Hardcover. San Diego/NY, Harcourt Brace Jovanovich, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 274 pages, b&w photos. "A shy, bald, myopic, gay albino from an ethnic Pittsburgh suburb and a beautiful, convent-educated heiress from France: This is the story of Andry Warhol and 'the girl in Andy's soup,' Isabelle Collin Dufresne, also known as Ultra Violet. It is suggested that Dali, Dufresne's companion for five years, introduced her to Andy Warhol in 1963. 'Leave Dali', said Andy. 'He's too old'. Soon after, Isabelle metamorphosed into Ultra Violet becoming an intimate of Warhol's underground scene, here recollected. Clean copy.
Softcover. NY, Kerry O'Quinn, 1980, Book: Very Good, Dust Jacket: None, Softcover magazine, 66 pages. Articles include: TV Special Salem's Lot, Spock and New Aliens of Star Trek, Caroline Munro Interview, Robots of Disney's The BlackHole, much more.
Hardcover. London, Mitchell Beazley, 1st, 2016, Book: Very Good, Dust Jacket: None, 224 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Color photographs throughout. The Fashion of Film is the perfect book for the fashion fan. In it, fashion historian Amber Butchart takes a journey through the last 100 years of cinema style and its influence on the catwalks. With beautiful imagery and thoroughly-researched text, she looks at how our most iconic movies have transformed the world of high fashion. Karl Lagerfeld was influenced by the dystopian vision of Metropolis, the picture-perfect world of Wes Anderson's films are echoed in the collections of Miuccia Prada, and Audrey Hepburn was key to Hubert de Givenchy's work. Fashion designers have long taken their inspiration from silver screen idols, and continue to do so today.
Hardcover. New York , Taschen, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in a slipcase. Like new in publisher's shrink-wrap. Presents the most memorable movies of the 1990s into a list of 100 titles from around the world. Packed full of photos and film stills, this title features: four to ten pages for each film; list of Academy and film festival awards; bloopers, trivia, memorable lines, gossip; and actor, director, subject, and title indexes. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. NY, Rizzoli, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 317 pages plus index. Definitive chronicle of Fellini's work, published on the 50th anniversary of "La Dolce Vita." Features the director's drawings, storyboards, notes, and commentary, and behind the scenes photos. Material is drawn primarily from archives of the Fondazione Federico Fellini and covers each film from his entire career. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Softcover. NY, Marlowe and Company, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 337 pages, b&w photos. More a biography than a study of Fellini's films. Alpert is the author of various books on screen and stage personalities. Clean copy.
Softcover. Manchester University Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 322 pages, b&w illustrations. This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels. Subjects: Motion pictures in ethnology. Ethnology Fieldwork. Motion pictures Social aspects. Motion pictures in ethnography. Documentary television programs. Mild fading to covers. No marking.
Hardcover. New York, Universe Books, 1st, 1975, Book: Very Good, Dust Jacket: Good, 256 pages. Hardcover. Illustrated with 1,500 black & white frame blow-ups, and the entire dialogue. Dust jacket worn with curling/tears along edges. Clean, tight copy.
Hardcover. New York, Bloomsbury , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Throughout her career, Eve Arnold alternated between serious documentary photography and working behind the scenes on numerous films. At a time when Hollywood studios controlled every aspect of their actors' image, Arnold's candid photographs showed them at their most intimate and their most compelling: Marilyn Monroe sharing a private moment with Arthur Miller, Marlene Dietrich, uncharacteristically girlish in the recording studio, Michael Caine and Candice Bergen doing an impromptu tango number and an exhausted Richard Attenborough stealing a nap in between shooting. Eve Arnold: Film Journal is a collection of these famous film stills along with the notes and impressions made by Arnold during the shoot. As her camera revealed the unseen sides of Hollywood legends, Arnold also became privy to their private lives. In her Film Journal, she writes memorably about the tensions and dramas on the film sets, of Marilyn Monroe combing her pubic hair during an interview, Simone Signoret discussing her husband Yves Montand's infidelities, Joan Crawford sneaking in vodka in a Pepsi cooler, and Marlene Dietrich recounting her night with John F. Kennedy. With 80 previously unpublished photographs, including many old favorites, Eve Arnold: Film Journal is a classic from one of the great photographers of our time.
