Literature

Softcover. Dublin NH, William L Bauhan, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 163 pages. An unconventional family idyll in pastoral Bucks County, Pennsylvania of the 1930?s is suddenly broken to pieces by the arrival of a band of writers led by poets Robert Graves and especially Laura Riding. Told from the perspective of her 12-year-old self, the author paints an evocative portrait of a family, friends, childhood adventures and events against the background of a countryside still threaded with dirt roads winding past meadows and woodland, not a shopping mall in sight.

Hardcover. NY, Farrar Straus Giroux, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. Author's third book, very good in a bright, unclipped dust jacket.

Hardcover. Gloucester MA, Peter Smith , reprint, 1973, Book: Very Good, Dust Jacket: None, Hardcover, 342 pages. Beige cloth with black lettering on spine. Light underlining to about 10 pages, otherwise clean.

Hardcover. London, Longman, Hurst, Rees, Orme, and Brown, 1st, 1817, Book: Very Good, Dust Jacket: None, Hardcover, 3/4 brown calf over marbled boards, black leather spine label with gilt lettering. 303 pages. Containing, among others, many letters from Alexander Pope, and three from Dr. Johnson, being addressed to Francis Fowke, Joseph Fowke and Samuel Richardson. Mild wear to spine, otherwise a clean, tight copy.

Hardcover. Boston, David R. Godine, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages. INSCRIBED BY PAYNE on the half-title page and also SIGNED on the title page. In Orion on the Dunes, the first biography of Beston, scholar Daniel Payne-granted unrestricted access to the writer's archives and drawing on interviews with friends and family-has crafted a scrupulously researched narrative; one presenting a masterful portrait that traces the intellectual growth and tumultuous life of a vital American writer whose work and thought have exerted a tremendous pull on poets, naturalists, and novelists alike. This is the story of a life, at once hidden and transparent, that is here finally revealed. Clean copy.

Hardcover. Boston, David R. Godine, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 391 pages, b&w illustrations. INSCRIBED BY PAYNE on half title page and SIGNED again on title page. The first biography of the writer/naturalist, and one of the leading founders of the modern environmental movement, Henry Beston. Scholar Daniel Payne-granted unrestricted access to the writer's archives and drawing on interviews with friends and family-has crafted a scrupulously researched narrative; one presenting a masterful portrait that traces the intellectual growth and tumultuous life of a vital American writer whose work and thought have exerted a tremendous pull on poets, naturalists, and novelists alike. This is the story of a life, at once hidden and transparent, that is here finally revealed. Clean copy.

Hardcover. NY, Doubleday, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Clean. "Once in a while a great book appears which through the author's strength of vision and freshness of language, allows is to see the world anew, OUT OF MY DEPTH--mixing memoir, sport, metaphysics, and playful contemption--is just a book. Several years ago noted author Paul West took a look at himself and saw a man who loved the water but couldn't swim." - dust jacket copy.

Softcover. NY, Henry Holt & Co., reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, 406 pages. Second edition of this national best seller, with a personalized inscription signed by the author on the half-title.

Record # 399135

Hardcover. Lathem, New York, British American Publishing, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 269 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket.

Cambridge, MA, Harvard University Press,, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 402 pages. "Miss Lang focuses on the content of Pa Chin novels and short stories, which vividly describe the life of Chinese youth. She also pays great attention to the western, particularly Russian and French, influences on his political philosophy."

Hardcover. NY, W. W. Norton , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 389 pages. Paper is one of the simplest and most essential pieces of human technology. For the past two millennia, the ability to produce it in ever more efficient ways has supported the proliferation of literacy, media, religion, education, commerce, and art; it has formed the foundation of civilizations, promoting revolutions and restoring stability. Thousands of years ago, Socrates and Plato warned that written language would be the end of "true knowledge," replacing the need to exercise memory and think through complex questions. Similar arguments were made about the switch from handwritten to printed books, and today about the role of computer technology. By tracing paper's evolution from antiquity to the present, with an emphasis on the contributions made in Asia and the Middle East, Mark Kurlansky challenges common assumptions about technology's influence, affirming that paper is here to stay. Paper will be the commodity history that guides us forward in the twenty-first century and illuminates our times. Clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Parchment, Paper, Pixels offers an engaging exploration of the impact of three technological revolutions on the law. Beginning with the invention of writing, continuing with the mass production of identical copies of legal texts brought about by the printing press, and ending with a discussion of computers and the Internet, Peter M. Tiersma traces the journey of contracts, wills, statutes, judicial opinions, and other legal texts through the past and into the future. Clean copy.

Hardcover. New York , Oxford University Press , 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover. brown cloth stamped in gilt, 120 pages. INSCRIBED BY LEACH on the front fly leaf. Originally published by Caxton in 1485, Paris & Vienne marked a change in the style of Literature being written in Europe at the time. Instead of tales of Knightly Romance & Chivalry a move was made towards more realistic down to Earth tales, closer to actual life. Clean, bright copy, no dust jacket.

Hardcover. NY, Doubleday, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 347 pages. In 1971 Deirdre Bair was a journalist and recently minted Ph.D. who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could be his biographer despite her never having written--or even read--a biography before. The next seven years comprised of intimate conversations, intercontinental research, and peculiar cat-and-mouse games. Battling an elusive Beckett and a string of jealous, misogynistic male writers, Bair persevered. She wrote Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other--and lived essentially on the same street. Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile and influencing Bair's own feminist beliefs.Parisian Lives draws on Bair's extensive notes from the period, including never-before-told anecdotes. This gripping memoir is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.

Hardcover. New York, Knopf, Reprint, 1991, Book: Very Good, Dust Jacket: Very Good, 129 pages. Color illustrations by James McMullan. Dust jacket unclipped with slight rubbing. Otherwise, clean and tight copy.

Hardcover. University Press of Kentucky, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 338 pages. Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's entire body of work (including his recent volumes. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master. Clean copy.

Hardcover. Cambridge, MA, Harvard University Press, 2nd printing, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 73 pages. Third book in the Poets' Theatre Series. Dark blue cloth covers, white titles to spine dust jacket with b&w illustration. Slight soiling to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy.

Softcover. Philadelphia, Owlswick Press, 1st pbk, 1989, Book: Very Good, Dust Jacket: None, Softcover, 180 pages. Foreword by L. Sprague de Camp, with essays, bibliography and index. Four b&w plates by Tim Kirk. Clean copy.

Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta--traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.

Hardcover. NY, Liveright Publishing , 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Published on the centenary of her birth, Patricia Highsmith's diaries "offer the most complete picture ever published" of the canonical author. Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of "our greatest modernist writers" (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks -- posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta -- traces the mesmerizing double-life of an artist who "[worked] like mad to be something." Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating "atmosphere of nameless dread" (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations. Remainder dot to top edge, otherwise like new.

Hardcover. Syracuse University Press , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 493 pages. Remainder line and foxing to top edge, light edgewear to dust jacket, else a clean, tight copy.

Hardcover. New York, New York Review Books, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 448 pages. Hardcover with dust jacket. SIGNED BY AUTHOR ON TITLE PAGE. Black and white photos in center. Two pages wrinkled and stuck together in the middle of picture pages. Otherwise tight.

Hardcover. Amherst MA, University of Massachusetts Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 215 pages. Clean copy.

Hardcover. NY, Harper Collins, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 233 pages. Authors, illustrators, and poets describe their childhoods, approaches to creating children's books, and career paths.