travel

Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index. Due to size and weight, DOMESTIC SHIPPING ONLY.

London, National Gallery, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 71 pages illustrated in color. A key member of the Hudson River School, Frederic Church (1826-1900) rose to fame as the creator of some of America's most iconic landscape paintings. He also traveled abroad extensively, making trips to Jamaica, South America, Europe, and the Middle East. At home and away, Church made numerous plein air oil sketches of the landscapes he saw, some magnificent, some humble, many of them later subjects for his full-scale paintings. Frederic Church and the Landscape Oil Sketch features some thirty sketches Church executed during his career. Many of these wonderful works come from Olana, the artist's magnificent home overlooking the Hudson River. As Andrew Wilton's essay explains, these informal and often spontaneous sketches played a vital role in the practice and pedagogy of landscape painting in American art just as they did in European art of the 19th century. Clean copy.

Hardcover. NY, Scalo/DAP, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 572 pages, b&w photos. As a photographer for Life magazine from 1936 to 1959, John Phillips witnessed his share of troubles. His discerning and unflinching eye captured images as horrific as concentration camps and battlefield remnants with a kind of detachment that seemed to share his audience's senses of shock and outrage. He also found himself in the company of such illustrious leaders as FDR, Churchill, Stalin, and Tito during his prodigious travels across the world. Phillips, who died in 1996, was with the magazine from its inception, and his work helped to cement the publication's reputation for capturing unforgettable moments and images. Though plenty of lighter moments grace these pages, many of the included photographs are devoted to exposing one of the most turbulent periods of the 20th century, giving the book a historic sense of tragedy that can still be felt 50 years later.

hardcover. London, Sinclair-Stevenson , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 293 pages. Hardcover. INSCRIBED BY AUTHOR on title page. Gilt titles on spine. Illustrated end papers and paste downs. Clean, unmarked copy with only minor wear to dust jacket. Novel based on a true piece of colonial history when 25 European radicals met on Lamu planning to travel inland & set up a Utopia on Mount Kenya.

Softcover. London, ABACUS/Little Brown, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 434 pages. Having travelled across West Africa for over ten years, Peter Biddlecombe's often hilarious account of a long and lingering liaison dangereuse with the sixty per cent of the continent that is French-speaking is a highly readable, hugely entertaining introduction to the je ne sais quoi of French Africa. In countries such as Togo, Mali and Burkina Faso, Biddlecome encounters old-fashioned camel butchers, modern witch doctors who run mail-order companies, gold smugglers and counterfeiters who send their sons to Oxford. He also experiences a delicious foie gras of places: from eerie voodoo ceremonies in the old slave port of Ouidah to Italian ice-cream parlors in the middle of the Sahara desert. And Biddlecombe reveals not only Francophone Africa's politics, often bizarre business traditions and culture, but also provides a mass of practical advice on everything from how to eat a water-rat to talking your way through a road block in the middle of an attempted coup. Clean copy.

Hardcover. Reading, Garnet, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, 118 pages. Illustrated with black & white photographs by Freya Stark. 1/2" deep closed tear at top right corner of first 4 pages - appears to be publishers error. Clean, bright copy.

Hardcover. NY, Eaton and Means, 1st, 1899, Book: Very Good, Dust Jacket: None, Hardcover, decorated cloth, gilt lettering on spine, 262 pages. An Account of the visitation of Bishop Foss and Dr. Goucher to the Indian and Malaysian Missions of the Methodist Episcopal Church. This book gives the reader new information as to the needs of the different fields which are under discussion, grasps more vividly the magnitude of the modern missionary movement, and gathers fresh confidence in the final triumph of the Messiah throughout the heathen world. B&w illustrations. Old ink price on front fly leaf, otherwise clean.

Hardcover. Boston, Geo. H. Ellis, 1st, 1895, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with bright gilt lettering, all edges gilt, 209 pages, b&w illustrations. Previous owner's stamp on front endpapers. Bright original 1895 edition.

