Softcover. US, University Galleries of Illinois State University, 1st, 1999, Book: Very Good, Dust Jacket: None, 263 pages, illustrated throughout in color and b&w. Previous owner's signature on front end paper. Slight creasing to rear cover, else a clean, tight copy. Dismal Science is the definitive edition of seven acclaimed photographic projects made by Allan Sekula over the last 24 years, and also includes a number of critical essays by Sekula on contemporary photography, His hybrid works, incorporating photographic sequences, slide projections, texts, and audio recordings, question the conventions of documentary photography, while tracing strange linkages between everyday life and the global economic system. Dismal Science is published in conjunction with an exhibition organized by the University Galleries of Illinois State University that traveled to eight venues between 1996-1998 including the Netherlands foto institute, Rotterdam, the Munich Kunstverein, and the John Curtin Gallery, Perth, Australia.
Hardcover. New York, Museum of Modern Art, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 79 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Introductory essay by Lawrence Durrell. Includes 61 black and white photographs, many of which are some of his more iconic images.
Softcover. US, Prestel, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 424 pages, color and b&w illustrations. Like new in publisher's shrink-wrap. No dust jacket, as issued. From the exhibition produced by the Montreal Museum of Fine Arts in partnership with the Museo Nacional de Belias Artes and the Fototeca de Cuba in Havana. A comprehensive history of Cuban art and design.
Softcover. Bloomington IN, Indiana University Press/Electa , 1st, 1996, Book: Very Good, Dust Jacket: None, 253 pages, color and b&w illustrations. Softcover in excellent, clean condition. Domenico Tiepolo, 1727-1804, the son of Giambattista, left a corpus of drawings which show him to be one of the talented Venetian artists of the 18th century. 176 drawings plus many photographs of details and of paintings.
Hardcover. New York , Skira Rizzoli, 1st, 2011, Book: Very Good, Dust Jacket: None, 224 pages, many illustrations, 72 in color. Bibliography, chronology. Published on the occasion of an exhibition held at the Contemporary Arts Museum, Houston, TX, October 1, 2011 to January 8, 2012. Like new in publishers shrink-wrap.
Hardcover. San Francisco, San Francisco Museum of Modern Art/ Wexner Center for the Arts/D.A.P., 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. 228 pages, mostly color. Four essays. detailed catalogue entries. reference material. major retrospective of the Belgian painter.
Softcover. New York, Independent Curators Inc, 1st, 1995, Book: Near Fine, Dust Jacket: None, Softcover, 80 pages, illustrated throughout in b&w. Clean, unmarked copy in excellent condition. Exhibition catalog for a group show that ran January 21 through March 6, 1992 and then May 20 through June 30, 1992 at the Zabriskie Gallery in New York. Introduction by Klaus Ottmann. Essay by Leslie Tonkonow. Includes numerous black and white images from these photographers who were in the show: Robert Doisneau, Diane Arbus, Thomas Struth, Neal Slavin, William Klein, Walker Evans and many others.
Hardcover. New York , Scala Publishers, 1st, 2010-11-01, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. The history of New York's ties to the Spanish-speaking world is as old as New Amsterdam itself, and is largely unknown. Accompanying a major exhibition organized by the New York Historical Society and El Museo del Barrio, this groundbreaking, interdisciplinary publication will for the first time make visible these connections and the myriad ways in which they have shaped the city for more than four centuries. Hardcover, 286 pages, b&w, some color illustrations.
Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.
Softcover. Atlanta, High Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover. Like new in publisher's shrink-wrap. The catalogue of a traveling exhibition organized by the High Museum of Art, Atlanta, examining the significant interrelationships between sports, photography, and culture in the US, Europe, and Russia since the late 19th century. The 141 works featured (32 color, 109 duotone) by 120 photographers (including such masters as Stieglitz, Adams, Cartier-Bresson, and Arbus) are drawn from American and European public and private collections and the archives of Life and Sports Illustrated . Includes essays by Harvey Green, John M. Hoberman, and Peter Schjeldahl.
