Used & Rare Photography Books - pg. 28 including Thor by: Duncan, David Douglas

Hardcover. Lyons and Burford, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket., 97 pages. B&w photos of the famous photographer's German shepherd.

Hardcover. NY, Prentice Hall Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format, b&w illustrations. A revealing look at the changing face of the American landscape, from the 1850s to today, as depicted by some of America's greatest photographers. 150 photographs provide a fascinating view of our land, juxtaposing what it once looked like with what it is today. Mild fade to dj spine, clean copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 254 pages, b&w illustrations. George Alexander Grant is an unknown elder in the field of American landscape photography. Just as they did the work of his contemporaries Ansel Adams, Edward Weston, Eliot Porter, and others, millions of people viewed Grant's photographs; unlike those contemporaries, few even knew Grant's name. Landscapes for the People shares his story through his remarkable images and a compelling biography profiling patience, perseverance, dedication, and an unsurpassed love of the natural and historic places that Americans chose to preserve. A Pennsylvania native, Grant was introduced to the parks during the summer of 1922 and resolved to make parks work and photography his life. Seven years later, he received his dream job and spent the next quarter century visiting the four corners of the country to produce images in more than one hundred national parks, monuments, historic sites, battlefields, and other locations. He was there to visually document the dramatic expansion of the National Park Service during the New Deal, including the work of the Civilian Conservation Corps. Grant's images are the work of a master craftsman. His practiced eye for composition and exposure and his patience to capture subjects in their finest light are comparable to those of his more widely known contemporaries. Nearly fifty years after his death, and in concert with the 2016 centennial of the National Park Service, it is fitting that George Grant's photography be introduced to a new generation of Americans.

Hardcover. London, Clearview, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a paste-down label, 160 pages, illustrated in color and b&w. Foreword by Elton John and David Furnish. A polaroid is the physical and organic reminder of a particular moment, enabling the creative team to step back and fully consider the technical and artistic direction of a photoshoot. The excitement of watching the image slowly developing and seeing the final result makes the polaroid a tiny artwork all of its own.In this book, uber-stylist and storyteller Jo Hambro showcases some of her vast personal records of polaroids taken from the fashionshoots she has worked on over the last two decades. Combined with her extraordinary notebooks, scribbles and sketches formulating the stories that each shoot is based on, (in which polaroids are an indispensable part), we are taken into the hidden world of fashion's creative process. Clean copy.

Softcover. Havertown PA, Pen and Sword Military, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 302 pages illustrated in b&w. Craig Allen, a Paratrooper for 29 years, returned to 2 PARA as a reservist and unofficial photographer for the Battlegroup's dramatic 2008 Tour in Helmand. As both a respected soldier and photographer he had unrivaled access to the fighting and moved from area to area following the action. Every evening he wrote up his experiences and those of the men he was with, whose trust he had as 'a member of the club'. He had a ringside seat to a very costly summer tour, with the Taliban proving themselves worthy enemies to even the most elite British Army soldiers. His story tells in superb action photographs and no-nonsense prose of the hardships, courage, fears and cost suffered by front line soldiers over prolonged periods. He captures the color of life and death in Afghanistan for both combatants and the luckless civilian population caught up in this vicious spiral of war. An unforgettable book which has true visual appeal. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcocer in a bright dust jacket, 257 pages plus 143 b&w pages of photographs in the front of the book. Walker Evans (1903-75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans's work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans's practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans's dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists--from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner--underscoring how Evans's travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.

Hardcover. Boston, Houghton Mifflin, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. 143 pages with 111 b&w photos. "This book presents a collection of socially and historically relevant photographs of Boston and vicinity, taken between 1890 and 1920 by G. Frank Radway, a highly perceptive if unknown photographer...." From the Introduction. Clean copy.

