Softcover. Boston, Museum of Fine Arts, 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 255 pages, b&w illustrations. Newspaper clippings paper-clipped to front fly leaf. Previous price sticker on back cover. Edge wear, rubbing to wrappers, front cover slightly bent. Light stain to bottom edge. Else pages clean and tight.
Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.
Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.
Hardcover. London```, Konemann UK Ltd, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, 2 VOLUME SET. 920 pages. Oversize hardcovers. Both volumes very clean and unmarked. Only minor wear to dust jacket edges. In a unique collection of hundreds of photographs, 150 Years of Photo Journalism gives a visual record of the years 1850 - 1918, the last and greatest period of European dominance of the world in culture, science and weapons of destruction. VERY HEAVY- extra charges for overseas shippimg.
Hardcover. Montreal, Montreal Museum of Fine Arts, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 638 pages. Hardcover with dust jacket. Small stain on fore edge of textblock. Otherwise, a very clean, unmarked copy with minor rubbing and edgewear to dust jacket. Small tear to top edge of rear dust jacket cover. A tight copy. Black & white and color illustrations throughout.
Hardcover. London, Pavilion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear and curling to dust jacket edges. Color photographs throughout. Includes DVD. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Kate Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences.
NY, Alfred A. Knopf, 1st, 1967, Book: Good, Dust Jacket: Fair, Hardcover in a bright dust jacket with flaps glued to inside covers. 145 pages, b&w drawings by David Stone Martin. An engaging chronicle that concerns three generations of cats and their provider, Ann, a single woman with a ground-floor apartment and a back yard. Ex-lib with light stamping, residue.
Hardcover. New York, Robert Miller Gallery, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 92 pages, still in plastic shrink wrap. Color and b&w illustrations throughout. Beautiful copy.
Softcover. Chicago, Stephen Daiter Gallery, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 32 pages, an exhibition catalog featuring 20 of the photographer's abstract images from the late 1940s and early 50s. White card wraps with a heavy paper dust jacket.
Softcover. Chicago, Stephen Daiter Gallery, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 32 pages, an exhibition catalog featuring 20 of the photographer's abstract images from the late 1940s and early 50s. White card wraps with a heavy paper dust jacket.
Softcover. New York, The Arts Publisher, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 174 pages illustrated throughout in color and b&w. Black pictorial stiff wrappers with light wear and sun to covers. Light waviness due to moisture to upper edge of front cover, but not to pages. Overall a very nice, tight, clean copy. Adolph Gottlieb (1903-1974) was one of the leaders of the New York School of Abstract Expressionism. This beautiful volume is the only one that covers the full scope of Gottlieb's acheivement, including 124 of his finest paintings, sculptures, and works on paper.
Hardcover.. Germany, Steidl, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, MAY REQUIRE ADDITIONAL POSTAGE. 2 volume set. Oversize hardcover and softcover in slipcase. Very clean, unmarked copies. Very minor soiling to slipcase. Beautiful color photographs throughout.
Hardcover. New York, Harry N. Abrams, 1st, 1899, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. In 1952, at the age of 23, Helen Frankenthaler created her legendary painting Mountains and Sea. She poured thinned-down pigment directly onto unprimed canvas to be absorbed into its fibers. This large painting, the first in which Frankenthaler used her soak-stain technique, synthesized the influences that had informed her work to that point and announces her arrival as a mature artist. Published to accompany a 1998 exhibition at the Solomon R. Guggenheim Museum, New York, this book focuses on Mountains and Sea and other groundbreaking paintings of Frankenthaler's early career. In this period, Frankenthaler drew upon Cubism, the abstractions of Arshile Gorky and, especially, those of Jackson Pollock, whose radical technique inspired her to reject easel painting. Frankenthaler herself became associated with the second generation of the New York School and her unique method and experimental use of materials influenced her contemporaries and subsequent generations of artists.
