Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.
Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.
Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.
Softcover. np, np, N/A, Book: Very Good, Dust Jacket: None, Softcover in plain sand color wrappers. Title page present, dated 11/14/83, 2nd draft, with credits for screenwriters Polanski and Brach. 123 leaves, mechanically reproduced. Pages and wrapper near fine, bound with three gold brads. Title lettered on bottom edge. otherwise clean. The film was released in 1986, delayed by Polanski's legal problems in Los Angeles. He fled the country after Paramount dropped out of the project and the movie was made in Paris and Tunisia.
Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, in a bright unclipped dust jacket, b&w illustrations. Pola Negri (1897-1987) rose from an impoverished childhood in Warsaw, Poland, to become one of early Hollywood's greatest stars. After tuberculosis ended her career as a ballerina in 1912, she turned to acting and worked under legendary directors Max Reinhardt and Ernst Lubitsch in Germany. Negri preceded Lubitsch to Hollywood, where she quickly became a fan favorite thanks to her beauty, talent, and diva personality. Known for her alluring sexuality and biting artistic edge, she starred in more than sixty films and defined the image of the cinematic femme fatale. Author Mariusz Kotowski brings the screen siren's story to English-speaking audiences for the first time in this fascinating biography. At the height of her fame, Negri often portrayed exotic and mysterious temptresses, headlining in such successes as The Spanish Dancer (1923) and Forbidden Paradise (1924), before returning to Europe in the 1930s. The devastating effects of World War II soon drove her back to the United States, where she starred in Hi Diddle Diddle (1943) and pursued her vaudeville career before retiring from the entertainment industry. Kotowski also illuminates Negri's dramatic personal life, detailing her numerous love affairs-including her engagement to Charlie Chaplin and her romance with Rudolph Valentino-as well as her multiple marriages. This long-overdue biography not only paints a detailed portrait of one classic Hollywood's most intriguing stars and the film industry's original Jezebel, but also explores the link between Hollywood and European cinema during the interwar years.
Softcover. Culver City CA, MGM Film Co., N/A, 1981, Book: Very Good, Dust Jacket: None, Softcover, blank pale green wraps, 119 pages, three-hole punched photo-copied screenplay, title page dated February 1981 (with #63 by MGM logo at top), second title page with writer credits dated June 19 1981, revised pages with various dates - most early 1981. Title lettered on bottom edge otherwise a clean, sharp copy. Bound by two brads.
Hardcover. NY, H.N. Abrams, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. On-set photographs and reminiscences of the the making of the film White Nights, starring Mikhail Baryshnikov, Isabella Rossellini, and Gregory Hines. Photographs and text by Eve Arnold, Anthony Crickney, Josef Koudelka, and Terry O'Neill; introduction by filmmaker Taylor Hackford. 176 pages; 110 color and 65 b&w plates. Clean copy.
Hardcover. London, Frances Lincoln, 1st US, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. A biography of the filmmaker told in a graphic novel format. From the set of 1993's Pulp Fiction, to a bar room meeting with Robert Rodriguez and an inspirational lunch with Leonardo di Caprio, this unique graphic novel takes us across a series of Hollywood-inspired vignettes covering the movie-obsessed life and career of one of modern cinema's greatest filmmakers - Quentin Tarantino. Join the conversation as Tarantino talks John Travolta into starring in Pulp Fiction, find out about the inspiration for his earliest screenplays and learn about Tarantino's obsessive childhood growing up in California. 126 pages in color. Clean copy.
Softcover. Detroit MI, Wayne State University Press , 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 260 pages, b/w illustrations. INSCRIBED BY LOPEZ-VICUNA, the co-editor.
Softcover. Edinburgh, National Galleries Of Scotland, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover. Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema. Ray Harryhausen's work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children's fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.