Softcover. NY, HarperCollins, 1st pbk, 1995, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, b&w illustrations. The apt subtitle of this award-winning biography, Photographer & Revolutionary, sums up the creative tensions that characterized Tina Modotti's life and brief photographic career. Active as a photographer for only nine years, Modotti was pulled between formal and social concerns. Producing striking modernist compositions of everyday objects, photojournalism of poverty and conflict, and portraits of celebrities and common people alike, Modotti balanced political concerns with formal rigor.First published in 1993 and long out of print, Tina Modotti: Photographer & Revolutionary is the definitive portrayal of Modotti's life and work. Few photographers are more deserving of a biographical treatment than Modotti, whose work as an actress and artist's model introduced her to Edward Weston, who was to become her lover. Soon after she arrived in Mexico City with Weston, Modotti became increasingly politicized, working for the communist newspaper El Machete and establishing herself as the go-to photographer for the Mexican Muralist movement. The book includes extensive archival material, interviews with Modotti's contemporaries and many rare photographs. Clean copy.

Hardcover. Boston, Bulfinch/Little Brown, 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 180 b/w photos of athletes in preparation for the 1996 Atlanta Olympic Games. A celebrated, highly stylized photographer of rock stars shooting Olympic athletes? That apparent anomaly seems just right when the photographer in question is Leibovitz, whose portraiture has always managed to capture the inner turmoil lurking beneath outward calm. Wisely, she chose to shoot her athletes not in Atlanta, surrounded by hoopla, but in preparation for the games, isolated and intense. The results are stunning: a sculpted Carl Lewis in repose, achieving a Mapplethorpian elegance mixed with menace; a poised and incredibly focused Michael Johnson, suggesting all the unleashed energy it would take to run faster than anyone has ever run before; a sober U.S. women's softball team, exuding the determination that would eventually produce wild jubilation and the gold medal. Still in publisher's shrinkwrap.

Hardcover. NY, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 192 pages. A critical examination of American photographer Gertrude Kasebier. Features text by Barbara L. Michaels. Includes 120 duotone illustrations. NAME ON FRONT FLY LEAF, OTHERWISE CLEAN.

Hardcover. NY, Museum of Modern Art, 2nd pr., 1974, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and price-clipped dust jacket. Stated second printing. 189 pages, profusely illustrated in bw. With an introduction by John Szarkowski. Catalog of a photography exhibition held at The Museum of Modern Art, New York. Clean copy.

Softcover. NY, Harmony Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, illustrated in b&w, some color. In a charming, straightforward way, Benson tells of his life in photography. Benson presents a useful mix of his own photography with personal ancedotes and specific lists of how-to's. The photos are useful for showing some of the great moments that can be caught on film, as well as for giving the newer photographer something to aspire towards. Mixed in with the photo sections are pages of up-front writing about how Benson achieved what you are looking at. "Certain qualities are essential to a photojournalist -- an inherent love of photography, a strong determination to succeed, and a willingness to put everything second to your work. You also need a sense of history, an awareness of human behavior, physical stamina, a fascination with gossip, a survival instinct, a naive belief in yourself, and a bit of luck." -- Harry Benson

Hardcover. Zurich/NY, Edition Stemmle, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket. 223 pages. Foreword by James H. Billington. Text by Leah Bendavid-Val. Includes images by Max Alpert, Dmitri Debakov, Georgy Lipskerov, Max Penson, Leonid Shokin, Esther Burley, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Gordon Parks, Marion Post Wolcott, Ben Shahn, and numerous others. Afterword by Philip Brookman and with biographies of the photographers. Clean copy.

Softcover. NY, Noonday Press, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 148 pages, b&w photographs. Introduction by Ron Kovic. Durrance served in Vietnam and kept a photographic journal; this book is a selection of his photographs. Captures the range of emotions and realities of the American experience in Vietnam in the years 1966-1968, describing how young American boys became part of the military machine . Clean copy.

Hardcover. NY, Charles Scibner's Sons, 1st, 1956, Book: Very Good, Dust Jacket: Fair, Hardcover, color frontis, 82 black & white photos by Dan Weiner. Dust jacket with chunks gone from all edges, closed tears. Clean copy.

Softcover. NY, Aperture, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Profile by Calvin Tomkins; excerpts from correspondence, interviews, and other documents. This is a comprehensive survey of the power and force of one of the 20th century's major photographic figures. Before his death, Strand spent his last days going over his photographic prints and his many books with an eye to the completion of this book. Clean copy.

