Softcover. NY, The Museum of Modern Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. 153 color illustrations and 102 duotone. Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.
Hardcover. NY, Norton, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Through a lively text and 250 stunning duotone images (most never previously published), Millionaires, Mansions, and Motor Yachts re-creates an era of opulence and extravagance that today seems incredible. Dominating this volume are the mansions and yachts of Alfred and Jessie du Pont. Equally larger-than-life personalities include Thomas Lawson, his expansive estate, Dreamwold, and yachts such as Dreamer; empire builder John Spreckels's 227-foot Venetia; Emily Cadwalader, who commissioned a vessel destined for world renown as a U.S. presidential yacht, before checkmating this achievement by ordering the largest private yacht ever built, the 407-foot Savarona; Eugene Tompkins, the "Napoleon of Theater Managers"; George Fabyan; Harry Darlington; and William Rands. Enfolded in this volume's fascinating pages are not only the wealthy individuals who shaped this era but also curmudgeonly writer/yachtsman Thomas Fleming Day, photographer Nathaniel Stebbins, and the designers and builders who created the splendid yachts that here return to life.
Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.
Hardcover. Konemann, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. This is the most complete volume published outside of Russia to capture the photographic work of Alexander Rodchenko, one of the former Soviet Union's greatest artists
Softcover. Munich, Schirmer/Mosel, reprint, 1996, Book: Very Good, Dust Jacket: None, Glossy white pictorial wraps. Unpaginated (152 pp.), 6 color plates + over 60 full page duotone photographs. A superbly preserved copy of this major retrospective catalogue, based upon the 1988 Stedelijk Museum show in Amsterdam, mounted just prior to Mapplthorpe's untimely death. With text in English and German.
Hardcover. NY, St. Martins Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages. From the front dust jacket flap "Louise Dahl-Wolfe, one of the most celebrated photographers of the thirties, forties and fifties, was a uniquely American artist whose work had enormous ramifications for Horst, Avedon, Penn, and other great photographers who followed her. Working in the heydey of Harper's Bazaar with editor-in-chief Carmel Snow and renowned fashion editor Diana Vreeland, she came to fashion photography at a time when formal, sometimes stilted, European elegance was the norm and infused it with her fresh new vision - informal, intimate, and undeniably American". Preface by Frances McFadden.
Softcover. New York , Aperture Foundation, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. 80 pages. Features photographs: William Eggelston, Paolo Pellegrin, Eikoh Hosoe, Andre Kertesz, Annie Leibovitz, Sophie Calle, Matthew Rolston, Tony D'uson, Elaine Ling and others. Very good.
Hardcover. NY, Harper Design, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. In the early 1960s, Richard Avedon was commissioned by Harper's Bazaar to create Observations, a column that consisted of a series of nine photographic essays. The subject of the first essay was John F. Kennedy and his young family, who sat for formal black-and-white portraits just three weeks prior to Kennedy's presidential inauguration. Six images appeared in the magazine's February 1961 issue.That same day, Avedon created more informal color portraits of Kennedy and his family at the Kennedy compound in Palm Beach. One of these images ran as the cover of LOOK magazine's February 28 issue, with photographs by Avedon inside. Just before the magazine hit the newsstands and was delivered to over 6.5 million people, a set of photographs, comprised mostly of the LOOK images, was released by the White House and appeared in newspapers across the country.During his lifetime, Richard Avedon donated more than two hundred images to the Smithsonian Institution, including all of the photographs of the Kennedy family sitting for Harper's Bazaar. Smithsonian curator Shannon Thomas Perich has culled more than seventy-five images from that donation for The Kennedys: Portrait of a Family, making these stunning photographs available for view for the first time. Perich's introductory essay--accompanied by a wealth of archival photographs of both Avedon and the Kennedy family--provides historical background on the two sittings within a political and cultural context and critically examines the work of one of the finest photographers of the twentieth century. A foreword by Robert Dallek, distinguished historian and author of the bet-selling An Unfinished Life: John F. Kennedy, 1917-1963, provides authoritative and compelling insight to one of the most fascinating presidents in American history.
Hardcover. Zurich, Scalo/DAP, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 267 pages. Liz Jobey's brief but illuminating introduction brings cohesion to thie fab book of photos of EMI pop and rock musicians of the late 1950's and the 1960's. It's EMI, and only EMI, but considering the artists who once signed with this British label, including the Beatles, Little Richard, David Bowie, Jeff Beck Group, Rod Stewart, Pretty Things, Pink Floyd, Steppenwolf, (Sir) Cliff Richards, Three Dog Night, Chubbie Checkers, Spencer Davis Group, the Yardbirds--EMI's talent pool was as rich as any label. The most only obvious omissions among the Brits (i.e., EMI never signed them) would probably be the Stones, the Who, and the Kinks. The photographs are enjoyable as kitsch, as a window into period fashion and sensibilities, and, occasionally, as great photography.
Hardcover. NY, Ecco Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 60 pages. Gathers portraits of ministers, drifters, amputees, jockies, circus performers, night people, family members, miners, couples, musicians, and fisherman, and discusses the nature of portraiture.
Hardcover. Minneapolis Institute of Arts, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Clean, tight copy. Black and white photographs throughout. Light rubbing to dust jacket. Forty-six plates from photographs; bibliography. A monograph on the early twentieth century pictorial work of the photographer Ruzicky. Text in English and Czechoslovakian.
Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. A GRAND TOUR OF ASIA recreates a time and a place that no longer exists except in the lyrical images so lovingly preserved by the lens of a wandering American, and so wryly captured in the prose of his mysterious companions nearly a century ago. Christian Rub, a character actor in Hollywood films, presented the intriguing album to its current owner, Hania Tallmadge, in 1949, when she was a child.A historically unique collection of photographs taken in the spring of 1910 on a four-month tour of the Far East, presented in an exquisite facsimile edition of the album in which they were originally discovered.Includes more than 150 images reproduced in their actual size, their hand-tinted colors authentic and un-retouched. Even the handwritten script has been carefully replicated.
Hardcover. New York, Random House, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages, b&w photographs throughout. Foreword by David Halberstam. Introduction by John Szarkowski. Slight dust jacket edge wear, otherwise, very clean and tight copy. "Robert Riger was the preeminent artist of a golden age of American sports," David Halberstam notes in his introduction to this collection of Riger's classic photographs. "He was good because he knew what he was doing, understood the games, understood both the talent and the passion of the athletes." Riger's photographs are remarkable testaments to his love for sports, his acute insight into what it is that athletes do, and his uncanny knack for locating the decisive moment in a play or gesture.
Hardcover. NY, Abrams, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages, b&w plates. An accomplished photographer of the American scene presents a unique artistic record that captures a vanishing part of our country, the main streets, barber shops, schoolhouses, and inhabitants of our small towns. In his 19th book on the American scene, Plowden has focused on what epitomizes small towns-before this endangered species disappears altogether. The well-produced images, arranged roughly by topic (e.g., schools, theaters, churches, home interiors, restaurants, stores, and grain elevators) and representing towns in many states (including Iowa, Kansas, West Virginia, New York, Minnesota, and Idaho), speak eloquently of small-town life. Even more so, they speak of change; by the time Plowden photographed these towns, most had been cut off from their rural heritages. Nevertheless, the photographs convey order, calm, and congeniality; the best of them evoke the work of Walker Evans, who, like Plowden, left scenes unaltered when he photographed them. Clean copy.
Hardcover. NY, powerHouse Books, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 108 pages. In the basement of an apartment building in Manhattan, Scott Zieher discovered a pile of photographs among the effects of a recently deceased tenant. These photographs,presented for the first time in Band of Bikers, offer an intimate portrait of a group of gay bikers in the city and the woods, and a touching snapshot of an entire generation at it's carefree zenith.Newly aware of muscle and biker magazines and their heavy-handed eroticism, photographer and photographed brimwith a subtly vibrant, chromatic pride. The photographs as a whole bring into focus a brief, specific period of relative innocence, when middle-of-the-road Americans more often than not failed to perceive the homoerotic undertones of their most heterosexual of institutions. With conceptual light cast by issues ranging from anonymity in homosexuality and underground motorcycle chic, to vernacular photography's pop-culture ramifications, a warm and generous spirit of camaraderie pervades this subterranean survey. Like a real-world set forScorpio Rising casually captured byan unpretentious extra, presented as Band of Bikers and accompanied by an essay by Zieher, this found cache of old-school, leather party snapshots attains archeological significance.
Hardcover. London, Thames and Hudson , 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth stamped with gilt lettering. Color photos throughout. These captivating landscapes by the Magnum photographer Stuart Franklin provide a visual document of Europe in the midst of a growing environmental crisis. Technically flawless, cool, detached, yet highly analytical, Franklin's photos reveal the irrefutable proof of humans' effect on Europe and the vulnerability we face as a result, from the Arctic Circle to the Peloponnese. Footprint brings together a singular photographic perspective with a powerful environmental message to present an engaging picture of the vulnerability of Europe's landscape and population in the wake of ominous change. Features photographs that provide a visual document of Europe in the midst of an environmental crisis.
Hardcover. NY, Thames & Hudson, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. Autochromes--plates made from a pioneering color photography process--are too light sensitive to exhibit, and as such one of the world's greatest collections has been hidden from view until now. Offering unprecedented access to the V&A's collection of autochromes--one of the greatest collections of early color photography in the world--Color Mania presents the pioneering photographic process in its full, vibrant, and painterly beauty. Fragile and light sensitive, autochromes cannot be displayed in public, and so this volume provides a rare and breathtaking opportunity to view them true to size. Newly photographed specially for this book, the V&A's abundant collection of autochromes is brought to the public for the very first time. Organized thematically and with sections focusing on the photographers who engaged with the process, Color Mania is built upon the latest scholarship and research by curator Catlin Langford and includes insights into how these extraordinary photographs are being preserved for future generations.
Hardcover. NY, Viking Press / A Studio Book, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers, gilt lettering on spine. A classic retrospective monograph with an introduction by Cyril Connolly. Includes many of Brandt's best known images. Survey of the British photographer's images from the 1930s-60s, including nudes, landscapes, portraits of many artists and writers, and shots of British every day life among the various classes. Notes by Marjorie Beckett. Mostly black and white photographs, but a few color shots at the rear. Clean, bright copy with fragments of dust jacket laid in.
Hardcover. Brisbane AU, Steve Parish, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, large oblong volume. Slater dedicated most of his life to the photography and study of Australian birds capturing their incredible beauty on film, recording their unique behaviour in books and sharing here his experiences as a birder with unwavering honesty, compassion and humor. 160 pages of color plates. Oversized. DOMESTIC SHIPPING ONLY.
Hardcover. Wellington NZ, Listener, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 159 pages in color. This book is the record of a personal journey by two men, a writer and a photographer, into the rural heartland of New Zealand. covers musters in Glenray Station deep in the high back country of Southland. From that experience grew the idea of taking part in different kinds of sheep and cattle musters throughout N.z. from the rivers of Westland to the dunes of Northland, from the remote east coast to the South Island's vast Molesworth Station. The idea was to capture the glory of these uniquely NZ farming adventures which had already endured intact for 100 years, before inevitable changes in landscape and methods. This book is a feast of back-country colour and action which you will never ever get to see unless invited along. Mild tanning to dust jacket at top and bottom edge. Otherwise clean and bright.
Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. Witty, playful, and effortlessly chic, Inge Morath: On Style reveals the vital forms of fashion and self-expression that blossomed into existence in England, France, and the United States in the postwar decades. The book follows the photojournalist Inge Morath (1923-2002) through intimate sessions with Ingrid Bergman and Audrey Hepburn; scenes of window-shopping on Fifth Avenue; American girls discovering Paris; the frenetic splendor of society balls; and working women--from actresses to seamstresses to writers--everywhere taking their place in the world. The photographs in On Style focus on an extraordinary period of Morath's creativity, from the early 1950s to mid- 1960s, with a coda of work from later years. Here are the fundamental humanism, joy, and unerring eye for life's brilliant theatricality that characterized her work and made her one of the most celebrated photographers of her time. Clean copy. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Millbrae CA, Celestial Arts, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format in a bright dust jacket. 168 pages, map frontis. Period photographs throughout primarily from the San Francisco Public Library collection, as well as the Bancroft Library and Presidio Army Museum collections among others. Clean copy.
Softcover. NY, Swann Auction Galleries, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover with pictorial covers, unpaginated. Sale 1775. Clean copy. Prices realized list laid in.
Hardcover. NY, Thames & Hudson, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. An evocative portrait of mid-century New York City by master documentary photographer. It focuses on the work photographer Todd Webb produced in New York City in the 1940s and 1950s. Webb photographed the city day and night, in all seasons, and in all weather. Buildings, signage, vehicles, the passing throngs, isolated figures, curious eccentrics-from the Brooklyn Bridge to Harlem, this book is a rich portrait of the everyday life and architecture of New York. Webb's work is focused and layered with light and shadow, capturing the soul of this city shaped by the friction and frisson of humanity. Remainder line to bottom edge, otherwise clean.
Hardcover. New York, Viking Press, 1st , 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, SIGNED BY EISENSTAEDT on front fly leaf. Photographs of over 300 well-known people by the Prussia born Life Magazine photographer Alfred Eisenstaedt (1898-1995). Black & white photos. 260 pages. Clean in a bright, unclipped dust jacket.
