Literature

Hardcover. London, Geoffrey Bles, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover, black cloth with gilt title on spine, 268 pages. In an edgeworn dust jacket with a crease lengthwise. Copy of literary critic and historian Roger Shattuck with his pencil signature and "Mindoro, Philippines 1945" (presumed where he served in WW2) on the front fly leaf. Some pencil markings and notations in text.

Softcover. Willamette, Willamette Week, 1st wraps, 1990, Book: Very Good, Dust Jacket: None, Softcover. Columns from her early column in the Willamette Week newspaper. SIGNED BY DUNN.

Hardcover. New York, Abrams, reprint , 2009, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket. Extensive b&w and color photographs throughout. INSCRIBED BY VIDAL on title page. Otherwise clean, unmarked copy with only minor wear to dust jacket.

Hardcover. New York , Lyons Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Limited to 250 copies SIGNED by McGuane and publisher Nick Lyons. Slipcased. B&w illustrations by Buckeye Blake.

Hardcover. New York, Random House, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 255 pages. A very clean, tight copy.

Hardcover. New York, Macmillan, 1st, 1917, Book: Very Good, Dust Jacket: None, Hardcover, 467 pages. SIGNED BY AUTHOR - ("SPECIAL AUTOGRAPHED EDITION"). Previous owners notes and related clippings adhered to inside front cover and front endpaper. Illustrations by Alice Barber Stephens. Covers show light wear, with some rubbing to cloth at top and bottom of spine. Clean, unmarked text.

Hardcover. Boston, Le Roy Phillips, 1st, 1912, Book: Very Good, Dust Jacket: None, 652 pages. Hardcover. Brown cloth covers with titles in gilt. Top edge gilt. Illustrated with 46 full color tipped-in plates. Pages featuring illustrations show some age darkening. Clean, tight copy.

Hardcover. Bloomington IN, Indiana University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt lettering and design. artfully explains the initial spirit and modern understanding of Tamil bhakti poetry. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago. Clean, bright copy.

Softcover. Paris, Sotheby's, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 336 pages, color plates throughout. FRENCH TEXT. Sotheby's catalog for Sale No. PF7014 held in Paris on November 29, 2007. 298 lots. Illustrated in color. Text in French.. The volume is in perfect, pristine condition; unmarked, tight, square, and clean.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 266 pages. In these eloquent essays on recent American, British, and Irish poetry, Helen Vendler shows us contemporary life and culture captured in lyric form by some of our most celebrated poets. An incomparable reader of poetry, Vendler explains its power; it is, she says, more often the voice of the soul than the socially marked self, speaking directly to us through the stylization of verse. 'Souls Says,' the title of a poem by Jorie Graham, is thus the name of this collection. In essays on Seamus Heaney, Donald Davie, Allen Ginsberg, John Ashbery, Rita Dove, Jorie Graham, and others, Vendler makes difficult poetry accessible and explores the force and beauty of contemporary lyric verse. Clean copy.

Hardcover. NY, McGraw Hill, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 230 pages. Cultural commentary and autobiography of life in Alabama. The euthor's second book.

Hardcover. New York, Macmillan, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, 398 pages. Previous owners inscription on dedication page. Light fading to cloth covers. Clean, tight copy.

Hardcover. London, Hogarth Press, Reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. 206 pages. Ex-library copy with minimal marking. Clean, tight copy.

Hardcover. London, William Pickering, 1st, 1835, Book: Good, Dust Jacket: None, Hardcover, 298 pages. Black leather covers with gilt rules, faded gilt title on ribbed spine. All edges gilt. Covers with edgewear and the top 6th of the spine leather is gone. Marbled endpapers with bookplate inside front cover. Rear flyleaf with a chunk cut out. Interior is very good. Medieval and Renaissance French poetry, translated into English by an acclaimed poet, travel writer, historian, and painter. Louisa Costello (1799-1870), was an accomplished Anglo-Irish artist and prolific poet and author. She was also a fine miniature painter, and her illustrations show her exquisite sensibility. 4 beautifully hand-colored lithograph plates by the author. Not all copies contain these plates.