Hardcover. Zurich, Scalo, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Over sized book, 12 inches in height, 391 pages, heavily illustrated with approximately 200 full color photographs, many from her movies, Contributions by Carsten Ahrens, Lynne Cooke, Doris von Drathen, Bruce W. Ferguson, Carl Haenlein and Katharina Schmidt. Includes a list of illustrations, biography, exhibition history, filmography and a bibliography. Rebecca Horn is a multi-talented artist whose kinetic sculptures, films and installations have contributed to her unique international reputation. Her surreal installations and objects work as metaphors; often playfully erotic, they arouse curiousity and childlike amazement, yet also subconsciously evoke fear and uncertainty Glance of Infinity is a comprehensive survey of Rebecca Horn's work from 1970 up to the present day, This full scale monograph includes an interview with the artist, and essays by Brace W. Ferguson, Lynne Cooke, Doris von Drahten and Rebecca Horn, as well as a comprehensive index. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. NY, Thunder's Mouth Press; Nation Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photos. In a bright, unclipped dust jacket. As the McCarthyite witch hunt gathered momentum in the postwar years, screenwriter Norma Barzman and her husband were driven from Hollywood into an emotionally difficult thirty-year exile in France. The Red and the Blacklist is a unique record of the political tempests of the time, marked by the author's dazzling power of reflection and insight, and animated by a larger-than-life cast of supporting characters including Pablo Picasso, Harold Robbins, Sophia Loren, Charlton Heston, Ingrid Bergman, Joseph Losey, John Wayne, Anthony Quinn, Groucho Marx and--in a delightful cameo--a very young Marilyn Monroe.
Hardcover. NY, Thames & Hudson , 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in white boards stamped in gilt. A comprehensive, chronological history surveying over ninety years of fashion on the Oscars red carpet. The red carpet is so much more than fabulous gowns on famous people; it reflects the styles and values of each era and has become a platform to make social statements. Red Carpet Oscars presents over ninety years of fashion worn at the film world's biggest event since its inception in 1929, charting what the stars wore and why. From homemade and preloved dresses to ready-to-wear and haute couture, it tracks the style evolution of Hollywood's leading stars, the commercialization of the red carpet, the emergence of stylists, and the radical shifts that reshaped formal dressing. This comprehensive chronological survey showcases a thousand looks across almost a century. In addition to carefully curated images of the most iconic and inspiring outfits, each year features a short overview, sharing the stories behind the looks and tapping into fashion trends, along with the social and political influences of the time. Fashion writer Dijanna Mulhearn has compiled the ultimate fashion resource that celebrates both the glamour and the impact of one of the most watched red-carpet runways in the world. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY.
Hardcover. NY, powerHouse Books, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Sylvia Plachy, a photographer for the Village Voice, and James Ridgeway, a reporter for the same publication, have delved into the depths of the pornography trade to explore and explain both its allure and its vulgarity. There is a sense of shock value in exposing the most lurid of fantasies--a man who has his dominatrix mummify him in concrete--that is tempered with theories as to how such an industry could have evolved. We also get to meet for ourselves those in the trade, providing a walk on the wild side within the safe confines of photographs and words.
Softcover. NY, Museum of Modern Art, 1st, 1983, Book: Very Good, Dust Jacket: None, 222 pages. Softcover. B/w illustrations throughout. Wrapper and pages have some tanning due to age, otherwise clean. Front cover has a crease. In very good condition, no rips or tears. Binding tight.
Hardcover. New York, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 342 pages. "Each of the 300 posters included in Reel Art has been reproduced to the uncompromising standards of all Abbeville's fine art books. The selection of posters is world-class, many never been published, and the definite text, by screenwriter and film historian Stephen Rebello, tells the vastly entertaining story behind the posters and their creators." The four decades between 1910 and 1950 were the golden age of the American movie poster, an era when wonderful films wer promoted through the talents of legendary illustrators like Thomas Hart Benton, Norman Rockwell, Howard Chandler Christy and Jmes Montgomery Flagg, as well as a small army of unknowns. It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages, in a bright unclipped dust jacket, b&w illustrations. Noted for his charisma, talent, and striking good looks, director Rex Ingram (18931950) is ranked alongside D. W. Griffith, Marshall Neilan, and Erich von Stroheim as one of the greatest artists of the silent cinema. Ingram briefly studied sculpture at the Yale University School of Art after emigrating from Ireland to the United States in 1911; but he was soon seduced by the new medium of moving pictures and abandoned his studies for a series of jobs in the film industry. Over the next decade, he became one of the most popular directors in Hollywood, directing smash hits such as The Four Horsemen of the Apocalypse (1921), The Prisoner of Zenda (1922), and Scaramouche (1923). n Rex Ingram, Ruth Barton explores the life and legacy of the pioneering filmmaker, following him from his childhood in Dublin to his life at the top of early Hollywood's A-list and his eventual self-imposed exile on the French Riviera. Ingram excelled in bringing visions of adventure and fantasy to eager audiences, and his films made stars of actors like Rudolph Valentino, Ramon Novarro, and Alice Terry-his second wife and leading lady. With his name a virtual guarantee of box office success, Ingram's career flourished in the 1920s despite the constraints of an increasingly regulated industry and the hostility of Louis B. Mayer, who regarded him as a dangerous maverick. Barton examines the virtuoso director's career and controversial personal life-including his conversion to Islam, the rumors surrounding his ambiguous sexuality, and the circumstances of his untimely death. This definitive biography not only restores the visionary filmmaker to the spotlight but also provides an absorbing look at the daring and exhilarating days of silent-era Hollywood.