Hardcover. Boston MA, Joseph Breck & Sons, 1st, 1897, Book: Very Good, Dust Jacket: None, 288 pages illustrated throughout with detailed b&w engravings. A trade catalog featuring everything from coal forks and cider mills to hay rakes and manure spreaders. Textured maroon cloth with gilt lettering. The book itself is warped but the pages are crisp and clean. An excellent visual resource.
Softcover. New York, Metropolitan Museum of Art, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 432 pages, color illustrations throughout. 16 essays by various scholars. Clean, bright copy.
Hardcover. Kansas City, Kemper Museum of Contemporary Art , 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, exhibition catalog, unpaginated. New York artist Alex Katz is best known for his eye-catching, large-scale portraits, figures, and landscapes, but in the mid-1950s he painted intimate works, originating the style that would become the hallmark of his mature work. By the early 1960s, he established a procedure of making small sketches using oil paint on Masonite board, which he would enlarge and modify, then make into paper cartoons to transfer to the canvas. He produces one or more small sketches for every large painting. Although Katz considers the large works to be his major productions, small-scale paintings are the underpinning of his work, revealing his initial passion for a subject--a love at first sight before it has fully matured. While his big paintings are akin to a public performance, the small paintings are rehearsals that reveal not only how he works but more importantly why he is interested in a particular subject. This volume focuses on the achievement and significance of Katz's small paintings.
Hardcover. Washington DC, National Gallery of Art, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 367 pages 337 illustrations 267 in color. Foreword by Earl A. Powell III. Published on the occasion of the exhibition from the National Gallery of Art, Washington DC 29 March-12 July 1998. Exhibition History by Alexander S.C. Rower. Selected Bibliography by Alexander S.C. Rower.
Softcover. Washington, D.C., National Collection of Fine Arts/Smithsonian, 1st, 1973, Book: Very Good, Dust Jacket: None, 167 pages. Softcover. Catalog for Exhibition February 23-May 13, 1973. Black & white illustrations. Light wear. Clean, tight copy.
Softcover. Indianapolis, Indianapolis Museum of Art, 1st, 1973, Book: Very Good, Dust Jacket: None, Exhibition catalogue of Alfred Thompson Bricher. Softcover, 103 pages; plates in black & white; chronology. Cover: "A Pensive Moment" (color). In very good condition.
Softcover. Tampa, FL, University of South Florida, Unknown, N. D., Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 54 pages, illustrated throughout in color and b&w. Green pictorial stiff wrappers. Light wear to covers and spine, front cover slightly sunned, else a very nice, tight, clean copy.
Hardcover. ACC Art Books, 1st, 2021, Book: Very Good, Dust Jacket: None, Pictorial boards, 160 pages. Accompanying a major exhibition at the Centre Georges Pompidou in Paris exploring the life and work of renowned feminist artist Alice Neel, 1900-1984. Essays and an extensive anthology provide an academic insight into Neel's work. "I have always believed that women should resent and refuse to accept all the gratuitous insults that men impose upon them." - Alice Neel, 1971 One of the greatest portrait artists of the 20th century, Alice Neel's vibrant, expressionistic paintings revealed a breath-taking depth of emotion within her subjects. From works exploring loss and grief, to communist political art, Neel's work pushed boundaries of social justice throughout the 1900s. Her dedication to capturing the truth of humanity is evident: she painted those rejected by society, the victims of social or gendered oppression. Latin American and Puerto Rican immigrants, African-American writers excluded from the intellectual elite, single mothers struggling to raise their children, homosexual couples - all were presented with equal candidness by Neel's brush.
Hardcover. NY, Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.
Hardcover. New York , Robert Miller Gallery, 1st, 1997, Book: Near Fine, Dust Jacket: None, 92 pages, with roughly 60 color and 5 b&w illustrations. 4to, boards. This catalogue from the first and only exhibition of Alice Neel's Depression-era paintings places these early surrealist and expressionist influenced works in the context of quotations from the artist and an essay by Wayne Koestenbaum. No dust jacket issued.