Hardcover. Lincoln NE, University of Nebraska Press, 1st thus, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 693 pages with index, 16 pages of plates. A Fur Trader on the Upper Missouri offers the first annotated scholarly edition of Jean-Baptiste Truteau's journal of his voyage on the Missouri River in the central and northern Plains from 1794 to 1796 and of his description of the upper Missouri. This fully modern and magisterial edition of this essential journal surpasses all previous editions in assisting scholars and general readers in understanding Truteau's travels and encounters with the numerous Native peoples of the region, including the Arikaras, Cheyennes, Lakotas-Dakotas-Nakotas, Omahas, and Pawnees. Truteau's writings constitute the very foundation to our understanding of the late eighteenth-century fur trade in the region immediately preceding the expedition of Meriwether Lewis and William Clark commissioned by President Thomas Jefferson in 1803. French and English text. Bright, clean copy.

Softcover. NY, Kelly O'Quinn, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover magazine, 70 pages. Very light wear. A periodical devoted to scientific speculation about the future. This issue contains: Jane Fonda's China Syndrome by Nancy Naglin; War in Space by Stella Morris; The Great H. G. Wells Film Revival by Joseph Kay; H. G. Wells Revival - Return of the Time Traveler by Barbara Lewis; Interview: Timothy Leary by Robin Snelson; The 23rd Century: A Vision for Star Trek by Jesco von Puttkamer; Building the First Space Colonies by Gerard O'Neill; The Sound of the Future by Todd Rundgren; and How to Design a Getaway Special to Space by G. Harry Stine; along with the usual features, including a painting of Titan by Don Davis.

Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages, illustrated in b&w and color. Although Surrealism is usually associated with the 1920s and 1930s, it remained a vital force in Paris throughout the postwar period. This important book offers the first detailed account in English of the trajectory of the French Surrealists in the 1950s and 1960s, giving particular emphasis to the significance of myth for the group in its reception of science fiction and its engagement with fantastic art. Offering new readings of the art and writings of the later generation of Surrealists, Gavin Parkinson demonstrates how they were connected to the larger cultural and political debates of the time. Whereas earlier Surrealist art and writing drew on psychoanalytic practices, younger Surrealists engaged with contemporary issues, ideas, and themes of the period of the Cold War and Algerian War such as parapsychology, space travel, fantastic art, increasing consumerism in Europe, emerging avant-gardes such as Nouveau Realisme, and the rise of the whole genre of conspiracy theory, from Nazi occultism to flying saucers. Futures of Surrealism offers a unique perspective on this brave new world. Clean copy.

Softcover. San Francisco, Sierra Club Books, 1st pbk., 1995, Book: Very Good, Dust Jacket: None, Softcover, 288 pages illustrated in color. In sixty practical yet inspirational essays drawn from his Outdoor Photographer column, and in 145 stunning color photographs, world-renowned photographer Galen Rowell explains and demonstrates the techniques he uses to transform light and color into vivid, uniquely expressive art. The illuminating essays in Galen Rowell's Vision are grouped into four chapters covering the fundamental aspects of the art of adventure photography as practiced by one of its masters: "Goals," transforming dreams into realities through personal vision; "Preparations," pushing the limits of equipment, film, and technique; "Journeys," merging visions with realities; and "Realizations," communicating one's worldview through photography. Throughout, Rowell includes examples of some of his most memorable images and relates fascinating anecdotes from his extraordinary photographic career. Clean copy.

Hardcover. NY, Scribner, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Pizzolatto, author of the short story collection Between Here and the Yellow Sea (2006), delivers a taut first novel suffused with a strong noir sensibility. Roy Cady is working as a strong-arm man for a low-level New Orleans gangster when two events change his life: he's diagnosed with terminal cancer, and his boss puts out a hit on him. Soon enough, Roy and a young prostitute, Rocky--thrown together after a blood-spattered encounter with the would-be hit men--are on the run, traveling from New Orleans to Galveston. "Nothing ends well," Roy muses at one point, and, of course, we know from the start that this road trip is on a collision course with disaster.

Hardcover. NY, Macmillan, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages. Stone is an important, though often overlooked, element of creating the perfect garden. Stone can combine with plants and water in an infinite array to bring us landscapes that range from the serene and contemplative to the boisterous and exuberant. While much has been written about plants and water in the garden, only scant attention has been paid to stone. Jan Kowalczewski Whitner finds this an injustice. "Stone is eloquent, and it speaks in many voices," says Whitner. "Some of our most imaginative gardeners have used stone to transform ordinary plots of land into the cumulatively rich and evocative landscapes we all hope to create." With photographer Linda Quartman Younker, Whitner travels across America, exploring some of the most imaginative uses of stone in gardens ranging from orderly formal gardens to relaxed and cozy cottage plots. A good deal of the book is devoted to specific types of stones and stonework, such as using gravel or working with outcrops, with accompanying lists of plants that work well with each. Clean copy.

Hardcover. NY, Library of America, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 679 pages. Gathered for the first time in a single volume and completing the definitive Library of America edition of his works, here is the essential prose of our "poet laureate of deep ecology": philosophical essays, travel journals, poetic notebooks, reflections on Buddhism, environmental polemics, memoirs, speeches, interviews, letters, and other writings spanning the entire arc of Snyder's lauded, seventy-year career. All of Snyder's published prose collections are represented, omitting only items he feels are repetitious or merely occasional, followed by a selection of from his private journals. Remainder dot to botom edge otherwise clean.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 119 pages. SIGNED AND INSCRIBED BY STANLEY BURNS on the title page. Japanese geisha and courtesans intrigue and fascinate Westerners. During the mid-nineteenth century, Japan opened its doors to the world and became an essential destination for travelers. Tourists desired images of landscapes and traditional Japanese culture, which Japanese photographers provided. They created souvenir albums consisting of hand-colored photographs individually chosen by the tourist. Many are so beautifully painted that they challenge modern sensibilities familiar with color photography. The photographic conventions were inspired by the aesthetics of the noted colored woodblock print medium of ukiyo-e and the privately published surimono. These works depicted the "floating world"--courtesans, geisha, and entertainments--which also were intriguing subject matter for tourists. The beautiful, large photos in this volume give a special insight into the old world of geisha. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. In this rich comparative ethnography, Lee describes how two radically different factory cultures have emerged from a period of profound economic change. In Hong Kong, "matron workers" remain in factories for decades. In Guangdong, a seemingly endless number of young "maiden workers" travel to the south from northern provinces, following the promise of higher wages. Whereas the women in Hong Kong participate in a management system characterized by "familial hegemony," the young women in Guangdong find an internal system of power based on regional politics and kin connections, or "localistic despotism." Having worked side-by-side with these women on the floors of both factories, Lee concludes that it is primarily the differences in the gender politics of the two labor markets that determine the culture of each factory. Posing an ambitious challenge to sociological theories that reduce labor politics to pure economics or state power structures, Lee argues that gender plays a crucial role in the cultures and management strategies of factories that rely heavily on women workers. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 206 pages. Famously unabashed, W. Eugene Smith was photography's most celebrated humanist. As a photo essayist at Life magazine in the 1940s and '50s, he established himself as an intimate chronicler of human culture. His photographs of war and disaster, villages and metropolises, doctors and midwives, revolutionized the role of images in journalism, transforming photography for decades to come. When Smith died in 1978, he left behind eighteen dollars in the bank and forty-four thousand pounds of archives. He was only fifty-nine, but he was flat worn-out. His death certificate read "stroke," but, as was said of the immortal jazzman Charlie Parker, Smith died of "everything," from drug and alcohol benders to weeklong work sessions with no sleep. Lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson began a quest to trace his footsteps. In Gene Smith's Sink, Stephenson merges traditional biography with rhythmic digressions to revive Smith's life and legacy. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson profiles a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a Swiss chalet; the artist Mary Frank, who was married to his friend Robert Frank; the jazz pianists Thelonious Monk and Sonny Clark, whose music was taped by Smith in his loft; and a series of obscure caregivers who helped keep Smith on his feet. The distillation of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's potent legacy and the subjects around him. Clean, bright copy.

