Hardcover. New York, Dodge Publishing Company, Reprint, 1907, Book: Good, Dust Jacket: None, 164 pages. Hardcover. Color illustrations throughout. Deckled fore-edge. Tanning to pages and edges from age. Blue cloth bound cover boards, two-color illustration on front cover board, a good deal of paint has chipped off (see image), white title on spine, slightly faded. Some soil/wear to covers. A bump to front right bottom corner of cover board (see image). In beautiful condition inside, no pages missing, page 84 is partially disconnected. Illustrations by Bessie Pease Gutman) quite vivid.
Softcover. NY, Archipelago Books, reprint, 2008, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 115 pages, color illustrations. All One Horse is a marvel-filled journey through Breyten Breytenbach's kaleidoscopic imagination. The electrifying colors and penetrating images of his paintings converse with his lyrical and satirical dream-fables. These visions and parables emerge from a melange of cultures and traditions: African and Eastern thought, the spirit world, and the spheres of visual art, philosophy, history and politics. Breytenbach's watercolors communicate in hieroglyphs, where private conversation embraces myth and dream. These reflections and images - clear and complex at once - are cries for human dignity and justice, are truth disguised as play. An outspoken human rights activist, Breyten Breytenbach is a poet, painter, memoirist, essayist and novelist. His paintings and drawings have been exhibited around the world. Born in South Africa, he emigrated to Paris in the late '60s and became deeply involved in the anti-Apartheid movement. Clean Copy.
Hardcover. NY, Atheneum, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 594 pages. A landmark in postwar American literary criticism, forty-one extended essays on contemporary poets, including Robert Bly, Sylvia Plath, Allen Ginsberg, W.S. Merwin, Denise Levertov, and James Merrill. Blending biography, textual analysis, and philosophical reflection, it defined a generation's poetic discourse. The book stands as both a map of mid-century American verse and a statement of Howard's erudite critical voice. Light shelfwear, fraying to top, bottom of dust jacket spine. Clean copy.
Hardcover. NY, Grove Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 259 pages. When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O'Hara, she set out to finish the book her father had started forty years earlier. As a lifelong O'Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O'Hara's past, but also her father's, and her own. The result is a groundbreaking and kaleidoscopic memoir that weaves compelling literary history with a moving, honest, and tender story of a complicated father-daughter bond. Also a Poet explores what happens when we want to do better than our parents, yet fear what that might cost us; when we seek their approval, yet mistrust it.
Hardcover. Boston, Houghton Mifflin, reprint, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers decorated in gilt, 251 pages. Edited by Tiffany Thayer. Black & white drawings by Robert Ball. Excellent condition.
Hardcover. Berkeley CA, University of California Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 236 pages. The contradictory nature of the work of Benito Perez Galdos, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdos's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood-the angel of the house.
Hardcover. London, Macmillan, reprint, 1891 , Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine. 318 pages, b&w frontispiece. Previous owner's signature on front fly leaf, handwritten poem on front end paper. Foxing, soiling to end papers and first few pages. Else pages clean and crisp. Mrs. Ward has inserted many new passages taken from the last French edition. Amiel was a Swiss poet & philosopher, professor of aesthetics and moral philosophy at Geneva Academy, author of this introspective diary.
Hardcover. Boston, James R. Osgood, 1st, 1876, Book: Very Good, Dust Jacket: None, Hardcover, green cloth on boards with bright gilt titling and gilt publisher's device to spine. Beveled edges and blind stamped border ruling, the book is tight, square, sharp-cornered and free of major flaws or markings inside and out. A collection of prose pieces on Dante, Spenser, Wordsworth, Milton and Keats. Clean copy.
Hardcover. NY, Alfred A. Knopf , 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 408 pages. In this illuminating study of the "crucial century" (1830-1930), Alfred Kazin views the major figures in American writing, beginning when Ralph Waldo Emerson left the church and inspired a national literature on the basis of a religious revolution, and ending with the triumph of modernism - Eliot, Pound, Hemingway, Fitzgerald - and with the revelation after World War I of the "postponed power" of those who had been modern before their time: Henry Adams, Melville, Whitman, Dickinson.
Softcover. NY, New Directions, reprint, 1969, Book: Very Good, Dust Jacket: None, Softcover, 367 pages. (previously published in hardcover by Doubleday in 1966). Clean copy.
Softcover. UK, Oxford University Press, Revised Ed., 2008, Book: Very Good, Dust Jacket: None, Softcover, 492 pages. An Essay on Philosophical Method contains the most sustained discussion in the twentieth century of the subject matter and method of philosophy and an unparalleled explanation of why philosophy has a distinctive domain of enquiry that differs from that of the sciences of nature. This new edition of the Essay focuses on Collingwood's contribution to metaphilosophy and locates his argument for the autonomy of philosophy against the twentieth century trend to naturalize its subject matter. Collingwood argues that the distinctions which philosophers make, for example, between the concepts of duty and utility in moral philosophy, or between the concepts of mind and body in the philosophy of mind, are not empirical taxonomies that cut nature at the joints but semantic distinctions to which there may correspond no empirical classes. This identification of philosophical distinctions with semantic distinctions provides the basis for an argument against the naturalization of the subject matter of philosophy for it entails that not all concepts are empirical concepts and not all classifications are empirical classifications. Collingwood's explanation of why philosophy has a distinctive subject matter thus constitutes a clear challenge to the project of radical empiricism. While not losing sight of its historical context, the introduction to this new edition seeks to locate Collingwood's account of philosophical method against the background of contemporary concerns about the fate of philosophy in the age of science. This volume also contains a substantial amount of previously unpublished material: "The Metaphysics of F. H. Bradley," "Method and Metaphysics," and Collingwood's fascinating correspondence with Gilbert Ryle. The latter will prove to be a mine of information for anyone interested in the origins of analytic philosophy.
Hardcover. Philadelphia, Lydia H. Bailey, 1st, 1821, Book: Good, Dust Jacket: None, Hardcover, worn calf covers, unpaginated. Maroon leather label on spine with gilt lettering. The author (1782 -1852) was an historian and educator, born in Ireland. In 1815 he and his family emigrated to Philadelphia, and he became a noted author of many history textbooks and other works. This is a first edition of his most famous work published in Philadelphia in 1821. Grimshaw's work remains a valuable reference for scholars and students of English language and linguistics. Both covers partially detached, but still holding on. Inside text pages mildly foxed. Front endpapers with previous owner's pencilled comments. Otherwise clean, binding tight.
Hardcover. NY, Dutton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 164 pages. An autobiographical memoir, set for the most part in London in the 1940s and 50s, by the author of "At the Jerusalem", "Trespasses" and "An English Madam: The Life and Work of Cynthia Payne". It is composed of fifty scenes or fragments of memory which describe Bailey's parents, relatives, friends and acquaintances as he was growing up fatherless in working class Batterseas. Remainder line bottom edge.
Hardcover. NY, Columbia University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 194 pages. Index, map, biliographies, appendices. Clean copy.
Hardcover. Ohio, Kent State University Press , 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover,115 pages, cream cloth with black lettering on spine.
Hardcover. NY, W.W. Norton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated by Al Hirschfeld. Clean copy.
Hardcover. Leicester UK, Edmund Ward, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 263 pages. The first attempt to view Andrew Lang's work as a whole, and to attempt some account of the man himself. In specialized fields of scholarship Lang has always held his own; but as a literary figure he has been sadly neglected. Yet the late Sir A. T. Quiller-Couch ranked his style above that of Pater and Stevenson and Kenneth Grahame, and George Saintsbury considered him as among the chief minor poets of his period. As poet and essayist, and also as writer of tales and fairy stories, Andrew Lang at last gets his due in this study. Color frontis. portrait. Name on front fly leaf, otherwise clean.
Hardcover. NY, Columbia University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. Name on front fly leaf otherwise clean. Applying feminist theory to some lesser-known works by well known authors and painters, Munich (English, SUNY, Stony Brook) explores the psychological and cultural implications of the Victorian (male) treatment of the Perseus and Andromeda myth and its medieval analog, the legend of St. George and the dragon. With 31 photographs of the works discussed. A mild musty odor.
Hardcover. New York, Random House Books for Young Readers, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. The classic work by Dr. Seuss analyzed and dissected. Red cloth, beige spine. 10 1/2" X 10 1/4" in size. IIllustrated, color drawings, black & white photos. Notes galore.
Hardcover. MA, University of Massachusetts Press , 1st, 1967, Book: Very Good, Dust Jacket: Good, 268 pages. Previous owner's signature on front fly leaf. Dust jacket with light edgewear and sunning and a small sticker-stain to front cover.
Hardcover. US, Unbridled Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 418 pages. INSCRIBED BY EDITOR. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. NY, Spuyten Duyvil, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 187 pages, Essays on contemporary American literature. Small bump to edge causing a slight wave to top edge, Clean copy.