Literature

Hardcover. Jackson MS, University of Mississippi, 1st, 1987, Hardcover in a bright dust jacket, 178 pages. Gathers interviews with the Tennessee short story writer in which he discusses his career, writing, character development themes, settings, and growing older. Clean copy.

Softcover. University Press of Mississippi, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 320 pages. Here is a collection of interviews that cover the period from 1967 through 1993. Many are translations of interviews that originally appeared in French, German, Italian, Polish, Spanish, or Swedish periodicals. Several are published here for the first time in any language. Giving attention to Sontag's education and the development of her aesthetic and moral temperament, they cover Sontag's rich career as a distinguished writer, filmmaker, dramatist, and cultural critic. Clean, bright copy.

Softcover. NY, Semiotext(e)/MIT, 1st transl., 2008, Book: Very Good, Dust Jacket: None, Softcover, 400 pages. Letters by writer, filmmaker, and cultural revolutionary Guy Debord conjure a vivid picture of the dynamic first years of the Situationist International movement. Debord's letters-published here for the first time in English-provide a fascinating insider's view of just how this seemingly disorganized group drifting around a newly consumerized Paris became one of the most defining cultural movements of the twentieth century. Clean copy.

Hardcover. Brooklyn NY, Melville House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the original 30,000 word article Agee wrote for Fortune magazine in 1936 that was never published. Accompanied by 30 Walker Evans photos. Clean copy.

Hardcover. NY, Viking Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This copy has been SIGNED by Shirley Hazzard on the title page. The author, who worked at the United Nations for ten years, and who during Waldheim's tenure raised questions about his hidden past, discloses here the secret history of an institution that is supposed to safeguard the world's most cherished principles. Remainder line on bottom edge, otherwise clean.

Hardcover. NY, Harper & Bros., 1st US, 1940, Book: Very Good, Dust Jacket: None, Hardcover. Black & white photos by Bryan & Norman Westwood. Previous owner's signature on front end paper.

Hardcover. London, Faber and Faber, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 171 pages. The author relates her experiences growing up in the Derbyshire countryside of central England during the late nineteenth century. Her `country' books, beginning with The Country Child and continuing with series of essays on country themes, such as Country Hoard were extremely popular, due to her uncanny ability to remember the smallest details of her Derbyshire childhood and express them with beautiful poeticism. This volume collects a number of her best essays. B&w illustrations by C.F. Tunnicliffe. Previous owner's notation on front fly leaf, otherwise clean.

Hardcover. NY, Harcourt, Brace & Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover. 302 pages. Previous owner's signature on front endpaper. Light pencil marginalia to last page. Browning to front endpapers. Red cloth binding with black lettering.

Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.

Hardcover. NY, Shoemaker and Hoard, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 222 pages. INSCRIBED BY CASTRONOVO on the title page. Edmund Wilson, 20th century America's most direct and readable critic of literature and society, was a man of many loves. In his half century as a major force in American letters he had an outsize romantic career that reflected the complex depths of his personality. Each woman whom he came to love was an alluring interpretative problem, an erotic and analytic challenge, a presence that fired his imagination. They came from the Greenwich Village of the 1920s, from his own upper middle class world of privilege, from New York's working class, from the high reaches of literary New York as well as from the workaday world of Talcottville in upper New York State. Who were they? Poet Edna St. Vincent Millay; actress Mary Blair; friends and drinking buddies Dorothy Parker, Louise Bogan, Dawn Powell, and Elinor Wylie; poet Leonie Adams; writer and intellectual Mary McCarthy; Mamaine Paget, later the wife of Arthur Koestler; and screenwriter and journalist Penelope Gilliatt were the best known. They appear here as personalities in their own right as well as in the roles they play in Wilson's biography. His Rabelaisian appetites, ardors and vulnerabilities, and conceptions of love and sex are a story in themselves. Clean copy.

Hardcover. Minneapolis MN, University of Minnesota Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket that has a closed tear to the front panel. 523 pages with index. A collection of significant critical pieces about Kenneth Burke's work. 67 selections by 56 contributors arranged chronologically. Among the selections are reviews, essay-reviews, essays, excerpts from books, and some previously unpublished material. Collectively, they chart Burke's development and assess his achievements as a contemporary American man of letters. Clean copy.

Hardcover. NY, Oxford University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 166 pages. Pindar (c. 518-438 B.C.), one of ancient Greece's most famous lyric poets, is perhaps best known for his victory (epinicean) odes, written to honor the winners at various sets of games, such as the Olympiad. In Crown of Song, Deborah Steiner's study of these odes, she writes "If Pindar is remote from us in genre, his style strikes the reader as vivid and immediate. And in my reading of the epinicean odes, it is the poet's use of metaphor that accounts for the dynamic quality of his verse." Steiner begins her analysis by exploring both ancient and modern theories of metaphor, and then turns to specific imagery employed by the poet--plant life, athletics, minerals and numerous others--as a way of understanding how these metaphoric complexes function in the poet's praise of the victor, his assertion of his own place as perpetuator of the victor's immortal fame, and in his vision of human achievement and glory in the context of mortal life and immortal gods. Written in a lively, readable style, Crown of Song opens up the sometimes difficult verse of this celebrated ancient poet to modern readers. Name on front fly leaf, otherwise clean.