Hardcover. NY, Fordham University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. With more than 250 photographs, in color as well as black and white, this attractive book captures the diversity of today's Park against the kaleidoscopic background of the changing seasons.

Hardcover. NY, Phaidon Press , 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 240 pages. Stanley Kubrick Drama and Shadows is the first publication of early photographs by renowned filmmaker Stanley Kubrick (1928-1999), taken between 1945 and 1950 - many of them never before seen by the general public. Kubrick made these photographs while he was a staff photographer for the New York-based Look magazine, following his graduation from high school and before he made his first films. Aimed at a broad audience, Stanley Kubrick Drama and Shadows reveals the director's early experimentations with image composition and his attraction to dramatic, often psychologically intense subjects and narratives that would both become elements of his recognizable style as a director. Divided into four thematic chapters ("Metropolitan Life," "Entertainment," "Celebrities," and "Human Behavior"), this book features a carefully selected group of approximately 350 photographs organized into approximately thirty photographic stories. An insightful introductory essay provides context and examines Kubrick's photographs in relation to the history of photography. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Thames & Hudson, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pale rose boards with photo label on front cover. Over one hundred of the most outstanding photographs taken by photographer, model, and surrealist muse Lee Miller, Introduced to photography at an early age, Lee Miller honed her craft in Paris, where she associated with the Surrealists and avant-garde artists including Jean Cocteau and Picasso. Together with Man Ray she accidentally discovered the distinctive technique of solarization to create mesmerizing halo effects. After establishing her own photographic studio in New York, where she became a prominent commercial photographer, she then moved to the Middle East and Europe before becoming the official war photographer for Vogue, a period during which she took many of her most iconic photographs. This evocative book collects Lee Miller's most famous documentary, fashion, and war works, as well as photographs of Miller, all carefully compiled by her son the photographer Antony Penrose, with a foreword by actress Kate Winslet, Cllean copy.

Hardcover. NY, Penguin Studio, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 120 pages, color plates throughout. A collection of photographs from the burial grounds of Europe explores the beauty of cemeteries and the emotions the survivors of the dead placed into the making of the tombs, accompanied by a meditation on the death of his own parents by Dean Koontz. Bright, clean copy.

Hardcover. NY, Viking Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A collection of color and black and white photographs from the famed Life photographer. Clean copy.

Hardcover. NY, Amphoto, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly edgeworn dust jacket. 192 pages with 80 color pages and over 80 black and white illustrations. This book goes behind the scenes in the fascinating world of fashion photography. It shows how the illusion of fashion photographs is created--shows the people, planning, and hard work behind these striking and sensual images. A combination of finished fashion photos, background shots, and interviews with top people in fashion, Moves step-by-step through the intricate process of producing a fashion photograph for a major magazine, newspaper, or catalog. Minor wear to dust jacket, clean copy.

Hardcover. NY, Simon & Schuster, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Collects, for the first time in book form, more than two hundred of Ettlinger's most famous photographs. Immortalized in these pages are many of America's greatest writers, including Raymond Carver, Francine Prose, Walter Mosley, Mary Karr, John Irving, Joyce Carol Oates, Truman Capote, Cormac McCarthy, Patricia Highsmith, Ken Kesey, Edwidge Danticat, and Jeffrey Eugenides. Shot exclusively in natural light and in black-and-white film, each of these images is an intimate artwork, putting the reader closer than ever before to the writers they revere and admire. Bright, clean copy.

Hardcover. NY, Konemann/Aperture, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 95 ages, 41 B/w plates. Essay by poet Jonathon Williams; notes-comments interfaced with photos by Callahan.

Hardcover. NY/Munich, Prestel, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. This book is the culmination of an advertising campaign by the exclusive design company Vitra, which had the idea of photographing famous personalities sitting on Vitra chairs. The resulting photographs collected are remarkable in their portrayal of world-famous personalities from the fine and performing arts commenting on the link between style and status.

Hardcover. Insight Editions, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. In this curated collection of art and photography from his personal archive, Graham Nash's life as a musician and artist unfolds in vivid detail. Best known as a founding member of the Hollies and supergroup Crosby, Stills & Nash, Graham developed a love of photography from the time he was a child. Inspired by his father, Nash began taking pictures at 10 years old and would go on to take his camera with him ever since--on tour with the Hollies and later CSN and CSNY, among friends at Laurel Canyon and abroad. Many of his photographs depict intimate moments with family and friends, among them Joni Mitchell, Stephen Stills, and Neil Young. This volume presents these images alongside Nash's own reflections, telling the story behind the pictures and giving insight into the life of one of the greatest musicians of all time. Still in publiher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Naval Institute Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. This collection of stunning shipyard photos, most previously unpublished, showcases the work of a major shipbuilder during the Great War. Although best known for large liners and capital ships, between 1914 and 1920, the Clydebank shipyard of John Brown & Sons built a vast range of vessels. This volume features 200 photos depicting in unprecedented detail every aspect of the yard's output, from the liner Aquitania in 1914 to the cruiser Enterprise, completed in 1920. While ships are the main focus of the book, the photos also chronicle the impact of the war on working conditions in the yard, most noticeably in the introduction of women in large numbers to the workforce. This book is a vivid portrait of a lost industry at the height of its success. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2022, Book: Very Good, Hardcover, pictorial boards, Photographer Marcia Resnick (b. 1950) earned recognition as part of the legendary Downtown New York art scene of the 1970s and 1980s. Her portraits of the era's major cultural figures, such as Jean-Michel Basquiat, John Belushi, and Susan Sontag, have contributed to the scene's mythic status. Against this backdrop, Resnick also produced a significant body of work that engaged with the history of art, took a humorous approach to conceptual art and feminism, and proposed new ideas for what photography could be. Spanning the artist's career, this richly illustrated volume explores Resnick's early influences and education at Cooper Union and CalArts; discusses her series and photobooks such as See and Re-visions; and situates the artist's work within the history of contemporary art. An afterword by Laurie Anderson speaks to the very personal vision of Resnick's photography. Still in publisher's shrinkwrap.

Softcover. London, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 224 pages in color. A trip around the globe with fashion photographer Alice Hawkins, capturing unique personalities in locales as far-flung as Texas, India, Nairobi, Cuba, and Jamaica. Displaying an uncommon flair for storytelling that imbues each image with a sense of wonder, Alice Hawkins's work explores the importance of individuality, role play, dressing up, fantasy, and playfulness. Her extended series of stylized "fashion portraits" from around the world question and ultimately celebrate beauty and the representation of the feminine outside of the mainstream. Her photographs for some of the world's leading fashion magazines document the men and women Hawkins has encountered on "road trips" in far-flung locations, focusing on people she sees on the street or locals whose particular style or appearance she has sought out in lieu of fashion models'. Mild bumps to corners, otherwise like new.

Hardcover. Colbyville VT, Silver Print Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a right dust jacket. INSCRIBED BY MILLER on the half-title page. Author and photographer Peter Miller, best known for the classics Vermont People and Vermont Farm Women, has now completed his trilogy of books with the November release of Vermont Gathering Places. The book is a collection of 38 stories that highlight the places in the state where Vermonters gather to meet, discuss their towns, and keep the small-town traditions of the state thriving. The stories in Vermont Gathering Places are as varied as the counties and towns themselves. 185 duotone photographs accompany stories that include the Brookfield Ice Harvest, the Brattleboro Farmers' Market, Moretown Town Meeting, Pawlet Community Church Supper, Fiddlers' Breakfast at the Bobbin Mill Restaurant in Westfield, Barre's Thunder Road, and the Fairbanks Museum in St. Johnsbury. In addition to individual stories, Miller has included large spreads of country stores and parades scattered throughout the state. Vermont Gathering Places is a book for all Vermonters, and it comes alive with the interviews and portraits that define Peter Miller's work and have made his books Vermont People and Vermont Farm Women so popular. Clean copy.

Hardcover. Santa Fe, Museum of New Mexico Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 188 pages, color and b&w photos. Since its invention, photography has been used to document and interpret the landscape. Survey photographers in the 1860s were the first environmental advocates, arguing for the U.S. national park system. During the first half of the 20th century photographers Ansel Adams and Eliot Porter were central figures in influencing American attitudes toward wilderness and conservation. This book traces the development of environmental photography beginning with Adams, Porter and others, and the next generation of landscape photographers - Robert Adams, Richard Misrach, Robert Glenn Ketchum, Patrick Nagatani, Mark Klett, whose works confronted the issues of landscape and the environment in less idealised terms. Shifting from the historical framework, the book presents new work by twenty-three photographers working in the U.S., the next wave of artists using the camera to engage the environmental issues of the day. Clean copy.

Hardcover. Prestel Publishing, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 576 pages. Unlike many other artistic media, photographys origins are well documented, as are its ever-changing technologies and applications. Written by an international team of experts, this definitive history of photography looks at every step of the fields dynamic evolution, period by period and movement by movement. Each key genre is chronologically presented within its social, economic, and political context, along with close analysis of specially selected works that best exemplify the characteristics of the period. With more than 500 gorgeous examples in black and white and color, the book explores in-depth virtually every aspect of the medium since its first public demonstration in 1839 to the latest innovations: from early portraits and the birth of photojournalism to travel photography and the mapping of the world; from the Pictorialists to the avant-garde; from celebrity and fashion to documentary and landscape. Along the way readers will learn why some photographs are considered iconic, and why the medium as an art form continues to challenge and enthrall us. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Glitterati, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After becoming captivated by the beauty and originality of a group of nineteenth-century photographs, Robert Flynn Johnson has uncovered more than two hundred vintage images of women who lived and worked at a brothel in Reading, Pennsylvania, circa 1892, and showcases them here for the first time for a wider public. Working Girls details the private, creative archive of commercial photographer William Goldman, whose imagery paints a complete picture of the environments that these women inhabited - from inside the brothel, posing artistically for the camera, to their off-duty routines, such as reading, smoking, and bathing. Taken two decades before the famous E. J. Bellocq photographs of prostitutes in Storyville, New Orleans, circa 1913, Johnson chronicles the aesthetic, historical, and sociological importance of Goldman's artwork in the history of photography, referencing them alongside paintings and photographs by such artists as Degas, Eakins, and Monsieur X. With essays that provide an insightful historical overview of Goldman's work in context of the period in which they were taken, by feminist and cultural luminaries including Dita Von Teese, Ruth Rosen and Dennita Sewell, this extraordinary collection provides a personal visual record of lives of these women while also offering a deeper understanding of the 'working girls' that existed in that era. Clean copy.

Softcover. London/NY, I. B. Tauris & Company, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 354 pages, b&w illustrations. The advent of photography opened new worlds to 19th-century viewers, who became able to visualize themselves, their immediate surroundings, their communities, and the world beyond. The geographical imagination--the ability to know the world and situate oneself in space and time--fostered the expectations and applications of photographic technologies, and photographic technologies expresses the form and reach of the geographical imagination. This dialectic is the basis of this collection of intriguing essays, which explore the diverse ways in which the relationship manifested.

Hardcover. San Rafael CA, Rocky Nook, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 202 pages. In The Mindful Photographer, teacher, author, and photographer David Ulrich follows up on the success of his previous book, Zen Camera, by offering photographers, smartphone camera users, and other cultural creatives 55 short (1-5 pages) essays on topics related to photography, mindfulness, personal growth, creativity, and cultivating personal and social awareness. Whether you're seeking to become a better photographer, find your voice, enhance your ability to "see" the world around you, realize your full potential, or refine your personal expression, The Mindful Photographer can help you. Clean copy.

Softcover. Bristol UK, Intellect, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 255 pages. With a focus on the settler societies of the United States and Australia, Photography and Landscape is a new critical account of landscape photography created through a unique collaboration between a photography writer and a landscape photographer. Beginning with the frontier days of the American West, the subsequent century-long popularity of landscape photography is exemplified by images from Carleton Watkins to Ansel Adams, the New Topographics to Richard Misrach, all of whose works are considered here. Along with discussions of other contemporary photographers, this extensively illustrated volume demonstrates the influence of settler societies on landscape photography, in which skilled photographers captured the fascination with and the appeal of the land and its expanse. Clean copy.

Softcover. NY/London, Routledge, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover, 470 pages. Forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in animated debate on the nature of photography. Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some view it as a sign of bourgeois life, a kind of addiction of the middle class, whilst others see it as a troublesome interloper that has confused people's ideas of reality and fine art to the point that they have difficulty even defining what a photograph is. For some, the whole question of finding photography's nature is itself misguided from the beginning. This provocative second volume in the Routledge The Art Seminar series presents not one but many answers to the question what makes a photograph a photograph? Clean copy.

Softcover. NY, Aperture, 3rd pr., 1994, Book: Very Good, Dust Jacket: None, Softcover, 186 pages. A now classic text on the art, Why People Photograph gathers a selection of essays by the great master photographer Robert Adams, tackling such diverse subjects as collectors, humor, teaching, money and dogs. Adams also writes brilliantly on Edward Weston, Paul Strand, Laura Gilpin, Judith Joy Ross, Susan Meiselas, Michael Schmidt, Ansel Adams, Dorothea Lange, and Eugene Atget. The book closes with two essays on "working conditions" in the nineteenth- and twentieth-century American West, and the essay "Two Landscapes." Clean copy.

Hardcover. Cambridge MA, Wexner Center and MIT Press, 1sr, 2007, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial boards, Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetee (1962)-a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jetee, Sans Soleil, Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. Still in publisher's shrinkwrap.

Hardcover. New Haven CT, Yale University Press, 1st, 2015, Hardcover with a bright dust jacket, oblong format, 336 pages. 25 color, 375 duotone + 210 b/w illustrations. This important publication is the first comprehensive study and complete catalogue of Riis's world-famous images, and places him at the forefront of early-20th-century social reform photography. It is the culmination of more than two decades of research on Riis, assembling materials from five repositories (the Riis Collection at the Museum of the City of New York, the Library of Congress, the New-York Historical Society, the New York Public Library, and the Museum of South West Jutland, Denmark) as well as previously unpublished photographs and notes. In this handsome volume, Bonnie Yochelson proposes a novel thesis--that Riis was a radical publicist who utilized photographs to enhance his arguments, but had no great skill or ambition as a photographer. She also provides important context for understanding how Riis's work would be viewed in turn-of-the-century New York, whether presented in lantern slide lectures or newspapers. Still in publisher's shrinkwrap.

Hardcover. New Haven CT, Yale University Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, brick red cloth with a color photo illustrations on the front board with gilded and black letters to the front boards and spine, 168 pages. A fresh, comprehensive, and critical look at the California gold rush through the lens of the daguerreotype camera.The California gold rush was the first major event in American history to be documented in depth by photography. This fascinating volume offers a fresh, comprehensive, and critical look at the people, places, and culture of that historical episode as seen through daguerreotypes and ambrotypes of the era. After gold was discovered at Sutter's Mill in 1848, thousands made the journey to California, including daguerreotypists who established studios in cities and towns and ventured into the gold fields in specially outfitted photographic wagons. Their images, including portraits, views of cities and gold towns, and miners at work in the field, provide an extraordinary glimpse into the evolution of mining culture and technology, the variety of nationalities and races involved in the mining industry, and the growth of cities such as San Francisco and Sacramento. Still in publisher's shrinkwrap.

Hardcover. NY, Aperture, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with small closed tears. Photographs and statements by Caponigro; edited by Minor White. 62 pages; 48 full-page b&w plates; 8 x 9.25 inches. Chronology, bibliography through 1966, exhibition history, list of plates with captions. Clean copy.

Hardcover. Boston, Bulfinch Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages. Essays by leading authorities on the artist's work accompany a stunning collection of nearly two hundred photographs by modernist American photographer Charles Sheeler, offering a landmark retrospective of of the work of the influential master of twentieth-century photography. Sheeler visited Europe in 1929 and an important part of this trip was to photograph Chartres Cathedral, he called it "...one of the outstanding experiences of a lifetime". The book includes thirteen beautiful shots of the Cathedral and they look remarkably like his photos of the Ford Motor Rouge River blast furnaces and other exterior bits of the industrial plant which he took in 1927. After 1929 Sheeler concentrated on his paintings. The photos in the book for this period: 1929 to 1939, include house interiors and several for his Power series. One of these, the wheels of a Hudson steam loco was the basis of his famous super realist 1939 painting 'Rolling Power'. The images in the book are taken from Lane Collection, of the Museum of Fine Art, Boston, who own the Sheeler photographic estate and the book was originally published in conjunction with exhibitions in 2003/4. The 190 photos are printed as tritones with a 250 screen. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Softcover. NY, Museum of Modern Art, reprint, 2007, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 156 pages. Based on a landmark exhibition at The Museum of Modern Art in 1964, and originally published in 1966, the book has long been out of print. It is now available again to a new generation of photographers and lovers of photography in this duotone printing that closely follows the original. Szarkowski's compact text eloquently complements skillfully selected and sequenced groupings of 172 photographs drawn from the entire history and range of the medium. Celebrated works by such masters as Cartier-Bresson, Evans, Steichen, Strand, and Weston are juxtaposed with vernacular documents and even amateur snapshots to analyze the fundamental challenges and opportunities that all photographers have faced. Clean copy.

Softcover. NY, Aperture, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 99 pages. Summer 1985. Introduction by Mark Haworth-Booth and an essay by David Mellor. An entire issue on the work of Bill Brandt that was done for an exhibition at the Philadelphia Museum of Art from June 8 -September 21, 1985. Clean copy.

Softcover. NY, Aperture, 1st, 1973, Softcover, 136 pages. First Edition. Introduction by Jonathan Williams. Stories by Lafcadio Hearn. Captions, and a Statement, by Laughlin. Glossy illustrated wrappers. The Aperture Monograph issued in connection with the Laughlin exhibition at the Philadelphia Museum of Art in 1973. Clean, bright copy.

Softcover. NY, Aperture, 1st, 1973, Softcover, 136 pages. First Edition. Introduction by Jonathan Williams. Stories by Lafcadio Hearn. Captions, and a Statement, by Laughlin. Glossy illustrated wrappers. The Aperture Monograph issued in connection with the Laughlin exhibition at the Philadelphia Museum of Art in 1973. Clean, bright copy.

Hardcover. London/NY, Phaidon Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. Photography has played an important role in how architecture is communicated and this book examines the critical relationship between the two practices today through the work of fifty international renowned and emerging artists including Annie Liebovitz, James Welling , Thomas Struth, Wolfgang Tillmann's, Walter Niedermayr and many others. Lavishly illustrated with color reproductions of many iconic buildings. Divided into five chapters, the book covers collaborations between photographer and architect, globaL urbanization, alterations to the landscape, reappraised Modernist icons, and imagined environments. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Dobbs Ferry NY, Morgan and Morgan / Amon Carter Museum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pric-clipped dust jacket, 158 pages. Complete with a List of Photographs, Preface, Introduction, a long presentation of the photographs of William H. Jackson, Chronology and full Bibliography. Over 100 of Jackson's finest photographs in black-and-white and duotone. With a critical essay by William L. Broecker. Ink inscription on front fly leaf otherwise clean.

Hardcover. NY, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. Fact and fiction mix in this first truly international survey of a vibrant, burgeoning field, its masterful twenty-first-century practitioners, and their work. William A. Ewing, the eminent photography author and curator, has selected 240 photographs by over 100 photographers, ranging from renowned figures such as Andreas Gursky, Richard Misrach, Susan Derges and Edward Burtynsky, to younger rising stars, including Olaf Otto Becker, Pieter Hugo and Penelope Umbrico. Each represents an individual or original viewpoint of a shared concern for our rapidly changing environment. Organized into ten themes: Sublime; Pastoral; Artefacts; Rupture; Playground; Scar; Control; Enigma; Hallucination; and Reverie. Clean copy. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.