history

Hardcover. South Tamworth NH, Bearcamp Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with a sunned spine, 151 pages. Signed by the author on the title page. Writings on the beginnings of cycling. B&w illustrations. Previous owner's stamp on front fly leaf, otherwise clean.

Hardcover. Chicago, University Of Chicago Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. Covering a wide range of buildings--from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks--Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts. By looking through Alofsin's eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.

Hardcover. NY, William Morrow , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1906 the baseball world saw something that had never been done. Two teams from the same city squared off against each other in a World Series that pitted the heavily favored Cubs of the National League against the hardscrabble American League champion White Sox. Now, more than a century later, noted historian Bernard A. Weisberger tells the tale of a unique time in baseball, a unique time in America, and a time when Chicago was at the center of it all. 213 pages, b&w photos. Clean copy.

Hardcover. Washington DC, Smithsonian Institution Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 292 pages, b&w illustrations. SIGNED BY BOTH AUTHORS on the title page. Additionally INSCRIBED BY COHN on the dedication page. Kevin J. Crisman and Arthur B. Cohn show how a confluence of geographic, technological, economic, and social conditions in the United States and Canada turned an ancient idea into a practical alternative to more expensive and dangerous steamboats. Reviewing evidence from travelers' memoirs, regional histories, pictorial records, and the only horseboat ever studied by archaeologists - a wreck on the floor of Lake Champlain's Burlington Bay, in Vermont - the authors trace the evolution of horseboats from early mechanisms that forced the animals to walk in tight circles to "endless floor" treadmills that resembled modern exercise machines. In a lively narrative interspersed with quotes from passenger accounts, the book charts the rise and demise of horseboat businesses on the Hudson River, as well as in New York City, St. Louis, and Halifax, Nova Scotia. The authors also describe and record the underwater excavation of the Lake Champlain wreck, revealing a wealth of detail about the construction and operation of a typical treadwheel horseboat of the 1830s and 1840s. Clean copy.

Hardcover. Baton Rouge, Louisiana State University Press, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 251 pages including index. Clean copy.

Hardcover. NY, Reynal and Hitchcock, 1st, 1947, Book: Very Good, Dust Jacket: Poor, Hardcover in a tattered and chipped dust jacket. Off-white cloth with black spine title. 217 pages, b&w drawings by the author. Translated from the French, Quand les Cathedrales Etaient Blanches, by Francis E. Hyslop, Jr. Dj is poor with tape repair to the reverse side. Book has a small stamp to the front fly leaf, otherwise clean.

Hardcover. New York, Free Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 346 pages, b&w photographs. Remainder mark to top edge. Small tear to dust jacket. Else a very clean, tight copy. Documents the story of the luxury liner that burned off the coast of New Jersey in 1934, drawing on previously classified FBI reports and first-person survivor interviews to reveal how the Morro Castle's captain died under mysterious circumstances seven hours before the ship caught fire and how many of the crew abandoned ship, leaving passengers to fend for themselves.

Hardcover. Ames IA, University Museums at Iowa State, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 398 pages. Mainly b&w illustrations with a small color section in center. In 1927, President Raymond Hughes began planning aesthetic improvements to the Iowa State campus. In 1933, at the depth of the Great Depression, and in an act that dramatically illustrates his artistic commitment, he began discussion with Grant Wood and Christian Petersen for each to create a significant mural cycle for the Iowa State College campus in Ames. The federal New Deal s Public Works of Art Project began in 1934 and offered a grand opportunity to employ artists in executing Grant Wood s painted mural for the library, When Tillage Begins, Other Arts Follow, and Christian Petersen s sculpted mural for the Dairy Industry Building, The History of Dairying. This book presents the first history of the Public Works of Art Project in Iowa and the first in-depth examination of the Grant Wood and Christian Petersen murals at Iowa State College. It also discusses the co-operative painting group that Grant Wood developed and illuminates the collaborative nature of the Iowa Project among its artists, as well as between the State University of Iowa in Iowa City and Iowa State College in Ames. Clean, like new. DOMESTIC SHIPPING ONLY.

Hardcover. London, Quiller Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 432 pages. Profusely illustrated in color and b&w, folding map in rear pocket. The story of Lake Rudolph/Turkana, and its exploration by numerous expeditions of explorers from the earliest days. The author has spent his life in Kenya and roamed the Northern Frontier District for over 35 years. Clean copy.

Hardcover. London, George Allen & Unwin , 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover. Very good copy in the original title-blocked black cloth with red lettering. 178 pages including index. The Russian revolutionary's thesis on the economic and political decline of England. Clean copy.

Softcover. Princeton NJ, Princeton University Press, 1st pbk, 2007, Book: Very Good, Dust Jacket: None, Softcover, 417 pages. To date, the world can lay claim to little more than 190 sovereign independent entities recognized as nation-states, while by some estimates there may be up to eight hundred more nation-state projects underway and seven to eight thousand potential projects. Why do a few such endeavors come to fruition while most fail? Standard explanations have pointed to national awakenings, nationalist mobilizations, economic efficiency, military prowess, or intervention by the great powers. Where Nation-States Come From provides a compelling alternative account, one that incorporates an in-depth examination of the Russian Empire, the Soviet Union, and their successor states. Clean copy.

