travel

Hardcover. New Brunswick NJ, Rutgers University, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 114 pages, color and b&w photos by Pietropaolo.

Hardcover. New Brunswick NJ, Rutgers University, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 114 pages, color and b&w photos by Pietropaolo.

Hardcover. NY, Scholastic Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 247 pages. INSCRIBED BY RYAN on the title page. Maximiliano Cordoba loves stories, especially the legend Buelo tells him about a mythical gatekeeper who can guide brave travelers on a journey into tomorrow. If Max could see tomorrow, he would know if he'd make Santa Maria's celebrated futbol team and whether he'd ever meet his mother, who disappeared when he was a baby. He longs to know more about her, but Papa won't talk. So when Max uncovers a buried family secret--involving an underground network of guardians who lead people fleeing a neighboring country to safety--he decides to seek answers on his own. Clean copy.

NY, New York Central Lines, 1915, Book: Good, Softcover brochure that folds out to approx. 30 X 27" with a color map on one side. Rand McNally did the map as a promotional piece for the New York Central Railroad Lines. The opposite side features a wealth of tourist information: lists of hotels, boarding houses, camps, steamer lines, rates and fares, train schedules, etc. Clean with little to no paper loss or any repairs.

Softcover. Rapid City SD, Black Hills & Western Railroad, 1927, Book: Very Good, Dust Jacket: None, Softcover, folding automotive road map, printed in red and black on beige paper stock. Dated 3-31-27 at bottom. Open size appox. 9 X 16". Ads on reverse side.

Hardcover. New York , Harry N. Abrams, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 175 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. It was a major feat when, in December 1956, Marc Riboud became one of the first Western photographers to enter China after the Communist takeover of 1949. A member of the famed Magnum photo agency, Riboud was permitted to return to China at regular intervals over the next four decades, observing and recording the enormous changes that have taken place. French journalist Jean Daniel provides a thoughtful introduction and Riboud himself comments on each photograph, explaining the time, the place, and the circumstance. This is a book that will intrigue and disturb - through its insights into the soul of the Chinese people, and through its picture of a nation transforming itself with such wrenching speed.

Hardcover. New York, D.A.P.//La Fabrica , 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Like new in publisher's shrink-wrap. America's first female war correspondent, Margaret Bourke-White was also something of a media star, with the portrait of her decked out in flying gear, camera in hand, about to set off on a bombing raid, being a favorite pin-up among U.S. forces. Focusing on the work Bourke-White made in the 1930s and 40s in Czechoslovakia, Germany, Italy, the Soviet Union and the U.K., Moments in History presents 150 classic photographs alongside revelatory extracts from letters and publications in periodicals. Bourke-White traveled to the USSR when the first Five-Year Plan was being implemented; she documented the German invasion of the Soviet Union in 1941, and the Allied bombing of Germany. In the summer of 1945 she was commissioned by Life to make a photographic record of the destroyed German cities. She was present at the liberation of the Buchenwald concentration camp and the Leipzig-Thekla forced labor camp. She recorded the partition of India and the Korean War, and one of her most famous pictures of this period is "Gandhi," which shows the subject at his spinning wheel. Also included in the catalogue are some of the word-picture sequences Bourke-White did for Fortune and Life, as well as extracts from her correspondence with personalities from the worlds of politics and culture, such as Winston Churchill and Georgia O'Keeffe. Bourke-White wanted to be the "eyes of the age," and her pictures testify to (as she put it) her "unquenchable desire to be present when history is being made."

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White's photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.

Hardcover. Ostfildern, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover in a white cardboard slipcase, 352 pages. One of the best-known Japanese artists of the international scene, Mariko Mori, born in 1967 in Tokyo, envisions fantastical worlds and beings in spectacular photographs and videos--frequently casting herself amid these scenarios as a Bjork-esque avatar in biomorphic and technological symbiosis. Mori studied fashion design in Tokyo, worked briefly as a model and later studied fine art in England, and this early education is visible in her elaborately produced photographs, videos and sculpture that are as reminiscent of Hollywood as they are of contemporary art. Her recent work involves exotic landscapes, computer-generated images and choreographed performances for which the artist designs her own costumes and plays the central characters.This extraordinary and substantial publication offers a retrospective of Mori's entire oeuvre, and is the first to present the complete Beginning of the End: Past, Present, Future, a photographic cycle produced over a period of 11 years, in which Mori presents herself as a time traveler in a plexiglass capsule at significant symbolic locations, from Giza to New York to Shanghai.

