history

Hardcover. Chicago, University Of Chicago Press, 1st US, 2001, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover with dust jacket and slipcase. Full color and black & white illustrations. Beautiful copy with light sunning to dust jacket spine, Clean, tight copy. The technical problems with the Last Supper began as soon as Leonardo started to paint it. He jettisoned the traditional fresco technique of applying paint to wet plaster, a method unsuited to Leonardo's slow and thorough execution, and created the work instead with an experimental technique that involved painting directly on the dry plaster. With this renegade method, Leonardo rendered one of the most enduring painting techniques volatile and unstable. Added to this initial complication have been centuries of pollution, tourists, candle smoke, and the ravages of age, not to mention food fights in the refectory staged by Napoleonic soldiers and Allied bombs in 1943. By the middle of the twentieth century, the Last Supper was in desperate need of a complete restoration.Pinin Brambilla Barcilon was chosen to head this twenty-year project, and Leonardo, The Last Supper is the official record of her remarkable effort. It first documents the cleaning and removal of the overpainting performed in the other attempts at restoration and then turns to Barcilon's meticulous additions in watercolor, which were based on Leonardo's preparatory drawings, early copies of the painting, and contemporary textual descriptions. This book presents full-scale reproductions of details from the fresco that clearly display and distinguish Leonardo's hand from that of the restorer. With nearly 400 sumptuous color reproductions, the most comprehensive technical documentation of the project by Barcilon, and an introductory essay by art historian and project codirector Pietro C. Marani that focuses on the history of the fresco,

Hardcover. NY, Johnson Reprint Corporation, reprint, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages, illustrated with 22 color plates and 177 in b&w. Contents: 1). Preface. 2). Major events in Leonardo's life. 3). The river. 4). The fiction. 5). Hercules. 6). Leda. 7). Bacchus. 8). Epilogue. 9). Bibliography. 10). Index. Smaller ownership sticker on inside front cover otherwise bright and clean.

Hardcover. Abington UK, Professional Books Ltd., reprint, 1981, Book: Very Good, Dust Jacket: None, Unpaginated, approximately 400 pages. A hardcover reprint of the 1679 London edition published by Sawbridge, et al. Latin text. Clean and tight.

Hardcover. Baltimore MD, Johns Hopkins University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 356 pages, b&w illustrations. Starrs offers a detailed and comprehensive look at one of America's most enduring institutions. Richly illustrated with 130 photographs and maps, the book combines the authentic detail of an insider's view (Starrs spent six years working cattle on the high desert Great Basin range) with a scholar's keen eye for objective analysis. Tracing the geography and history of ranching in the United States, Starrs tells how Anglo settlers first encountered the open grasslands of the West - an environment alien to most of the European experience." Clean copy.

NY, Basic Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 793 pages. In this exceptionally innovative work, Walter McDougall projects on a large screen four hundred years of exciting voyages of discovery, pioneering feats, engineering marvels, political plots and business chicanery, racial clashes and brutal wars. It is a chronicle complete with little-known facts and turning points, but always focused on the remarkable people at the center of events, among them the America-loving Japanese ambassador to Washington on the eve of the attack on Pearl Harbor, the Russian builder of the Trans-Siberian Railway, and a Hawaiian queen during the first period of Western competition for the islands.Let the Sea Make a Noise . . . is a gripping account of the rise and fall of the empires in the last, vast, unexplored corner of the habitable earth -- an area occupying one-sixth of the globe. Clean copy.

Hardcover. Boston, Houghton Mifflin, 3rd pr., 1960, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine. 471 pages, Walker Evans photos up front. In the summer of 1936, Agee and Evans set out on assignment for "Fortune" magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941. "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century. The time is the mid-1930s, in the depths of the Great Depression. Tenant farmers down South are struggling with deepening debt, chronic illnesses in their families (NO health care), land suffering from drought and the hopeless, grinding poverty much of America suffered through in that era. Clean copy. Lacks the dust jacket.

Softcover. San Francisco , Chronicle Books, 1st, 1992, Book: Very Good, Dust Jacket: None, 120 pages. Softcover. A very clean, unmarked copy with only minor edgewear. A history of American typography and graphic design throughout the industrial age. 200 color illustrations throughout.

Hardcover. New York, Naval History Society, 1st, 1915, Book: Near Fine, Dust Jacket: None, 240 pages, b&w illustration. White vellum spine and corners with blue-gray boards, gilt lettering on spine, top edge gilt. Limited to 600 copies, this is #582. Beautiful bright copy.

Hardcover. New York, Naval History Society, 1st, 1915, Book: Near Fine, Dust Jacket: None, 240 pages, b&w illustration. White vellum spine and corners with blue-gray boards, gilt lettering on spine, top edge gilt. Limited to 600 copies, this is #590. Beautiful bright copy.

Hardcover. NY, Brentano's , reprint, 1904, Book: Very Good, Dust Jacket: None, Hardcover, cloth spine with printed paper label; gray printed paper over cardboard boards. In 1669, a Parisian bookseller published a slim volume called Portuguese Letters, which unveiled a love affair between a young Portuguese nun and a French officer that had occurred a few years earlier during a war-torn period in Portugal. The book contained 12 passionate love letters from the nun when the officer was forced to return to France. The letters took Paris by storm. They spoke of love in a manner so direct, so precise, and so raw, they sent shivers of recognition through the sophisticated stratums of polite society. Equally remarkable was the mystery that surrounds the letters: the author was unknown, and most people assumed they were the fictional product of a French aristocrat. Copy of the 1817 London edition including a frontispiece portrait of the nun writing a letter. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, light brown cloth w/ black lettering on spine., 237 pages. Lightest of edgewear to dj. A collection of 42 letters written between 1769 and 1777 by Eddis, a young Englishman, loyal to the Crown. The correspondence offers unique insights into a critical point in American history, especially around the Cheapeake area where he was a resident. Name on front fly leaf, otherwise clean.

Hardcover. NY, Abrams, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages. Rare notes, memos, and telegrams from Humphrey Bogart, Audrey Hepburn, Frank Sinatra, Jane Fonda, and more. Letters from Hollywood reproduces in full color scores of entertaining and insightful pieces of correspondence from some of the most notable and talented film industry names of all time--from the silent era to the golden age, and up through the pre-email days of the 1970s. Culled from libraries, archives, and personal collections, the 135 letters, memos, and telegrams are organized chronologically and are annotated by the authors to provide backstories and further context. While each piece reveals a specific moment in time, taken together, the letters convey a bigger picture of Hollywood history. Contributors include celebrities like Greta Garbo, Alfred Hitchcock, Humphrey Bogart, Frank Sinatra, Katharine Hepburn, Marlon Brando, Elia Kazan, Cary Grant, Francis Ford Coppola, Tom Hanks, and Jane Fonda.

Hardcover. London, Staples Press, 1st, 1949, Book: Very Good, Dust Jacket: Good, 463 pages. Hardcover. Dust jacket with light wear, chips & rear cover lightly soiled, now protected with a plastic cover. Light foxing, soiling to edges. Else a clean, tight copy.

Hardcover. Cleveland, Ohio, Alexander T. Bunts, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, 219 pages. Limited first edition copy. Minor fading on blue cloth cover. Faded sticker mark on front flyleaf. Otherwise, a very clean and tight copy.

Hardcover. Rhode Island Library, Brown University, 1st, 1927, Book: Very Good, Dust Jacket: None, 72 pages. B/w illustrations throughout. Pages untrimmed. Covered in navy blue fabric with gilt title on spine. Some very light fraying at top and bottom of spine, as well as corners of front and back boards. Pages lightly yellowed with age. Original correspondence of Abraham Lincoln, includes copied samples of actual letters.

