travel

Hardcover. Boston, Houghton Mifflin, 1st, 1951, Hardcover in a bright dust jacket, unclipped with $3.00 on flap. The history of the Mississippi River Valley is told through the adventures of Minn, a snapping turtle, as she travels hundreds of miles downstream. As with all Holling books, it is lushly illustrated, containing many full-page color paintings, text pages that are also illustrated with black-and-white pen-and-ink drawings, and with explanatory captions in the margins. First published in Date: 1951, it received the Newbery Honor award the following year. Small ownership sticker to front fly leaf, otherwise clean and bright.

Hardcover. NY, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. When the French designer Christian Dior presented his first collection in Paris in 1947, he changed fashion forever. Dior's "New Look" created a striking, romantic vision of femininity, luxury, and grace, making him-and his last name-famous overnight. One woman informed Dior's vision more than any other: his sister, Catherine, a Resistance fighter, concentration camp survivor, and cultivator of rose gardens who inspired Dior's most beloved fragrance, Miss Dior. Yet the story of Catherine's remarkable life-so different from her famous brother's-has never been told, until now. Drawing on the Dior archives and extensive research, Justine Picardie's Miss Dior is the long-overdue restoration of Catherine Dior's life. The siblings' stories are profoundly intertwined: in Occupied France, as Christian honed his couture skills, Catherine dedicated herself to the Resistance, ultimately being captured by the Gestapo and sent to Ravensbruck, the only Nazi camp solely for women. Seeking to trace Catherine's story as well as her influence on her brother, Picardie traveled to the significant places of Catherine's life, including Les Rhumbs, the Dior family villa with its magnificent gardens; the House of Dior in Paris; and La Colle Noire, Christian's chateau that he bequeathed to his sister. Remainder dot top edge.

Hardcover. NY, Harper & Brothers, 1st, 1858, Book: Fair, Dust Jacket: None, Hardcover, embossed brown cloth with gilt lettering on spine, now faded. Livingstone describes his missionary activities and travels in South Africa from 1841 to 1853 and his first major expedition, the Trans-Africa journey of 1853-56. Livingstone also gives an accurate account of the tsetse fly and of the disease produced in cattle following its bite. Frontispiece portrait, 732 pages, [4]pp ads, 2 folding maps by Arrowsmith at the rear, 1 double page wood engraving, 1 folding diagram, many wood engraved text illustrations. Fair condition only with worn, rubbed covers, cloth split along spine edges. Interior pages clean with tight binding.

Hardcover. Cape Town, Howard Timmins, 1st, 1963, Book: Very Good, Dust Jacket: None, Hardcover, cream color cloth, black lettering on spine. 147 pages, tables, maps, charts, photographs: author spent most of his life in Portuguese East Africa and this is both a history and an authoritative study of the economic and political situation circa early 1960s. Clean copy.

Hardcover. NY, Jonathan Cape /Harrison Smith, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, 295 pages. Decorated cloth with black cloth spine, bright gilt lettering on spine. A French doctor's account of Chinese life & civilization, based on his twenty years of life, work & travel there; he was Director of the Imperial School of Medicine at Chengtufu. Typically patronizing and moralistic; the author credits China with having been great in the past, but now in the grip of a profound lassitude, only to be helped by Europeans. Translated from the French by Elsie Martin Jones. Previous owner's name, date on front fly leaf otherwise a clean, bright copy.

Hardcover. NY, National Travel Club, reprint, 1930, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt. 358 pages. Map endpapers, frontispiece, notes, map, appendices. Introduction by Edward Garnett. Frontispiece of the author on a horse as Sheikh Mohammed El Fasi. Mild fade to spine lettering, otherwise a tight, clean copy.

Hardcover. NY, Aperture, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. In a convergence of brilliant color and compelling visual narrative, this new collection of photographs by Pascal Maitre reveals an Africa unfamiliar to most Westerners. He portrays a wide range of experience in sub-Saharan Africa: in Niger's desert, soldiers juggle goats and machine guns; within the forest, a rosary dangles from the chest of a warrior in a Bassorian initiation ceremony. In this startlingly beautiful land, ornamented by the marks of human struggle and worship, contradictions are plentiful.Rich in detail and elegant composition, Maitre's photographs immerse us in an Africa beyond the familiar media depictions. He shows an Africa living with the contradictions of tradition and modernization, of ritual headdresses and plastic flip-flops, of tribal wars and machine guns, of ancestral deities and nonbelievers. A lively preface by Cameroon-born author Calixthe Beyala.

