Literature

Hardcover. Athens GA, University of Georgia Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Charles Scribner's Sons, 1st thus, 1882, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth with red, black, and gilt embossed spine title, cover title, and bright cover illustration and decoration. Boards have beveled edges. All edges gilt. 70 pages, tissue-guarded frontispiece, 30 full-page illustrations; artists include A.B. Frost. Howard Pyle. Fredericks, J. S. Davis and others. A ballad written in Paris in 1841 at the time of the second funeral of Napoleon and is a narrative of French military history. Slender piece of cloth chipped away on rear cover, otherwise clean, very good.

Hardcover. Oxford UK, Clarendon Press, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 233 pages. The worship of hearth and home that culminates in the nineteenth century, and which survives in our own lives, is not fully explicable without the pressures that the modern city has brought to bear upon it. Alexander Welsh treats 'The City of Dickens' both as a historical reality and as a metaphor that provides a context for values and purposes expressed by the English novel. B&w illustrations. Clean copy.

Hardcover. London, Oxford University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 274 pages. Nine lectures. Contents: Introductory; What is Meant by Tradition; The Molpe; Drama; Metre; Poetic Diction; Unity and Organic Construction; The Heroic Age; Hamlet and Orestes; Poetry; Index. Clean copy. Top of cloth spine frayed. Remnants of dust jacket laid in.

Hardcover. Chicago, Swallow Press, 1st, 1976, Book: Very Good, Dust Jacket: Fair, Hardcover, green pebbled cloth with gilt lettering on spine. 463 pages. Dust jacket worn, fading to spine with chunk gone from spine.Name and date on front fly leaf, otherwise clean.

Hardcover. Oxford UK, Cambridge University Press, 1st, 1928, Hardcover, 190 pages, text clean and sound, marbled boards and green quarter-cloth. Contains a collection of letters by the playwright and author Oliver Goldmith, author of She Stoops to Conquer and The Vicar of Wakefield, written between 1752 and 1774. Balderston includes letters which only exist in a fragmentary form, as well as doubtful and forged letters.

Hardcover. London, Gerald Duckworth & Co., Ltd. Ed., 1930, Book: Very Good, Dust Jacket: None, Hardcover, pale yellow buckram boards, gilt lettering to spine, deckled page edges, printed on handmade paper, frontispiece illustration by Pavel Tchelitchew with tissue guard. SIGNED BY SITWELL on the copyright page. #241 of 320 copies. 278 pages, clean, bright copy, errata slip tipped in. No dj or slipcase.

Hardcover. Stratford-on-Avon, Shakespeare Head Press, Ltd. Ed., 1908, Book: Very Good, Dust Jacket: None, Eight hardcover volumes. The complete set published in an edition of 1060 copies. This set bound in gray boards with green cloth spines. Black lettering to spines, title pages in red and black, untrimmed edges. Mild wear to boards, Vol. 6 with cracked hinges and some pencil marking, otherwise a clean set. PLEASE NOTE: DUE TO SIZE AND WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Boston, N.H. Whitaker, reprint, 1831, Book: Good, Dust Jacket: None, Hardcover, white boards with green cloth spine with a paper spine label. 420 pages. B&w frontis "Genius of Romance", Opposite title page has a drawing of White. Henry Kirke White was an English poet and hymn-writer. He died at the young age of 21. This edition of his complete works includes his poetry, as well as his letters and other writings. The volume also includes an account of his life and a critical evaluation of his work by Robert Southey. Ex-lib with residue, stamping to endpapers, spine extremities worn, light soil to covers. Interior of the book is clean with minimal foxing.

Softcover. Louisville KY, Sarabande Books, 4th pr., 2011, Book: Very Good, Dust Jacket: None, Softcover, 40 pages, b&w photos. Lydia Davis is mathematician, philosopher, sculptor, jeweler, and scholar of the minute. Few writers map the process of thought as well as she, few perceive with such charged intelligence. The Cows is a close study of the three much-loved cows that live across the road from her. The piece, written with understated humor and empathy, is a series of detailed observations of the cows on different days and in different positions, moods, and times of the day. Clean copy.

Softcover. Saranac Lake NY, Outskirts Press , 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. SIGNED AND INSCRIBED BY SHAW. like new. Shaw's memoir and account of his friendship with Jon Cody, an older one-armed dope dealer and leather craftsman in the Adirondack backcountry.

Hardcover. NY, Alfred A. Knopf, 1st, 1921, Book: Very Good, Dust Jacket: Poor, Hardcover, brown cloth stamped in gilt, 222 pages with line drawings by the author. In a very worn and chipped dust jacket. "Mr. Day here sets forth in his characteristic vein his observations about men and human nature and books--talks about Humpty-Dumpty, Prometheus, Shaw, Fabre and Noah--money, the nebular hypothesis, legs, cows and marriage. Also an attempt to describe our world to a fish." Clean copy.

Hardcover. NY, Grossman Publishers, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 272 pages. Discussion of Wilkie Collins, Arthur Conan Doyle, G.K. Chesterton, John Buchan, Eric Ambler, Graham Greene, Georges Simenon, Raymond Chandler and Alfred Hitchcock. Clean copy.