Hardcover. NY, Pegasus, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 338 pages, b&w illustrations. A remarkable literary hybrid--part biography, part detective story--about the enduring figure of Robinson Crusoe. January 1719. A man sits at a table, writing. Nearly sixty,Daniel Defoe is troubled with gout and mired in political controversy and legal threats. But for the moment he is preoccupied by a younger man on a barren shore--Robinson Crusoe. Several miles south, another old man, Robert Knox, sits bent over a heavy volume--published nearly forty years before.Knox's Historical Relation was a best seller when it was published in 1681, just a year after he escaped from Ceylon and returned to England. Where did Crusoe come from? And what is the secret of his endurance? Crusoe explores the intertwined lives of two real men, Daniel Defoe and Robert Knox, and the character and book that emerged from their peculiar conjunction. It is the biography of a book and its hero: the story of Defoe, the man who wrote Robinson Crusoe, and of Robert Knox, the man who was Crusoe. Clean copy.

Softcover. Durham NC, Duke University Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, pages. Cultures of United States Imperialism represents a major paradigm shift that will remap the field of American Studies. Pointing to a glaring blind spot in the basic premises of the study of American culture, leading critics and theorists in cultural studies, history, anthropology, and literature reveal the "denial of empire" at the heart of American Studies. Challenging traditional definitions and periodizations of imperialism, this volume shows how international relations reciprocally shape a dominant imperial culture at home and how imperial relations are enacted and contested within the United States. Light shelf wear.

Hardcover. Edinburgh, John Grant, Revised/Reprint, 1896, Book: Very Good, Dust Jacket: None, 301 pages. Cloth boards. Previous owners bookplate on front inside cover. No dust jacket.

Hardcover. Athens GA, University of Georgia Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with mild edgewear, 253 pages. Considered depraved by some and magnificent by others, Lady Chatterley's Lover was a genetic controversy the world over, inspiring landmark judicial opinions. After 50 years it's literary reputation is not yet secure -- the scent of pornography still clings. In DH Lawrence's" Lady " outstanding critics, assessing the work from a different perspective, reveal vast importance to her literature and our culture. Edited by Michael Squires and Dennis Jackson, these essays offer vigorous and perceptive readings that see the novel as it could not have been viewed at the time when it first appeared.

Hardcover. London, Frederick Muller Limited, 1st, 1964, Book: Very Good, Dust Jacket: Good, 194 pages. Hardcover with dust jacket. Previous owner's signature on front fly leaf. Illustrated by Harry and Isle Toothill. Light bumping to bottom cover boards, light soiling.

Softcover. Chicago, Gateway Books, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 517 pages. Clean copy.

Hardcover. New York, Alfred A. Knopf, 1st, 1926, Book: Very Good, Dust Jacket: Fair, 130 pages. Hardcover with dust jacket. Purple and orange striped boards with orange wrap-around title label. In a worn, chipped dust jacket currently covered in plastic. Chunk missing from dust jacket on rear bottom. Tight copy.

Hardcover. London, The Grolier Society, 1st Thus, ND, Book: Very Good, Dust Jacket: None, 2 Hardcover Volumes. Edition de Luxe - Limited to One Thousand Copies for England and America - this being No. 746. Gray cloth covers. Top edges gilt. Fading to spine labels. Full color and black & white illustrations. Clean, tight copies.

Hardcover. NY, Oxford University Press, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 344 pages. "Agricola" is Tacitus's biography of his father-in-law Gnaeus Julius Agricola, a Roman general who was governor of the province of Britain from 77 to 85 AD. This text is thus a key source of information on the Roman conquest and occupation of Britain in the first century AD. In the "Agricola", Tacitus is also keen to describe and commend the policies that Roman governors like Agricola employed to break the resistance of the ancient Britons and subjugate them to the Empire, but at the same time Tacitus presents the reader with a number of biting critiques of Rome's approach to imperial conquest. Some pencil notes in margins of about 20 pages. Name on front fly leaf.

Hardcover. NY, W W Norton & Co , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In these extraordinary letters, we see May Sarton in all her complexities and are privy to her tangled relationship with Juliette Huxley, whom May considered her muse and the greatest love of her life. May Sarton's love for Juliette Huxley, ignited that first moment she saw her in 1936, transcended sixty years of friendship, passion, rejection, silence, and reconciliation. The letters chart their meeting, May's affair with Juliette's husband Julian (brother of Aldous Huxley) before the war, her intense involvement with Juliette after the war, and the rich, ardent friendship that endured until Juliette's death. While May's intimate relationship with Julian was not a secret, May's more powerful romance with Juliette was. May's fiery passion was a seductive yet sometimes destructive force. Her feelings for and demands on Juliette were often overwhelming to them both. In fact, Juliette refused all contact with May for nearly twenty-five years. Their reconciliation, after Julian's death, wasn't so much a rekindling as it was a testament to the profound affinity between them. Theirs was a relationship rife with complications and misunderstandings but the deep love and compassion they shared for one another prevailed. Included in this book are Sarton's original drafts of an introduction to these letters. 400 pages including index. Clean copy.

Softcover. US, Linen Hall Library, 1st, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. SIGNED BY EDITOR on title page. Light shelf-wear to wrappers, else a clean, tight copy. A very pleasing collection of letters between two fine Irish writers.

Hardcover. NY, Riverhead Books, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A full-throated and provocative memoir in letters from the New York Times bestselling author, a dazzling literary talent whose works cut to the quick of the spiritual self (Esquire)In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Clean copy.