Softcover. Guilford, CT, Lyons Press, 1st, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color illustrations throughout. With his life's work, and in All Told, LeRoy Neiman captured sports heroes, movie stars, presidents, dishwashers, jet-setters, jockeys, and more than a few Bunnies at the Playboy Mansion.
Softcover. US, University Galleries of Illinois State University, 1st, 1999, Book: Very Good, Dust Jacket: None, 263 pages, illustrated throughout in color and b&w. Previous owner's signature on front end paper. Slight creasing to rear cover, else a clean, tight copy. Dismal Science is the definitive edition of seven acclaimed photographic projects made by Allan Sekula over the last 24 years, and also includes a number of critical essays by Sekula on contemporary photography, His hybrid works, incorporating photographic sequences, slide projections, texts, and audio recordings, question the conventions of documentary photography, while tracing strange linkages between everyday life and the global economic system. Dismal Science is published in conjunction with an exhibition organized by the University Galleries of Illinois State University that traveled to eight venues between 1996-1998 including the Netherlands foto institute, Rotterdam, the Munich Kunstverein, and the John Curtin Gallery, Perth, Australia.
Softcover. U.S.A., Peterson Publishing Company, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 115 pages. Text includes biography and critique. 74 color plates. Numerous black and white prints and photographs. Color cover features "Summer Afternoon" (detail). Back cover features artist stamp signature. Slight wear on cover, particularly along binding edge. Else in fine condition.
Hardcover. Giverney, France, Library of Congress/Musee d'Art Giverny, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages. Lovely copy. Minor wear to dust jacket, else like new. An exhibition held in Paris a century ago demonstrated the key role American women photographers played in the international pictorialist movement. Each of the 29 artists, including such well-known figures as Gertrude Kaesebier, Amelia van Buren and Zaida Ben-Yusuf, is represented in a selection of approximately 70 breathtaking color plates drawn from the Frances Benjamin Johnston Collection at the Library of Congress and the National Museum of American History. The photographs include landscapes, portraiture, genre scenes, and still-lifes, all of which are evocatively composed and delicately toned using a variety of photographic techniques.
Softcover. New York, Robert Miller Gallery , 1st, 2001, Book: Very Good, Dust Jacket: None, Non paginated. Softcover. Extensive color photographs throughout. Illustrated end papers and paste downs. Creasing to covers, otherwise clean, tight copy. An autobiographical and transitional work, American Family explores the various roles Renee Cox has assumed throughout her life: Catholic schoolgirl, wife, mother, woman who knows and shows her sexual pleasure, and black woman artist contesting an art history that has all but excluded her race. A cross between Diary of a Mad Housewife and The Sensual Woman, American Family is a veritable minefield of taboos, revealed by the miscegenated family album and the erotic display of the artist's own beautiful body. Compartmentalized into sections called Family Room, Erotica, and the Salon, American Family accompanied an exhibition which included a video projection, large scale Cibachrome prints mounted on aluminum, a series of smaller black-and-white diptychs and triptychs, as well as photographs culled from the artist's own family album. Essay by Jo Anna Isaak.
Softcover. Fort Lauderdale, FL, Richard Stuart Gallery, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 76 pages, b&w and color illustrations. Light rubbing, soiling to white wrappers. Else a very clean, tight copy.
Hardcover. New York, Abbeville Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 247 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. 163 color illustrations throughout.
Hardcover. Lubbock, Texas, Texas Tech University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 374 pages. Hardcover with dust jacket. Very clean, like new in publishers shrinkwrap. Each chronological section covers the full range of men's clothing by category, including suits and evening wear, outerwear, sportswear, accessories, sleepwear, swimwear, underwear, and grooming. Documenting the panorama of men's dress with 650 illustrations.
Hardcover. New York , Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, burgundy cloth with gilt lettering. Book and unprice-clipped pictorial dust jacket are without defects. A beautiful catalog of the great Ralph Esmerian collection of American folk art done when the 400 outstanding works were given to the American Folk Art Museum in New York. Outstanding plates followed by detailed descriptions.
