travel

Hardcover. London, The Folio Society, reprint, 1984, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth boards, gilt titles, pictorial pastedown on cover. Maroon card slipcase is a little faded at entrance. 203 pages with endpaper maps plus 16 plates from photographs. A legendary explorer's own account of his expedition up the Gambia river originally published in 1799, here with the text of the 1860 edition with new opening and closing material by John Keay. Clean copy.

Hardcover. Barre, Mass., The Imprint Society, 1st thus, 1972, Book: Very Good, Dust Jacket: None, Hardcover, 514 pages, with 25 illustrations, translated by John Reinhold Foster, introduced by Ralph M. Sargent, number 380 of a limited 1500 copies, decorated cover and slipcase, very clean and tight copy.

Hardcover. London, The Folio Society, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover with decorated boards in decorated slipcase,298 pages, illustrations from photographs. 'With texts by various writers, selected by Roger Hudson'. Sepia-tone archive photographs throughout. Clean, bright copy.

Hardcover. Philadelphia, M. Carey, reprint, 1813, Book: Fair, Dust Jacket: None, Travels Through the Canadas Containing a Description of the Picturesque Scenery on Some of the Rivers and Lakes with an Account of the Productions Commerce and Inhabitants of Those Provinces. Hardcover, printed boards with calf spine that has a paper label with the title. 282 pages. Text generally clean with only occasional light foxing or soiling. Text pages intact. Internal binding strong. NOTE: this is a reprint of the 1807 book, minus any plates or illustrations. Previous owner's names, inscriptions on preliminary pages and title page. In an attractive maroon color slipcase that the book fits into nicely.

Softcover. London, Hamish Hamilton, 1st, 2003, Book: Very Good, Dust Jacket: None, 339 pages, softcover with wire spiral binding. Scarce early proof. The author boarded this Orkney trawler whilst the weather was at its worst. An old trawler , converted for Deep-Sea Fishing , by a young skipper who now has a huge overdraft. The Nortantean is the only boat leaving. O'Hanlon sets off, with the crew of five , on a gut-wrenching, leg-jellying voyage.

Hardcover. New York, Blue Rider Press, First Edition, 2016, Book: Very Good, Dust Jacket: Very Good, 267 pages. Hardcover. Full color illustrations throughout. Bright, crisp dust jacket with light, marginal wear to edges. Clean & unmarked. A nice copy.

Hardcover. New York, Michael Sullivan, 1st, 1886, Book: Good, Dust Jacket: None, Hardcover, 87 pages, in green cloth covers with black and gilt design. A brief first-hand account of a seven week trip to Europe, principally England, Ireland and Scotland. Uncommon. A bit worn with cracked hinges.

Hardcover. NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light sticker residue, 203 pages. The travel author and historian journeys to the beguiling city of Trieste, Italy, which has enchanted her for more than fifty years, to explore issues of patriotism, decency, wildness, and sex. In this love letter to Trieste a city she has grown to love over the years and never got tired of exploring Morris looks back on her life. She recalls first coming to Trieste as a soldier [male] in World War II and discusses the impact the city's way of life has had on her own philosophy of life. Each chapter begins with a philosophical quote stating its theme and setting the atmosphere. Morris is not only skilled at vividly describing townspeople and buildings in a way that brings Trieste to life, but she also successfully balances the personal with the historical by providing references to both history and literature. Clean copy.

Hardcover. Boston, Chas S. Binner, reprint, 1898, Book: Good, Dust Jacket: None, 267 pages. Red cloth covers with beveled edges and gilt titles, profusely illustrated with b&w plates. Pages 13-18 separated from page block, light rubbing, spotting to covers, wear to cover corners and edges, small chunk missing from lower edge of faded spine.

Hardcover. New York, Charles Scribner's Sons, First Edition, 1961, Book: Very Good, Dust Jacket: Very Good, 221 pages. Hardcover. Brown cloth covers with gilt decoration to cover, gilt titles to spine. Full page, full color & bw illustrations throughout. Clean, unmarked text. A nice copy.

