Hardcover. Hong Kong, Chinese University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 598 pages, errata slip laid in. Spine slightly cocked, light shelfwear.

Softcover. NY, W. W. Norton & Company, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 447 pages, b&w illustrations. Sylvia Beach ran a bookshop in Paris in the 1920s and 30s and was at the heart of the literary world there which also included Hemingway, Pound, Flanner, Gide, and of course Joyce whose novel "Ulysses" she published. Clean, bright copy.

Hardcover. New York, W W Norton & Co Inc, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 568 pages. Clean, unmarked copy in excellent condition. Profiles the enigmatic soldier, statesman, and man of letters, offering a wealth of never-before-published missives that shed light on his role in the Arab revolt, his sexuality, and his retreat into obscurity.

Hardcover. Philadelphia, PA, Carey, Lea & Carey, Second series, 1829, Book: Very Good, Dust Jacket: None, Vol 1: 296 pages. Vol 2: 286 pagesHardcovers. Brown boards, paste down title on spine in black. Original owner inscription on front flyleaf of both books, original owner's signature on back pages. Pages untrimmed, rough edged, tanning and foxing to pages. Binding very good, spine straight. Agewear throughout, in very good condition for its age. Good solid volumes of Sir Walter Scott's tales as told to his grandson.

Hardcover. NY, Simon and Schuster, 1st, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 301 pages. Stated First printing on copyright page, $5.95 price on front flap. A collection of articles written for The New Yorker 1958-1965. Some tanning to dj. small price stamp on front flap, otherwise clean.

Hardcover. NY, Norton, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 752 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Never before has Gordimer, awarded the Nobel Prize for Literature in 1991, published such a comprehensive collection of her nonfiction. Telling Times represents the full span of her works in that field-from the twilight of white rule in South Africa to the fight to overthrow the apartheid regime, and most recently, her role over the past seven years in confronting the contemporary phenomena of violence and the dangers of HIV. The range of this book is staggering, and the work in totality celebrates the lively perseverance of the life-loving individual in the face of political tumult, then the onslaught of a globalized world. The abiding passionate spirit that informs "A South African Childhood," a youthful autobiographical piece published in The New Yorker in 1954, can be found in each of the book's ninety-one pieces that span a period of fifty-five years.

Hardcover. NY, Arbor House, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages with photographs. Biography co-written by the author's brother. The definitive biography of one of America's most celebrated playwrights. Drawing on previously unseen diaries, letters, and interviews, the authors explore the life and work of Williams, from his early years in Mississippi to his landmark plays of the 1950s and 1960s. Clean copy.

Hardcover. NY, W. W. Norton , 1st, 2014-09-22, Book: Very Good, Dust Jacket: Very Good, Hardcover, 765 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.

Softcover. London, Routledge, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 214 pages. Horror fiction has provided our culture with some of its most enduring themes. In examining the cultural apparatus surrounding it, Grixti argues that such narratives raise important questions about the relationship between fiction and society. Clean copy.

Hardcover. Oxford UK, Clarendon Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 461 pages. This, the final volume of the Clarendon Press edition of Burton's Anatomy of Melancholy, contains commentary on the Third Partition, in which Burton considers two especial forms of the disease, Love and Religious Melancholy. The volume includes an index which gives biographical and bibliographical information concerning the more than 1550 authorities cited in the Anatomy, most of whom are little known today. Also included are an index of the major topics discussed in the Anatomy, and a complete bibliography of all the works mentioned in the commentary. Clean, bright copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1940, Book: Very Good, Dust Jacket: Poor, Hardcover, red cloth in a worn and chipped dust jacket with closed tears, 191 pages with index. Dr. Worcester presents a theory of satire, surveying the whole field since Dryden's Discourse of the Origin of Satire and drawing illustrations not only from English but from classical, French, German, and American literature. At the same time he makes a penetrating study of irony and its uses. Name on inside front cover otherwise clean.

Hardcover. NY, Horizon Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 264 pages with index. Carnevali, an Italian poet, came to the USA, suffered poverty and illness, and returned to Italy. Some of his poems are included here. Clean copy.

