travel

Hardcover. Baltimore, privately printed, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, Bound in black paper boards with titling in white and a photo reproduction on front cover. Photographs are reproduced on glossy white paper. SIGNED BY YOUNG on title page. Barbara Young is a psychiatrist and psychoanalyst who has been practicing in Baltimore for 65 years. Her second career as an art photographer began in 1979 and continues to this day. She is acknowledged as one of the earliest pioneers of color art photography. This book has come into being out of an intermingling of her two professions. The photographs are from her travels, Baltimore. friends and strangers, and more. Clean copy.

Hardcover. Prestel Publishing, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 576 pages. Unlike many other artistic media, photographys origins are well documented, as are its ever-changing technologies and applications. Written by an international team of experts, this definitive history of photography looks at every step of the fields dynamic evolution, period by period and movement by movement. Each key genre is chronologically presented within its social, economic, and political context, along with close analysis of specially selected works that best exemplify the characteristics of the period. With more than 500 gorgeous examples in black and white and color, the book explores in-depth virtually every aspect of the medium since its first public demonstration in 1839 to the latest innovations: from early portraits and the birth of photojournalism to travel photography and the mapping of the world; from the Pictorialists to the avant-garde; from celebrity and fashion to documentary and landscape. Along the way readers will learn why some photographs are considered iconic, and why the medium as an art form continues to challenge and enthrall us. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Flammarion, 1st English, 1997, Book: Very Good, Dust Jacket: Very Good, 263 pages, hardcover with dust jacket. Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Texas, subsequently held at various European museums. Translated from the French by Deke Dusinberre. Minor rubbing and fading to dust jacket, mostly to top edge. Slight bumping to corners. Unmarked. A clean and tight copy.

Hardcover. NY, Rizzoli, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. Pictorial photography is noted for its artistic expressiveness, careful design and composition, and muted focus. In 1914 Clarence White (1871-1925) left Alfred Stieglitz's Photo-Secession group, abandoned his ambitions to be a photographic illustrator, and opened the Manhatten-based Clarence H. White School of Photography. Lecturers at his school included Stieglitz, Paul Strand, and Edward Steichen. White's unique teaching skills, especially his encouragement of women students, nurtured the careers of such talented photographers as Margaret Bourke-White, Laura Gilpin, and Dorothea Lange. Presented by the Detroit Institute of Arts and the George Eastman House, this companion volume for a traveling exhibition contains the elegant photographic imagery of White and his students. The clear text by two photography curators imparts how the revered teacher's romantic pictorialism became the foundation for the student's avant-garde modernism. By far the most substantial review of White's work and influence in print.

Hardcover. NY, Macmillan, 1st, 1928 , Book: Very Good, Dust Jacket: None, Color and black & white illustrations by the Haders. Shows some minor wear and age. Hardbound, no dust jacket.

Softcover. Washington DC, Smithsonian Institute, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w illustrations. Originally conceived to accompany the exhibition, Photographs from the National Portrait Gallery. Presents the development of photography accompanied by portraits illustrating various photographic techniques. Includes suggestions for organizing and maintaining a collection of prints. Clean copy.

NY, Harper & Brothers , reprint, 1900, Book: Very Good, Dust Jacket: None, Hardcover, 385 pages. Illustrated with a frontispiece and 48 half tone photographs. Original decorated publisher's cloth, with gilt titles. First published in 1897. Account of Sicily at the turn of the 20th century, with a focus on the art, history, and landscape of the Island, from the largest of cities to its hamlets and villages. Contemporary color postcard laid in. Original pale green cloth fafed, previous owners name, embossed stamp on front fly leaf, otherwise clean.

Hardcover. NY, William Edwin Rudge, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, red cloth, 46 pages + 51 b&w plates (color frontispiece). Russian artist and diplomatic secretary Paul or Pavel Svinin (1787-1839) toured the northeastern United States in the early 1800s. Here are excerpts of his notes, details about the time and his trip, and 51 BW reproductions of landscapes he rendered along the way. Most of the paintings show scenes from Pennsylvania, New York, New Jersey, Virginia and Maryland. Of interest to both cultural and art historians. With an introduction by R.T.H. Halsey. One of 1000 copies. Ex-lib with stamping, residue to endpapers, gilt lettering on spine faded, otherwise clean.

Softcover. NY, Burns Archive Press, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 272 pages. SIGNED BY STANLEY BURNS on title page. Picturing Freedom chronicles and celebrates the photographic history of African Americans and their cars by focusing on personal images of the pride and joy of car ownership (1900-1980+). Owning a car was a significant life-changing achievement. It offered special freedoms--the freedom to travel, the freedom to work further from home, the freedom to visit family and friends, the freedom to avoid Jim Crow laws, and the freedom to migrate. The car was unequivocal evidence of Black success and an important symbol of status in a country that had long fought their advancement in every area. Car ownership was purposely and proudly photographed. All of the photographs were taken in Black communities by a family member or a friend and reveal how African Americans represented themselves. This 2022 IPPY award-winning compilation of over 450 unique photographs is an inspiring visual narrative of American life. Clean, bright copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition of this collection of pieces penned in the first half of the 1970s, by four-time Pulitzer nominee. Included are reflections on man and nature in rural Georgia ("Travels in Georgia"), a profile of an Arkansas horseman hoping to make it big in an important horse race ("Ruidoso"), a quest to discover the true location that inspired the "Marvin Gardens" square in the Monopoly game, ("In Search of Marvin Gardens"), and more. Very bright, clean copy.