Hardcover. NY, Frederick A. Praeger , 1st, 1966, Book: Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 303 pages, b&w illustrations, maps. Eight years after the Russian capture of Tashkent in 1865, Schuyler, then American consul in St. Petersburg, set out to tour Russia's newly acquired dominions. Traveling entirely by road under primitive conditions, he managed in the space of 18 months to traverse the Steppe Region and record his observations of the Muslim people. Name, date on front fly leaf, no other markings.

Hardcover. NY, Barnes & Noble, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 162 pages, color throughout. The Tuscan countryside is among the most well-loved on earth, for its beauty, its natural bounty, its magnificent light. Award-winning photographer Joel Meyerowitz and novelist/playwright Maggie Barrett have combined talents to create a loving and personal portrait of Tuscany through the seasons. Meyerowitz provides the breathtaking images; Maggie Barrett offers poetic, evocative commentary that pays loving tribute to this alluring rural world. They take you inside everyday Tuscan life and landscape, and also capture the warmth of the people who live there and their profound connection to the land. Clean copy.

Hardcover. NY, W. W. Norton, 1st, 1991, Hardcover in a bright dust jacket, 254 pages. Red phono disc of Tuvan throat singing still attached. As a stamp-collecting boy always fascinated by remote places, Nobel Prize-winning physicist Richard Feynman was particularly taken by the diamond-shaped stamps from a place called Tannu Tuva deep within Outer Mongolia. He hoped, someday, to travel there. In 1977, Feynman and his sidekick - fellow drummer and geography enthusiast Ralph Leighton - set out to make arrangements to visit Tuva, doing noble and hilarious battle with Soviet red tape, befriending quite a few Tuvans, and discovering the wonders of Tuvan throat-singing. Their Byzantine attempts to reach Tannu Tuva would span a decade, interrupted by Feynman's appointment to the committee investigating the Challenger disaster, and his tragic struggle with the cancer that finally killed him. Tuva or Bust! chronicles the deepening friendship of two zany, brilliant strategists whose love of the absurd will delight and instruct. Clean copy.

Softcover. Rome, Libreria dello Stato, 1st, 1992-01-01, Book: Very Good, Dust Jacket: None, Softcover, 429 pages, illustrated throughout in b&w. Folio. Light edgewear and rubbing to wrappers, else a clean, tight copy.

hardcover. NY, Aperture, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 80 black and white tritone portraits by Mark. Clean, bright copy. Mary Ellen Mark's fascination with twins has inspired a remarkable portrait series. Traveling to Twinsburg, Ohio, for their annual "Twins Day" festival allowed her to photograph hundreds of twins. In the two consecutive years Mark visited the festival she used a complex set-up for the seemingly simple aesthetic. Every detail is captured through the Polaroid 20x24 camera Mark used. Between the camera and dynamic lighting every wrinkle, toned muscle, body hair, and freckle is visible. Using the studio, all attention of the festival is lost. Instead the attention is given to the twins themselves. A thoughtful decision that emphasizes Marks pure interest in her subjects. The final pages of the book are dedicated to bits of conversation Mark collected after shooting the photographs. Each fragment from the conversations revels more about each pair connecting the viewer even more with every photograph.

Hardcover. US, teNeues, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. 240 pages. Clean, tight copy. Like new in pubisher's shrinkwrap. In an increasingly mobile society, it's common to cross the globe many times in a single month. Journeys that might once have taken weeks, now take hours. All of this travel is a suitable metaphor for Andrew Macpherson's rise to the pinnacle of celebrity photography. He has literally traveled the world to profile the best-known people of our age; Charlize Theron, Reese Witherspoon, and George Clooney to name a few. As he's done so, he's also embarked on an artistic journey to bring something fresh and inviting to each of his images. In this quest, he employs a multitude of varied techniques, playing with form, context and color. A note of poignancy overshadows this work. Many of the original negatives were lost in a warehouse fire. It is a testament to the strength of Macpherson's work that even scanned from magazine pages - as some of these images are - the results still radiate vitality and power.