Hardcover. Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 520 pages. Over 30 trips-traveled by foot, light aircraft, seagoing vessels, canoes, and even balloons, through extreme heat and cold and in sometimes dangerous conditions-Salgado created a collection of images showing us nature, animals, and indigenous peoples in breathtaking beauty. Mastering the monochrome with an extreme deftness to rival the virtuoso Ansel Adams, Salgado brings black-and-white photography to a new dimension; the tonal variations in his works, the contrasts of light and dark, recall the works of Old Masters such as Rembrandt and Georges de La Tour. What does one discover in GENESIS? The animal species and volcanoes of the Galapagos; penguins, sea lions, cormorants, and whales of the Antarctic and South Atlantic; Brazilian alligators and jaguars; African lions, leopards, and elephants; the isolated Zo'e tribe deep in the Amazon jungle; the Stone Age Korowai people of West Papua; nomadic Dinka cattle farmers in Sudan; Nenet nomads and their reindeer herds in the Arctic Circle; Mentawai jungle communities on islands west of Sumatra; the icebergs of the Antarctic; the volcanoes of Central Africa and the Kamchatka Peninsula; Saharan deserts; the Negro and Jurua rivers in the Amazon; the ravines of the Grand Canyon; the glaciers of Alaska... and beyond. Having dedicated so much time, energy, and passion to the making of this work, Salgado calls GENESIS "my love letter to the planet."Due to size and weight, DOMESTIC SHIPPING ONLY.

London, Geographia Ltd., Book: Very Good, Softcover. Linen backed folded map. In the paper sleeve. Nice condition. Early 1900s.

Softcover. West Palm Beach, Norton Museum of Art, 1st, 1997, Book: Very Good, Dust Jacket: None, 120 pages. 26 color plates, 60 b&w illustrations. Softcover with light edgewear on wrappers. Published in conjunction with a major retrospective exhibition (opening at National Gallery of Art, Washington, in June 2012, then travelling to The Metropolitan Museum of Art, New York, in November 2012, before moving to Royal Academy of Arts.

Hardcover. Gottingen, Steidl/ICP , 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 175 pages. In 1934, after reading John Dos Passos' 1919, Gerda Taro left her home in Stuttgart for Paris. There she met the now legendary photographer Robert Capa, with whom she traveled to Spain at the start of the Civil War. As his lover and photographic partner--and as his manager--she is often credited with launching his career. She was also the first woman photojournalist to enter the heat of battle. The couple worked together until Taro was killed while photographing a crucial clash near Madrid in July 1937, just six days shy of her twenty-sixth birthday. The International Center of Photography holds by far the world's largest collection of Taro's work, including approximately 200 prints as well as original negatives. This selective survey of the ICP's holdings is organized chronologically, and set in context with the inclusion of magazine layouts; it is the first major collection of Gerda Taro's photographs ever published. Clean, bright copy.

Softcover. NY, Museum of Modern Art , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 340 pages illustrated in color and b&w. A survey of works by German artist Gerhard Richter (born 1932), one of the most influential painters working today from every phase of Richter's career. ranging from photography-based pictures to gestural abstraction, and includes a rare interview with the artist. This was the catalog for the traveling exhibit 2002-2003 at The Museum of Modern Art, NY, the Art Institute of Chicago, the San Francisco Museum of Modern Art and the Hirshhorn Museum in Washington DC. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. London, Hamish Hamilton, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 496 pages. SIGNED BY THEROUX on title page. In 1975 a young and ambitious writer named Paul Theroux made his literary mark by taking the 28,000-mile intercontinental journey via rail from London to Tokyo and back home again. Thirty years later, an older and wiser Theroux decided to retrace his steps. The result is Ghost Train to the Eastern Star, a fascinating account of the places you vaguely knew existed, yet definitely should know something about. Get on board Theroux's fast-moving travelogue, which features some of the most astute commentary on our distorted notions of time, space, and each other in the age of jet speed, broadband connections, and cultural extinction. A railway journey through Eastern Europe, India, and Asia. Clean copy