Hardcover. Zurich/NY, Edition Stemmle, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket. 223 pages. Foreword by James H. Billington. Text by Leah Bendavid-Val. Includes images by Max Alpert, Dmitri Debakov, Georgy Lipskerov, Max Penson, Leonid Shokin, Esther Burley, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Gordon Parks, Marion Post Wolcott, Ben Shahn, and numerous others. Afterword by Philip Brookman and with biographies of the photographers. Clean copy.
hardcover. Austin, TX, Texas Monthly Press, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. A collection of black & white documentary photos taken in Texas in the 1940's. 149 pages. Dust jacket unclipped.
Softcover. London, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 224 pages in color. A trip around the globe with fashion photographer Alice Hawkins, capturing unique personalities in locales as far-flung as Texas, India, Nairobi, Cuba, and Jamaica. Displaying an uncommon flair for storytelling that imbues each image with a sense of wonder, Alice Hawkins's work explores the importance of individuality, role play, dressing up, fantasy, and playfulness. Her extended series of stylized "fashion portraits" from around the world question and ultimately celebrate beauty and the representation of the feminine outside of the mainstream. Her photographs for some of the world's leading fashion magazines document the men and women Hawkins has encountered on "road trips" in far-flung locations, focusing on people she sees on the street or locals whose particular style or appearance she has sought out in lieu of fashion models'. Mild bumps to corners, otherwise like new.
Hardcover. Livingston MT, Clark City Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 B&w photographs of Hollywood stars & lifestyles by one of Life magazine's original photographers. "A collection of portraits by one of the original four Life photographers features candid, offscreen shots of such Hollywood stars as Errol Flynn, Greer Garson, Alfred Hitchcock, young Elizabeth Taylor, and Orson Welles."
Softcover. NY, Aperture, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 99 pages. Summer 1985. Introduction by Mark Haworth-Booth and an essay by David Mellor. An entire issue on the work of Bill Brandt that was done for an exhibition at the Philadelphia Museum of Art from June 8 -September 21, 1985. Clean copy.
Hardcover. London, Editions Gallimard, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Non-paginated. First French Edition. 14.25" x 10.5". French language throughout. Foreword by H.R.H. Duke of Edinburgh. Presented by Christian Fevrier. A collection of superb photographs from the archives of the well known photographers Beken of Clowes covering the hundred years from 1880 to 1980. All related to sailing, yachting, boats and printed in sepia duo-tone process with some as fold out spreads. Photographic index and captioned section at rear. Full bound maroon cloth with gold blocking to spine. Unclipped dust wrapper.
Softcover. Albuquerque, University Of New Mexico Press, 1st pbk, 1987, Book: Very Good, Dust Jacket: None, Softcover, 285 pages, b&w and color illustrations. Nineteen essays on various issues in photography; includes essays about Photographers at War, Robert Doisneau, Helen Levitt, William Klein, Atget, and more. Clean copy.
Hardcover. Philadelphia, Williams, Brown & Earle, unknown, Book: Good, Dust Jacket: None, Album of photographs (circa 1900) 20 2"x3" original photographs of landscapes and scenery at Watkins Glen, N,Y. in framed mounts on 10 pages. The last page, with frames empty, leaves room to add four additional photographs. Oblong small folio. Two color cloth, red with heavy gilt vine floral decor, brown with gilt title. Photographs all in very good condition. The album covers show some wear and chipping around edges. Good.
Hardcover. London/NY, Thames & Hudson , 1st, 2022, Book: Good, Dust Jacket: None, Hardcover, orange cloth, 256 pages. A full-career retrospective on the work of Vivian Maier, bringing together a selection of key works from throughout her life and career. When Vivian Maier's archive was discovered in Chicago in 2007, the photography community gained an immense and singular talent. Maier lived in relative obscurity until her death in 2009, but is now the subject of films and books, and recognized as one of the great American photographers of the 20th century. Cover bumped, remainder line on bottom edge.
Hardcover. London, Haus Publishing Limited, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Like new in publishers shrink-wrap. Xavier Roy's breathtaking photographs of Egypt offer us a haunting vision of a country and its people.
Softcover. NY, Collier Books, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, large format. 175 pages, 82 b&w portraits of film directors including many who were just beginning their careers ie. Scorsese, Coppola, Spielberg and Lucas along with some of the great directors in the history of American film including Cukor, Hitchcock, Wellman and many others. Includes filmographies and some commentaries. DOMESTIC SHIPPING ONLY.
Hardcover. New Haven CT, Yale University Press , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 269 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Offers a mid-career assessment of Strauss's achievement to date, and the first full account of her celebrated ten-year project, beginning in 2001, to exhibit her photographs under an elevated section of Interstate 95 in Philadelphia. Strauss's troubling and sometimes touching images focus primarily on American working-class experience, to convey what she calls "an epic narrative that reflects the beauty and struggle of everyday life." Generously illustrated, this book includes nearly 200 photographs--135 of them published here for the first time.
Hardcover. Bologna IT, Damiani , 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. In 1978 two of Joseph Szabo's high school students invited him to join them at a Rolling Stones concert at JFK Stadium in Philadelphia. Sensing a promising photo opportunity, Szabo agreed, packing three 35mm cameras and plenty of black-and-white film. Some 90,000 Rolling Stones fans converged on the stadium for the concert, where Szabo captured them drinking, kissing, smoking, dancing and hanging out. Their young subjects transported by the music, the drugs, the alcohol and the community, Szabo's Rolling Stones Fans photographs show unguarded moments of absorption and abandon in the sublimity of the rock and roll gig. Still in publisher's shrinkwrap.
Hardcover. New York , Random House, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 326 pages, b&w photos. Light shelf-wear to dust jacket, else a clean, tight copy. A personal history of 50 years in photo-journalism by one of the top journalists of the 20th century. John Morris tells the inside stories from the field, ranging from photos of the D-Day landing to the assassination of Robert Kennedy.
Softcover. Munich/NY, Schirmer/Mosel, reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, a collection of 123 b&w duotone photographs taken by Evans from 1927 to 1948. Essay by Michael Brix. Clean copy.
Hardcover. Munich GR, Hirmer , 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 110 pages, 80 color illustrations. This unique book shows an album of photos taken in May & June 1913 when James Radley drove from London to Vienna via Paris, Mont Cenis Pass, Brescia, Riva del Garda, Dolomites, & Loibl Pass. His car was entered in the famous Osterreichische Alpenfahrt, a gruelling 2650 kilometre route with 19 mountain passes to drive across in seven days. On the journey out to Vienna, one of Radley's passengers was his friend Reginald Hope, an amateur photographer who recorded the journey. Remarkably, both the car and Hope's photo album survived, making it possible to recreate the journey with the same car and repeat the photographs in the identical locations exactly 100 years later in May & June 2013. John Kennedy has been taking photographs since he could first afford to buy film for the family box camera. The digital cameras used nowadays are rather more capable, but the challenge was still the same. Clean copy. Still in publisher's shrinkwrap.
Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover, 296 pages. This is Pam's 'visual anthropology' of his engagement with various Asian cultures, where he was photographing his life and experiences.
Hardcover. Oxford UK, Clio Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, maroon boards with gilt lettering along spine. Binding and hinges tight and square. 1996 publication, in like-new condition with no wear or distress. 202 pages including extensive bibliography; has black & white illustrations. A collection of writings by and about American photographer Steichen (1879-1973) who set new standards for advertising photography, helped pioneer aerial reconnaissance during the First World War and photography as a tool of propaganda during the Second, and served as the first Director of the Department of Photography at the Museum of Modern Art in New York.
Hardcover. Gottingen, Steidl, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, issued w/o a dust jacket, 327 pages. Like new in publishers shrink-wrap. For over forty years, photographer Martha Cooper has collected materials related to the Kodak Girl, the advertising campaign launched in the late 1800s by George Eastman to market his revolutionary cameras.
Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. Roaming Paris streets by night in the early 1930s, Brassai created arresting images of the city's dramatic nocturnal landscape. First published in French in 1932, this new edition brings one of Brassai's finest works back into print. The back alleys, metro stations, and bistros he photographed are at turns hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers. "Paris by Night" is a stunning portrait of nighttime in the City of Light, as captured by its most articulate observer. 62 photos. Short closed tear to rear panel of dj, clean copy.
Softcover. Heidelberg GR, Kehrer Verlag, 1st, 2003-09-01, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers. Sandra Mann, a young photographer, portrays moments in nightlife not only through the lens of her camera, but as a member of the scene itself. She provides the viewer with intimate, sometimes erotic sights of artists, musicians, dancers, and common people who form the so-called "nightslife". Mann's infallible feeling for the unique situation and formal composition make the book in his special design and conception as a so-called "street book" an extraordinary document.
Hardcover. New York , Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth with gilt lettering, no dust jacket. The complete history of the legendary Pirelli Calendar. Launched in 1963 to a privileged shortlist of customers, the quality and creativity of Pirelli's photographers have made the limited-edition calendar a paradigm of the genre and a coveted collector's item. This volume contains all the calendars published since 1964--including the 1997 edition photographed by Richard Avedon--for a total of 264 full color images. 407 pages. Clean copy.