Hardcover. Boston, Charles E. Goodspeed, 1st, 1902, Book: Very Good, Dust Jacket: None, 88 pages, hardcover. Edited by Charles Knowles Bolton. Correspondence during the American revolutionary war. Mild fading to spine and top edge. Mild rubbing and edgewear to boards as well. Rough cut top edge. Minor bumping to corners. Frontispiece intact. Unmarked. A bright and tight copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 1974-1981, Book: Very Good, Dust Jacket: Very Good, All six volumes. Hardcover with dust jackets. Release dates range from 1974-1981. All first editions. Volume six has clipped dust jacket. Light fraying to dust jackets otherwise, clean, tight copies. Decorative staining on top text block. Black and white dust jacket.

Hardcover. NY, Walker & Company, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 377 pages. A pleasing copy of these letters from Galileo's daughter that capture life in a convent in the early seventeenth century and of course the love of her father as well. Side-by-side Italian and English text. Clean copy.

Princeton NJ, Princeton University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 264 pages, still in publisher's shrinkwrap. Lewis Carroll began photographing children in the mid-nineteenth century, at a time when the young medium of photography was opening up new possibilities for visual representation and the notion of childhood itself was in transition. In this lavishly illustrated book, Diane Waggoner offers the first comprehensive account of Carroll as a photographer of modern childhood, exploring how his photographs of children gave visual form to emerging conceptions of childhood in the Victorian age. Situating Carroll's photography within the broader context of Victorian visual and social culture, Waggoner shows how he drew on images of childhood in painting and other media, and engaged with the visual language of the Victorian theater, fancy dress, and Pre-Raphaelitism. She provides the first in-depth analysis of Carroll's photographing of boys, which she examines in the context of boys' education and reveals to be a significant part of his photographic career. Waggoner draws on a wealth of rare archival material, demonstrating how Carroll established new aesthetic norms for images of girls, engaged with evolving definitions of masculinity, and pushed the idea of childhood to the limit with his use of dress and nude images

Hardcover. York PA, Historical Society of York County,, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt lettering, square, tight unmarked copy, lettering on cover is faded. 185 pages illustrated in color. Foreword by Robert P. Turner; introduction by Donald A. Shelley. In a brown slipcase with a label on front.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover, 395 pages, Like new in publishers shrink-wrap. Lewis Morley - I to Eye will illuminate and crystallise this body of work in a career retrospective, incorporating literally hundreds of photographs covering all aspects of Morley's work, from England, france and the united States, also the fashion beginnings in the 1950s through the personality portraits of the 60s to his work of the 70's, 80s and 90s. In a career that has spanned some 50 years, Morley has worked with equal ease in theatre, fashion, portraiture, magazine photography and documentary reportage. His body of work, particularly his portraits of key figures of 1960's London, is highly recognised, and with his famous photo of Christine keeler naked upon a chair, Morley produced an image that is probably one of the most memorable (and most copied) of any photographs of any time.

Hardcover. Sydney AU, T&G PUBLISHING, 1st, 2011-11-15, Book: Very Good, Dust Jacket: Very Good, Hardcover, 395 pages, Like new in publishers shrink-wrap. Lewis Morley - I to Eye will illuminate and crystallize this body of work in a career retrospective, incorporating literally hundreds of photographs covering all aspects of Morley's work, from England, france and the united States, also the fashion beginnings in the 1950s through the personality portraits of the 60s to his work of the 70's, 80s and 90s. In a career that has spanned some 50 years, Morley has worked with equal ease in theatre, fashion, portraiture, magazine photography and documentary reportage. His body of work, particularly his portraits of key figures of 1960's London, is highly recognised, and with his famous photo of Christine keeler naked upon a chair, Morley produced an image that is probably one of the most memorable (and most copied) of any photographs of any time.

NY, Walker, 1st , 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos by Hine. 156 pages. Related material laid-in: exhibition card and newspaper article by author on Hine. Previous owner's stamp front fly leaf, old ink price on flap. Light edgewear, soil to dust jacket otherwise VG/VG