Hardcover. Paris, Arthaud, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. A photographic study of Morocco and it's people. Gravure photos, mostly b&w, some color. TEXT IN FRENCH. Name on front fly leaf, otherwise clean.

Hardcover. New Haven CT, Yale University Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color plates. Considered to be among the greatest early American modernists, the painter Marsden Hartley (1877-1943) traveled the United States and Europe in his search for a distinctive American aesthetic. His stay in New Mexico resulted in an extraordinary series of landscape paintings--created in New Mexico, New York, and Europe between 1918 and 1924--that show an evolution in style and thinking that is important for understanding both Hartley's oeuvre and American modernism in the postwar years. Marsden Hartley and the West examines this pivotal stage of the painter's career, drawing upon his writings and providing illustrations of rarely seen and previously unpublished works. The author considers Hartley's involvement with the Stieglitz circle and its "soil-and-spirit" philosophy, the Taos art colony, New York Dada, and the impact of historical events such as World War I. Within this setting she analyzes the pastels and oil paintings that suggest Hartley's increasingly ambivalent response to the land. Beginning with optimistic, naturalistic views, the New Mexico works grew progressively darker and more tumultuous, increasingly reflecting a sense of loss brought on by war. The paintings become a site where the landscapes of memory, self, and nation merge, while reflecting broader modernist debates about "American-ness" and a usable past.

Hardcover. Ostfildern GR, Hatje Cantz, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. Dutch documentary photographer Martin Roemers decided to track down the remains of deserted atom bomb shelters of the Cold War period. For over ten years he traveled through formerly hostile countries on both sides of the line: through eastern and western Germany, England, Belgium, the Netherlands, Poland, Ukraine, and other former East Bloc nations. Hardcover, 144 pages, 73 color plates, essays by Roemers, H.J.A. Hofland, and Nadine Barth.

Hardcover. NY, Taschen America, reprint, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 710 pages illustrated in color. Travel back in time to witness the creation of the world's favorite web-slinger as dreamed up by comic book legends Stan Lee and Steve Ditko, who redefined what it meant to be a hero. In this Hulk-sized, collector's dream, the first 21 Spider-Man stories from 1962 to 1964 have been meticulously photographed from the most pristine copies of these rare comic books. A fine art celebration of the teen super hero. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. Damiani, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages. Italian photographer Maurizio Galimberti works exclusively in Polariod. His mosaics of square, white-bordered frames have captured personalities including Andres Serrano, Wim Wenders, Monica Bellucci and Sting, among many others, piece by piece. When he doesn't scratch designs onto the developing pictures with a stick or even a toothbrush, preemptively disrupting any sense that his work directly reflects the real, he takes hundreds of shots of the same subject and eventually assembles up to 140 in a single finished grid. His patrons have included Conde Nast, Rizzoli and Time, and, in advertising, Cartier, Rolex, Nokia, Fiat and Veuve Cliquot. This personal portfolio of the city of New York is full of clean-edged skyscrapers and bridges, limitless streets, multicolored signs, vivid people and limpid skies. Galimberti's Big Apple is thoroughly deconstructed and reconstructed, and the resulting unreal city corresponds perfectly with the soul of New York.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 296 pages. This is Pam's 'visual anthropology' of his engagement with various Asian cultures, where he was photographing his life and experiences.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 296 pages. This is Pam's 'visual anthropology' of his engagement with various Asian cultures, where he was photographing his life and experiences.

Hardcover. San Francisco, Pomegranate, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. It was estimated in the 1920s that one out of four homes in America had one of Parrish's make-believe illustrations on the wall, and he remains one of our best-loved illustrators. This unique work, a celebration of "Parrish Blue" water and skies, hued hills, and young women draped in classical garments, is the result of a 1995 traveling exhibit, "Maxfield Parrish: A Retrospective." The Cutlers, he an architect and she a gallery owner, were instrumental in working with the Parrish Family Trust to put together that international exhibit to commemorate the artist's 125th birthday. The Cutlers were able to locate numerous items in private collections for the exhibit. Many of the 130 color plates are of these works, never reproduced before, while better-known pieces are lavishly reproduced from the original paintings rather than prints. The Parrish family offered rare photos for the biographical text, which is supplemented with a reminiscence by granddaughter Joanna Maxfield Parrish.