Hardcover. New York, Macmillan, 2nd, 1927, Book: Good, Dust Jacket: None, Hardcover, 332 pages. Color fold-out map opposite title-page. Mild soiling to covers. Faded gilt on spine.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 256 pages, b&w illustrations by Jack Russell. What space travel was going to be like (from the perspective of 1961). Requirements for astronauts, spaceships and capsules, space pioneers. Book has small red star stamp to front fly leaf, otherwise clean, very good. Dust jacket with chipping, light tape repair.

Hardcover. New York, McGraw-Hill, 2nd, 1986, Book: Very Good, Dust Jacket: Very Good, 298 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. ames Oberg (Red Star in Orbit, Mission to Mars, etc.) is a spaceflight engineer at Houston Mission Control; Alcestis Oberg is the author of Spacefarers of the 80s and 90s. Here they offer an engrossing and vivid account of what life is like in an earth-orbiting spacecraft. Because relatively few American space-travelers have published tales of their experiences, the Obergs lean heavily on the diaries and memoirspublished in Russia and little known hereof pioneering Soviet astronauts, notably veterans of long-term Salyut missions like Ryumin and Berezovoy. Here is the human side of life in orbit. Few readers can fail to be grippedand occasionally amusedby revelations of the immediate problems (how astronauts contend with toilets, hygiene, sleeping), their technical perils (e.g., air contamination) and the psychological hazards they face, from crewmate incompatibility to depression and homesickness for Earth. Photos.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth boards and spine with bright gilt lettering on spine. Maps as endpapers. 333 pages, b&w illustrations. This book covers the first contacts between the United States and the Middle East from the earliest times (1800s) to the mid-nineteenth century. The author describes exotic people and places in the Middle East and how American interests there were far from marginal although centered around the American Protestant missionary activity during that period. Clean copy.

Softcover. Washington DC/NY, Infantry Journal and Penguin Books, reprint, 1944, Book: Very Good, Dust Jacket: None, Paperback, 305 pages. Frontis map. The author became the oldest Junior Subaltern (Second Lieutenant) in the British forces and became known later as the "water bloke" by building an ever-extending pipeline to furnish filtered fresh-water to the British troops pursuing Rommel's army into Tunisia. From the very beginning and especially from the Battle of El Alamein onwards, he traveled the whole 2,000 mile mine-ridden way providing life-sustaining water to the British Eighth Army who spearheaded the allied Tunisian Campaign in a dozen bitter battles that ended in victory on 13 May 1943. The Sappers retired Peter William Rainier as a Major in June 1943 just after the hostilities in Africa had ended. He is remembered as one of the few original members of The Army of the Nile (General Wavell's "thirty thousand") who survived the three long years of fighting allowing him to witness the final victory over the Axis powers in Africa. Clean, bright copy.

Softcover. Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. The blue plate special, meatloaf, a cheeseburger deluxe, a milkshake in a frosty mixing canister, a hot cup of joe--all served by a friendly face in a well-lighted aluminum tube. Such are the special joys of the American diner. And it was just these pleasures that photographer Stephan Schacher set out to document when he left New York on a journey through North America that would test both his stomach and his resolve. Schacher's mission: to feed his hunger only at diners, and to photograph both his meal and his server every time. The result is a unique and deeply human story--quirky and nostalgic and generous--of one man's quest to discover North America's diner culture and his own place in it. Traveling from a Jersey diner to the Canadian Rockies to a shoreside clambake shack on the Pacific Ocean, Schacher's culinary adventure is documented here with a wealth of visual materials. The author's arresting photographs of succulent steaks and greasy fries, of smiling waitresses in uniforms or jeans, and brightly colored plastic dishes and table mats are supplemented by maps showing the photographer's route across the continent.

Softcover. New York, Princeton Architectural Press, 1st, 2005, Book: Very Good, Dust Jacket: None, 160 pages, color plates throughout. The blue plate special, meatloaf, a cheeseburger deluxe, a milkshake in a frosty mixing canister, a hot cup of joe--all served by a friendly face in a well-lighted aluminum tube. Such are the special joys of the American diner. And it was just these pleasures that photographer Stephan Schacher set out to document when he left New York on a journey through North America that would test both his stomach and his resolve. Schacher's mission: to feed his hunger only at diners, and to photograph both his meal and his server every time. The result is a unique and deeply human story--quirky and nostalgic and generous--of one man's quest to discover North America's diner culture and his own place in it. Traveling from a Jersey diner to the Canadian Rockies to a shoreside clambake shack on the Pacific Ocean, Schacher's culinary adventure is documented here with a wealth of visual materials. The author's arresting photographs of succulent steaks and greasy fries, of smiling waitresses in uniforms or jeans, and brightly colored plastic dishes and table mats are supplemented by maps showing the photographer's route across the continent.

Hardcover. NY, Twelve, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Exciting 100 year history of survival of this iconic hotel. 358 pages, color and b/w illustrations. Clean copy.

Softcover. Buffalo NY, White Pine Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 181 pages. INSCRIBED BY AUTHOR on the title page. Immigrant writer Novakovich records his journeys to find his roots, some to his native Croatia, some no farther than Cleveland, where he searches for the grave of his grandmother, who refused to return to Croatia with the rest of her family. This moving collection reflects the joys and the difficulties in returning to a homeland left behind. Clean copy.

Hardcover. Rome, Contrasto, Reprint , 2010, Book: Very Good, Dust Jacket: None, Hardcover, 134 pages. Extensive b&w photography throughout. A collection of 53 photographs of Pompeii, never published before, shot by the master photographer Mimmo Jodice. Unique images, visions conjuring up a long-lost past tradition, coupled with texts by Ethan Canin, Jim Nisbet and Jay Parini. No dj issued.

Rome, Contrasto, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages, 53 b&w plates. A collection of 53 photographs of Pompeii, never published before, shot by the master photographer Mimmo Jodice. Unique images, visions conjuring up a long-lost past tradition, coupled with texts by Ethan Canin, Jim Nisbet and Jay Parini. No dj issued.

Hardcover. New Haven CT, Yale University Press , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. ARTnews, the oldest art magazine in America and the most widely circulated art magazine in the world, is celebrating its one-hundredth anniversary in 2002. This attractive book celebrates and commemorates this milestone event, presenting one hundred of the best photographic portraits commissioned by and reproduced in the magazine since its origin. These fascinating photographs chronicle the history of the magazine and present a "who's who" of people who have shaped the art world over the last century. Portrait of the Art World includes photographs of many of the great European and American artists of the twentieth century, including George Bellows, Francis Bacon, Pablo Picasso, Piet Mondrian, Jackson Pollock, Alexander Calder, and Alice Neel. The photographers-often as fascinating as their subjects-range from Zaida Ben-Yusuf, Alice Boughton (early members of Alfred Stieglitz's circle), and Jessie Tarbox Beals (perhaps the first woman photojournalist) to Stieglitz himself, Man Ray, and Cecil Beaton. Contemporary photographers featured in the book include Timothy Greenfield-Sanders, Arnold Newman, Richard Avedon, and Robert Mapplethorpe. The book also presents an essay by William F. Stapp exploring the historical context of portrait photography in ARTnews; an essay on the history of ARTnews by Pete Hamill; and an essay by Milton Esterow, the current editor and publisher of ARTnews, discussing his personal view of the magazine. This handsomely illustrated book is the catalogue for an exhibition at the New-York Historical Society from September 27, 2002, to January 5, 2003, which will then travel to Washington, Chicago, and San Francisco

Hardcover. Boston, Museum of Fine Arts, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. , 144 pages illustrated in color and b&w. During the global postcard craze that peaked around 1900 and continued for several decades thereafter, photographers in Africa grasped the opportunity to serve a lucrative market for images of the continent, both locally and worldwide. Their picture postcards now contribute to understanding political and cultural changes in Africa at the time, as the rise of the new medium coincided with the expansion and consolidation of colonial rule. They also provide a way to reconstruct the life and work of the photographers of European, African and other backgrounds who created these images-which often survive only in postcard form-and in some cases published them as well. The cards were produced for residents and travelers in Africa, as well as for buyers and collectors who had never set foot on the continent. Their depictions of colonial administrations and the exploitation of resources and peoples, as well as images inscribing tribal identities and racial classifications, often reflect the colonizers' worldview. Yet it is also possible to recover the authorship of some of the African women and men who participated in these photographic encounters. For instance, some cards show that members of Africa's elites recognized the power of photographic images to enhance their standing and present their own narratives.

Hardcover. Museum of New Mexico Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 124 pages. Featuring eighty-two vintage postcards published beginning at the turn of the century, Postcards of the Night traces American cultural life as it was transformed by industrial strength and shifting demographics. The nation increasingly was growing more educated, upwardly mobile, and urban, and the nighttime postcard popularized this modernism for ordinary consumption. Coalitions of city planners and urban developers, politicians and the media utilized the picture postcard to strategize the role of the individual in the rise of the city. It was the birth of leisure and of travel, the new tourist city to which the postcard needed forcefully to speak, in ways that were equal part artifice and art.