Softcover. NY, Oxford University Press, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Dr. Seuss's infectious rhymes, fanciful creatures, and roundabout plots not only changed the way children read but imagined the world. And to Think That I Saw It On Mulberry Street, Green Eggs and Ham,The Cat and the Hat, these and other classics have sold hundreds of millions of copies and entertained children and adults for decades.fter graduating from Dartmouth, Theodor Geisel used his talents as an ad-man, political provocateur, and social satirist, gradually but irrevocably turning to children's books. Theodor Geisel tells the unlikely story of this remarkable transformation. In this compact and engrossing biography, Donald Pease reveals the evolution of Dr. Seuss's creative persona while offering an honest appraisal of his life. The book also features many of Dr. Seuss's lesser-known illustrations, including college drawings, insecticide ads, and wartime political cartoons--all of which offer a glimpse of his early artistic style and the visual origins of the more famous creatures that later populated his children's books.As Pease traces the full arc of Dr. Seuss's prolific career, he combines close textual readings of many of Dr. Seuss's works with a unique look at their genesis to shed new light on the enduring legacy of America's favorite children's book author.
Hardcover. New York, Doubleday, 1t, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout.
Hardcover. New York, Doubleday, 1t, 2017, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color illustrations throughout.
Hardcover. New Haven CT, Yale University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover in a dust jacket with fading to some areas, 338 pages. Margaret Fuller - journalist, critic, radical feminist, and political activist - traveled in Europe between 1846 and 1850 as a foreign correspondent for the New York Tribune. Her letters from England, France, and Italy, which began as engaging travel sketches, soon became moving accounts of the most widespread revolutionary upheaval within modern history. These dispatches are now reproduced in their entirety for the first time. Clean copy.
Hardcover. New York, Atlantic Monthly Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages, INSCRIBED BY AUTHOR on title page. Spotless and clean copy.
Hardcover. NY, Random House, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 305 pages. In an age when much American writing was either glacially noncommittal or heremetically personal, William Styron persisted in addressing great moral issues with incendiary passion. Seriousness and ardor characterize all the essays in This Quiet Dust, the first book of nonfiction by the Pulitzer Prize-winning author of Lie Down in Darkness and Sophie's Choice. Clean copy.
Hardcover. London, George Allen and Unwin Ltd., 1st ed., 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 331 pages. Blue cloth boards with gilt lettering along spine. Dust jacket has sticker on front flap. Dust jacket is also faded along spine with over all shelf wear. Otherwise, tight clean copy.
Hardcover. NY, Penguin Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 512 pages. The novels of Thomas Hardy have a permanent place on every booklover's shelf, yet little is known about the interior life of the man who wrote them. A believer and an unbeliever, a socialist and a snob, an unhappy husband and a desolate widower, Hardy challenged the sexual and religious conventions of his time in his novels and then abandoned fiction to reestablish himself as a great twentieth-century lyric poet. In this acclaimed new biography, Claire Tomalin, one of today's preeminent literary biographers, investigates this beloved writer and reveals a figure as rich and complex as his tremendous legacy. Clean copy.
Hardcover. Concord MA, Albert Lane/Erudite Press, 2nd Ed., 1903, Book: Very Good, Dust Jacket: None, Hardcover, gray-green boards over green cloth spine, 35 pages, frontis. portrait plus 3 halftone plates. First published in 1890, "It is a pious duty to his memory to correct the errors of fact that were ... reported in the first edition of the Glimpse 1890." Jones was part of the rehabilitation of Thoreau's reputation and appreciation. Previous owner's bookmark on inside front cover, Paper label on spine mostly gone, otherwise clean, very good.
Hardcover. New York, N.Y., Carlton Press, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, 287 pages, b&w illustrations. INSCRIBED BY AUTHOR on front end paper. Light edgewear to dust jacket, else a clean, tight copy.
Hardcover. Cambridge, Cambridge University Press, 1st ed., 1982, Book: Good, Dust Jacket: Good, 220 pages. Purple cloth boards with gilt lettering along spine. Few pages of light pencil underlining. Dust jacket has some foxing, mainly on flaps, and discoloring. Tight copy. The idea of man as an essentially irrational being has preoccupied some of the most influential of Russian thinkers, including the three important Soviet writers considered by Dr Edwards in this book. Since the 1917 Revolution the polemic between rationalists and irrationalists has become directly relevant to the way life is lived in the Soviet Union, and a knowledge of the irrationalist point of view is essential for an understanding of much of Soviet literature and of the foundations of Soviet dissidence. As with other titles in this series, this book is not intended simply for the specialist. The broad speculations arising from the subject will fascinate all those who take a serious interest in the Russian literary tradition; a tradition whose principal figures have been concerned to reject philosophical and political creeds that, in seeking to produce a perfect human being in a perfect society, point in fact towards a vision of hell.
Hardcover. Gutersloh GR, C. Bertelsmann,, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover, 438 pages, chipped dust jacket. GERMAN TEXT. JULIA CHILD'S COPY with her signature, address and 1956 on the front fly leaf.