Hardcover. San Francisco, Pomegranate, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. It was estimated in the 1920s that one out of four homes in America had one of Parrish's make-believe illustrations on the wall, and he remains one of our best-loved illustrators. This unique work, a celebration of "Parrish Blue" water and skies, hued hills, and young women draped in classical garments, is the result of a 1995 traveling exhibit, "Maxfield Parrish: A Retrospective." The Cutlers, he an architect and she a gallery owner, were instrumental in working with the Parrish Family Trust to put together that international exhibit to commemorate the artist's 125th birthday. The Cutlers were able to locate numerous items in private collections for the exhibit. Many of the 130 color plates are of these works, never reproduced before, while better-known pieces are lavishly reproduced from the original paintings rather than prints. The Parrish family offered rare photos for the biographical text, which is supplemented with a reminiscence by granddaughter Joanna Maxfield Parrish.

Softcover. Italy, Charta, 1st, 2009, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. 64 pages, color photos. Michael Itkoff has traveled the world since 2002 taking portraits of everyday people in the street. In the photographs gathered here, a makeshift backdrop is held behind subjects in London, Sydney, Hanoi, Bangkok and New York, allowing the larger urban scene to fill out the frame. Born in 1981 in Philadelphia, Itkoff is a Founding Editor of Daylight magazine.

Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world's people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover. In Migrations, Sebastiao Salgado turns his attention to the staggering phenomenon of mass migration. Photographs taken over seven years across more than 35 countries document the epic displacement of the world's people at the close of the twentieth century. Wars, natural disasters, environmental degradation, explosive population growth and the widening gap between rich and poor have resulted in over one hundred million international migrants, a number that has doubled in a decade. This demographic change, unparalleled in human history, presents profound challenges to the notions of nation, community, and citizenship. The first extensive pictorial survey of the current global flux of humanity, Migrations follows Latin Americans entering the United States, Jews leaving the former Soviet Union, Africans traveling into Europe, Kosovars fleeing into Albania and many others. The images address suffering while revealing the dignity and courage of the subjects. With his unique vision and empathy, Salgado gives us a picture of the enormous social and political transformations now occurring in a world divided between excess and need. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing. 

Hardcover. Boston, Houghton Mifflin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red and black design, 44 pages illustrated in color by Burton. Mike and his trusty steam shovel, Mary Anne, dig deep canals for boats to travel through, cut mountain passes for trains, and hollow out cellars for city skyscrapers -- the very symbol of industrial America. But with progress come new machines, and soon the inseparable duo are out of work. Mike believes that Mary Anne can dig as much in a day as one hundred men can dig in a week, and the two have one last chance to prove it and save Mary Anne from the scrap heap. Bright, clean reprint of this classic, lacks dust jacket.

Hardcover. NY, Clarion Books, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 44 pages illustrated in color by Burton. Since it was first published in 1939, Mike Mulligan and His Steam Shovel has delighted generations of children.Mike and his trusty steam shovel, Mary Anne, dig deep canals for boats to travel through, cut mountain passes for trains, and hollow out cellars for city skyscrapers. But with progress come new machines, and soon the inseparable duo are out of work. Mike believes that Mary Anne can dig as much in a day as one hundred men can dig in a week, and the two have one last chance to prove it and save Mary Anne from the scrap heap. What happens next in the small town of Popperville is a testament to their friendship and to old-fashioned hard work and ingenuity. Clean copy.

Hardcover. Atlanta, Nexus Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 118 pages. Glossy color illustrated boards, color illustrated end-papers, color and black-and-white illustrations from photographs throughout, accompanying 16 page facsimile journal laid in (no publishing info) with reproductions of polaroids of Burke's. 'Mine Fields' (a sequel to Bill Burke's justly famous I Want To Take Picture), is Burke's scrapbook of his life and his pursuit of the history and daily life of Cambodia. Part adventure story, part personal confession, part travelogue, and always fascinating, Burke's negotiation of the mine fields of divorce and war is a compelling collage of photographs, found objects, stories, and the contrast between glorious ancient temples and the horrors of war and genocide.