Film

Hardcover. London, Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 352 pages. Hardcover with dust jacket. Adhesive residue on rear dust jacket, otherwise clean, unmarked copy with only minor wear to dust jacket. Color and black and white pictures throughout.

Hardcover. Lanham MD, Rowman & Littlefield , 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 314 pages. A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed "making-of" accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: "Did the Academy get it right?" Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world. Clean copy.

Hardcover. New York, Crown Publishers, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 463 pages, b&w illustrations. What do you need to make money making movies? The answer, according to cult hero, creator of the sexploitation film, and the man the Wall Street Journal once dubbed the King Leer of Hollywood, Russ Meyer, is: "big bosoms and square jaws." In the first candid and fiendishly researched account of the late cinematic instigator's life, Jimmy McDonough shows us how Russ Meyer used that formula to turn his own crazed fantasies into movies that made him a millionaire and changed the face of American film forever.

Hardcover. NY, Prentice Hall, 2nd pr., 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 258 pages, b&w photographs. The story of Edgar Rice Burroughs and Tarzan in the movies.

Hardcover. Lanham MD, Rowman & Littlefield, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen--as a talented director, producer, entrepreneur, and humanitarian. Bill Duke: My 40-Year Career on Screen and behind the Camera is the memoir of a Hollywood original. In an industry that rarely embraces artists of color, Duke first achieved success as an actor then turned to directing. After helming episodes of ratings giants Dallas, Falcon Crest, Hill Street Blues, and Miami Vice, Duke progressed to feature films like A Rage in Harlem, Deep Cover, Hoodlum, and Sister Act 2. In this candid autobiography, Duke recalls the loving but stern presence of his mother and father, acting mentors like Olympia Dukakis, and the pitfalls that nearly derailed his career, notably an addiction to drugs. Along the way, readers will encounter familiar names like Danny Glover, Laurence Fishburne, Forest Whitaker, Arnold Schwarzenegger, and Whoopi Goldberg.

Hardcover. Taschen, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, yellow boards, without dj. as issued. (11" X 18") 384 pages, 843 color & b&w illustrations. Text in English, German & French. Wonderful homage to director Billy Wilder's classic comedy. Features ephemera loosely laid-in, including a facsimile of Marilyn Monroe's promptbook showcasing her original notes. Large and heavy production which requires extra shipping upon purchase. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Doubleday , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.

Hardcover. Los Angeles, Chronicle Chroma, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 376 pages. This is the first comprehensive, large-format monograph of Bob Willoughby's photographs of film and television stars from the 1950s to the 1970s. Considered the first on-set still photographer in the film industry, Bob Willoughby photographed numerous movie stars of the era, including Audrey Hepburn, Marilyn Monroe, Jean Seberg, Elizabeth Taylor, Natalie Wood, Frank Sinatra, Cary Grant, Doris Day, James Dean, and many more. These stars continue to influence fashion and culture, from Baby Boomers all the way to Gen Z. The iconic celebrities and others featured have lasting presence, still gaining fans today via both social media and the availability of classic films through streaming channels.This compendium features vintage and never-before-seen photographs of the most beloved stars of film and television. Willoughby's images include many taken during the filming of classics such as THE GRADUATE, MY FAIR LADY, ROSEMARY'S BABY, and others. In addition to on-set photography, there are also many candid portraits of actors at home, such as those of Audrey Hepburn. This compendium includes both black-and-white and color photographs of some of the greatest icons from this Golden Age of Hollywood. DOMESTIC SHIPPING ONLY.

Softcover. New York, Thames & Hudson, 1st, 2009, Book: Very Good, Dust Jacket: None, 216 pages. Softcover. Like new in publisher's shrink-wrap. Light edgewear to spine corners. From the early 20th century to the present day, this large-scale, brightly colored, coffee table book features the very best (and also the very cheesiest) advertisements for the hottest movie releases and stand-alone Hindi classics.

Hardcover. New York, Little, Brown and Company, 2nd pr., 2018, Book: Very Good, Dust Jacket: Very Good, 503 pages. Hardcover with dust jacket. Clean, tight copy. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known -- in the late 1940s, no less -- to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes -- but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, Born to Be Posthumous draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.

Hardcover. US, Stern Portfolios, 1st, 2013, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with laminated boards. Like new in publishers shrinkwrap. In 1975, the young Parisian photographer Brigitte Lacombe met Donald Sutherland and Dustin Hoffman at the Cannes Film Festival; these new acquaintances would go on to open doors for her. That same year she was hired as a photographer for the filming of Fellini's Casanova. Since then, Lacombe's famous images have reflected a who's who of Hollywood cinema. This collection spans a masterfully choreographed array of photographs Lacombe took - all the way from the sets of 1970's cinema classics to film milestones of the new millennium, including Alan J. Pakula's All the President's Men, Martin Scorsese's Gangs of New York, and Quentin Tarantino's Inglorious Bastards. Conveying a certain intimacy without unmasking any mystery, Lacombe's images capture classical beauty in a way that is fresh and exciting.

Hardcover. US, Stern Portfolios, 1st, 2013, Book: Very Good, Dust Jacket: None, 96 pages. Hardcover with laminated boards. Like new in publishers shrinkwrap. In 1975, the young Parisian photographer Brigitte Lacombe met Donald Sutherland and Dustin Hoffman at the Cannes Film Festival; these new acquaintances would go on to open doors for her. That same year she was hired as a photographer for the filming of Fellini's Casanova. Since then, Lacombe's famous images have reflected a who's who of Hollywood cinema. This collection spans a masterfully choreographed array of photographs Lacombe took - all the way from the sets of 1970's cinema classics to film milestones of the new millennium, including Alan J. Pakula's All the President's Men, Martin Scorsese's Gangs of New York, and Quentin Tarantino's Inglorious Bastards. Conveying a certain intimacy without unmasking any mystery, Lacombe's images capture classical beauty in a way that is fresh and exciting.

