Used & Rare Photography Books

Softcover. New York, Aperture, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. In original shrink wrap, spotless and tight. Poet, scholar, philosopher, and master of Vajrayana (Tibetan) Buddhism, Dilgo Khyentse Rinpoche led a life of profound dedication to spiritual enlightenment and teaching. During the final fourteen years of his life his personal assistant was Matthieu Ricard. Together they traveled throughout Tibet, Bhutan, India, and Nepal, returning to the places of Khyentse Rinpoche's youth: his birthplace in Eastern Tibet; the monastery of Shechen which he had entered at the age of eleven; and the retreats where he spent years in meditation and study. At every stop on his journey, Khyentse Rinpoche was welcomed with elaborate ceremonies and outpourings of devotion. Ricard's deeply personal photographs of this journey are enhanced by a biographical narrative that is interspersed with extensive passages from the writings and teachings of Khyentse Rinpoche. Together, these images and texts form an inspiring portrait of one of the great spiritual leaders and teachers of our time. Many masters of Tibetan Buddhism studied with Khyentse Rinpoche, including His Holiness the Dalai Lama, who regarded him as his principal instructor in the Nyingma tradition of Tibetan Buddhism.

Hardcover. US, The MIT Press, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Hardcover. Koln GR, Walther Konig, 1st, 2007, Book: Very Good, Dust Jacket: None, Text in German and English. 96 pages, illustrated in color and b&w. Light shelf-wear to illustrated boards. No dust jacket. Clean, tight copy.

Softcover. New York , Aperture, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover. 88 pages. Fall 2009. William Eggleston artwork on the cover and an article on his drawings inside, with features on William Klein's 1956 portrait of Rome, Neil LaBute with photographs by Gerald Slota, Mark Alice Durant on monuments, Rob Hornstra's Russia, Luc Santo on American real-photo postcards, and Sally Gall's color insects. A clean, tight issue.

Hardcover. NY, Aperture, 1st, 1974, Book: Good, Dust Jacket: Good, Hardcover, 220 pages, illustrated throughout in b&w. Light edgewear, tearing and sun-fade to dust jacket. Binding slightly shaken. Faint foxing to edges.

Hardcover. NY, The Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages in a dust jacket. Like new in publisher's shrink-wrap. 90 color portraits and landscapes celebrate the people and buildings of a struggling yet dynamic community. Sometimes haunting, sometimes ironic, always striking, these images form an eloquent visual testament to the Harlem we can see and remember.

Hardcover. New York, Quantuck Lane Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover. 120 pages. Introduction by Robin D. G. Kelley. Color photography of Alice Attie. Rubbing, light edgewear to dust jacket.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.

Hardcover. Boston, Pond Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 78 pages, color photographs by Graham. Like new in a bright dust jacket. Graham's delightful look at the curious and the oddly juxtaposed in 68 color photographs made along the American roadside. Introduction by Robert Venturi.

Hardcover. US, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Hardcover. New York, Umbrage Editions, 2nd pr., 2004, Book: Very Good, Dust Jacket: None, Hardcover. Non-paginated. Full color and black & white photographs. Clean, bright copy.

Hardcover. Stichting Kunstboak , 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. Duel language French-English. Angelo Turconi, traveler and photographer in Africa, shares his remarkable images of everyday life in Congo. Congo on the Road is the result of many journeys in this multifaceted country and documents his encounters along the road: the Yaka chief in ceremonial dress, the chief of the Pende and Chokwe in prestigious attire, the Emperor of the Lunda on his throne, a family photo of the Kitawala sect. Turconi's photographs testify of a deep respect for the ones captured by the lens. We experience daily life as it is, with its deprivation and many struggles, nonetheless Angelo Turconi highlights the courage and joy of people and their endless ingenuity and creativity in overcoming obstacles. The beautiful and diverse scenery is as evocative as poetry. It opens the heart and fills it with admiration, memories and - for those that had the chance to experience life in deep central Africa - even nostalgia.

Softcover. New York, Aperture Magazine, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Aperture Magazine. Features: Josef Koudelka, Jan Tumlir, Fred Ritchin, Robert Hariman, David Campany, more. Illustrated with full color and black & white photography. Light wear. Clean, tight copy.

Softcover. Distributed Art Pub Inc (Dap), 1st, 1997, Book: Very Good, Dust Jacket: None, 160 pages. Softcover with light edgewear to wrappers. First edition, first printing. Photographically illustrated laminated stiff wrappers (published only in wraps). Photographs by David Levinthal. Introduction by Merry A. Foresta and Steve Dietz. Essay by David Corey. 160 pp. with numerous four-color and black and white reproductions. 9 1/8x 10 1/4 inches.

Hardcover. New York, Abbeville Press, 1st, 1985, Dust Jacket: Near Fine, 228 pages. Pink cloth covered hardcover with gray lettering on spine. Square quarto. B/W and color plates. a romantic and nostalgic look back at the fabulous nightclubs and palaces of entertainment that lined the Hollywood hills and spread across California's Southland in the heyday of the film capital, from 1915 to 1945. Clean, bright copy.

Hardcover. New York, Walker Publishing, 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover, 156 pages, 95 b&w plates by Hine. Dust jacket edgeworn, soiled, previous owner's signature on front fly leaf. Historically significant title visually addresses the plight of the poor in the early years of the 20th century. Hines' stark, social realism gave way to an American social conscience as few photographers had ever attempted before.

Softcover. San Francisco, CA, Chronicle Books, reprint, 1996, Book: Very Good, Dust Jacket: None, 124 pages, softcover with French flaps. Bright b&w photos of Jazz legends. Light rubbing to wraps. Unmarked. Bright and clean; a tight copy.

Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages, like new in dust jacket. This fascinating account of Silvy's life and photography is published to mark the centenary of his death. Combining research into exhibition prints, still lifes, and street scenes, as well as the intimate, beautifully lit and posed cartes-de-visite, the book demonstrates Silvy's extraordinary originality and his life as a man of both art and commerce. Color and b&w illustrations.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, b&w illustrations throughout. Clean, in a bright, price clipped dust jacket."Reality Recorded takes a look at early documentary photography and the extraordinary individuals who recorded with calotype and wetplate camera those things they felt to be important. Great changes took place in the world while the camera was in its infancy. The early photographers had open eyes and few prejudices; they were involved with the problems, advancements, and events of their times."

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover with no dust jacket. Still in Publisher's shrink wrap. Clean, tight copy.

Hardcover. Stockport UK, Dewi Lewis Publishing, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "The photographs in this book are selected from Lenny Gottlieb's unique collection of 30,000 amateur photographic prints, all rejects processed in a commercial photolab in Boston in the fall of 1968."

NY, Shannongrove Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 146 pages, A rare view of Hollywood's Golden Age as seen through the private family album of MGM's top box office draw in the 1940s, Van Johnson. This book is packed with hundreds of never before seen images of Hollywood at home. His wife, Evie Wynn Johnson, an amateur shutterbug captured behind-the-scenes images of their friends, some of Hollywood's most famous stars, such as Audrey Hepburn, Gary Cooper, Judy Garland, Charlie Chaplin and Humphrey Bogart on the road, on the set, around the pool, and at their Hollywood home. Schuyler Johnson, Van's daughter, shares these casual and candid images from her mother's album that have never been published .

Hardcover. NY, Norton, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 480 pages, 410 b&w duotone plates seected from the 145,000 photographs made between 1935 and 1943 by a team of now-famous photographers employed by the Farm Security Administration, whose ranks included Arthur Rothstein, Ben Shahn, Dorothea Lange, and Walker Evans. The agency's mission went well beyond photographing dispossessed rural people, and this book is proof. It includes 410 remarkable images made in large citiesas well as dozens of small towns and villages throughout the U.S. and Puerto Rico. Large format in a bright, unclipped dust jacket.

Hardcover. NY, Random House, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. The Sixties is the product of a 30-year collaboration between photographer Richard Avedon and writer Doon Arbus, whose images and words combine in this volume to create a compelling portrait of one of the 20th century's most tumultuous decades. Avedon, the celebrated photographer whose portraits of some of the best-known personalities of our age have graced the pages of Harper's Bazaar, Vogue, and The New Yorker magazines since the early 1950s, was prolific during the '60s. Looked at together, his images from those years create a visual time capsule. This large book is filled with a cacophony of Yippies, Black Panthers, Weathermen, Hare Krishnas, Andy Warhol Factory Superstars, pop artists, rock musicians, astronauts, pacifists, politicians, electroshock therapists, media correspondents, civil rights lawyers, antiwar activists, and more--all shot against his signature white background. Arbus, a novelist and writer for magazines including Rolling Stone and The Nation (and the daughter of photographer Diane Arbus), conducted interviews with many of the subjects. Snippets of those conversations provide an intimate and unforgettable document of the tension, vulnerability, anger, recklessness, hope, and empowerment many people experienced during that era. Brief biographies of the portrait sitters, as well as a chronology that spans the first signs of the war in Vietnam in 1960 to its final conclusion in 1973, provide excellent context for the images.

Hardcover. Scalo, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, 160 pages. 89 color illustrations. "Postcard collages and texts by Rebecca Horn sent to Timothy Baum and friends," is the only explanation internationally known artist Rebecca Horn wanted to include in her latest book, probably her most accessible to a larger public. We do not know who Timothy Baum is. We have no idea who her friends are, nor when they received mail from this German artist, living in Berlin and Paris. We do not need to know: what Horn offers us is a revealing and, at the same time, enigmatic collection of her beautiful, often erotic, and most of all poetic, postcards. Horn presents to us a fragmented love story, told in painfully precise snapshots of lust and desire, intimate and precise, yet vague enough to be everyone's love story. By altering existing postcards, painting over them or gluing parts of different images on them, Horn creates collages that mirror life's beautiful and troubling contingencies. In what might be the artist's most personal book, Rebecca Horn presents life as a journey; we look at postcards from this journey from heaven. Or is it hell? In sharing her most intimate, most common emotional states in images and texts, Rebecca Horn creates an almost baroque dialogue between reality and the world of longing.

Softcover. NY, Grove Press, reprint, 2000, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared.

Hardcover. NY, Skira, 1t, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 216 pages. The never-before-published wardrobe of a timeless star, for lovers of fashion, photography and film history. Greta Garbo's influence over fashion has transcended time. Her dresses, suits, impeccably-tailored coats with a slightly masculine look and the indispensable accessories (shoes, bags, glasses, foulards) has created a style emulated, imitated, even occasionally reviled, but never fully examined. For the first time a catalogue of great glamour and a travelling exhibition detail this extraordinary wardrobe whose minimalism fits so well with current fashion trends. Edited by Stefania Ricci, the Director of Museo Salvatore Ferragamo in Florence, as the Divine Greta Garbo was a Ferragamo client from the 1920s until her death, and the founder of the Italian maison designed hundreds of original, classical, futuristic, hand-made shoes and sandals exclusively for her, most of them shown here for the first time. A stunning selection of black and white Garbo portraits by celebrated photographers completes the volume.

Hardcover. Tielt BE, Lannoo, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 224 pages. The most recent project of Magnum photographer Carl De Keyzer; a sharp image of Congo as it is today. Dutch, French & English text. Stunning photo collection in high quality reproduction.

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Photographers:Michael Ackerman, Kenneth Anger, Marc Asnin, Jerry Berndt, Christian Boltanski, Ken Botto, James Casebere, Bruce Charlesworth, Larry Clark, Stephen Frailey, Jean Genet, Jim Goldberg, William N. Jennings, Anselm Kiefer, Andrew Lichtenstein, Ken Light, Richard Misrach, Cristina Salvador, Lucas Samaras, Chuck Samuels, Andres Serrano, Stephen Shames, Cindy Sherman, Jeffrey Silverthorne, Gerald Slota, Hiroshi Sugimoto, Andy Uzzle, Max Waldman, Jeff Wall, Andy Warhol, Joel-Peter Witkin

Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.

Hardcover. NY, powerHouse, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. In 1999, photographer Thomas Roma found himself within the walls of Philadelphia's Holmesburg Prison, one of the most notorious prisons in the United States, doing a special photographic project for Steve Buscemi's Animal Factory. During downtime Roma wandered through this nineteenth-century fortress, walking in and out of many of its seven hundred or so cells. After Holmesburg's inception in 1896--on the occasion of which one Philadelphia reporter warned, "Abandon all hope all ye who enter here"--it quickly became the prison for Philadelphia's worst criminals, eventually packing up to five prisoners into six by eight foot cells designed for single-occupancy. After leaving the site, Roma found his mind often inhabiting the space of the prison with its halls of flaking paint and graffiti-covered cells. Overwhelmed by the evidence of the lives spent inside those small rooms, Roma returned to photograph on his own, creating the images now collected for In Prison Air: The Cells of Holmesburg Prison.

Softcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 120 pages. Introductions by Barbara Hitchcock and Deborah Klochko; essay Deborah Martin Kao. Mostly color Illustrated. Photos by Ansel Adams, Robert Frank, David Hockney, Robert Mapplethorpe and many more.

Hardcover. London, John Murray, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. This is a magnificent portrait of post-Raj India before the modern world swept across the subcontinent. Featuring 100 superbly reproduced, full-page photographs, this is Derry Moore's splendid photographic evocation of an independent India that had all but vanished by the late 1970s--above all, an India still untouched by mass tourism. Initially, Moore set out to photograph the princely palaces, but he became increasingly intrigued by the lesser-known buildings, and those that inhabited them. In them, he found eccentricity, originality, and an extraordinary hybrid of Indian and British taste.

Hardcover. New Haven CT, Yale University Press;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 180 pages. John Gutmann (1905-1998) was one of America's most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider--a Jew in Germany, a naturalized citizen in the United States--informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This handsome book acknowledges Gutmann's place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy. In addition to a major essay by Sally Stein, the volume includes an introduction by Douglas R. Nickel, and an overview of the Gutmann archive by Amy Rule.

Softcover. Vintage, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Throughout his travels, writer Bruce Chatwin took thousands of photographs. They demonstrate his legendary "eye" at its best, showing a sense of color and surface, an ability to find beauty in the most mundane of objects or prosaic of places.

Hardcover. New Haven CT, Yale University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. The image of the untamed American West persists as one of our country's most enduring cultural myths, and few photographers have captured more compelling images of the frontier than Timothy H. O'Sullivan. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West--most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871. Along these journeys, O'Sullivan produced many beautiful photographs that exhibit a forthright and rigorous style formed in response to the landscapes he encountered. Faced with challenging terrain and lacking previous photographic examples on which to rely, O'Sullivan created a body of work that was without precedent in its visual and emotional complexities. The first major publication on O'Sullivan in more than thirty years, Framing the West offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production.

Softcover. NY, The Museum of Modern Art, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. 153 color illustrations and 102 duotone. Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.

Hardcover. NY, Norton, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Through a lively text and 250 stunning duotone images (most never previously published), Millionaires, Mansions, and Motor Yachts re-creates an era of opulence and extravagance that today seems incredible. Dominating this volume are the mansions and yachts of Alfred and Jessie du Pont. Equally larger-than-life personalities include Thomas Lawson, his expansive estate, Dreamwold, and yachts such as Dreamer; empire builder John Spreckels's 227-foot Venetia; Emily Cadwalader, who commissioned a vessel destined for world renown as a U.S. presidential yacht, before checkmating this achievement by ordering the largest private yacht ever built, the 407-foot Savarona; Eugene Tompkins, the "Napoleon of Theater Managers"; George Fabyan; Harry Darlington; and William Rands. Enfolded in this volume's fascinating pages are not only the wealthy individuals who shaped this era but also curmudgeonly writer/yachtsman Thomas Fleming Day, photographer Nathaniel Stebbins, and the designers and builders who created the splendid yachts that here return to life.

Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.

Hardcover. Konemann, 1st US, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 344 pages. Profusely illustrated with black & white photographs by Alexander Rodchenko. Dust jacket shows light rubbing to back cover. Large, heavy book. Clean, tight copy. This is the most complete volume published outside of Russia to capture the photographic work of Alexander Rodchenko, one of the former Soviet Union's greatest artists

Softcover. Munich, Schirmer/Mosel, reprint, 1996, Book: Very Good, Dust Jacket: None, Glossy white pictorial wraps. Unpaginated (152 pp.), 6 color plates + over 60 full page duotone photographs. A superbly preserved copy of this major retrospective catalogue, based upon the 1988 Stedelijk Museum show in Amsterdam, mounted just prior to Mapplthorpe's untimely death. With text in English and German.

Hardcover. NY, St. Martins Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages. From the front dust jacket flap "Louise Dahl-Wolfe, one of the most celebrated photographers of the thirties, forties and fifties, was a uniquely American artist whose work had enormous ramifications for Horst, Avedon, Penn, and other great photographers who followed her. Working in the heydey of Harper's Bazaar with editor-in-chief Carmel Snow and renowned fashion editor Diana Vreeland, she came to fashion photography at a time when formal, sometimes stilted, European elegance was the norm and infused it with her fresh new vision - informal, intimate, and undeniably American". Preface by Frances McFadden.

Softcover. New York , Aperture Foundation, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover. 80 pages. Features photographs: William Eggelston, Paolo Pellegrin, Eikoh Hosoe, Andre Kertesz, Annie Leibovitz, Sophie Calle, Matthew Rolston, Tony D'uson, Elaine Ling and others. Very good.

Hardcover. NY, Harper Design, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. In the early 1960s, Richard Avedon was commissioned by Harper's Bazaar to create Observations, a column that consisted of a series of nine photographic essays. The subject of the first essay was John F. Kennedy and his young family, who sat for formal black-and-white portraits just three weeks prior to Kennedy's presidential inauguration. Six images appeared in the magazine's February 1961 issue.That same day, Avedon created more informal color portraits of Kennedy and his family at the Kennedy compound in Palm Beach. One of these images ran as the cover of LOOK magazine's February 28 issue, with photographs by Avedon inside. Just before the magazine hit the newsstands and was delivered to over 6.5 million people, a set of photographs, comprised mostly of the LOOK images, was released by the White House and appeared in newspapers across the country.During his lifetime, Richard Avedon donated more than two hundred images to the Smithsonian Institution, including all of the photographs of the Kennedy family sitting for Harper's Bazaar. Smithsonian curator Shannon Thomas Perich has culled more than seventy-five images from that donation for The Kennedys: Portrait of a Family, making these stunning photographs available for view for the first time. Perich's introductory essay--accompanied by a wealth of archival photographs of both Avedon and the Kennedy family--provides historical background on the two sittings within a political and cultural context and critically examines the work of one of the finest photographers of the twentieth century. A foreword by Robert Dallek, distinguished historian and author of the bet-selling An Unfinished Life: John F. Kennedy, 1917-1963, provides authoritative and compelling insight to one of the most fascinating presidents in American history.

Hardcover. Zurich, Scalo/DAP, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, 267 pages. Liz Jobey's brief but illuminating introduction brings cohesion to thie fab book of photos of EMI pop and rock musicians of the late 1950's and the 1960's. It's EMI, and only EMI, but considering the artists who once signed with this British label, including the Beatles, Little Richard, David Bowie, Jeff Beck Group, Rod Stewart, Pretty Things, Pink Floyd, Steppenwolf, (Sir) Cliff Richards, Three Dog Night, Chubbie Checkers, Spencer Davis Group, the Yardbirds--EMI's talent pool was as rich as any label. The most only obvious omissions among the Brits (i.e., EMI never signed them) would probably be the Stones, the Who, and the Kinks. The photographs are enjoyable as kitsch, as a window into period fashion and sensibilities, and, occasionally, as great photography.

Hardcover. NY, Ecco Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 60 pages. Gathers portraits of ministers, drifters, amputees, jockies, circus performers, night people, family members, miners, couples, musicians, and fisherman, and discusses the nature of portraiture.

Hardcover. Steidl, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap.

Hardcover. Minneapolis Institute of Arts, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 111 pages. Hardcover with dust jacket. Clean, tight copy. Black and white photographs throughout. Light rubbing to dust jacket. Forty-six plates from photographs; bibliography. A monograph on the early twentieth century pictorial work of the photographer Ruzicky. Text in English and Czechoslovakian.

Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. A GRAND TOUR OF ASIA recreates a time and a place that no longer exists except in the lyrical images so lovingly preserved by the lens of a wandering American, and so wryly captured in the prose of his mysterious companions nearly a century ago. Christian Rub, a character actor in Hollywood films, presented the intriguing album to its current owner, Hania Tallmadge, in 1949, when she was a child.A historically unique collection of photographs taken in the spring of 1910 on a four-month tour of the Far East, presented in an exquisite facsimile edition of the album in which they were originally discovered.Includes more than 150 images reproduced in their actual size, their hand-tinted colors authentic and un-retouched. Even the handwritten script has been carefully replicated.

Softcover. Redwood City, CA, 5 Associates, 1st thus, 1970, Book: Very Good, Dust Jacket: None, Softcover, 96 oages. Text by Newhall. Clean.