Softcover. Minneapolis, Milkweed Editions, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. SIGNED BY AUTHOR. 107 pages, b&w engravings by Steven Sorman. Light edge wear to wrappers. Else a very clean, tight copy.

Softcover. Columbus OH, Ohio State University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 189 pages. Looks at the response of American writers to Prohibition with an analysis of fictional portrayals of bootleggers, moonshiners, cabarets, speakeasies, and Prohibition-era characters. Clean copy.

Hardcover. London, Cassell, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 157 pages Hardcover with dust jacket. clean, tight copy. Black and white pictures in center. Dust jacket has light rubbing on fore edge.

Hardcover. NY, ZE Books, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with white lettering. No dust jacket issued. With Stay, acclaimed poet, artist, and bestselling memoirist Nick Flynn presents a self-portrait via a constellation of topics that have circled his work. Ranging from the impact of suicide and homelessness to addiction, political engagement, and the vital power of artistic friendships, Stay is a mixed-media retrospective that shows nothing is created in isolation. Mirroring Flynn's life, this work of visual and literary memoir is populated by examples of his collaborations since the 1980s with such luminaries as the photographers Amy Arbus and Catherine Opie, composer Guy Barash, actor Robert De Niro, cartoonist Josh Neufeld, author Sarah Sentilles, filmmaker Paul Weitz, and artists John Baldessari, Marilyn Minter, and Bill Shuck. In Flynn's refusal to conform to narrative or the safety of his own perspective, Stay grasps for an essential truth, an answer to what art, in the end, can and cannot reflect. Illustrated in color, b&w.

Hardcover. Middlebury, VT, Paul Eriksson, 1st collected ed., 1979, Book: Very Good, Dust Jacket: Good, Hardcover in a nice dust jacket. The relationship between the novelist and his editor Pascal Covici. Some fade, light wear to dj. Steinbeck and Covici is a major contribution to the literature about John Steinbeck. "Steinbeck Quarterly" magazine wrote, "Thomas Fensch offers the first comprehensive account of one of John Steinbeck's most enduring, intimate, and important relationships: his association with his editor, Pascal Covici. The results are revealing, and broaden the dimension of Steinbeck studies." This book was first published in l979 and received not one, but two separate reviews in "The New York Times." It was also widely reviewed elsewhere and won the Book of the Year Award in Biogaphy from the Ohioana Library Association, in l980.

Softcover. Middlebury VT, Paul S. Eriksson, 1st pbk, 1979, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. 248 pages. Appendix, bibliography and notes. A study of the relationship between John Steinbeck, the Nobel Prize-winning novelist, and his editor, Pascal Covici, based upon their correspondence. Clean copy.

Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.

Hardcover. NY, Random House, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. The essays, speeches, and opinion pieces assembled in Step Across This Line, written over ten years, cover an astonishing range of subjects. The collection chronicles Rushdie's intellectual odyssey and is also an especially personal look into the writer's psyche. With the same fierce intelligence, uncanny social commentary, and very strong opinions that distinguish his fiction, Rushdie writes about his fascination with The Wizard of Oz, his obsession with soccer, and the state of the novel, among many other topics. Most notably, delving into his unique personal experience fighting the Iranian fatwa, he addresses the subject of militant Islam in a series of challenging and deeply felt responses to the terrorist attacks of September 11, 2001. The book ends with the eponymous "Step Across This Line," a lecture Rushdie delivered at Yale in the spring of 2002, which has never been published before and is sure to prompt discussion.

Hardcover. NY, Oxford University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 627 pages, b&w illustrations. The literary, political, and artistic interests of poet and cultural icon Stephen Spender (1909-1995) are illuminated in this narrative based on his private papers, tracing his rise to success as a poet in the 1930s through his later years as cultural statesman of the twentieth century, and examining his relationships with such luminaries as Dylan Thomas, Sylvia Plath, T. S. Eliot, and Virgina Woolf. Clean copy.

Hardcover. Franklin Center PA, Franklin Library, Ltd. Ed., 1985, Book: Very Good, Dust Jacket: None, Hardcover, full red leather binding with 3 raised bands on the spine. Gilt stamped boards and page edges. Includes the Franklin Library supplement sheet.