Hardcover. US, Moderne Kunst Nurnberg, 1st, 2011, Book: Very Good, Dust Jacket: None, 216 pages, illustrated in color and b&w. Small 4to, boards. This work looks at parallels between Conner's works as an artist and filmmaker. It depicts and discusses his drawings, oil and acrylic paintings, lithographs, prints, photograms and photographs, alongside three of Conner's best-known films: Breakaway (1966), Crossroads (1976), and Marilyn Times Five (1968-1973). Text in English. Like new in publishers shrink-wrap.

Hardcover. New York, Morrow, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 356 pages. SIGNED BY AUTHOR ON TITLE PAGE. Clean, tight copy. Remainder line bottom edge. X marks the spot -- and when that spot is a corpse's naked back and the X is carved in blood, Detective Inspector Tom Thorne is in no doubt that the dead man is the latest victim of a particularly vicious contract killer. It's morbid and messy -- but it's a mystery with plenty of clues. This is turf warfare between North London gangs. Organized crime boss Billy Ryan is moving into someone else's territory, and that someone is ready to stand up for what he believes is his. Thorne's got plenty on his plate when he agrees to help out ex-DCI Carol Chamberlain rake through the ashes of an old case that has come back to haunt her. Schoolgirl Jessica Clarke was lit on fire twenty years ago. Now, Gordon Rooker, the man Chamberlain put away for the crime, is up for parole, and it seems there's a copycat on the prowl.

Hardcover. Jefferson, NC, McFarland & Company, 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover. 166 pages plus index. Near fine in the publisher's red boards with white spine and upper board lettering. Issued without a dust jacket.

Hardcover. NY, Falcon Enterprises, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover, pictorial dust jacket. 148 pages. Numerous b&w illustrations. Rear dust jacket panel with piece gone. Clean copy.

Hardcover. New York, Newmarket Press, 1st US, 2005, Book: Very Good, Dust Jacket: Very Good, 289 pages, hardcover with dust jacket. An tour of Buster Keaton's life and art. Mild rubbing to dust jacket. Creasing to dust jacket front flap. Includes 40 black-and-white photographs. Unmarked. Bright and clean; a tight copy.

Hardcover. Zurich, Parkett Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages, color illustrations. Buster's Bedroom is a 1990 independent German comedy film directed by Rebecca Horn. The film follows a young woman with an infatuation for Buster Keaton. The film was shown at the Marche du Film of the Cannes Film Festival in May 1990.

Hardcover. NY, powerHouse Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 268 pages. A privileged witness to the glamorous spirit of the 1950s and 60s, Milton H. Greene photographed the greatest artists, actors, and personalities of the twentieth century, including Marilyn Monroe, Frank Sinatra, Grace Kelly, Marlene Dietrich, Sammy Davis Jr., Elizabeth Taylor, Cary Grant, Sophia Loren, Groucho Marx, Audrey Hepburn, Judy Garland, Lauren Hutton, Alfred Hitchcock, Sir Laurence Olivier, Ava Gardner, Steve McQueen, Claudia Cardinale, Paul Newman, Lauren Bacall, Dizzy Gillespie, and Catherine Deneuve, amongst countless others. Renowned for his fashion photographs, Greene perfectly captured the fantasy, elegance, and beauty of his models, for which he secured assignments from major national publications and prestigious advertising clients. But That's Another Story: A Photographic Retrospective of Milton H. Greene reproduces, in their original clarity and integrity, pictures that have been largely unavailable since Greene's death in 1985. Organized thematically, the book features both the widely published fashion and celebrity series (including the campaign Greene shot for American Airlines in the 1950s), and intimate backstage candids. A whole chapter is dedicated to photos of Marilyn Monroe, where some of her most iconic portraits mix with private moments from her life. Ultimately, Greene's photography invites us back to an era when film and fashion, art and style were at their highest.

Hardcover. NY, Atria Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. In this genre-defying work of cultural history, the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keatons unique creative genius in the context of his time. Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman. Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keatons life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Remainder mark on top edge, otherwise like-new.

Hardcover. New York, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Non- paginated. Hardcover. Extensive b&w photographs throughout. Illustrated title page. Some edge wear to top edge, otherwise clean, tight copy.

Hardcover. Englewood Cliffs, NJ, Prentice-Hall, 1st, 1971, Book: Very Good, Dust Jacket: Good, 150 pages. Hardcover with dust jacket. Black and white pictures throughout. Light edgewear to covers, dust jacket covered in plastic sleeve.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 417 pages, color and b&w illustrations. The Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world. Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York's early Off-Off-Broadway theater scene, in Warhol's films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play. Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: "I shall try to be grateful for life . . . Cannot imagine who would want me." Candy died at twenty-nine in 1974, just as conversations about gender and identity were beginning to enter the broader culture. She never knew it, but she changed the world. Clean copy.

Softcover. Los Angeles, Paul Monash, N/A, Book: Good, Dust Jacket: None, 141 pages, 3-hole punched pages but blue cover gone, back present. Two brads holding pages. Title page states: ADAPTED from the NOVEL by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency.