Hardcover. Baltimore, Johns Hopkins, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 184 pages. Saving the Text cuts through Jacques Derrida's complex blend of philosophy, commentary, and elaborate wordplay to ascertain his place in the history of criticism and the significance of Glas as a literary event. Distinguished critic and scholar Geoffrey Hartman explores the usefulness of Derrida's style of close reading for English and American scholarship and establishes its relevance to the division that has arisen between European and Anglo-American critical approaches.
Hardcover. London, Ashgate, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Silver gilt on spine. 'Like "the ring" itself, this book is viral: it gathers into itself literature and film, disease and survival, cultural studies and aesthetics, Japan and America, technology and the family. We won't read Suzuki's novels or watch the films in the same way again. A thoroughly readable and teachable text!' Steven Bruhm, Robert and Ruth Lumsden Professor of English, The University of Western Ontario, and author of Reflecting Narcissus: A Queer Aesthetic 'Taking as its point of departure the phenomenon of The Ring in all its manifestations"the Japanese novel, the Japanese film, the American film, and the various sequels"The Scary Screen offers an in-depth and sustained speculation about the anxiety created by the development of communication technologies. The collection introduces startling insights into the relationship between changes in media forms and widespread fears of contagion, while also identifying a new universal form of horror that has emerged in recent decades as the status of reproduction"both technological and biological"has undergone a profound transformation. The essays included here represent a powerful theoretical response to this transformation.' Todd McGowan, University of Vermont, and author of The Impossible David Lynch and The Real Gaze '... The Scary Screen is a useful contribution to studies of The Ring, horror film, and cultural anxieties evoked by technology.' Journal of the Fantastic in the Arts.
Hardcover. NY, Bloomsbury Academic, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 362 pages. The essays collected in this volume were written to mark the centenary of the birth of Sir Kenneth Dover, one of the twentieth centurys most influential classical scholars. Between them, they explore the two major sides of his career: his groundbreaking scholarship on Greek language, literature and history, and the more public-facing roles he assumed in universities and at the British Academy which brought him into the national spotlight, not without some notoriety, in his later years.The contributors consider the various facets of Dover's life and work from a range of perspectives which reflect the burgeoning field of the history of scholarship. Some contributors were students and colleagues of Dovers at different stages of his career, while others are themselves leading experts in areas of Classics to which he devoted his energies. Chapters on his academic publications and on the controversies he faced in the public realm are not bland celebrations of his legacy but offer critical assessments of his motivations and achievements, cumulatively demonstrating that there is much to be learned not just about Dover himself but also about the fields he helped to shape. Clean copy.
Softcover. Calcutta/Chicago, Seagull/University of Chicago, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Softcover, flexible cloth in a bright dust jacket. An elaborate catalog published by Seagull Books, a venture begun in Kolkata in 1982 by Naveen Kishore, a theater practitioner. They focus on world and Indian literature in English translation, serious non-fiction, culture studies, performance studies, art and cinema. 372 pages illustrated in color. Clean copy.
Softcover. London, Between the Lines, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A 17,000 word interview, with a career sketch, a comprehensive bibliography, and a representative list of quotations from Heaney's critics and reviewers. Also included is Heaney's poem, 'Known World'. Spine faded, clean copy.
Hardcover. New York, Harcourt Brace, 1st, 1939, Book: Very Good, Dust Jacket: None, 485 pages. Hardcover with red cloth covers.SIGNED BY DOROTHY CANFIELD FISHER on front fly leaf. Light fraying to edges, fading, otherwise tight.
Hardcover. New York, Viking Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 276 pages. Hardcover in a bright dust jacket. Clean, tight copy.
Chicago, Ivan Dee, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, in a bright, unclipped dust jacket. Author of The Moonstone and The Woman in White, Wilkie Collins has been hailed as "the father of the detective story." His own life story has a similar mysterious ring to it. When Collins died in 1899 he shocked Victorians by dividing his estate equally between two mistresses. He also acknowledged the three children of one of the mistresses as his own. In The Secret Life of Wilkie Collins, William Clarke has pieced together the truth behind this menage a trois, uncovering and exploring, with insight and sympathy, the private relationships of a fascinating writer who was a contemporary of Dickens, Constable, Wordsworth, Coleridge, Blake, and Rossetti. "A literary coup ... casts a fresh beam of light on the great, dark seam of Victorian sexual mores."--The Observer.
Hardcover. Boston, Beacon Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 255 pages. A collection of essays that range from an autobiographical tour-de-force that describes a childhood spent with an alcoholic father to 'Looking at Women,' a reflection on male yearning and confusion, to a look at the place-or absence-of nature in recent American fiction. In these 15 earnest and ambitious essays (published in earlier form in Harper's, The Kenyon Review, etc.), Sanders looks for--and often finds--universal truths in the particulars of everyday life. Clean copy.
Hardcover. Stanford CA, Stanford University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 308 pages including index. Friendship between the sexes is notoriously difficult to describe. Seeing Together examines the efforts of some of England's key writers - from poets to propagandists - during a period when 'mere friendship' came to seem intensely important and when discussion of professional relations between men and women came to touch upon a troubling network of sexual, social and political dynamics. Among the authors discussed are John Stuart Mill, Robert Browning, George Eliot, Thomas Hardy, Henry James, Joseph Conrad, D. H. Lawrence and Virginia Woolf. Small name on fly leaf otherwise a bright, clean copy.
Softcover. Santa Rosa CA, Black Sparrow Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 340 pages. The majority of the letters in this collection pertain to Reznikoff's personal life, addressed chiefly to his wife, Marie Syrkin, and his lifelong friend and sometime employer in Hollywood, Albert Lewin.
Hardcover. NY, Farrar, Straus and Young, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, burgundy cloth, 281 pages. Translated and edited with an introduction by Francis Steegmuller. Light fading to spine, name on front fly leaf, otherwise tight and clean copy.
Hardcover. NY, Henry Holt, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 531 pages. Martha Gellhorn's reporting career brought her to the front lines of virtually every significant conflict from the Spanish Civil War to the end of the cold war. While Gellhorn's wartime dispatches rank among the best of the century, her personal letters are their equal: as vivid and fascinating as her reporting was trenchant. Gellhorn's correspondence introduces us to the woman behind the often inscrutable journalist, chronicling her friendships with twentieth-century luminaries as well as her tempestuous marriage to Ernest Hemingway. Caroline Moorehead, Gellhorn's critically acclaimed biographer, was granted exclusive access to the letters. This expertly edited volume contextualizes Gellhorn's correspondence within the arc of her entire life; the result is an intimate portrait of one of the most accomplished women of modern times.
Hardcover. NY, Random House, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 867 pages. Over the course of a nearly sixty-year career, Norman Mailer wrote more than 30 novels, essay collections, and nonfiction books. Yet nowhere was he more prolific or more exposed than in his letters. All told, Mailer crafted more than 45,000 pieces of correspondence (approximately 20 million words), many of them deeply personal, keeping a copy of almost every one. Now the best of these are published most for the first time in one remarkable volume that spans seven decades and, it seems, several lifetimes. Together they form a stunning autobiographical portrait of one of the most original, provocative, and outspoken public intellectuals of the twentieth century. Compiled by Mailer s authorized biographer, J. Michael Lennon, and organized by decade, Selected Letters of Norman Mailer features the most fascinating of Mailer s missives from 1940 to 2007 letters to his family and friends, to fans and fellow writers (including Truman Capote, James Baldwin, and Philip Roth), to political figures from Henry Kissinger to Bill and Hillary Clinton, and to such cultural icons as John Lennon, Marlon Brando, and even Monica Lewinsky.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 453 pages. Selection from the 2-volume set of correspondence between the two American literary lights, plus 2 hitherto unknown letters not included in the 1960 set. Editors' preface, introduction and notes; includes a biographical directory. Clean copy.
Hardcover. NY, Pantheon/Bollingen Foundation, 1st, 1952, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 384 pages. Translated by Mary Hottinger, Tania Stern and James Stern, with introduction by Hermann Broch. Previous seller's price on front fly leaf in crayon, otherwise a clean, bright copy.
Hardcover. London , Macmillan, 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, 268 pages, illustrated with facsimile drawings and 8 collotype plates. Previous owner's inscription on front fly leaf. Blue cloth spine faded.
NY, Coward-McCann, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt title on spine, 383 pages. INSCRIBED BY ROREM on front fly leaf. Clean copy, lacks dust jacket.
Hardcover. NY, Knopf, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 436 pages. Interviews with: Pablo Neruda, Jorge Luis Borges, Miguel Angel Asturias, Octavio Paz, Julio Cortazar, Gabriel Garcia Marquez, and Guillermo Cabera Infante. B&w illustrations. Clean copy.
Hardcover. New York, Random House, 1st, April 30, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 274 pages. Clean, unmarked copy with only minor wear to dust jacket. In The Shadow Man, the bestselling author of Final Payments and The Company of Women elevates the memoir into an uncompromising and unforgettable art form as she seeks to learn the truth about her lost father. 20 photos.
Softcover. NY/London, Marion Boyars, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. Essays that deal with the shadow economy. Shadow Work is all the work people do who are not paid in cash. Clean copy.