Film

Hardcover. NY, Calla Editions, 1st thus, 2010, Book: Very Good, Dust Jacket: Very Good, 119 pages. Hardcover. Black and white illustrations. Clean, unmarked copy in excellent condition. Picture this: A master photographer shoots the most breathtaking movie star of her time high in the Canadian Rockies in the summer of 1953. And the negatives are filed away for nearly 60 years -- most never seen until now.It was yet another assignment for LOOK magazine staff photographer John Vachon. But when he arrived in Banff, Alberta, in mid-August of 1953 to shoot Marilyn Monroe on location making River of No Return, Vachon encountered an opportunity never afforded the many great photographers who took pictures of Marilyn during her short life. Due to an injured ankle that prevented her from filming, Vachon got access to Marilyn over a period of several days.Vachon's lens captured her in a variety of contexts and countenances. Here is Marilyn the way we want to remember her: luminous, sexually charismatic, smiling radiantly -- even on crutches. This extraordinary portfolio of revealing images ranges from her mugging poolside to riding high on a ski lift to nuzzling with her then-husband-to-be, the legendary Joe DiMaggio -- the only time that the two posed formally together for a photographer.In his ability to present her humanity without either idealization or guile, Vachon has given the legions of Marilyn fans worldwide a very rarely seen portrait of their idol. 102 duotone photos. Text by Brian Wallis

Hardcover. NY, Calla Editions, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover. 128 pages. Picture this: A master photographer shoots the most breathtaking movie star of her time high in the Canadian Rockies in the summer of 1953. And the negatives are filed away for nearly 60 years -- most never seen until now! It was yet another assignment for LOOK magazine staff photographer John Vachon. But when he arrived in Banff, Alberta, in mid-August of 1953 to shoot Marilyn Monroe on location making River of No Return, Vachon encountered an opportunity never afforded the many great photographers who took pictures of Marilyn during her short life. Due to an injured ankle that prevented her from filming, Vachon got access to Marilyn over a period of several days. Vachon's lens captured her in a variety of contexts and countenances. Here is Marilyn the way we want to remember her: luminous, sexually charismatic, smiling radiantly -- even on crutches. This extraordinary portfolio of revealing images ranges from her mugging poolside to riding high on a ski lift to nuzzling with her then-husband-to-be, the legendary Joe DiMaggio -- the only time that the two posed formally together for a photographer.

Hardcover. New York, St. Martin's Press, 2nd Printing, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 155 pages, large black & white photographs throughout. Minor dust jacket edge wear and fade, otherwise, very clean and tight copy.

Hardcover. US, Dey Street Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. A stunning collection of hundreds of rare and unseen photographs, behind-the-scenes notes, and interviews chronicling the media's lifelong love affair with Marilyn, created by the acclaimed curator and author of Marilyn Monroe: Metamorphosis. Drawing on unseen troves from dozens of photographers, archives, and collectors, acclaimed photography expert David Wills brings together an unprecedented array of press photos from throughout Marilyn's career--including hundreds of unpublished and rare photographs that have been beautifully restored; uncropped and unretouched outtakes; handwritten notations; period captions; clippings; and more. With a foreword by Robert J. Wagner and interviews from key press agents and others, this portfolio of images offers a fresh, indelible portrait of one of the most enduring icons in history and illuminates the special alliance she shared with the press as never before.

Hardcover. NY, Random House, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages, 289 photographs from her own collection. Legendary actress Marlene Dietrich is honored in this beautiful coffee-table book, which is introduced by brief recollections from director Josef von Sternberg, Orson Welles (who worked with her in Touch of Evil), Ernest Hemingway, and others. The Film Museum of Berlin contains 25,000 objects and 18,000 images related to Dietrich, and this book is like a museum exhibition held expressly for Dietrich lovers. It is divided into sections such as "Portraits," "Beads, Furs, and Feathers," and "Possessions" and displays her dresses and accessories in pristine condition, alongside excerpts from letters and diaries. Daughter Maria Riva (author of a 1994 biography, Marlene Dietrich) provides extended captions to the many photographs of the actress and her belongings. Also included are a filmography, theatography, concertography, discography, and collection inventory with exhibitions.

Hardcover. Munchen, Schirmer/Mosel., 1st US, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 269 pages. "Here is a breathtaking visual celebration of this all-time movie goddess, with the world's greatest photographers contributing their most famous landmark portraits collected from the thirty-five years during which Marlene Dietrich reigned supreme in the history of motion pictures."

Hardcover. NY, Phaidon Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages, illustrated in color and b&w. Marlon Brando (1924-2004) is an icon in the history of American cinema. When he passed away in 2004, The New York Times remember 'the rebellious prodigy who electrified a generation and forever transformed the art of screen acting... a truly revoluntionary presence.' From his beginnings in A Streetcar Named Desire (1951) to his mythic performances The Godfather (1972) and Apocalypse Now (1979), Brando, who worked with such famous film stars as Elizabeth Taylor and Al Pacino, and such leading directors as Elia Kazan, John Huston and Francis Ford Coppola, has become a benchmark for other actors. Clean copy.

Softcover. San Francisco, Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 132 pages, color illustrations. Culling more than 150 of the most colorful and sometimes unbelievable posters from 1957-1990. Includes an illuminating bilingual essay discussing the posters' creation, the role of cinema in Mexican popular culture, and the ups and downs of its film industry.

Softcover. San Francisco, Chronicle Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 132 pages, color illustrations. Culling more than 150 of the most colorful and sometimes unbelievable posters from 1957-1990. Includes an illuminating bilingual essay discussing the posters' creation, the role of cinema in Mexican popular culture, and the ups and downs of its film industry.

Hardcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with magenta gilt lettering on spine, 269 pages, b&w illustrations. Masculine Singular is an original interpretation of French New Wave cinema by one of Frances leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Genevive Sellier focuses on the social and cultural turbulence of the cinemas formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they wrote in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. No dust jacket, Clean copy.

Softcover. New York , Watson-Guptill, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 208 pages, 75 color, b&w illustrations. Terrific book that covers nearly forty animators from the U.S. and around the world. Includes in-depth profiles of their careers and work including the early pioneers of animation. Also includes synopses of films and many full color images.

Hardcover. NY, Ballantine Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. This beautifully printed volume belongs on your Hollywood shelf beside the works of Kobal, Trent & Lawton, Vieira, and anything else on or by George Hurrell. A brief 30-page recap of the history of still photography in the movie industry is followed by 255 pages showing examples of the work of 43 of the most notable stills men (including two women) who snapped the stars, scenes, and environment of the movies during their first 60 years. A brief chronology of the career of each photogher is included. All the photos are given their best reproduction on heavy enameled stock. Clean copy.

Softcover. NY, Random House, 1st US, 1986, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Color throughout. Max Headroom, as you may remember, is the hipper alter ego of Edison Carter (Matt Frewer) and his adventures in the future. Carter is a top notch tv reporter, the lovely Theora Ward, the controller, is played by the lovely Amanda Pays. The show gives you a dark smoky view of the future - and this book, the starting movie of the series, replicates that look It has the script from the movie, as well as action shots. Clean, bright copy.

Hardcover. Geneva, Liber, 1st, 1995, Book: Very Good, Dust Jacket: None, Harcover, glazed boards, 120 pages, mostly b&w, some color illustrations. FRENCH TEXT. No dust jacket issued.

Hardcover. NY, Simon & Schuster , 2nd pr., 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, Illustrated wth 12 b/w cartoons by George Price. A wry and witty history of the American motion picture by a giant of the industry. Postcard of Brown Derby Restaurant laid-in.

Hardcover. New York, Whitney Museum of American Art/Steidl, 1st, 2002, Book: Very Good, Dust Jacket: None, Flexible boards, 264 pages. B/w and color illustrations throughout. Published to accompany exhibition at Whitney Museum of American Art in New York. Super clean. By repeatedly re-photographing her images, transferring them from video to film and back again, and manipulating them digitally, Michal Rovner creates photographic and video imagery that abstract familiar subjects like houses, animals, and people into ambiguous and iconic forms. Working with representation but against the traditions of narrative and documentary purpose, her artworks imply a tentative universe, one that is paradoxically peaceful and unsettled, vivid and shrouded, and completely counter-factual. If the changing nature of art has resulted in a general blurring of boundaries--between painting and photography, reality and memory, presence and absence--Rovner mines this haziness, refuses to respect borders, and exists completely in The Space Between.

Hardcover. NY, Harmony Books, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover, 255 pages. SIGNED BY CO-AUTHOR DAVID BAIN ON TITLE PAGE. Color and black & white illustrations by Walt Disney studio. Color and black & white photography. Dust jacket is protected by a mylar cover.

Hardcover. Swan Isle Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. Spanish filmmaker Luis Bunuel (1900-83), known for his surrealist themes and unflinching social criticism, was an artist defined by intellectual ambition and controversy. An exile who produced some of his most famous work in Mexico and France during Franco's dictatorship, he left a complicated imprint on the creative landscape of the twentieth century and on generations of younger filmmakers--including his Mexican friend Claudio Isaac. Drawn from Isaac's personal papers, Midday with Bunuel: Memories and Sketches, 1973-1983 is an intimate and unconventional portrait of this cinematic icon--and memoir of Isaac's own artistic development.The text includes sketches, vignettes, and anecdotes from Isaac's notebooks, revealing his perspective first as a precocious boy and then as a young man. Isaac reflects on Bunuel's presence among a community of exiles, artists, actors, writers, and intellectuals in Mexico City. These are at once touching, perceptive, and critical glimpses into Bunuel's roles as husband and father, friend and colleague, surrealist, philosopher, and iconoclast during his last years. Throughout, Isaac's words reveal his deep admiration and affection for an older friend full of contradictions. Intimate photographs from the Isaac family archive complement the writing, and Bryan Thomas Scoular's careful translation makes this text available for the first time in English.

Hardcover. NY, Viking Press , 3rd pr., 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, unclipped dust jacket. The misadventures of the author, W. C. Fields, John Barrymore and John Decker in attempting to write the biography of the colorful Hollywood character, Sadakichi Hartmann. Clean copy.

Softcover. Beverly Hills CA, EMI Films, N/A, 1979, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, three-hole punched photocopied screenplay for the 1980 movie starring Angela Lansbury and Edward Fox, directed by Guy Hamilton. Title page states 2nd Draft and is dated September 1979. The final screenwriter credit added Barry Sandler. Dark blue plastic cover with title lettered on bottom edge and on tape stuck to spine. Otherwise very clean.

Hardcover. NY, St Martin's Press, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The riveting biography of comedian, director, actor and writer Elaine May, one of America's greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: "Miss May does not exist." Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be. Remainder dot to top edge. otherwise like new.

Hardcover. San Francisco, Viz, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages illustrated in color. This volume tells the entire story of the hit Disney animated feature film, directed by Hayao Miyazaki, and features color stills from the film. Clean copy.

NY, Frederick Unger, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 383 pages, b&w illustrations. Clean copy.

Softcover. New York, Simon and Schuster, 1st, 1969, Book: Very Good, Dust Jacket: None, 188 pages. Softcover. Illustrated with black & white photographs. Darkening to spine, light wear. Clean, unmarked text.