Hardcover. NY, Metro Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The late nineteenth century brought a transportation explosion in North America and Europe, much of it produced by the steam engine, which by that time had become strong and versatile enough to power ocean-crossing vessels and large freight trains. Where Rails Meet the Sea tells the exciting story of how the transportation industry was revolutionized by steam power and how the industry in turn changed the face of the world. Written by an expert in the history of ships and trains and heavily illustrated throughout in color and b&w.

Hardcover. Newtown CT, The Taunton Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 266 pages. The past has left behind only scattered clues that, on their own, provide little insight into how the people of early America lived and the details of their daily lives. The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life. Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolved over the centuries, and how it's used today.

Hardcover. NY, Bobbs-Merrill , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 226 pages, b&w photos. An expose' of the World Football League: "The story of the men who manipulated bodies to make or prevent touchdowns and the men who manipulated the dream of owning a professional football team to make fortunes for themselves." It all ended with lies, financial sleights-of-hand, and bounced checks. Rare and informative look at "the complexities of creating a major sports empire." Dust with short closed tear, wrinkle to front flap. Name on front fly leaf, otherwise clean.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 440 pages, colo and b&w illustrations. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.

Hardcover. New Haven CT, Yale University Press, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 440 pages, illustrations in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. The first biography in more than twenty years of James McNeill Whistler (1834-1903) is also the first to make extensive use of the artist's private correspondence to tell the story of his life and work. This engaging personal history dispels the popular notion of Whistler as merely a combative, eccentric, and unrelenting publicity seeker, a man as renowned for his public feuds with Oscar Wilde and John Ruskin as for the iconic portrait of his mother. The Whistler revealed in these pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing. In his beautifully illustrated and deeply human portrayal of the artist, Daniel E. Sutherland shows why Whistler was perhaps the most influential artist of his generation, and certainly a pivotal figure in the cultural history of the nineteenth century. Whistler comes alive through his own magnificent work and words, including the provocative manifestos that explained his bold artistic vision, sparked controversy in his own time, and resonate to this day.

Softcover. Chapel Hill, University of North Carolina, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 378 pages. Namias shows that visual, literary, and historical accounts of the capture of Euro-Americans by Indians are commentaries on the uncertain boundaries of gender, race, and culture during the colonial Indian Wars, the American Revolution, and the Civil War. She compares the experiences and representations of male and female captives over time and on successive frontiers and examines the narratives of captives Jane McCrea, Mary Jemison, and Sarah Wakefield. Clean copy.

Softcover. Portland ME, F/64 Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 321 pages. Regional history of a major transportation hub between Vermont and New Hampshire. SIGNED BY AUTHOR on title page.

Hardcover. NY, Viking, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 480 pages. In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing--if occasionally entertaining--poor white trash. "When you turn an election into a three-ring circus, there's always a chance that the dancing bear will win," says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg.The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as "waste people," "offals," "rubbish," "lazy lubbers," and "crackers." By the 1850s, the downtrodden included so-called "clay eaters" and "sandhillers," known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds.

Softcover. Chapel Hill, University of North Carolina Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 327 pages. For decades, historians have primarily analyzed charges of black-on-white rape in the South through accounts of lynching or manifestly unfair trial proceedings, suggesting that white southerners invariably responded with extralegal violence and sham trials when white women accused black men of assault. Lisa Lindquist Dorr challenges this view with a careful study of legal records, newspapers, and clemency files from early-twentieth-century Virginia. White Virginians' inflammatory rhetoric, she argues, did not necessarily predict black men's ultimate punishment. Bump to top rear corner otherwise very good, clean.

Softcover. UK, PS Artbooks, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. A facsimile reprint from 1941, 68 pages. Color art by C.C. Beck, Pete Costanza, Charles Sultan, Binder Studio et al. Another classic pre-war issue of Fawcett's #1 title, where Captain Marvel and all these other characters got their start. CM goes after a Nazi commander to rescue Whitey and Mr. Morris. Classic cover! Back-up strips include Doctor Voodoo, Ibis, Golden Arrow, Spy Smasher, Lance O'Casey.

Softcover. UK, PS Artbooks, reprint, 2024, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers. A facsimile reprint from 1940, 68 pages. Color art by C.C. Beck, Pete Costanza et al. The origin and first adventures of Captain Marvel (issue #1 was an ashcan). Young Billy Batson discovers the magical word that transforms him into the mighty Captain Marvel. Includes the first appearance of these back-up strip stars, most who would get their own title: Spy Smasher, Ibis, Golden Arrow, Dan Dare, Scoop Smith and Lance O'Casey. First appearance of arch villain Sivana. Clean, like new.

Hardcover. London, Dennis Dobson Limited, 1st, 1953, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 111 pages, b&w illustrations. Colin Wills writes with the cool objectiveness of one who is not personally involved in the struggle, and the result is a book which searched deep and yielded information not be found elsewhere at the time. It does not merely deal with Mau Mau, but with the whole problem of Kenya, which in turn was the problem of all Africa - that of race relations. Clean copy.

Hardcover. NY, GP Putnam And Sons, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. his counting book has so much going for it that the inexplicable and jarring turn it takes at number seven is disappointing. Its most outstanding feature is Laroche's artwork-a mixture of drawing, painting, and paper-cutting on a variety of surfaces-that offers exquisite detail, from white-capped waves to feathery moth antennae to architectural features on the carefully rendered buildings. And there are more delights to this book: an afterword on the history of lighthouses; a key to the 11 found in the book; and handsome endpapers that list American lighthouses in continuous rows, state by state.