Hardcover. Seattle, Fantagraphics, 1st, 2014, Book: Very Good, Dust Jacket: None, 143 pages. Hardcover with no dust jacket issued. Clean, unmarked copy. Color and black and white pictures throughout.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 261 pages, 34 b&w illustrations. Scandal, adultery, secret marriages, divorce, custody battles, suicide attempts, and alcoholism - the trials and tribulations of the Costellos were as riveting as any Hollywood feature film. This eccentric and talented clan was one of the twentieth century's most famous families of actors, until their achievements were eclipsed by their own immutable penchant for self-destruction. Patriarch Maurice Costello was considered the first screen idol until his career, marked by accusations of spousal abuse, drunkenness, and physical assault, abruptly ended. Costello's daughter, Helene, was the first actress to star in an all-talking picture, but her career was ruined by a very public divorce from Lowell Sherman, who testified that his wife was a drunk and an avid reader of pornography. And though the original members of this family may be gone, the legacy lives on - most notably through actress Drew Barrymore. Written with unprecedented access to the family's personal documents and artifacts, as well as interviews with several family members, Film's First Family explores the dramatic history of the Costellos and their extraordinary significance to the stage and screen. Clean copy.
Hardcover. New York, Grove Press, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages, Illustrated in b&w. Very good condition. Dust jacket spine tanned, one small tear and crease at bottom back.
Softcover. Evanston IL, Filmfax, 1988, Book: Very Good, Softcover magazine, 66 pages, stapled, b&w illustrations. Classic PRC Film Noir Filmfax; The Fantasy Films of Edgar G. Ulmer; Featuring "The Man From Planet X"; Interview with Douglas Fairbanks, Jr. on Early Hollywood; Forrest J Ackerman on "The Bat Whispers", a Golden Age Mystery; Looking back at Tod Browning's "Freaks"; and More! Clean copy.
Softcover. Berkeley, University of California, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 251 pages, illustrated throughout with photos in b&w. Light wear to pictorial wrappers, else a very neat, tight copy. Carl Dreyer is recognized as one of the great master stylists of the cinema whose works exhibit his rigorous, austere and powerful cinematography. David Bordwell analyses how Dreyer confronts the viewer with problems of attention, orientation and narrative comprehension.
Hardcover. NY, Columbia University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 203 pages, b&w photos. Bright, clean copy in dust jacket.
Softcover. Maryland, Scraecrow Press, rep, 2007, Book: Very Good, Dust Jacket: None, 209 pages. Softcover with light wear to wrappers. Clean, tight copy. Some black and white photos in center.
Hardcover. NY, Doubleday, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 369 pages, b&w photos. In a bright, unclipped dust jacket. The author presents a memoir of her father the well-known playwright, producer, director and screenwriter of such Hollywood classics as The Desert Fox, How to Marry a Millionaire, The Man in the Gray Flannel Suit, The Three Faces of Eve, The Dirty Dozen and many others.
Hardcover. NY, Hastings House, 1st , 1969, Book: Good, Dust Jacket: Good, 1,100 pages. Large, heavy hardcover. Black & white diagrams and illustrations throughout. Gilt titles on spine. Some wear to price-clipped dust jacket. Faint foxing to top edge, otherwise a clean, tight copy.
Hardcover. New York, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: None, 511 pages. Hardcover, slipcase, ribbon marker. Like new in publisher's shrink-wrap. Candid accounts of the people, hit movies, and adventures that have shaped his career enliven these memoirs from the director of Romeo and Juliet, Endless Love, and Jesus of Nazareth. 24 black-and-white, 16 color illustrations.
Hardcover. NY, Charles Scribner's Sons, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages. With the aid of some 400 photographs, the great film director, now 85, recalls 50 years of film-making and more than 20 major films, including High Noon, From Here to Eternity, Oklahoma!, A Man for All Seasons, The Day of the Jackal, Julia, and The Nun's Story. Light musty smell. Clean.
Hardcover. NY, Glitterati Incorporated, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 368 pages. An expanded edition of the best-selling collection, Freeze Frame: Second Cut, featuring 150 new photographs (more than 450 in all) of stars shot on-set over a period of more than 50 years, by the planet's most famous on-set photographer, Douglas Kirkland. From Angelina Jolie and Brigitte Bardot to Baz Luhrmann and Antonio Banderas, Kirkland, an artist in his own right, has been chronicling the making of films for more than half a century through his lens, and his riveting images take us behind the scenes to reveal much about the way movies are made. Going beyond the first edition, this book includes stories and anecdotes of behind the scenes, along with the pictures ranging from the 1960s through the 2000s. Here is a glamorous volume in a luxurious oversized format, chock-full of amazing portraits of the most illustrious and talented movie stars, directors, and performers from the last half-century of movie-making. Clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. NY, St Martin's Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 548 pages, b&w illustrations. The book contains a 65 page Filmography, notes and sources and index. Old price sticker on rear of dust jacket, otherwise clean.