history

Hardcover. New York, Harry N. Abrams, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color photographs. Foxing to endpapers, with faint darkening to page edges. Dust jacket shows light wear. Clean, tight copy.

Hardcover. New York, Harper, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 720 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Softcover. Philadelphia PA, Philadelphia Museum of Art , 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 397 pages, 127 color plates, many bw plates. Issued in conjunction with a series of 1984 exhibitions. "The Dutch in the seventeenth century placed a premium on naturalistic accounts of their surroundings, be they in the form of portraits, landscapes, still lifes, or scenes of everyday life -- what we have come to call 'genre' painting. With this art, the painter recorded the look, the manners, the character of those quotidian events, which comprise day-to-day existence." This book features essays on both the artists and on life and culture during this time. The catalogue addresses 127 paintings: first, in color plates, and secondly, with lengthy annotations and small BW illus. The concluding bibliography is substantial. Clean copy.

Hardcover. Dynamite Entertainment, 1st, 2017, Hardcover, glossy pictorial boards, 272 pages. A celebration of the great artists who revolutionized horror comics in the 1970s with their work on Warren's Vampirella, Creepy, and Eerie horror comics. This first-ever comprehensive history of Spanish comic books and Spanish comic artists reveals their extraordinary success -- not just in Spain and America, but around the world. Containing artwork from over 80 artists, this in-depth retrospective includes profiles of such legends as Esteban Maroto, Sanjulian, Jose Gonzalez, Jordi Bernet, Enrich, Victor De La Fuente, Jose Ortiz and Luis Garcia Mozos. With 500 illustrations, over half scanned directly from the original artwork, Masters Of Spanish Comic Book Art honors the "Golden Generation" whose artwork inspired the imagination of comic book lovers everywhere. Clean copy.

Hardcover. NY, Ballantine Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. This beautifully printed volume belongs on your Hollywood shelf beside the works of Kobal, Trent & Lawton, Vieira, and anything else on or by George Hurrell. A brief 30-page recap of the history of still photography in the movie industry is followed by 255 pages showing examples of the work of 43 of the most notable stills men (including two women) who snapped the stars, scenes, and environment of the movies during their first 60 years. A brief chronology of the career of each photogher is included. All the photos are given their best reproduction on heavy enameled stock. Clean copy.

Hardcover. New York, Ballantine Books, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 287 pages. Hardcover with dust jacket. Black and white and color pictures throughout. Clean, tight copy. This beautifully printed volume belongs on your Hollywood shelf beside the works of Kobal, Trent & Lawton, Vieira, and anything else on or by George Hurrell. A brief 30-page recap of the history of still photography in the movie industry is followed by 255 pages showing examples of the work of 43 of the most notable stills men (including two women) who snapped the stars, scenes, and environment of the movies during their first 60 years. A brief chronology of the career (as far as it is known) of each photog is included.

Softcover. New York, iUniverse, Inc., 1st, 2008, Book: Very Good, Dust Jacket: None, 97 pages. Softcover. B/w illustrations throughout. In excellent condition. Very clean inside and out.

Hardcover. New York, Kluwer Academic/Plenum , 1st, 2000, Book: Very Good, Dust Jacket: None, 237 pages. Hardcover with laminated boards. Previous owner's stamp in front fly leaf, otherwise, clean, tight copy with minor wear to covers. Black and white pictures throughout.

Hardcover. Kent UK, Winterdown Books, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 107 pages. Limited to 375 copies. Clean copy.

Softcover. New York, E. P. Dutton, Reprint, 1978, Book: Very Good, Dust Jacket: None, 199 pages. Softcover. Black & white illustrations throughout. Covers in very good condition with light toning to rear cover. Clean, unmarked copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 289 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Klein surveys the history of Matisse's portraits and their sitters, with attention to the details of the financial transaction or other agreement that caused the painting to be made. An analysis of Matisse's self-portraits is also provided. Klein works chronologically, detailing the artist's developing style, but remains attached to his biography as well, with many quotes about Matisse or his works from contemporary sources. This volume is well illustrated with b&w and color plates.

Hardcover. Munich, Williams College Museum of Art/Prestel, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 812 pages. Blue cloth slip case, 2193 illustrations including 100 color plates. Book still in shrink wrap, in excellent condition. If you think that Maurice Prendergast (1858-1924) only produced decorative park and beach scenes rendered in an abstract style, these two new volumes will set the record straight. Thanks in large part to the generosity of the Eugenie Prendergast Foundation, Mathews has produced a splendid exhibition catalog that surveys the career of the American Impressionist. She also labored for over six years as part of a team of art historians to create a monumental, ten-pound, slip-cased tome that documents the total artistic output of the two Prendergast brothers, Maurice and Charles, A Catalogue Raisonne. A good balance has been struck between the books. The exhibition catalog, of interest to both lay people and scholars, offers a chronological discussion of Maurice's ever-evolving style along with selected works represented by 130 glorious color plates. In contrast, the comprehensive catalogue raisonne , with its highly detailed essays by eight art historians, features 2200 illustrations, 100 of which are in color. All works discussed are represented by an image and catalog entry and range from the sketchbooks, monotypes, and applied graphics of Maurice to the carved and painted panels and sculpture of Charles (1863-1948). A Herculean achievement, the catalogue raisonne will long serve as a cornerstone in the arena of American art history reference.