Hardcover. New York, Macmillan, 1st, 1933, Book: Very Good, Dust Jacket: None, 161 pages. Blue cloth hardcover. Black & white illustrations by Marguerite Davis. Short stories selected by the Literature Committee of the Association for Childhood Education. Previous owners bookplate on inside front cover. Light foxing to foredge. Clean, tight copy.
Hardcover. UK, Oxford University Press, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 310 pages. Tolkien's Lost Chaucer uncovers the story of an unpublished and previously unknown book by the author of The Lord of the Rings. Tolkien worked between 1922 and 1928 on his Clarendon edition Selections from Chaucer's Poetry and Prose, and though never completed, its 160 pages of commentary reveals much of his thinking about language and storytelling when he was still at the threshold of his career as an epoch-making writer of fantasy literature. Drawing upon other new materials such as his edition of the Reeve's Tale and his Oxford lectures on the Pardoner's Tale, this book reveals Chaucer as a major influence upon Tolkien's literary imagination. Clean copy.
Hardcover. NY, Charles Scribner's Sons, 1st US, 1985, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes with dust jackets in a cardboard slip case. Volume 1: 1847-1894, 396 pages. Vol. 2: 1895-1910, 397-755 pages. All bright and clean except for fading to dj spines. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Charles Scribner's Sons, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Two hardcovers in dust jackets. 737 pages. Index. The dust jackets are faded on the spine. Edited by R.F. Christian. Vol. 1 1828-1879. Vol. 2 1880-1910. In a cardboard slipcase. Clean, bright set.
Hardcover. NY, Crown, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 644 pages, b&w illustrations. After a protracted squabble over private papers with the playwright's estate, Leverich delivers this hefty first volume of a projected two-volume life of Tennessee Williams (1911-1983). In it, Leverich, who produced several of Williams's plays and calls himself Williams's "chosen biographer", covers the years through 1945, when The Glass Menagerie opened on Broadway. Treated are Williams's youth in Mississippi and St. Louis; the college years at the universities of Missouri and Iowa; bumming around (but always writing) in New Orleans and Greenwich Village; the disaster of his first Broadway play (it closed in Boston); script writing, or avoiding it, at MGM's Hollywood mill; and, finally, the evolution of Menagerie, a wonderfully detailed and dramatic case history in itself. Leverich's overworked conceit, which he restates at intervals, is that this is the life of Tom Williams, a "repressed puritan" poet, who in time created a more flamboyant public persona called Tennessee. A few matters are set straight. Leverich maintains his subject's active homosexual life started in his late 20s, later than Williams stated in his memoirs, and that his sister's infamous lobotomy came later than his mother claimed. Although the accumulation of information is impressive, the lower Leverich keeps his own profile and editorial commentary the better his book is, which means it is at its best when it simply reproduces Williams's sporadically kept journal. If you believe that all the details of a life are but preparation for a single event, in this case, the opening of a remarkable play, this is an impressively argued biography.
Hardcover. NY, Alfred A. Knopf, 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover in an unclipped, lightly soiled dust jacket. Yellow cloth stamped in purple and black; 370 pages, illustrated with drawings by Leslie Saalburg. Here Gingrich, the publisher of Esquire, shares his feelings on food, automobiles, smoking pipes, violins, haberdashery and a litany of other esoteric subjects.
Hardcover. NY, G.K.Hall, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, 243 pages. Hardcover with dust jacket. Reproduced from their work pub. in the 1930s. Clean, tight copy.
Softcover. DeKalb IL, Northern Illinois University Press, 1st pbk, 1996, Book: Very Good, Dust Jacket: None, Softcover, 232 pages. From the time of the first written sacred texts in the West, taboo has proscribed the act and art of translation. So argues the author of this book, exploring the age-old prohibition of translation of sacred texts. Clean copy.
Softcover. NY, Archipelago Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 223 pages. Heinrich Heine (1797-1856), one of Germany's most revered poets, is equally well-known for his idiosyncratic prose, the vibrant voice of which feels astonishingly modern in its familiar tone and thematic acrobatics. Travel Pictures comprises the accounts of four journeys taken at different times in his life. The opening "Harz Journey," a quirky chronicle of his walking tour in the Harz Mountains, is the text that first made him famous. But in all four accounts, Heine, seasoned by the skepticism of a born outsider, does more than climb mountains, ford streams and cross borders. In this remarkable book, Heine propels German letters into the Modern mindset. Freud cites a few of Travel Pictures' most humorous passages in Jokes and Their Relation to the Unconscious. Heine's incomparable lyric vision lifts the book into the transcendent realm of great journey literature. Clean, bright copy.
Hardcover. NY, Harcourt Brace Jovanovich, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In a bright dust jacket. Eco displays in these essays the same wit, learning, and lively intelligence that delighted readers of The Name of the Rose and Foucault's Pendulum. His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver.