Used & Rare Photography Books - pg. 35 including Valley Portraits (SIGNED COPY)by: Fago, D'Ann Calhoun

Softcover. Bethel VT, Spaulding Press , 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 107 pages, b&w photos. Profiles residents of Bethel,Vermont, in pictures and words. SIGNED BY FAGO on the title page. Clean copy.

Hardcover. NY, W.W. Norton & Co., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 160 pages. After World War II, the prevalent self-image among America's white middle class was one of affluence, moral superiority, and contentment. This image is reflected in photographs in both advertising and the media during the late 1940s and 1950s showing perfect citizens and their families at work and at play. Many of these apparently candid photographs were in fact created by professional studio photographers to portray the way most middle-class Americans wanted to present themselves.

Softcover. New London NH, Sunapee Editions, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, oblong format. Dozens of compositions comprise this exquisite collection of black and white photographs that evoke a Manhattan that many may never see or notice: Times Square during the blizzard of 1996; pigeons in flight at 9th Street and Avenue A; an unmoored boat in a wintry Central Park; jump seats in a Checker Cab. John Rosenthal doesn't ignore the people (or the dogs) of Manhattan, however, and also captures the diversity that is New York; Hare Krishnas singing, as an unimpressed (annoyed?) man in a checked jacket walks by them; a man in beret and raincoat and an albino boxer looking at some off-camera sight at Tompkins Square; a shopkeeper and his dog on East 9th. Clean copy.

Hardcover. London/NY, Frieze, London and Distributed Art Publishers, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Billy Name was the principal photographer of Andy Warhol's Factory. Now, All Tomorrow's Parties reproduces for the first time Billy Name's recently discovered photos of Warhol, his crowd, and the Factory years, images that give the era another dimensions. These color photos with their experimental use of weird color balances and diptych printing are uncannily contemporary. Together with Dave Hickey's essay and Collier Schorr's interview, Billy Name's photos reveal the Factory in all its intimate grunge and glamour. 135 photos, 122 in color. First 3 pages with mild wrinkling, otherwise very good.

Hardcover. Paris, Flammarion, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 167 pages, illustrated in color and b&w. A rare discovery of more than 150 previously unpublished photographs in black and white and in color, from a legendary photographer. Despite strong personal and professional ties in the U.S.--Henry Miller, Harper's Bazaar's Carmel Snow, and Edward Steichen, who featured Brassai's work in many MoMA exhibitions--Brassai remained reticent about travel to the U.S. until 1957 when Holiday magazine offered generous compensation (and artistic freedom) to photograph New York and Louisiana. From the first symbolic image of this voyage--the Statue of Liberty appearing over the ship's prow--Brassai came under the spell of America and his photographs innately captured his new perspective. In New York, he was captivated by the graphic skyscrapers and the rhythmic to-ing and fro-ing of the crowds. Unlike his static photographs of Paris--posing prostitutes, embracing lovers, sleeping street people--here he captured sequences of movement--children playing, fashionable women parading by, or the effects of light filtering through the urban architecture. In Louisiana, he continued to photograph more languorous sequences, but here he reveled in color--the copper skin of sunbathers, the pastel tones of prom dresses, the vibrant neon of amusement park attractions. The New Orleans music halls, nightlife, women, and exotic vegetation recall scenes from 1930s Paris. This exuberant study of 1950s America offers the reader unprecedented access to Brassai's work, including previously unpublished color photography. Front dj flap with mild wear otherwise a clean, bright copy.

Hardcover. NY, Abrams, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. Gray Malin is the artist of the moment for the Hollywood and fashion elite. His awe-inspiring aerial photographs of beaches around the world are shot from doorless helicopters, creating playful and stunning celebrations of light, shape, and perspective, as well as summer bliss. Beaches features more than twenty cities across six continents: Australia: Sydney/North America: Santa Monica, Miami, San Francisco, Kaua'i, Chicago, the Hamptons, and Cancun / South America: Rio de Janeiro / Europe: Capri, Rimini, Forte dei Marmi, Viareggio, Amalfi Coast, Barcelona, Lisbon, and Saint-Tropez / Africa: Cape Town / Asia: Dubai. Clean, bright copy.

Hardcover. Munich, Prestel, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages illustrated in color. INSCRIBED BY NICKELSBERG on the front fly leaf. Noted documentary photographer Robert Nickelsberg's photographs help bring into focus the day-to-day consequences of war, poverty, oppression, and political turmoil in Afghanistan. Since the attack on the World Trade Center, Afghanistan has evolved from a country few people thought twice about to a place that evokes our deepest emotions. TIME magazine photographer Robert Nickelsberg has been publishing his images of this distant yet all too familiar country since 1988, when he accompanied a group of mujahideen across the border from Pakistan. This remarkable volume of photographs is accompanied by insightful texts from experts on Afghanistan and the Taliban. The images themselves are captioned with places, dates, and Nickelsberg's own extensive commentary. Timely and important, the book serves as a reminder that Afghanistan and the rest of the world remain inextricably linked, no matter how much we long to distance ourselves from its painful realities. Clean copy.

Softcover. New York, Thames & Hudson, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. This book selects from Jane Bown's whole range of her photography during the forty-five years she has worked for London's Observer, starting with scenes typical of the fifties and ending with others characteristic of the nineties. The portraits, sandwiched between these and forming the body of the book, themselves range widely - from such proven classics as those of Samuel Beckett, Mick Jagger and John Gielgud, to early studies of the Beatles and recent photos of Alan Bennett, Archbishop Tutu, Boy George and Woody Allen among a great variety of famous people in the worlds of music, literature, stage, screen, politics and the arts. Clean. bright copy.

Hardcover. NY, Hastings House, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 316 pages, b&w illustrations. Written by his ex-lover, business associate, and close friend, an explicit memoir offers a new perspective on the renowned celebrity photographer with a taste for kinky sex and drugs who died of AIDS in 1989. Fritscher's brutally frank memoir of his ex-lover, confidant, and colleague, drawn from the author's personal documents, seeks to strip away the notoriety surrounding the defiant photographer Robert Mapplethorpe. As editor and writer for the gay magazine Drummer, Fritscher was the first to publish Mapplethorpe's highly charged camera shots depicting a seamy world of "leathersex," sadomasochism, taboos, and fetishes. Here, Fritscher graphically portrays the masculine subculture of the homosexual community that Mapplethorpe inhabited until his death from AIDS in 1989, at age 42. He also discusses the censorship of Mapplethorpe's work within the mainstream gay community. Clean copy.

Softcover. Jackson MS, University Press of Mississippi, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 147 pages, b&w photos throughout. When photojournalist and writer Roby Page first started trekking to Daytona Beach, Florida, for Bike Week in 1985, the counterculture gathering was dominated by rogues, ruffians, and rebels. Now the leather-clad biker rumbling down Atlantic Avenue might be a doctor or a lawyer. More than a half-million enthusiasts arrive at Daytona Beach every March, a number swelled by new bikers from the American mainstream. Page sets out on his Harley-Davidson to search for what it really means to be a biker. Part memoir, part narrative history, and part photo essay, the book not only chronicles Bike Week, but also vividly documents the evolution of two American icons--the Harley and the biker. Remainder dot on bottom edge, light crease to back cover, otherwise like new.

Softcover. NY, Grossman Publishers, 1st, 1974, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A survey of the world-ranging documentary work of Dan Weiner, a photojournalist who died fairly young in a plane crash. No. 5 in the ICP Library of Photography series. Photographs by Dan Weiner; texts by Weiner, Sandra Weiner, Arthur Miller, and Alan Paton; edited by Cornell Capa and Sandra Weiner. Clean, bright copy.

Hardcover. London, Phillimore & Co., 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 116 pages of b&w historical photographs of Jersey Island. Clean copy.

Hardcover. Stuttgart, Chr. Belser Verlag, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 100 pages. 45 color photographs with text, translated & edited for English Publication by Johannes Fuhr & William King Applebough. Classic approach, the images appear to have a painterly quality. Clean copy.

Softcover. Dobbs Ferry NY, Morgan & Morgan, 1978, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 207 pages. Introduction by Robert Coles. Cover laminate is wrinkled otherwise clean, very good. "Many of Russell Lee's images are as familiar as a well-loved folk song, particularly those depicting the life of rural and small-town America during the Great Depression, however, the man behind them has largely remained in the shadows. This volume is the first book-length retrospective of Russell Lee's life and work as a documentary photographer of rare acuity and sensitivity."

Hardcover. Gottingen GR, Steidl Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. Large format, 191 pages. Essay by Michael Mitchell. A striking collection of 80 color photographs taken by Burtynsky over the course of seventeen years at various quarry sites around the world. Including Canada, Italy, China, Spain, Portugal, India and America these thought provoking studies of sites that are created as we dig into the earth for material in order to build our cities, urge us to consider how we as viewers are simultaneously attracted yet repulsed by these landscapes somewhere a building is created while a landscape is destroyed. DOMESTIC SHIPPING ONLY.

Hardcover. UK, Lee Miller Archives Publishing, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 185 pages. After fashion modeling in New York City in the 1920's, Miller went to Paris, becoming a fashion and fine-art photographer -- in addition to covering World War II. This is a beautifully produced book looking at Lee Miller's extraordinary contributions to the pages of Vogue before becoming a war correspondent. Many of the images have not been seen since they were taken in the 1940's. Clean copy.

Hardcover. Santa Monica CA, Angel City Press, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Gives a lush, visual tour of a Los Angeles that no longer exists--one of elegant office buildings and stately mansions that were razed in the name of "progress" to build the city's famous freeways. Featuring stunning black-and-white photography from Arnold Hylen that captures a lost era, the book contains an original essay by the photographer that provides historical background and context for the time period. This new edition contains additional, never-before-seen photographs from Hylen and newly unearthed information from historian Nathan Marsak on these lost architectural treasures. Arnold Hylen (1908-1987) was a commercial and architectural photographer based in Los Angeles. Between the late 1940s and the late 1960s, Hylen traversed the streets of Los Angeles, photographing it's vanishing landscape. Still in publisher's shrinkwrap.

Hardcover. NY, Knopf, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 695 photographs. "[A] spectacular collection of images from the personal archives of Italian countess Camilla McGrath (1925-2007). McGrath and her husband, Earl--at various times a screenwriter, record producer, and art curator--had an outsized social life, and the sheer number of celebrities who passed through their orbit is mind-boggling. Among the photographs are ones capturing Jackie Kennedy lounging by a pool, Andy Warhol smiling alongside his dachshund Archie, and vacation shots with Princess Margaret and Bianca Jagger. As art dealer Beatrice Monti remembers of McGrath's gift, "She was able to capture something of each one of us even in the middle of a party." . . . These spellbinding photos will beguile photographers, artists, and those enamored of the glamour of a bygone era." No dust jacket issued.

Hardcover. Albuquerque, University of New Mexico Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 307 pages. In all North America you cannot get much lower than the Imperial Valley of southern California, where one town, 186 feet below sea level, calls itself the Lowest Down City in the Western Hemisphere, and where the waters of the Colorado River sustain a billion-dollar agricultural industry. The consequences of that industry drain from the valley into the accidentally man-made Salton Sea, California's largest lake and a vital stopping place for migratory waterfowl. Today the Salton Sea is in desperate environmental trouble. A second river also ends in the Salton Sea. It is a river of dreams, the remains of which may be seen in the failed real estate developments that sprawl beside the sea. As the ending point of both the real Colorado and this river of dreams, the Salton Sea has become emblematic of much of the history of the American West. Its troubling story is masterfully told here in William deBuys's narrative and Joan Myers's austerely beautiful photographs. Mild wear, ereasure to front fly leaf, otherwise clean.

Hardcover. NY, Da Capo Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it. American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and gifted. Leaving his rigid Switzerland for the more fluid United States in 1947, Frank found himself at the red-hot social center of bohemian New York in the '50s and '60s, becoming friends with everyone from Jack Kerouac, Allen Ginsberg, and Peter Orlovsky to photographer Walker Evans, actor Zero Mostel, painter Willem de Kooning, filmmaker Jonas Mekas, Bob Dylan, writer Rudy Wirlitzer, jazz musicians Ornette Coleman and Charles Mingus, and more. Frank roamed the country with his young family, taking roughly 27,000 photographs and collecting 83 of them into what is still his most famous work: The Americans. His was an America nobody had seen before, and if it was harshly criticized upon publication for its portrait of a divided country, the collection gradually grew to be recognized as a transformative American vision.

Softcover. NY, Signet/ New American Library, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, unpaginated. Celebrated American photographer David Douglas Duncan's broadside on Khe Sanh, Vietnam, on behalf of "the men who will never get out, for whom help came too late." Incredible photographs by the author. An important document of the war, much sought-after and scarce. As issued, in stiff paper covers, a clean, unmarked copy. First Printing, April 1968 (stated). Red spine faded, interior is bright, clean. Tight copy.

Softcover. London, The Observer/Thames & Hudson, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 120 full-page black-and white plates. Semi-stiff pictorial covers, titled in purple. Published to accompany an exhibition at the National Portrait Gallery. Introduction by Patrick O'Donovan. This collection showcases the distinctive photographic work of Jane Bown, a renowned British photographer known for her ability to capture candid and evocative portraits with a "gentle eye." Clean, bright copy.

Hardcover. NY, Aperture, 1st, 1981, Book: Very Good, Dust Jacket: Fair, Hardcover in an edgeworn dust jacket that has scuffing to rear panel along with light water damage. Interior is clean, very good. This volume reproduces over 1800 prints selected from over 10,000 in the photographer's archive at the Center for Creative Photography in Tucson. Most of them have never before been published. Step by step, image by image, the book reveals how Smith worked - how he researched, shot and edited his photographs to create a sequence of narrative continuity, dramatic pacing and emotional appeal. Photos are reproduced in a small format., 223 pages. DOMESTIC SHIPPING ONLY.

Hardcover. NY, Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, in a bright, unclipped dust jacket. Edward Steichen virtually created the world of high fashion and advertising photography, but his military coverage of two World Wars was equally remarkable. He received the Croix de Guerre for pioneering photoreconnaissance as part of Pershing's American Expeditionary Force in 1918, and his team's shots of the American Navy's advance across the Pacific from 1942 to 1945 form the visual core of our memory of that crucial period. Tragically, however, Steichen's thousands of incisive images of military action were dissolved into the morass of the National Archives, and attempts to retrieve specific subjects of his are often as effective as trying to taste fine brandy after pouring it into a swimming pool. Hence the value of retrospectives such as Christopher Phillips' hefty book on Steichen's coverage of the U.S. Navy in the Pacific War. Combining skillfully chosen anecdotes from Steichen's life with vivid evocation of the pioneering photographer's joy in capturing memorable images, Phillips gives us not only an unforgettable slice of Steichen's work but also enough historical background to let readers sense the excitement and drama of a nation's best young warriors fighting for freedom's sake. Lieutenant Commander Steichen's parade of images didn't begin until after the pivotal Battle of Midway in June 1942, but the ensuing carrier warfare and savage island fighting appear in unforgettable clarity. As in all great photographs, the humanity of the subjects shines through amid their triumph, or pain, or mere existence. Students of both military history and photography can spend days poring over these astonishingly revealing images.

Softcover. New York , Thames & Hudson, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 176 pages, b&w photographs throughout. In 1929, Lee Miller, already a legendary fashion model, left the United States to study photography in Paris. Here she became the disciple and lover of Man Ray, and she was soon taking on both portrait and fashion assignments for Vogue and running her own studio. The Second World War saw her as Vogue's war correspondent: she covered the siege of Saint Malo, the liberation of Paris, and the entry of the U.S. Army into the Dachau concentration camp. Her later years were spent in London and Sussex with her husband, the painter and writer Roland Penrose. During her extraordinary life, Miller came into contact with an astonishing range of painters, sculptors, actors, writers, musicians, fashion designers, and socialites. Many became her friends and the subjects of her penetrating portraits. The finest of these photographs are collected together here, along with a selection of portraits of Miller herself, taken by other photographers. The images include not only Miller's highly perceptive and sympathetic studies of Pablo Picasso, Igor Stravinsky, Marlene Dietrich, Fred Astaire, and others but also her pictures of unsung individuals engaged in war work and powerful photographs of victims and perpetrators of Nazi oppression. 157 duotone illustrations.

Softcover. Berkeley CA, University of California Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, More than 80 b/w images in this retrospective volume of the career of Max Yavno (1911-1985), who began his career in the 1930s when he was a young photographer in New York, through to Los Angeles, Jerusalem and Cairo. 132 pages, 12 X12". Interview with Yavno in rear. Clean copy.

Softcover. NY, Random House, 1st pbk, 1994, Book: Very Good, Dust Jacket: None, Softcover, 360 pages. profusely illustrated with b&w photos. Portraits and interviews with Nevada test site workers, veterans who trained at the site, and people living nearby who suffered health problems from the radiation. Minor shelf wear. Clean copy.

Hardcover. NY, Garden City Publishing, reprint, 1935, Book: Very Good, Dust Jacket: None, Hardcover. 262 pages, frontispiece, illustrated throughout in b&w. Tan cloth, gilt lettering to spine, no dust jacket. light foxing to title page and frontis, slight rubbing to spine, else a very neat, tight copy.

Hardcover. NY, D.A.P. /Distributed Art Publishers, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages. The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935-41, as part of Roosevelt's New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms. This volume includes all the photographs in the original show, in a structure and sequence that reflect those devised by Steichen for the exhibition. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. NY, powerHouse Books, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, oblong gray cloth covers with photographic label on front. gilt and black lettering. 120 pages with 110 black and white photographic images throughout featuring the NYC street photography of Boretz over the course of 30 years. First Edition (stated), second printing (with full number line ending in 2). No dust jacket issued. Clean copy.

Hardcover. Princeton University Press, 1st, 2025, Book: Very Good, Dust Jacket: None, Original pictorial boards (in publisher's unopened shrinkwrap). 280 pages illustrated in b&w and color. Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and '30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903-1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. Among his friends and acquaintances, he listed Carl Van Vechten, Gertrude Stein, Muriel Draper, Romaine Brooks, Tallulah Bankhead. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression.

Hardcover. Munich GR, Hirmer Verlag, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover, oblong format, in a bright dust jacket. No other photographer has caught the sensations, scandals and catastrophes of the 1930s and 1940s in New York City with his camera as captivatingly as Weegee. He was always directly on the spot when it happened and documented the events and the onlookers. All the works come from the N.E.A. agency archive, which was only rediscovered in 2012; most of the vintage prints are being published for the very first time in this volume. Weegee (1899-1968) was the first photographer to receive official permission in 1938 to listen in live to the New York police radio. From then onwards he sometimes even arrived at the trouble spot before the police and took countless photographs. From the hardened police officer to the loud-mouthed crook; from the midnight boozer to the dancing jazz musician; from a dramatic conflagration to the celebrations at the end of the Second World War: Weegee immortalized all these moments in unforgettable pictures. The volume also shows a hitherto unknown side of the famous photographer - happy people enjoying themselves. The works are complemented by the exciting story of the rediscovery of the archive, which was missing for decades. Still in publisher's shrinkwrap.

Hardcover. Prestel, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Working at the nexus of painting and photography, William Klein conceived this original series when he was in the process of reviewing other photographers' contact sheets for a film he was making. Referencing the age of film photography, when photographers selected images by circling individual negatives on a contact sheet with brightly colored grease pencils, Klein's works invent a new kind of art object that organically marries painting and photography. The resulting pieces are enormous mural-sized works in which bold, kinetic color frames and reframes enlarged black-and-white images from throughout his career. Klein's iconic fashion and street photography, always gritty and bold, is given a new immediacy and relevance in this second life. In his foreword to this edition, Klein describes these works as "all brush strokes and jubilation. The jubilation of painting recall[s] the celebration of taking the photo." 140 pages, b&w and color. Still in publisher's shrinkwrap.

Hardcover. David Zwirner, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. A new collection of photographs by Diane Arbus illuminates her singular ability to enter private worlds. It brings together forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971. Through her singular combination of intelligence, charisma, intuition, and courage, Diane Arbus (1923-1971) was frequently invited into personal realms seldom seen by strangers. Though made in intimate settings, the photographs collected in this volume convey no sense of intrusion or trespass-instead, they reveal an unspoken exchange between photographer and subject, a moment of recognition in which confidences emerge freely and without judgment. Arbus's desire to know people embraced a vast spectrum of humanity. Still in publisher's shrinkwrap.

Softcover. NY, Janos Gat Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 30 pages, b&w illustrations. For an exhibition held Feb. 12 - March 23, 2002. The photographs in this catalog were taken from 1944-1945 by Barney Rosset, then a young American Army photographer. Rosset documented the Chinese Army in their pursuit of Japanese troops following the Battle of Henan-Hunan-Guangxi. The Japanese Army was pulling back from the Ichi-Go operation, the largest Japanese land campaign of the war, and Rosset joined Chinese troops at the deepest point of Japanese penetration (Kweiyang). After the war, Rosset became the proprietor of Grove Press, publishing authors often refused due to their controversial subject matter. Laid in are 2 identical postcards featuring the image on the cover of the catalog, Clean, bright copy, scarce.

Hardcover. New York, Clarkson Potter Publishers, 1st, 2019, Book: Very Good, Dust Jacket: None, 381 pages. Hardcover with no dust jacket. Color and b&w photos throughout. Bill Cunningham's photography captured the evolution of style, of trends, and of the everyday, both in New York City and in Paris. But his work also shows that street style is not only about fashion; it's about the people and the changing culture. These photographs (many never before seen, others having originally appeared in The New York Times and elsewhere) move from decade to decade, beginning in the 1970s and continuing until Cunningham's death in 2016. Here you'll find Cunningham's distinctive chronicling of the 1980s transit strike, the rise of 1990s casual Fridays, the sadness that fell over the city following 9/11, Inauguration Day 2009, the onset of selfies, and many other significant moments. Clean, tight copy.

Hardcover. Santa Fe NM, Twin Palms Publishers, 1st, 2008, Hardcover, oblong format, 48 pages. William Eggleston's pioneering video work, Stranded In Canton, has been restored and is finally available, almost thirty-five years after it was made. The book contains forty frame enlargements from the digital remaster, an appreciation by Gus Van Sant, and a DVD of the seventy-seven-minute film itself, along with more than thirty minutes of bonus footage and an interview with Mr. Eggleston conducted at the 2005 Toronto Film Festival. Still in publisher's shrinkwrap.

Softcover. UK, Penguin Books, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 226 pages, profusely illustrated in b&w. This book presents not only formal or professionally taken photos but also a fair amount of ordinary photos taken by soldiers and civilians. The history of the personal camera is tied up into the Boer War and the quality and candid nature of some of the photos are representatives of early personal use. A general pictorial overview of an ugly conflict in the waning days before WW1. Clean copy.

Softcover. NY, Aperture Books, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 106 pages. "A testament o the regenerative power of the human spirit, Taking Refuge in L.A. explores the experiences of the Vietnamese Buddhist refugees in America. In the tradition of great documentary photographers, Don Farber shares an intimate view of the Vietnamese people and their spiritual way of life. Author Rick Fields illuminates the tragic and moving history of Vietnamese Buddhists, both before, during, and after the Vietnam War, focusing on their courageous attempt to sustain their rich cultural and spiritual heritage in America." Clean copy.

Softcover. Flagstaff AZ, Northland Publishing, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 89 pages. Extensive b&w photography throughout. Illustrated frontispiece. Slight curl to corner edges, otherwise clean, tight copy. Images that portray the contemporary Southwest with the zeal and romantic fervor inherent in one who has absorbed and integrated the southwestern environment. Whether landscape or portrait, Gaede's photos evoke a reverence for the Southwest and it's inhabitants.

Softcover. Damiani , 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 124 pages. In 2008, Christopher Niquet, a well-known French stylist, spotted the 1960s supermodel Peggy Moffit in a Beverly Hills restaurant. Never an autograph chaser, he nonetheless felt compelled to ask for hers. This candid moment ignited an obsessive, ongoing quest. Niquet began to reach out to the models he considered quintessential figures in his industry, for their epic beauty and remote auras. Deploying a sleuth's methods to locate these models around the globe, he collected 100 signatures, most of which are framed along with an iconic portrait. "My original purpose was to get beyond the abstract, incorporeal beauty of these icons, and bring back a sense of their physicality. For me, each signature restored a womanly reality to the imaginary being." This book highlights the unique personalities of celebrated or forgotten women from the late 1950s to the 1990s and what they all have in common: the power to awaken creativity in the people who see them. Through generations of cover stories, Models That Matter explores a multi-layered history of feminine beauty, from Jean Shrimpton to Jerry Hall, from Lauren Bacall to Linda Evangelista, from Anita Pallenberg to Naomi Campbell, muses for extraordinary fashion lensmen like Steven Meisel-who wrote the preface-to Irving Penn or Richard Avedon. Clean in shrinkwrap.

Hardcover. Princeton Architectural Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. After the introduction by D.S. Friedman, the pocket-size hardcover consists of striking b/w views of the Salk Institute, including architectural drawings. Clean copy.

Hardcover. New York , Random House, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 244 page book with color and black & white photo illustrations by Annie Leibovitz. Lacks title band over dust jacket. Clean copy.

Softcover. Canberra AU, National Gallery of Australia, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. From his studio in the heart of New York, Australian-born Anton Bruehl created inventive and perfectly realized color photographs for advertisements in top American magazines such as Vogue and the New Yorker. Seen by the millions of readers, his ads had a dedicated following eliciting bags of fan mail. As well as advertising, Bruehl produced evocative images of stars of stage and screen, other celebrities, seasonal child studies, and his personal photography in the classic documentary tradition including his award-winning photo book Mexico (1933) and Tropic patterns (1970). Essays cover the early lives of the Bruehl brothers in Australia; Anton's success in New York, including his most famous and whimsical advertising campaigns; and fascinating details on Bruehl-Bourges color process which gave Breuhl's photographs their distinctive look. Illustrated with Bruehl's photographs, magazine prints, and printers proofs, this book is a must for anyone interested in photography, advertising, and popular culture. In publisher's shrinkwrap.

Hardcover. NY, Skira, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages. A splendid monograph on an unconventional photographer who developed a unique and deeply personal vision of the world surrounding him. Walter Chappell (1925-2000) is considered one of the foremost figures in twentieth-century American photography. His thinking and vision of the world were closely connected with the intimistic, spiritual explorations undertaken between the 1950s and the 1970s by artists like Minor White and Paul Caponigro. While Chappell photographed various subjects, his inner eye was stimulated in particular by the form of the human body and landscapes as well as the combination of both, through which he endeavored to perceive the creative flow, the energy that runs through and connects all things. Produced to accompany the first major European retrospective of Walter Chappell's work, this catalog presents over 130 photographs, all originals, as well as the unfinished and previously unpublished album World of Flesh, which the photographer intended as the primary publication on his work. Clean copy.

Hardcover. NY, Aperture, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers with black lettering, 160 pages. American Mirror is award-winning photographer Philip Montgomery's dramatic chronicle of the United States at a time of profound change. Through his intimate and powerful reporting and a signature black-and-white style, Montgomery reveals the fault lines in American society, from police violence and the opioid addiction crisis to the Covid-19 pandemic and the demonstrations in support of Black lives. Yet in his unflinching images, we also see moments of grace and sacrifice, glimmers of solidarity and tireless advocates for democracy. Like Dorothea Lange and Walker Evans before him, Montgomery has made an unforgettable testament of a nation at a crossroads. SIGNED BY MONTGOMERY on the title page.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 520 pages. New Orleans artist George Valentine Dureau (1930-2014) has always been an enigma. His status as an important artist gained momentum beginning with his first exhibition at the New Orleans Museum of Art, then the Isaac Delgado Museum of Art, in the mid-1960s. Not only did his career undergo a meteoric rise, but his work proved at once controversial and provocative, nuanced and groundbreaking. Critics and collectors embraced his bold images, describing them as sexual, sensual, exploitative, erotic, iconoclastic, and innovative. Beneath the surface, Dureau was even more complex as a person and persona, as he crafted a sensational character out of his artistic acumen. His reputation dimmed after his death, but in recent years his importance, and that of the New Orleans art scene he occupied, has once again been recognized. This lush publication features 100 large-format photographic plates, most of which have never been seen or published and surprisingly some in color. There are more than 200 illustrations and two essays to accompany the plates, along with a special section devoted to the artists and artwork of 1980s New Orleans, featuring hundreds of additional photographs, and several appendices of supplementary materials, such as interview transcripts, a timeline of Dureau's life and career, a map of important locations, and a section on relevant art publications, invitations, and posters. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Softcover. Upper Saddle River NJ, Pearson, 2nd Ed., 2006, Book: Very Good, Dust Jacket: None, Softcover, 544 pages, profusely illustrated. Minor wear to covers, no markings. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 240 pages. Arms Against Fury examines the dramatic struggle of the Afghan people through the lens of Magnum photographers, dating back to co-founder George Rodger's documentation of the country's role in World War II. Ever since, Magnum's intrepid photographers have crisscrossed the country's striking landscape from the Central Asian steppes to the parched southern desert by way of the Hindu Kush mountains surrounding Kabul and the adjacent Panjshir Valley. As early as the 1950s, Eve Arnold and Marc Riboud filed unprecedented stories from a legendary Shangri-La, showing a small kingdom struggling for statehood against the forces of underdevelopment and unfortunate geographic position during the Cold War. The ultimate overthrow of the monarchy and brutal liquidation of Afghanistan's constitutional government in 1978 heralded the arrival of Soviet-style communism. Peasants in Nuristan rebelled immediately and initiated a jihad that was covered first by Raymond Depardon and then by Steve McCurry, and later by renowned photojournalist Abbas, who also focused on the progress of the mujahedin, who eventually faced a massive Red Army invasion and savage aerial bombardments. Clean copy.

Softcover. Daytona Beach, Southeast Museum of Photography, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. Features the photography of Yuji Saiga, Naoya Hatakeyama, Norio Kobayashi and Toshio Yamane. Clean copy.