Hardcover. Racine WI, Whitman Publishing, 1st, 1928, Book: Fair, Dust Jacket: None, Non-paginated. Hardcover with no dust jacket. Chipping, tears and heavy wear to cover boards. Rear hinge separated with staples exposed. Previous owner's marking on preliminary pages.
Hardcover. NY, Simon & Schuster, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "Rin Tin Tin was more than a dog. He embodied the core paradoxes of the American ideal: He was a loner who was also a faithful companion, a brave fighter who was also vulnerable. I was astonished to learn from this delightful book that he has existed for eleven generations over a century. By chronicling his amazing ups and downs, Susan Orlean has produced a hugely entertaining and unforgettable reading experience." -- Walter Isaacson.
Hardcover. NY, Delacorte Press, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket wit light rubbing. 261 pages, b&w illustrations. 'She was the woman whose looks set the standard for her generation. The Sex Symbol for whom the term 'Love Goddess' was coined. And the first Hollywood star to become a real-life princess. She was adored as well by her leading men, and most especially by the five men she married...That none of these marriages endured is a matter of record, but the reasons behind these failures and the tragic true story of Rita Hayworth's gradual surrender to the mind-paralyzing terror Alzheimer's disease have never before been fully revealed and explained until now. Clean copy.
Hardcover. Scalo, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. The catalogue to Robert Frank's (born 1924) 2001 exhibition at the Museum Folkwang in Essen. Though the artist is best known for his seminal photobook The Americans (1959) and his experimental film Pull My Daisy (1959), until this publication, little scholarship existed on the intersection between Frank's work in the disciplines of photography and film. Hold Still, Keep Going fills that void, exploring the influence of film on Frank's photographic work, and the interaction between the still and moving image that has engaged the photographer and experimental filmmaker since the late 1950s. The book adopts a nonchronological approach, including photographs, film stills, 35mm filmstrips, as well as photomontages that present Frank's most famous series alongside less known work; from these varied contents, the volume offers revealing juxtapositions, rendering the seemingly disjointed arc of Frank's art more cohesive. Text, from handwritten phrases on photographs (of which "HOLD STILL-keep going" is but one example) to the dialogue in his films, emerges as a crucial tool, one that is also central to Frank's photo-diaries. Including a new essay from Tobia Bezzola, director of the Museum Folkwang, this edition highlights some of the more obscure work by perhaps the world's best-known living photographer, and is an essential addition to all photography and film collections.
 "Pirates: A Screenplayby: Polanski, Roman and Gerard Brach")
 "Pola Negri: Hollywood's First Femme Fataleby: Kotowski, Mariusz")
 "Postillion Struck by Lightning, A - A Memoirby: Bogarde, Dirk")
 "Raul Ruiz's Cinema of Inquiry by: Marinescu, Andreea (Editor), and Lopez-Vicuna, Ignacio (Editor)")
 "Red and the Blacklist, The: The Intimate Memoir of a Hollywood Expatriate by: Barzman, Norma")
 "Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930")
 "Rex Ingram: Visionary Director of the Silent Screenby: Ruth Barton")
