Boston, N.Y. Graphic Society, BC Ed., 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos. 400 pages. Flap has price, (C) page with First Edition statement but actually Book Club edition. Edited by Mary Street Alinder & Andrea Gray Stillman. In his early years in Yosemite, Adams formed the habit of writing letters at every opportunity. His correspondence, therefore, virtually provides the full record of his life. Through the years, wherever he went, from the Southwest to Maine to Alaska, he wrote literally thousands of letters and postcards. Among the family, friends, fellow photographers, environmentalists, and politicians with whom he corresponded rank such eminent names as Alfred Stieglitz, Dorothea Lange, Paul Strand, jimmy Carter, Beaumont and Nancy Newhall, Garry Trudeau, and Edward Weston. Including both sides of continuing dialogues with these people and others, this book revels the growth of the artist and the whole man, as well as the development of the art of photography through the voices of the masters. A companion volume to his best-selling autobiography, ANSEL ADAMS: LETTERS AND IMAGES is illustrated with over 100 of his photographs from monumental landscapes to family snapshots. This combination of images with the highlights of a lifetime of letter writing creates a compelling portrait of one of the 20th century's greatest artists and conservationists and one of the most personable and memorable of men.
Hardcover. NY, Glitterati, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After becoming captivated by the beauty and originality of a group of nineteenth-century photographs, Robert Flynn Johnson has uncovered more than two hundred vintage images of women who lived and worked at a brothel in Reading, Pennsylvania, circa 1892, and showcases them here for the first time for a wider public. Working Girls details the private, creative archive of commercial photographer William Goldman, whose imagery paints a complete picture of the environments that these women inhabited - from inside the brothel, posing artistically for the camera, to their off-duty routines, such as reading, smoking, and bathing. Taken two decades before the famous E. J. Bellocq photographs of prostitutes in Storyville, New Orleans, circa 1913, Johnson chronicles the aesthetic, historical, and sociological importance of Goldman's artwork in the history of photography, referencing them alongside paintings and photographs by such artists as Degas, Eakins, and Monsieur X. With essays that provide an insightful historical overview of Goldman's work in context of the period in which they were taken, by feminist and cultural luminaries including Dita Von Teese, Ruth Rosen and Dennita Sewell, this extraordinary collection provides a personal visual record of lives of these women while also offering a deeper understanding of the 'working girls' that existed in that era. Clean copy.
Hardcover. Santa Fe, NM, Clear Light, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Preface by Terry Tempest Williams. Black & white photos, 104 pages. Renowned wilderness writer T H Watkins offers a portrait of remote areas of the fragile and beautiful canyonlands of Utah. He gives us a panorama of majestic mountains, buttes, and mesas; forest views of pinon an djuniper and tall mountains sage; and intimate glimpses of rivers weaving through red slits in the earth. Through Watkins's exquisite visual and literary images shines his deep commitment to saving treasured wildlands that were old when humankind was 'yet ungraced by the breath of creation'. Clean copy.
Hardcover. Dobbs Ferry NY, Morgan and Morgan / Amon Carter Museum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, pric-clipped dust jacket, 158 pages. Complete with a List of Photographs, Preface, Introduction, a long presentation of the photographs of William H. Jackson, Chronology and full Bibliography. Over 100 of Jackson's finest photographs in black-and-white and duotone. With a critical essay by William L. Broecker. Ink inscription on front fly leaf otherwise clean.
Hardcover. London, Thames and Hudson, 1st UK, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages, 50 color photos by Boyd Norton. Forward by Yevgeny Yevtushenko. The 1990 journey of Matthiessen, Paul Winter and a group of Russian environmentalists who traveled around Siberia's Lake Baikal, the world's oldest and deepest lake, containing one-fifth of the planet's fresh water, is chronicled in diary form. Norton's 50 color photos enhance the text. Map.
Hardcover. Seattle, University of Washington Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. First edition. Introduction by Margery Mann. Small quarto. Illustrated with 94 photographs. Clean copy.
hardcover. Toronto, University of Toronto, 1st , 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 203 pages. 79 full-page B&W portraits by Karsh.
Softcover. NY, Writers And Readers Publishing, reprint, 1993, Book: Good, Softcover, 201 pages. Ex-lib with residue to endpapers, spine label. This photographic essay provides a fascinating historical overview of 34 black women photographers from 1839 to 1985. It is divided into five time periods and includes the general history of each period, along with the particular photographers' place in it. This volume is profusely illustrated with the work of each photographer and includes both biographical information and a critique of her work. All photographs are in black and white and are excellently reproduced. The writing is personalized and exciting. This is an upbeat, positive presentation of the role black women played in recording their history and their world. One page (179) loose, laid in.
Hardcover. London, Dewi Lewis Publishing, 1st, 2000-09-15, Book: Very Good, Dust Jacket: None, Illustrated throughout with photos in color and b&w. Minor shelf-wear to illustrated boards, else a clean, tight copy.
Hardcover. NY, Epicenter Communications / Random House, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages. "contains over 230 of the most compelling photographs and images of healers in the battlefield, many of them in color, culled from over one hundred archives in more than a dozen countries... Beginning with Matthew Brady's photographs of surgery at Antietam during the Civil War... through two world wars, to Vietnam, the Gulf War, and regional struggles ongoing today." Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. Milan, Sei Swann, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Illustrated throughout with full-page color portrait plates, many folding. Slim folio, black cloth, d.w. First Sei Swann edition. A fine copy in a fine dust wrapper. An interesting book with photographs taken of people looking at themselves in a mirror -- they could not see the photographer or the camera.
Hardcover. NY, Random House, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 2018, without any plan or agenda for what might happen next, Patti Smith posted her first Instagram photo: her hand with the simple message "Hello Everybody!" Known for shooting with her beloved Land Camera 250, Smith started posting images from her phone including portraits of her kids, her radiator, her boots, and her Abyssinian cat, Cairo. Followers felt an immediate affinity with these miniature windows into Smith's world, photographs of her daily coffee, the books she's reading, the graves of beloved heroes--William Blake, Dylan Thomas, Sylvia Plath, Simone Weil, Albert Camus. Over time, a coherent story of a life devoted to art took shape, and more than a million followers responded to Smith's unique aesthetic in images that chart her passions, devotions, obsessions, and whims. Original to this book are vintage photographs: anniversary pearls, a mother's keychain, and a husband's Mosrite guitar. Here, too, are photos from Smith's archives of life on and off the road, train stations, obscure cafes, a notebook always nearby. In wide-ranging yet intimate daily notations, Smith shares dispatches from her travels around the world. With over 365 photographs taking you through a single year, A Book of Days is a new way to experience the expansive mind of the visionary poet, writer, and performer.
Softcover. UK, Black Dog Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 68 pages, text in English and French. Clean, unmarked copy with only minor wear to wrappers.
Softcover. NY, Burns Archive Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 106 pages, color plates throughout. SIGNED/INSCRIBED BY STANLEY BURNS on the title page. Japan, an island nation isolated until the mid-nineteenth century, opened its doors to foreign photographers in the 1860s. These photographers presented a visual cultural kaleidoscope of Japanese life to an eager outside world. The 160 photographs in this volume are curated from tourist albums and presented in the typical sequence. The modern reader will experience Meiji Japan in the way of a nineteenth century armchair traveler. While photographers in other countries were marketing sepia-toned prints, photographers in Japan took advantage of local artists and had their prints exquisitely painted. As with all hand-rendered artworks, quality varied; many photographs were executed so well as to challenge modern color photography. Photographers were limited by government restrictions and many scenes were set in studios rather than in real life. Despite the limitations, tourists visiting the country could purchase albums filled with colorful renditions of Japan's peoples and places. The carefully staged and approved photographs promoted an idealized and romanticized vision of Meiji Japan. Modernization and industrialization changed the country dramatically and the last vestiges of the disappearing feudal culture are captured by the camera. These intriguing photographs are beautiful multi-media artworks representing a vanished world. Clean copy.
Hardcover. Berkeley CA, University of California Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover. Like new in publishers shrink-wrap. Text by Robert Flynn Johnson; introduction by Alexander McCall Smith. 208 pages; over 220 duo-toned and color photos; 10 x 10 inches. A collection of interesting vernacular photography.
Hardcover. Boston, Little, Brown & Co., 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor wear. 104 pages with 55 beautiful, luminous black & white plates, accompanied by selected texts from Adams, Emerson, and other poets and naturalists, chosen by the Editor, Janet Swan Bush. Clean copy.
Hardcover. New York, Graphis Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 106 pages, 45 full-page nude photographs by the Hungarian-born photographer Ferenc Berko, who worked in in Aspen Colorado since 1949. Like new in publishers shrink-wrap.
Hardcover. NY, Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The human (and sometimes non-human) hands are, with the possible exception of the eyes, the most expressive parts of the body, asking for more or less, telling us to come or to go, asking questions and answering them, scolding, rewarding, searching and finding, and, at their most intimate, loving and lustful. Hands reward us, calm us, feed us, and scratch our backs. They intimidate, bless, encourage, and stop us. They soothe, caress, and sometimes go where they shouldn't. We may take hands for granted. But Elliott Erwitt does not. Here is Erwitt at his most serious-and-yet-whimsical best, giving us the moments which, without hands, would not exist. 100 duotone images.
Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 154 pages. Like new in publishers shrink-wrap. Whatever his subject matter, rubbish bins or the human body, Edmund Teske (1911 - 1996) used the medium of photography: its film, chemistry, optics and mechanics to create serious, reflective and often composite works of art. This volume accompanied an exhibition of his photographs at the J Paul Getty Museum in 2004. As well as over 110 illustrations, the book contains Julian Cox;s biographical and critical essay and an interview with Teske's close friend of 30 years, the artist George Herms.
Hardcover. New York, Knopf, 1st , 1983, Book: Very Good, Dust Jacket: Very Good, 207 pages. Hardcover with dust jacket. 161 color photographs by Arnold. Dust jacket with light wear. This book represents the result of two years traveling the USA. Arnold was a member of Magnum and though born and raised in the US, spent some 30 years in Britain; this was her way of reconnecting with her birth country and thus provides a look at US culture in the late 1970s/early 80s. Eve Arnold (1912-2012) was an American photojournalist. She joined Magnum Photos agency in 1951 as the first women, and became a full member in 1957. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. London, Dewi Lewis Publishing, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages, 125 color plates. Like new in publishers shrink-wrap. The remarkable photographs in Forever Engand were taken at Bekonscot Model Village in Beaconsfield. Initially built by a London accountant to entertain his house guests, it opened to the public in 1929 and is the oldest model village in the world. Bekonscot's miniature population of 3,000 people and 300 animals becomes real, their lives frozen in time, as we are carried back to an England we all know and long for.
Softcover. NY, Abrams, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 399 pages plus index. This book offers a powerful new perspective on a much photographed subject: New York City, Veteran news photographer Ralph Ginzburg assigned himself the daunting task of photographing a different news event in The Big Apple on 365 consecutive days. The result is a year-long, 510-image extravaganza of the high drama and grandeur that are the everyday life of Gotham. Clean copy.
Hardcover. NY, Random House, 1st, 2006, Book: Good, Dust Jacket: Good, Large heavy monograph illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket and boards. "I don't have two lives," Annie Leibovitz writes in the Introduction to this collection of her work from 1990--2005. "This is one life, and the personal pictures and the assignment work are all part of it." Portraits of well-known figures-Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet-appear alongside pictures of Leibovitz's family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz's discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.
Hardcover. Boston, Little Brown & Company, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Intense eyewitness writing, and photographs on the opening weeks of the Korean War, by the renowned LIFE photographer. First Printing of this edition, originally published in 1951. Clean copy.
Hardcover. New York, Aperture, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, b&w images. Like new in publisher's shrink-wrap. Richards' response to the trauma of September 11, 2001, with interviews with some of the families who lost sons, daughters, husbands, wives, mothers, and fathers. According to one reviewer: "It may be the best photo book yet on those hard days." Photographs and afterword by Eugene Richards; interviews by Janine Altongy.
Hardcover. NY, Aperture, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 400 pages, 350 duotone images. More than those of any other living photographer, Sebastiao Salgado's images of the world's poor stand in tribute to the human condition. His transforming photographs bestow dignity on the most isolated and neglected, from famine-stricken refugees in the Sahel to the indigenous peoples of South America. "Workers" is a global epic that transcends mere imagery to become an affirmation of the enduring spirit of working women and men. The book is an archaeological exploration of the activities that have defined labor from the Stone Age through the Industrial Age, to the present. Divided into six categories -- "Agriculture," "Food," "Mining," "Industry," "Oil" and "Construction"-- the book unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization. Extended captions provide a historical and factual framework for the images. "Salgado unveils the pain, the beauty, and the brutality of the world of work on which everything rests," wrote Arthur Miller of this photobook classic, upon its original publication in 1993. "This is a collection of deep devotion and impressive skill." An elegy for the passing of traditional methods of labor and production, "Workers" delivers a message of endurance and hope. DOMESTIC SHIPPING ONLY.
Hardcover. Santa Fe NM, Twin Palms Pub, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages, Like new in publisher's shrink-wrap. In a series of intimate portraits infused with purpose, determination, and the physical and emotional struggles of intense training, Markus gives a more human face to a sport that rewards only those from its highest ranks. Far from the bright lights and stereotyped fame, these young fighters possess unrivaled dignity and grace.
Hardcover. NY, Aperture, 1stt, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 112 pages, b&w plates, comments and observations of ghetto residents accompany photographs, taken by a German soldier, of Jewish ghetto life in 1941 Warsaw. Clean copy.
Softcover. US, University of Illinois Press, 1st, 2010, Book: Very Good, Dust Jacket: None, 190 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to wrappers. The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans.Ben Shahn's American Scene: Photographs, 1938 presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the thematic and formal significance of individual photographs and reveals how, taken together, they address key cultural and political issues of the years leading up to World War II. Shahn's photographs highlight conflicts between traditional values and the newer ones introduced by modernity as represented by the movies, chain stores, and the tantalizing allure of consumer goods, and they are particularly rich in observation about the changes brought about by Americans' universal reliance on the automobile. They also explore the small town's standing as the nation's symbol of democratic community and expose the discriminatory social and racial practices that subverted this ideal in 1930s America.
Softcover. Boston, David R. Godine, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 95 pages, b&w photos by Tice. The enduring work of photographer George Tice is represented here in 80 black-and-white images, beautifully presented in a small format book. Clean copy.
Hardcover. US, Reel Art Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Beautiful photography. Clearly 50's era glamour and models. Tastefully erotic but not pornographic. The famous "red velvet series" featuring Marilyn Monroe is included, along with many many others.
Hardcover. Lincoln NE, University of Nebraska Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 167 pages. A previously unpublished photo series by Irwin Klein of northern New Mexican counterculture communes from 1967-1971 blended with modern essays on the topic. Dropouts, renegades, utopians. Children of the urban middle class and old beatniks living alone, as couples, in families, or as groups in the small Nuevomexicano towns. When photographer Irwin Klein began visiting northern New Mexico in the mid-1960s, he found these self-proclaimed New Settlers and many others in the back country between Santa Fe and Taos. His black-and-white photographs captured the life of the countercultures transition to a social movement. Clean copy.
Hardcover. San Francisco, Chronicle Books, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. remainder dot to top edge. 192 pages, b/w plates., index, Her lifetime in photography .
Hardcover. NY, Holiday House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. An exploration of the career of Western photographer William Henry Jackson features forty photographs of such subjects as Yellowstone and the Grand Canyon and discusses how his work and life parallel the opening of the West in the 1800s. 132 pages, clean copy.
Softcover. San Francisco, San Francisco Museum, 1st, 1991, Book: Very Good, Dust Jacket: None, 84 pages, 61 b&w and 24 color plates. Like new in publisher's shrink-wrap.
Hardcover. Wine Country Trucks Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 146 pages, color photos throughout. For decades, trucks have played a crucial role in the Wine Country of Northern California. This volume offers these old timers a chance to tell their lifelong tales. A large concentration of wineries and businesses from Napa and Sonoma counties have a rusted relic or a restored classic truck parked somewhere on their property. Sixty of these timeless treasures are featured with over 150 magnificent photos and fascinating stories of America's yesteryear. Several were props in movies. One entered the Great Race and drove across the country on America's back roads. Another was a local moonshine runner. Clean copy, no dust jacket.
Hardcover. Boston, David Godine, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages, 110 ill. (109 color, including covers). Photographs taken on Guggenheim Foundation and Asian Cultural Council Fellowship in 1983 and 1984 in Japan, Indonesia, Hong Kong, Thailand, India, the Philippines, China, Burma, South Borneo, and Vietnam. Like new in publisher's shrink-wrap.
Softcover. Albuquerque, University of New Mexico Press, 1993, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 95 pages. Essays by Sheryl Conkelton and Anne Lamott. In the photographs in 'Home and Other Stories, ' Catherine Wagner takes these precepts as her starting point. Each three-part work shows various aspects of one American home: rooms or potions of rooms and objects in ensembles that are carefully arranged for visitors or carelessly disposed in privacy. Light crease to rear cover otherwise very good, clean copy.
Softcover. New York, Abrams, reprint, 2004, Book: Very Good, Dust Jacket: None, 368 pages, b&w plates. A reduced format softcover edition of the monumental 1993 edition by the same publisher. 300 duotone photographs that survey every significant aspect of his life and work, from his self-education and early specialization of street-life observations to his three-year involvement with the Farm Security Administration and his breakthrough exhibition at the Museum of Modern Art.
Softcover. NY, Rizzoli, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 160 pages. The mysterious, seductive essence of the night has long entranced the imagination of artists and writers, and now it is the focus of a unique book that pairs evocative black-and-white photography with classic and contemporary poetry. Lynn Saville's photographs, shot after dark in and around New York and at other urban and rural sites in the United States, Portugal, Greece, and India, reveal unusual aspects of familiar cities and monuments as well as the dusky allure of fringe areas such as Manhattan's industrial district and desolate waterfronts. Rich with light and shadow, the photographs suggest the suspenseful, provocative quality of film noir. Accompanying the photographs are 35 poems and poetic excerpts about the night, beginning with Robert Frost's "Acquainted with the Night," which inspired the book's title and mood. Selected here are works by Walt Whitman, Langston Hughes, Charles Simic, and Octavio Paz, among other award-winning poets, and citations from ancient verse such as the Rig Veda and The Epic of Gilgamesh. Clean copy.
Hardcover. NY, Prestel, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages. Ever since Fidel Castro came to power as the leader of Cuba's communist regime in 1959, Havana has remained all but impenetrable to the outside world. The revolution cut Cuba off from the West, but at the same time preserved a century of built substance and style through the accident of fmancial stagnation. Without capital investment, time stood still, and five epochs of architectural style have survived to the present day. From the majesty of colonial city palaces to the half-hearted hope of heroic modernism, Engels' photographs show a city in silent transition, a microcosm of architecture through the ages. All of the structures picttired here were built in the twentieth century, but for the most part they have suffered from neglect in the form of peeling paint and stucco, &M grime, and abandonment. Yet there is utter beauty and dignity here-a sense of being trapped in time-that is no longer evident in America's everchanging cities. Like the structures he photographs, Engels uses a timeless approach to the artistic and technical aspect of his work. He uses a Sinar catnera with a 4 x 5 inch format, standing under a darkening cloth, just as photographers did a century ago. Using a Polaroid image to feel and see the light, Engels takes a single shot of each building. Most of these images were taken during die month of February, in 1997 and 1999 respectively. These photographs of apartment dwellings, office buildings, private residences, and places of worship tell a story on their own. Their haunting images seem to speak about more than just the men who made them or the materials they are made of. The buildings and streetscapes depicted in Havana speak to us of yesterday, today, and tomorrow.
Hardcover. NY, Newsweek Books, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 269 pages, b&w photos. The author and photographer won the Pulitzer Prize for Photography in 1972 for his work in southeast Asia and the wider region during the Vietnam War and civil unrest in Calcutta. He was also President Gerald Ford's Official White House Photographer. Clean copy.
Hardcover. Chicago, University Of Chicago Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. This collection of 46 richly reproduced color photographs is Laura Letinsky's study of contemporary lovers as they are seen, as they show, and as they see themselves making love and inhabiting domestic space. Entering what might be called the intimate sphere, Letinsky's camera explores a space too personal to be termed public and yet whose cultural and emotional shape is uncannily recognizable. Over a seven-year period, Letinsky visited lovers in their homes, hotel rooms, bedrooms, bathrooms, and kitchens and recorded in detail the promises, disharmonies, and disappointments that inhere in modern coupling.
Softcover. NY, Grossman Publishers, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A survey of the world-ranging documentary work of Dan Weiner, a photojournalist who died fairly young in a plane crash. No. 5 in the ICP Library of Photography series. Photographs by Dan Weiner; texts by Weiner, Sandra Weiner, Arthur Miller, and Alan Paton; edited by Cornell Capa and Sandra Weiner. Clean, bright copy.
Softcover. New York , Aperture, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover. 95 pages. Summer 1988. Includes work by: Hans Christian Adam, Martin Munkasci, Larry Sultan, Connie Imobden, Sally Mann, Harry Callahan, Ray Metzker, Fernand Fonssagrives, Will McBride, Barbara Crane, Sylvia Plachy, Leonard Freed, Laurie Simmons, Elliot Erwitt, Larry Fink, Nan Richardson. Also has writing by: Theodore Roethke, Derek Walcott, Elizabeth Bishop, Pablo Neruda. A clean, tight issue.
Softcover. Berkeley CA, University of California Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, More than 80 b/w images in this retrospective volume of the career of Max Yavno (1911-1985), who began his career in the 1930s when he was a young photographer in New York, through to Los Angeles, Jerusalem and Cairo. 132 pages, 12 X12". Interview with Yavno in rear. Clean copy.
Hardcover. Krause Publications, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages. As the 2004 Presidential Election was beginning to take shape, Kyle Cassidy took note of the important role the simple concept of gun ownership was playing. Hardly anyone he knew didn't have an opinion in the debate over owning guns. Why was a constitutionally protected right so heavily debated, and who exactly as these folks that own guns? "I began to wonder who these seventy or so million Americans were, how they lived and what was important to them. I set out to photographs as many gun owners as I could and ask them one question: "Why do you own a gun." Cassidy traveled over 20,000 miles, crisscrossing the country to meet with gun owners in their homes. Cassidy's photo essays create a powerful, thought provoking and sometimes startling view of gun ownership in the U.S. These "everyman" portraits, and the accompanying views of gun owners, fashion a riveting and provocative book.
Hardcover. Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After the introduction by D.S. Friedman, the pocket-size hardcover consists of striking b/w views of the Salk Institute, including architectural drawings. Clean copy.
Hardcover. NY, Henry Holt & Co, 1s, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages. B&w portraits. Jill Krementz has made a career of photographing writers. The Jewish Writer features her portraits of 78 "people of the book," among them Saul Bellow, Hannah Arendt, Maurice Sendak, and David Mamet. Some of these portraits are contemplative; others are joyous. What distinguishes them is Krementz's ability to capture the essence of a moment that is at once exquisite and mundane, be it playwright Wendy Wasserstein rolling up her sleeves at her computer or an elfin Stanley Kunitz half-hiding in the blooms of his Provincetown garden. A mischievous Bruce Jay Friedman dashes around Southampton in a spiffy convertible; a bearded, bandana'd, and bespectacled Allen Ginsberg appears at the 1972 Democratic National Convention. (Though some of these photographs date from the early '70s, most are much more recent.) Each portrait is accompanied by a description of the author's life and work, and the relationship of each to Judaism, or, more accurately, Jewishness. The Jewish Writer is a spirited testament to the enormous and diverse contributions Jewish writers have made to our literary landscape.
Hardcover. Santa Fe NM, Arena Editions, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. 125 erotic images used in research at the Kinsey Institute. Preface by Betsy Stirratt and Jeffrey Wolin. Very good in bright, unclipped dust jacket.