Hardcover. Atglen PA, Schiffer, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages illustrated in color. Hollywood's Golden Age was graced with thousands of breathtaking looks by a designer who was known simply as Irene. Based on unprecedented access to the records and remembrances of Irene's personal artist, Virginia Fisher, this insider's look tells the story of Irene's years at MGM studios. Marvelously illustrated with more than 150 original sketches and photography from the time period, Irene's exhilarating story, filled with memories that have a cloying edge and are, at times, chilling, comes to life in this thoroughly researched resource on her career and legacy. From her early years as a designer with a successful dress shop catering to Hollywood clientele to her ascendancy at MGM studios to the beginning of her own label, Irene, Inc., this volume captures Irene's struggles and triumphs surrounding her time at MGM. Complete with a filmography of Irene's designs and full of insightful cameos by stars like Judy Garland, Lana Turner, and others, this is the ideal book for film and costume historians, fashion designers, and fans of Hollywood's Golden Age. Clean copy.
Hardcover. Schirmer/Mosel, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. Self-reflection by celebrities tends to be fraught with unmentionable difficulties. Not, though, when the star in question is the ever intelligent, self-aware, articulate, and magnificent Isabella Rossellini. For years, a wall in the entrance of Rossellini's apartment has been covered in pictures taken of her by different photographers. Looking at the "Me Wall," Rossellini writes that she never really saw herself; instead she "saw the photographer's work, their ideas, and our collaboration in capturing fantasies." Looking at Me gathers together Rossellini's private collection of portraits taken of herself by some of the world's leading photographers, including Eve Arnold, Richard Avedon, Michel Comte, Patrick Demarchelier, Fabrizio Ferri, Horst P. Horst, Brigitte Lacombe, Annie Leibovitz, Peter Lindbergh, Robert Mapplethorpe, Steven Meisel, Irving Penn, Herb Ritts, Paolo Roversi, Ellen von Unwerth, and Bruce Weber, as well as filmmakers David Lynch and Wim Wenders. Rossellini invites us to join her as she looks at her favorite portraits, privileging us with her witty, humorous, and self-ironical comments. She traces her career, in photographs, from boxing reporter in Muhammad Ali's training camp to highly successful model, from actress in some of Hollywood's more controversial films to head of her own cosmetic line, Manifesto. Mixed in with these public images are pictures of Rossellini in private, with her children, her dog Macaroni, and her pig Spanky. Irresistibly charming, intelligent yet whimsical, Looking At Me proves the perfect complement to Rossellini herself.
Hardcover. New York, Museum of Modern Art, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 152 pages, illustrated throughout in color. Spotless and tight copy. 128 Italian film posters that are a rich array of both Italian films and the international cinema. Includes text and notes on each poster. Arranged by genre from the 30's to the late 50's.
Softcover. Bloomington, Indiana University, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 443 pages, b&w illustrations, index. Traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic - the picturesque. "To read Bertellini's superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900's and 1910's." Clean copy.
Hardcover. London, Phaidon Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 190 pages. Hardcover. Extensive b&w photography throughout. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. Baltimore, Johns Hopkins University, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 327 pages, b&w illustrations. At least three of director Jacques Tourneur's films--Cat People, I Walked with a Zombie and The Leopard Man--are recognized as horror classics. Yet his contributions to these films are often minimized by scholars, with most of the credit going to the films' producer, Val Lewton. A detailed examination of the director's full body of work reveals that those elements most evident in the Tourneur-Lewton collaborations--the lack of monsters and the stylized use of suggested violence--are equally apparent in Tourneur's films before and after his work with Lewton. Mystery and sensuality were hallmarks of his style, and he possessed a highly artistic visual and aural style. This insightful critical study examines each of Tourneur's films, as well as his extensive work on MGM shorts (1936-1942) and in television. What emerges is evidence of a highly coherent directorial style that runs throughout Tourneur's works. Clean copy.
Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Although Stock has been associated with Magnum Photos since 1951 and his work has been collected in numerous books (California Trip; Jazz Street), he remains best known for his unforgettable b&w photographs of Dean, which soared beyond routine celebrity shots. Stock's photo essay in Life, "Moody New Star," attracted attention the same week East of Eden opened in 1955, and in the years since, his photos of Dean have resurfaced in magazines, books and exhibitions. Published on the 50th anniversary of Dean's death, this collection of 80 duotones recaptures the few weeks in 1954 Stock spent with the actor in New York and his Fairmount, Ind., hometown before the two flew back to L.A. for the filming of Rebel Without a Cause. Hyams (James Dean: Little Boy Lost) calls the haunting shot of Dean alone in a rainy Times Square "one of the foremost iconic images of the 20th century." A surreal scene at the Fairmount farm shows Dean banging bongo drums for an audience of cows and pigs, and a peek inside an Actors Studio session is a rarity since Lee Strasberg "almost never let anyone photograph his classes." Stock's own brief memoir of his friendship with Dean is well written, evocative and insightful.
Softcover. Tokyo, DH Publishing, 2007, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A retrospective of the almost extinct phenomenon of billboard painting in Japan, this is a fascinating look at the golden age of cinema as seen through the eyes of Japanese artists and media. Contains cover-to-cover, full-color photos, film trivia and historical background. More than just a mine of retro-kitsch, this is a unique look at Western cinema from across the ocean, for both casual readers who wish to flick through and explore the vivid images, and those interested in the historical significance of the depiction of the West and Western films in Japan.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risque promotional stunts caused her to be increasingly snubbed in Hollywood. In the first definitive biography of Mansfield, Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. She discusses Mansfield's childhood, her many loves -- including her famous on-again, off-again relationship with Miklos "Mickey" Hargitay -- her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. Clean, bright copy.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 289 pages, b&w illustrations. The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Emile Zola's La Bete Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir. Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit a persona that would define his future roles. In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Clean copy.
Hardcover. NY, Harry N Abrams, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 248 pages. B&w photos throughout. Jean Howard was a small part Hollywood actress in the late 30s/early 40s whose marriage to super agent Charles Feldman gave her an entry into the top circles of Hollywood away from the studios. She carried her camera with her everywhere and thus we get hundreds of photographs of Hollywood royalty at play right up until the Sixties both at home and mixing with high society in Europe. Although not especially gifted as a photographer her access to the stars was unprecedented and her candid snaps are fascinating for students of Tinseltown at play. Thus we get the likes of Tyrone Power playing croquet with Howard Hawks and Daryl Zanuck and Jennifer Jones leading a conga line of party guests fully clothed into Joseph Cotten's swimming pool. The photographs in this coffee table sized book are accompanied by short but informative comments identifying the participants and giving snippets of fascinating gossip. Recommended for fans of Hollywood's studio era.
Softcover. Philadelphia, Ratpac/Running Press, 1st US, 2016, Book: Very Good, Dust Jacket: None, Softcover, 942 pages, b&w photos. Clean, bright copy. Renoir made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Previously unknown information including Renoir's close affiliation with Communism in the '30s is detailed in this definitive biography.
Hardcover. Los Angeles, Sherbourne Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Biography of the controversial and award-winning director, covering the entire span of his career. Illustrated with photographs. Two appendixes: The Projects of John Huston: Films and Plays 1931-1965, and A Huston Bibliography. 247 pages.
Hardcover. Jefferson NC, McFarland & Company, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 271 pages. Maroon cloth with silver lettering to front and spine. No dust jacket. Clean, tight copy.
Hardcover. New York , Simon & Schuster, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, Many B&w photos of Travolta working out. Old ink price "whited out" on front fly leaf, otherwise very good.
Softcover. Canberra AU, Australian Institute of Aboriginal Studies, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, oblong, 160 pages. Details an Australian film made in 1976 and released in 1979. The traditional, extremely complex mortuary rites for a young child at an Aboriginal homeland settlement on the Gulf of Carpentaria. Foreword by Ian Dunlop. Previous owner's name opposite half-title page, otherwise clean.
Softcover. Canada, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.
Softcover. Toronto, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.
Hardcover. Scranton PA, Newmarket, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with 72 photos and 19 posters. Based on interviews conducted over a period of 18 months. Fascinating and instructive comments by Kazan on his casting decisions, directorial techniques and perceptions, etc. All 19 of Kazan's films are discussed, including: A Tree Grows in Brooklyn (1947), Gentleman's Agreement (1947), A Streetcar Named Desire (1951), On the Waterfront (1954), East of Eden (1955), etc. Also recounted here are his role in the McCarthy era, his controversial testimony before the House Un-American Activities Committee in 1952, his thoughts about the blacklist, and involvement with the Communist Party. Filmography. Credits. Bibliography. Index. Clean copy.
Hardcover. NY, Macmillan Publishing, 3rd pr., 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Here is the story of Joseph Frank "Buster" Keaton, the director, producer, writer and star--the sad-faced little man who was one of the prime masters of silent film comedy. The book includes hilarious accounts of the filming--usually without script--of some of his now-classic films and more the-an 100 photographs. Clean copy.
Hardcover. London, SelfMadeHero, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. In the mid-1970s, Klimowski's fearlessly original artwork caught the eye of leading Polish theatre and film companies, for whom he designed some of the period's most influential and iconic posters. The London-born artist, who moved to Poland at a time when many East Europeans dreamed of going West, went on to create posters for works by filmmakers and playwrights from Scorsese to Altman, Beckett to Brecht. Drawing on folk art, Polish Surrealism and the work of his mentor at the Warsaw Academy, Henryk Tomaszewski, Klimowski uses techniques including photomontage and linocut to create posters that are filled with metaphor, drama and originality. The Klimowski Poster Book compiles the best of his Polish work, while also tracing his career after his return to London, where he remains Emeritus Professor of Illustration at the Royal College of Art. Clean, bright copy.