Hardcover. Boston, D.C. Heath & Co., 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, 12mo. 193 pages, beige pictorial paper covered boards, maroon cloth spine, gilt lettering on spine, Folding plate in front. Clean, bright copy.

Hardcover. Berkeley CA, Counterpoint, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 144 pages. Walter Murch first came across Curzio Malaparte's writings in a chance encounter in a French book about cosmology, where one of Malaparte's stories was retold to illustrate a point about conditions shortly after the creation of the universe. Murch was so taken by the strange, utterly captivating imagery he went to find the book from which the story was taken. The book was Kaputt, Malaparte's autobiographical novel about the frontlines of World War II. Curzio Malaparte, an Italian born with a German heritage, was a journalist, dramatic, novelist and diplomat. When he wrote a book attacking totalitarianism and Hitler's reign, Mussolini, in no position to support such a body of work, stripped him of his National Fascist Party membership and sent him to internal exile on the island of Lipari. In 1941, he was sent to cover the Eastern Front as a correspondent for Corriere della Sera, the Milano daily newspaper. His dispatches from the next three years would be largely suppressed by the Italian government, but reverberated among readers as painfully real depictions of a landscape at war.

Softcover. Totonto, University of Toronto Press, reprint, 1977, Book: Very Good, Dust Jacket: None, Softcover, 444 pages, b&w illustrations. Mild shelf wear, clean copy.

Softcover. NY, New Directions, 2nd pr., 1969, Book: Very Good, Dust Jacket: None, Softcover, second printing, 316 pages plus index, sewn paperback cover price $2.45, very good lightly used copy.

Softcover. Chapel Hill, University of North Carolina , 1st, 1984, Book: Good, Dust Jacket: None, Softcover, cream paper covers with red and black titling, 137 pages. There is underlining and notations to text in red ink to about half the pages.

Hardcover. Austin TX, University of Texas Press, 1st, 1962, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket. Foreword by George Orwell. Introduction by Christopher Fyfe. 241 pages. Reprints two books by Irish novelist Joyce Cary (1888-1957), "The Case for African Freedom" (1941) and "Britain and West Africa" (1946), and three shorter magazine pieces. Illustrated in black and white, with three maps of Africa. Cary was English novelist who served in the Nigerian political service.

Hardcover. London, Faber and Faber, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 292 pages, b&w plates. An affectionate and mostly literal account of the early years of Williamson's growing family, based in part on a series of articles called 'Tales of My Children' which he had contributed to 'Family' in 1935. With a frontispiece and sixteen photographs by the author. Mild shelf wear, clean copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1882, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red, black, and gilt embossed spine title, cover title, and bright cover illustration and decoration. Boards have beveled edges. All edges gilt. 70 pages, tissue-guarded frontispiece, 30 full-page illustrations; artists include A.B. Frost. Howard Pyle. Fredericks, J. S. Davis and others. A ballad written in Paris in 1841 at the time of the second funeral of Napoleon and is a narrative of French military history. Slender piece of cloth chipped away on rear cover, otherwise clean, very good.

Hardcover. Chicago, Swallow Press, 1st, 1976, Book: Very Good, Dust Jacket: Fair, Hardcover, green pebbled cloth with gilt lettering on spine. 463 pages. Dust jacket worn, fading to spine with chunk gone from spine.Name and date on front fly leaf, otherwise clean.

Hardcover. Oxford UK, Cambridge University Press, 1st, 1928, Hardcover, 190 pages, text clean and sound, marbled boards and green quarter-cloth. Contains a collection of letters by the playwright and author Oliver Goldmith, author of She Stoops to Conquer and The Vicar of Wakefield, written between 1752 and 1774. Balderston includes letters which only exist in a fragmentary form, as well as doubtful and forged letters.

Hardcover. Stratford-on-Avon, Shakespeare Head Press, Ltd. Ed., 1908, Book: Very Good, Dust Jacket: None, Eight hardcover volumes. The complete set published in an edition of 1060 copies. This set bound in gray boards with green cloth spines. Black lettering to spines, title pages in red and black, untrimmed edges. Mild wear to boards, Vol. 6 with cracked hinges and some pencil marking, otherwise a clean set. PLEASE NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Berkeley CA, University of California Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 1067 pages. Rip-roaring and rib-tickling, Francois Rabelais's irreverent story of the giant Gargantua, his giant son Pantagruel, and their companion Panurge is a classic of the written word. This complete translation by Donald Frame, helpfully annotated for the nonspecialist, is a masterpiece in its own right, bringing to twentieth-century English all the exuberance and invention of the original sixteenth-century French. A final part containing all the rest of Rabelais's known writings, including his letters, supplements the five books traditionally known as Gargantua and Pantagruel. This great comic narrative, written in hugely popular installments over more than two decades, was unsparingly satirical of scholarly pomposity and the many abuses of religious, legal, and political power. The books were condemned at various times by the Sorbonne and narrowly escaped being banned. Behind Rabelais's obvious pleasure in lampooning effete erudition and the excesses of society is the humanist's genuine love of knowledge and belief in the basic goodness of human nature. The bawdy wit and uninhibited zest for life that characterize his unlikely trio of travelers have delighted readers and inspired other writers ever since the exploits of Gargantua and Pantagruel first appeared. Clean, bright copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, N.H. Whitaker, reprint, 1831, Book: Good, Dust Jacket: None, Hardcover, white boards with green cloth spine with a paper spine label. 420 pages. B&w frontis "Genius of Romance", Opposite title page has a drawing of White. Henry Kirke White was an English poet and hymn-writer. He died at the young age of 21. This edition of his complete works includes his poetry, as well as his letters and other writings. The volume also includes an account of his life and a critical evaluation of his work by Robert Southey. Ex-lib with residue, stamping to endpapers, spine extremities worn, light soil to covers. Interior of the book is clean with minimal foxing.

Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.

Softcover. Saranac Lake NY, Outskirts Press , 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. SIGNED AND INSCRIBED BY SHAW. like new. Shaw's memoir and account of his friendship with Jon Cody, an older one-armed dope dealer and leather craftsman in the Adirondack backcountry.

Hardcover. NY, Alfred A. Knopf, 1st, 1921, Book: Very Good, Dust Jacket: Poor, Hardcover, brown cloth stamped in gilt, 222 pages with line drawings by the author. In a very worn and chipped dust jacket. "Mr. Day here sets forth in his characteristic vein his observations about men and human nature and books--talks about Humpty-Dumpty, Prometheus, Shaw, Fabre and Noah--money, the nebular hypothesis, legs, cows and marriage. Also an attempt to describe our world to a fish." Clean copy.

Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."

Hardcover. NY, Alfred A. Knopf , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 314 pages. Contrasting the Victorian system of virtues - respectability, self-help, discipline, cleanliness, obedience, orderliness - with the opportunistic, superficial morality of modern society, an intellectual historian calls for a deeper commitment to moral responsibility. According to Himmelfarb, Victorian "manners and morals" created a society that emphasized a strong family life for all classes and gave rise to a prosperous economy and the early feminist and social service movements. Furthermore, the influence of these virtues caused the incidence of illegitimate births and violent crimes to drop significantly and remain low until the 1960s. Clean copy.

Hardcover. Oxford UK, Clarendon Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 171 pages. Volume 1 ONLY of a six volume set. Name and date on front fly leaf, otherwise clean, bright copy.

Hardcover. Oxford UK, Clarendon Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 639 pages. Volume 3 ONLY of a six volume set. Clean, bright copy.

Hardcover. NY, Harcourt Brace Jovanovich, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 384 pages. Bookplate on inside front cover, small name stamp on front fly leaf, otherwise clean.

Softcover. San Francisco, Fox & Wilkes, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. Clean copy.

Hardcover. Delmar NY, Scholars Facsimiles and Reprints, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 597 pages. A facsimile reproduction of the 1605 London edition. Du Bartas was extremely popular in early modern England, and was still being read widely in the later seventeenth century even as his reputation in France began to decline. His world-famous La Sepmaine, ou creation du monde (1578), an epic poem on the creation of the world, divided into seven parts, for each of the seven days of creation, was first translated into English in 1598 and published in 1605 and was reprinted six times up until 1641. "No other poem (besides those in the Bible itself) was read as widely as the Semaines were across early modern English and Scottish society. Based on references to Sylvester in print, Snyder believed that 'Clearly everyone in pre-Restoration England who had received a literary education read the 'Weekes' ande almost all.... Admired it'. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. The Augustan Reprint Society Number 251-252. Introduction by Janet E. Aikins. Orig. tan card wrappers, stapled binding. An 18th century theatre critic's remarks regarding Otway's play. Clean copy.

Hardcover. Evanston IL, Northwestern University Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Oversize hardcover art book. This is the first publication of the complete body of noted Polish Author and artist Schulz's known artwork. A great engraver-draftsman, Schulz earned his living as a menial art teacher. He was one of the first Modern writers to incorporate his own drawings in his stories, one of which, "The Age of Genius", is about his artistic childhood. "His art, like his writing, is deeply infused with a sense of personal and cultural degradation, an ominous, prescient aura of the horrors in store for the fragile and rapidly disappearing world in which he lived.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Hardcover. NY, Fleming H. Revell, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt on spine and front cover, 224 pages, top edge gilt. Vermonter Humphrey was known as a prolific writer of essays with regional, nature, travel, and religious themes. The pieces in this volume were originally published in various periodicals of the period. Clean, bright copy.

Hardcover. London, Oxford University Press, 1st, 1933, Book: Very Good, Dust Jacket: Good, 140 pages. Hardcover with price-clipped dust jacket. Clean, tight copy.

Hardcover. NY, Dutton, 1st US, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a price-clipped dust jacket. A memoir of the real Christopher Robin and Winnie-the-Pooh. An attractive copy of Christopher Milne's book about the origins of the Pooh stories, his childhood, and his family. Previous owner's inscription, sticker on front fly leaf.

Hardcover. NY, Sheed and Ward, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with faded spine, 480 pages. Richard Kostelanetz's monumental evisceration of the American book world circa 1974--the self-appointed backslapping elites, the perpetual disdain for the unconventional, the laziness in book reviewing and fear of losing one's status when criticising the wrong thing--remains, as a final sadness, itself a rare out of print tome. Kostelanetz has written perhaps the most fearless exploration of literary politics in print, taking on and naming the titans at the top of the heap, dissecting the power structures that emerged in the 1950s and 60s, and the emergence of the plutocratic hierarchies that continue to dominate publishing. Outing the various cliques as mobs, and using apt and amusing mafia parallels, Kostelanetz is unrelenting in his meticulousness, and counteracts the status quo with a passionate defence of the avant-garde, using the second half of the book to bring light to the various emerging authors of experimental poetry, fiction, and mixed media works around the time. At times a touch long-winded and overfed with quotes, this nevertheless is an essential read for those requiring a hard slap as to the inherent evil of the corporate book world and why indie is the only way forward. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1994, Book: Good, Dust Jacket: Good, Hardcover in a dust jacket with minor wear, 278 pages. A re-examination of the roles played by authors, readers, scribes and texts in medieval literature, which describes how consideration of marks on the physical manuscript - elements added by scribes and readers - can shed light on interpretive issues that have puzzled modern readers. Light underlining to 18 pages in first chapter.

Hardcover. NY, Columbia University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 248 pages. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 64 pages, facsimile reprint of a pamphlet, an early feminist document in the form of a poem with a 14 page introduction by Gae Holladay. Clean copy.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1981, Book: Very Good, Dust Jacket: None, Softcover. Facsimile reprint of 17th century (1754) edition; stapled wraps; 44 pages with a 12 page introduction by Jocelyn Harris.

Hardcover. NY, The Free Press, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 330 pages. This book traces the central developments in American literature between and 1919. It opens with an account of the consolidation of realism as the dominant standard of critical value and brings the reader forward to the moment, at the end of World War I, when American writers began to take a recognized place among the masters of literary modernism. The ascendancy of the novel as the principal genre of the realists is presented against a broader cultural and historical background. Professor Berthoff reviews and evaluates American fiction from the time when Howells, Twain, and Henry James were still under attack by old-school idealizers, to the emergence of a new critical and testamentary realism with Crane, Dreiser, and Gertrude Stein. Clean copy.