that the extensive use of reproducible mediums in today's art has its roots in an earlier formative period. By the end of the 70s, many artists turned to photography as a vehicle through which to critique photographic representation and to subvert an art system premised on the notion of the original. While this practice came to define much of the 80s postmodern art, its legacy for the 90s was essentially the license to indulge in photographic fantasy, image construction, and cinematic narrative. Artists working today freely manipulate their representations of the empirical world or invent entirely new cosmologies. They process their subject matter through conceptual systems or use digital processes to alter their images. Some directly intervene in the environment, subtly shifting components of the found world and establishing their quiet presence in it; others fabricate entire architectural environments for the camera lens. This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez-Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, others.

Hardcover. New Haven CT, Yale University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 336 pages. Despite the apparent incompatibility between Mozart's humanitarian and cosmopolitan outlook and Nazi ideology, the Third Reich tenaciously promoted the great composer's music to further the goals of the fascist regime. In this revelatory book, Erik Levi draws on period articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. The book also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies of Mozart reception that resulted from Nazi appropriation of his work. Augmented by rare contemporary illustrations, Mozart and the Nazis will be widely welcomed by readers with interests in music, German history, Holocaust studies, propaganda, and politics in the twentieth century. Clean copy.