Softcover. New York, MOMA, 1st, 1963, Book: Very Good, Dust Jacket: None, 112 pages. Softcover. Illustrated with black & white photographs. Some light fading, spotting to cover edges. Clean, tight copy.
New York , Harper & Brothers, 1st, 1926, Book: Very Good, Hardcover, red cloth covers with color illustration on cover paste-down. Unpaginated (about 120 pages). Tipped-in color frontispiece, every other page with a full page b&w cartoon, every other page with a smaller b&w image. Book of satiric humor using anthropomorphic cats to illustrate various human foibles. Light wear to cloth with some fading and mottling to rear cover.
Softcover. Chicago, Stepen Daiter Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, illustrated with 26 b&w photos by Kertesz. Essay by Robert Gurbo.
Softcover. Chicago, Stepen Daiter Gallery, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 38 pages, illustrated with 26 b&w photos by Kertesz. Essay by Robert Gurbo.
Softcover. New York, Katonah Museum of Art, 1st, 2006, Book: Very Good, Dust Jacket: None, 39 pages. Softcover with paper wrappers. Clean, tight copy with color throughout. Light bend to top right corner.
Softcover. New York, Abbeville, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w and color illustrations, photo end papers. A very clean, tight copy.
Hardcover. New York, Random House Books for Young Readers, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. The classic work by Dr. Seuss analyzed and dissected. Red cloth, beige spine. 10 1/2" X 10 1/4" in size. IIllustrated, color drawings, black & white photos. Notes galore.
Softcover. Washington, D. C., National Gallery of Art, 1st, 1990, Book: Very Good, Dust Jacket: None, 383 pages. Softcover. Illustrated in full color and black & white. Covers show light wear along edges. Clean, tight copy.Essays by various art historians in the field.
Hardcover. NY, Putnam, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Color illustrations by the author. Light edgewear to dust jacket. ABC book illustrating words that contain "ant" in them.
Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.
Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.
Hardcover. Nantucket, MA, Mill Hill Press, Reprint, 1984, Book: Very Good, Dust Jacket: Very Good, 259 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout.
Softcover. New York, Bernard Danenberg Galleries, 1st, 1970, Book: Good, Dust Jacket: None, 36 pages. Softcover with moderate soil to paper wrappers. Black and white photos throughout. Moderate darkening to wrappers.
Softcover. New York, Solomon R Guggenheim Foundation, 1st, 1975, Book: Very Good, Dust Jacket: None, 140 pages. Softcover with paper wrappers. Lightly faded on spine. Previous owner's bookplate on front inside wrapper.
Hardcover. New York, Whitney Museum of American Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 270 pages, 171 color illustrations, 22 in b/w.; contains two essays, catalogue, reference material. generously illustrated, many are full-page, most all in color. Size: Folio - over 12" - 15" tall.
![Albin Egger-Lienz:1868-1926, Katalog der Bestande im Tiroler Landesmuseum Ferdinandeum,[zum 70. Todesjahr]. [Hrsg.: Tiroler Landesmuseum Ferdinandeum]. Bearb. von Gert Ammann. Mit einem Geleitw. von Ila Egger-Lienz - Product Image](https://www.browsingisarousing.com/shop/images/Albin-Egger-Lienz1868-1926-Katalog-der-Bestaumlnde-im-Tiroler-Landesmuseum-Ferdinandeumzum-70.-Todes372984-395907.jpg "Albin Egger-Lienz:1868-1926, Katalog der Bestande im Tiroler Landesmuseum Ferdinandeum,[zum 70. Todesjahr]. [Hrsg.: Tiroler Landesmuseum Ferdinandeum]. Bearb. von Gert Ammann. Mit einem Geleitw. von Ila Egger-Lienz")
 "Allan Sekula: Dismal Science: Photoworks 1972-1996by: Sekula, Allan/Debra Risberg")