NY, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Manson. A "mostly true" story based travels with the actual elephant sent as a gift from Haroun-al-Rachid to Charlemagne. The elephant lived until 810 when he was killed in battle. Clean copy.

Hardcover. New York, Sirecox, 2nd pr., 1991, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout. Illustrated with color photographs by Jose Luis Gonzalez Grande. Translation by Louis Bourne. Foreword by Sam K. Sebagereka, Minister for Tourism and Wildlife of Uganda. Preface by Luis Yanez-Barnuevo. A photographic safari of Uganda.

Hardcover. New York, Aperture, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 104 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Published in Italian in 1955, and now available for the first time in the English language, Un Paese captures in photographs and in spoken testimony the essential experience of daily life in Luzzara. It presents a series of intense portraits, graceful landscapes, and images of everyday objects. Paul Strand's photographs are carefully distilled, deeply powerful; they contain the flavors and the rhythms of an entire culture crystallized in a single village. Zavattini successfully synthesizes text and image, aligning with the new cinematic trend of the day, a movement known as Italian neorealism. Their Luzzara is an ordinary village, neither overly picturesque nor greatly unusual, yet it is a town sustained by a grounded humanity and a profound love for the land by its people.

Hardcover. NY, Viking, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 554 pages. This compilation of correspondence is aptly titled. British travel writer and novelist Chatwin traveled widely, constantly, and obsessively--everywhere under the sun, in other words. He possessed a restless soul, to be sure. And to a large degree, he was secretive; information about his homosexuality and his affliction with the AIDS virus was closely guarded. He cast a personal spell with his charm and a lasting one through his works, which are so imaginative they are pure excitement to read; at the same time, however, it can be confusing to determine whether to see them as fiction or nonfiction. Nevertheless, beginning with his first published book, In Patagonia (1977), Chatwin maintained a reputation among discerning readers for his riveting characters--invented or not is unimportant, even in his travel books--and his rigorously precise writing style. Chatwin's wife and his biographer (Bruce Chatwin, 2000) combined efforts over a two-decade period to retrieve more than 90 percent of Chatwin's correspondence from childhood to immediately before his untimely death at 48. Chatwin's many appreciators will see the compilation in its overall significance as a personal visit with one of their literary heroes, as much as that is possible now. Remainder line on bottom edge otherwise like new.

Hardcover. Hartford, Canfield and Robins, 1st, 1836, Book: Fair, Dust Jacket: None, 610 pages. Hardcover with brown leather covers. Heavy soil and wear to the leather. Moderate foxing throughout. Black and white illustrations/engraved plates. Iceland to New Zealand, including the Americas, Europe, Asia, and Africa. Water stain to first 40 pages, about one sixth of page. Previous owner's signature on front fly leaf. Sound binding.

Hardcover. NY, G. P. Putnam's, 1st US, 1925, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers stamped in gilt, 246 pages. With Illustrations in color and black and white by Charles Simpson. Small ownership signature on front fly otherwise clean, bright copy.

Hardcover. New Delhi, India, Lustre Press, Roli Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Stunningly photographed, this album offers a rarely seen view of the snow-clad peaks, mysterious lakes, massive glaciers, and fascinating people of the Himalayas.

Hardcover. Ben Uri Gallery , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The first publication to bring together three major twentieth-century photographers - Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert - presenting their artistic responses to three great world cities across three crucial decades. Today, London, Paris, and New York are so familiar that it is hard for a modern viewer to imagine them afresh without the visual expectations fostered by art, film and advertising in the digital age. Yet when each of these photographers arrived at their respective destinations, they found cities that were strange and new to them and responded by photographing them without prejudice or expectation. The photographs reveal that all three cities were not only places of social division and political tension, but also of beauty and magic. The publication and exhibition includes many works never previously exhibited in the UK, and each series presents an opportunity to view an aspect of the work of a renowned photographer in real depth. Contents: Essay by Katy Barron; Interview with Wolfgang Suschitzy by Zelda Cheatle; Interview with Dorothy Bohm by Michael Berkowitz; Interview with Neil Libbert with Jessica Feather; Biographies. 112 pages.