Hardcover. Germany , Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, 156 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color photographs throughout. In the early 1970s, the workers at a steel smelting factory east of Havana wrote to Fidel Castro describing their housing needs. Out of this exchange a new city called Alamar was born, conceived by the same workers who would build it and live there. Today it is abandoned; Mauro D'Agati's photographs examine its eccentric spaces.

Hardcover. New York , Pantheon, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 136 pages, b&w illustrations by Spiegelman. The second installment of the Pulitzer Prize-winning graphic novel acclaimed as "the most affecting and successful narrative ever done about the Holocaust" (Wall Street Journal) and "the first masterpiece in comic book history" (The New Yorker).A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

Softcover. NY, Pantheon, reprint, 1986, Book: Very Good, Dust Jacket: None, Two softcover volumes in a cardboard slipcase. Vol. 1: My Father Bleeds History, Vol. 2: And Here My Trouble Began. Slipcase has some light rubbing, books are clean and bright. A brutally moving work of art--widely hailed as the greatest graphic novel ever written--Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.

Hardcover. New Haven CT, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself.Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music-classical, popular, and jazz-and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.Leer menos

Hardcover. NY, George Braziller, 1st US, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 288 pages. Chapters include Semiology and Architecture by Charles Jencks, Meaning into Architecture by Geoffrey Broadbent and 'La Dimension Amoureuse' in Architecture by George Baird, The Time House or Argument for an Existential Dwelling by Martin Pawley. Packed with black and white reproductions of unusual buildings. Mild edgewear to dust jacket, clean copy.

Softcover. Tuscaloosa, University of Alabama Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover. This collection of Ford's works focuses on the development of ceramic chronology-a key tool in Americanist archaeology. When James Ford began archaeological fieldwork in 1927, scholars divided time simply into prehistory and history. Though certainly influenced by his colleagues, Ford devoted his life to establishing a chronology for prehistory based on ceramic types, and today he deserves credit for bringing chronological order to the vast archaeological record of the Mississippi Valley. This book collects Ford's seminal writings showing the importance of pottery styles in dating sites, population movements, and cultures. These works defined the development of ceramic chronology that culminated in the major volume Archaeological Survey in the Lower Mississippi Alluvial Valley, 1940-1947, which Ford wrote with Philip Phillips and James B. Griffin. In addition to Ford's early writings, the collection includes articles written with Griffin and Gordon Willey, as well as other key papers by Henry Collins and Fred Kniffen. Clean copy in publisher's shrinkwrap.

Hardcover. New York , The Vanguard Press, Inc, reprint, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages, b&w illustrations. Light shelf-wear and rubbing to dust jacket, faint musty smell. Clean, tight copy.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering on spine, 439 pages, illustrated with 108 black & white halftones. A critical study of this key figure and the works of his contemporaries-including Borelli, Swammerdam, Redi, and Ruysch-opens a wonderful window onto the scientific and medical worlds of the seventeenth century. A clean, bright copy lacking the dust jacket.

Hardcover. London, Michael Joseph, 1st UK, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED & DATED BY THE AUTHOR on the title page. Clean, like new.

Hardcover. New Haven CT, Yale University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 387 pages. Color and b&w illustrations. Leading medieval historian Nicholas Orme draws together a vast range of sources and disciplines-history, literature, religion, and art-to create a picture of medieval childhood more comprehensive than ever before. Beginning with pregnancy and childbirth, Orme explores the succeeding stages of a child's growth to adulthood. He discusses baptism, the significance of birthdays and ages, and family life, including upbringing, food, clothes, sleep, and the plight of the poor. He also chronicles the misfortunes of childhood, from disablement, abuse, and accidents to illness and death. In a fascinating review of the special culture of children, the author describes their rhymes, toys, and games; their religion and relationship to the Church; and their learning to read the literature for children. The final chapter of the book explains how adolescents grew up and entered the adult world. Mild fade to spine, front fly leaf with two small scars to black paper, otherwise a clean, bright copy.

Softcover. London, The Hambledon Press, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. The inner workings of early medieval societies cannot be understood without also studying their links - religious, cultural, economic and political - with their neighbours. In this collection Karl Leyser shows how Ottonian and Salian Germany both influenced and was influenced by the societies with which it came into contact. While the author's central interest is in Germany, his work is of value for the study of medieval European society as a whole. Clean copy.

Hardcover. NY, Aperture, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 118 pages with b&w plates. From Italy, France, Spain, Greece, Macedonia, Turkey, Tunisia, Syria, and Jordan, Jodice's luminous photographs evoke a vision of Mediterranean civilization that is a conflation of history and mythology. His dramatic yet ethereal images refuse both classical and contemporary boundaries in a fusion of the topographical and the intimate. Ruined temples, lost cities, heroic landscapes, gods and goddesses, vistas of Vesuvius and of the omnipresent sea transcend the constraints of their historical context in terms of both time and space. Clean copy.