Softcover. Chicago, Terra Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, with 72 illustrations, 52 in color. Light edge wear to wrappers, else a very clean, tight copy. These monotypes are presented by Cecily Langdale in this book which was published in 1984. It contains a brief Biography of the artist that describes his influences, travels and contacts, and a general discussion about Monotypes which summarises their chronology, style and technique. These two essays are illustrated by 28 b/w figures. The monotypes are then presented, in colour, with commentaries on each by Langdale that integrate factual information and artistic significance. Addenda include a further 3 monotypes by the artist and there is a Bibliography of relevant publications. Prendergast executed his last monotypes in 1901-02, probably because of his increased interest on the complexities of oil painting techniques that he continued to explore for the remainder of his life. For anyone unfamiliar with monotypes, the information provided by Langdale is extremely useful to enable a full appreciation of the works presented in this book. The artist used oil paint in the preparation of his monotypes and may have used a spoon to transfer the images onto the Japanese tissue support.

Softcover. Edinburgh, Luath Press Ltd, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. Color and b&w illustrations. In 1923 Charles and Margaret Mackintosh escaped Britain for France.Monsieur Mackintosh is the only book available on Mackintosh's years in France. With reproductions of 40 of his French paintings alongside photographs of the actual locations today, and images from the period 1923-1927, this is a comprehensive and pictorial account. Written in close collaboration with experts from Glasgow University, the National Gallery of Modern Art and the Glasgow School of Art, and edited by Professor Pamela Robertson, author and leading expert on Mackintosh, Monsieur Mackintosh includes new research and is written with the French and English translations side-by-side. Published to coincide with and accompany a major exhibition of Mackintosh's work in France Monsieur Mackintosh contains more than 250 images reproduced in full colour throughout.

Hardcover. London, Longman, Brown, Green, Longmans & Roberts, 1st, 1857, Book: Good, Dust Jacket: None, 286 pages. Hardcover with marbled covers and page block decoration, gilt lettering on spine. Previous owner's bookplate on front end paper. Previous owner's name on title page. Ex-Library with usual stamping and embossed seal on preliminary pages.

Hardcover. New York , Henry Holt and Co., 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good dust jacket. Signed with a sketch by McCarty. A young boy sees a plane overhead and imagines himself in it, traveling all the way to the moon. What does he see on his way? With characteristically spare prose, Caldecott Honor winner Peter McCarty invites readers along for an imaginary trip from the earth to the moon and back again, visiting trains, planes, and boats along the way. McCarty's luminous illustrations make the boy's fantasy into a dreamlike journey that ends in his mother's arms-a perfect way to end the day.

Hardcover. Bloomington IN, Indiana University Press, 3rd pr., 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 138 pages. the complete run of lithographic posters done to promote the South Shore Railroad in the early 20th century by artists such as Will Bradley, Maxfield Parrish, Ethel Reed, J. C. Leyendecker, Edward Penfield etc. Color illustrations.

Hardcover. Boston, Houghton Mifflin, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated in color by Seymour Chwast. "What do you do when the moon comes to your window and offers to take you on a night ride? You say yes, of course! And so begins a night of surprising travel around a city that never sleeps. Seymour Chwast has spent many evenings exploring New York City after dark. Harriet Ziefert adds to the fun with a text that is both humorous and offers sound advice to any child going on a trip." Clean copy.

Hardcover. London, Verso, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, bright dust jacket. Seven pages with ink underlining in the text; Includes contemporary photographs. In January 1952, two young men from Buenos Aires set out to explore South America on an ancient Norton motorbike. The journey lasted six months and took them thousands of miles, all the way from Argentina to Venezuela. En route, there were disasters and discoveries, high drama, low comedy, fights, parties and a lot of serious drinking.

Hardcover. NY, Farrar Straus Giroux, 1st US, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 598 pages, b&w and color illustrations. In 1827 the young Edward Lear (1812-1888) began to draw 'for bread and cheese'; later he became a renowned wildlife and landscape artist and, later still, the author of the famous limericks and songs. Reproducing many of his paintings and drawings, Jenny Uglow's critically acclaimed biography describes Lear the artist, traveler, writer of nonsense verse and self-appointed exile, and aims to discover 'how the layers are laid down, how they overlap and twist like strata' in a strange contradictory life of art and nonsense. Clean copy.

Hardcover. NY, The America Press, 1st, 1932, Book: Good, Dust Jacket: None, Hardcover, 180 pages, blue cloth with gilt lettering. Scores of glossy B&W photographs from the air and ground. Maps of Alaska on both sets of end papers with airplane and dog team routes. First edition of this Jesuit priest's 1600 mile expedition memoir about mushing down the Yukon River, visiting Jesuit Missions, and into the erupting Aniackchak Crater. Accounts first published in The Saturday Evening Post. This is an ex-library copy with stamping and residue to endpapers, but clean and tight inside.

Hardcover. New York, Viking Studio, 1st US, 2007, Book: Very Good, Dust Jacket: Very Good, 483 pages. Hardcover. Illustrated with full color photographs. Light wear. Clean, unmarked pages.

Hardcover. Boston, T.O.H.P. Burnham, 1st, 1863, Book: Very Good, Dust Jacket: None, 602 pages, maroon cloth covers with embossed design, color faded, especially on spine. Mild foxing to several pages, rear fly leaf with corner torn away. Still a tight, attractive copy of the day-to-day travels of an English journalist through America in the early years of the Civil War.

Hardcover. Ithaca NY, Cornell University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages. This single-volume selection of the letters of Margaret Fuller affords a unique opportunity for renewed acquaintance with a great American thinker of the Transcendentalist circle. The letters represent Fuller at all stages of her life and career, and show her engaged as literary critic, as translator and as champion of German literature and thought, as teacher, as travel writer, as literary editor, as journalist, as feminist, as revolutionary, as wife and mother. My Heart Is a Large Kingdom, unlike previous collections, includes only letters transcribed from Fuller's manuscripts and does not reproduce correspondence known only from printed sources and copies in hands other than Fuller's. Among the recipients of the letters in this generous selection are such literary and cultural figures as Bronson Alcott, Elizabeth Barrett Browning, Arthur Hugh Clough, Ralph Waldo Emerson, Giuseppe Mazzini, Giovanni Angelo Ossoli (Fuller's husband), George Ripley, and Henry David Thoreau. Taken together, the letters serve as a chronicle of Fuller's lifetime and provide glimpses into her thoughts and feelings during the years of the "Conversations," Dial, and the revolution in Rome. Clean copy.

Hardcover. New York, Macmillan, 1st US, 1972, Book: Very Good, Dust Jacket: Good, Hardcover, 153 pages, foreward by M.F.K. Fisher. A collection of b&w photos, some color, by Robert Doisneau. Commentary by Chevalier. In a bright dust jacket with light edgewear, soiling to rear panel. Otherwise a clean, tight copy.

Hardcover. NY, Devin-Adair Company, reprint, 1926, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt stamping, 378 pages. Foreword by Henry Garrity. "My Unknown Chum: 'Aguecheek'" is a delightful exploration of companionship and self-discovery, penned anonymously by Charles Bullard Fairbanks. The book employs a unique narrative style that blends autobiographical elements with whimsical storytelling, capturing the essence of friendship and self-discovery. Set against the backdrop of a rapidly changing early 19th Century America, Fairbanks navigates themes of isolation and connection, drawing influences from contemporary literary movements that emphasize the inner lives of ordinary individuals. Name and address on front fly leaf.

Hardcover. Berkeley CA , Ten Speed Press, reprint, 2002, Book: Good, Dust Jacket: Very Good, 231 pages. Hardcover. SIGNED BY AUTHOR on front end paper. Extensive color photography throughout. Gilt titles on dust jacket cover. Some soil from previous owners book plate on front end paper. Dust jacket priced clipped, otherwise clean, tight copy.

Softcover. San Francisco, Mercury House , 1st, 2001, Book: Good, Dust Jacket: None, Softcover, pictorial wraps, 289 pages. An extraordinary story of a woman's experience among the Athabaskan Indians where she learns to see the visible and invisible world around her. Bump to top outside corner created a light wave to pages. Otherwise clean.

Softcover. Washington DC, National Geographic Society, 1st, 1919, Book: Very Good, Dust Jacket: None, Softcover, illustrated with b&w photos, maps, advertisements. Original yellow and black wrappers, spine with light wear, good to very good. Articles include: The Progressive World Struggle of the Jews for Civil Equality, Exploring Unknown Corners of the Hermit Kingdom, Masters of Flight, A Hunter of Plants, The Land of Lambskins.