Softcover. Minneapolis, University of Minnesota Press , 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 305 pages. "In The Dark End of the Street, Maria Damon brings a new sensitivity to modern poetic criticism. She adds an important dimension to cultural theory, revealing the struggles of one group of artists as they address improtant questions about art, social life, and the oppression they encounter. Taking as her premise that the intensity of poetic language is an appropriate venue for representing the 'dark end of the street' of social pain, Damon foregrounds the work and lives of a number of modern American poets in order to argue that the American avant-garde is located in the experimental literary works of social 'outsiders."

Hardcover. NY, Alfred A. Knopf , 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 314 pages. Contrasting the Victorian system of virtues - respectability, self-help, discipline, cleanliness, obedience, orderliness - with the opportunistic, superficial morality of modern society, an intellectual historian calls for a deeper commitment to moral responsibility. According to Himmelfarb, Victorian "manners and morals" created a society that emphasized a strong family life for all classes and gave rise to a prosperous economy and the early feminist and social service movements. Furthermore, the influence of these virtues caused the incidence of illegitimate births and violent crimes to drop significantly and remain low until the 1960s. Clean copy.

Hardcover. Oxford UK, Clarendon Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 639 pages. Volume 3 ONLY of a six volume set. Clean, bright copy.

Hardcover. NY, Harcourt Brace Jovanovich, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 384 pages. Bookplate on inside front cover, small name stamp on front fly leaf, otherwise clean.

Softcover. Los Angeles, Augustan Reprint Society, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. The Augustan Reprint Society Number 251-252. Introduction by Janet E. Aikins. Orig. tan card wrappers, stapled binding. An 18th century theatre critic's remarks regarding Otway's play. Clean copy.

Hardcover. Duke University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 440 pages. Black cloth, no dust jacket. The Edge of Surrealism is an essential introduction to the writing of French social theorist Roger Caillois. Caillois was part of the Surrealist avant-garde and in the 1930s founded the College of Sociology with Georges Bataille and Michel Leiris. He spent his life exploring issues raised by this famous group and by Surrealism itself. Though his subjects were diverse, Caillois focused on concerns crucial to modern intellectual life, and his essays offer a unique perspective on many of twentieth-century France's most significant intellectual movements and figures. Including a masterful introductory essay by Claudine Frank situating his work in the context of his life and intellectual milieu, this anthology is the first comprehensive introduction to Caillois's work to appear in any language. These thirty-two essays with commentaries strike a balance between Caillois's political and theoretical writings and between his better known works, such as the popular essays on the praying mantis, myth, and mimicry, and his lesser-known pieces. Presenting several new pieces and drawing on interviews and unpublished correspondence, this book reveals Caillois's consistent effort to reconcile intellectual rigor and imaginative adventure. Perhaps most importantly, The Edge of Surrealism provides an overdue look at how Caillois's intellectual project intersected with the work of Georges Bataille and others including Breton, Bachelard, Benjamin, Lacan, and Levi-Strauss.

Hardcover. NY, Fleming H. Revell, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt on spine and front cover, 224 pages, top edge gilt. Vermonter Humphrey was known as a prolific writer of essays with regional, nature, travel, and religious themes. The pieces in this volume were originally published in various periodicals of the period. Clean, bright copy.

Hardcover. London, Oxford University Press, 1st, 1933, Book: Very Good, Dust Jacket: Good, 140 pages. Hardcover with price-clipped dust jacket. Clean, tight copy.

Hardcover. NY, Dutton, 1st US, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a price-clipped dust jacket. A memoir of the real Christopher Robin and Winnie-the-Pooh. An attractive copy of Christopher Milne's book about the origins of the Pooh stories, his childhood, and his family. Previous owner's inscription, sticker on front fly leaf.

Hardcover. NY, Sheed and Ward, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with faded spine, 480 pages. Richard Kostelanetz's monumental evisceration of the American book world circa 1974--the self-appointed backslapping elites, the perpetual disdain for the unconventional, the laziness in book reviewing and fear of losing one's status when criticising the wrong thing--remains, as a final sadness, itself a rare out of print tome. Kostelanetz has written perhaps the most fearless exploration of literary politics in print, taking on and naming the titans at the top of the heap, dissecting the power structures that emerged in the 1950s and 60s, and the emergence of the plutocratic hierarchies that continue to dominate publishing. Outing the various cliques as mobs, and using apt and amusing mafia parallels, Kostelanetz is unrelenting in his meticulousness, and counteracts the status quo with a passionate defence of the avant-garde, using the second half of the book to bring light to the various emerging authors of experimental poetry, fiction, and mixed media works around the time. At times a touch long-winded and overfed with quotes, this nevertheless is an essential read for those requiring a hard slap as to the inherent evil of the corporate book world and why indie is the only way forward. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1994, Book: Good, Dust Jacket: Good, Hardcover in a dust jacket with minor wear, 278 pages. A re-examination of the roles played by authors, readers, scribes and texts in medieval literature, which describes how consideration of marks on the physical manuscript - elements added by scribes and readers - can shed light on interpretive issues that have puzzled modern readers. Light underlining to 18 pages in first chapter.